💕「愛台灣,我的選擇」系列第16發:熱愛台灣詩的美國學者白瑞梅(Amie Parry)
「我在加州內陸地區一個叫做聖伯納迪諾的小城市長大,隨後在聖地牙哥念大學和研究所,並獲得文學博士學位。求學期間我們必須至少選修一門外語,所以我就選了中文。1987年我大學畢業之後,跟朋友來了台灣一趟,在台灣教英文和學中文六個月,接著就自己一個人當起背包客在亞洲四處旅遊。
我本來想要研究中國古典詩詞,後來因為獲得傅爾布萊特獎學金,便又再度回到台灣。當時我在討論詩詞的聚會上認識了幾位現代派詩人,所以我就將研究主題轉而聚焦在台灣60、70和80年代的現代詩。我的博士論文探討的就是,以現代主義來理解現有政治語言中難以理解的現代性。我認為歷史形塑而來的經驗,往往比語言本身還要複雜。
我研究的那些詩作沒有明確的政治性,反而是有很強的實驗性質,並帶著詭譎的神秘感。當時我認識的現代派詩人大多是跟著國民黨飄洋過海來台的外省人,他們經歷過戰爭和顛沛流離,也經歷過劇烈且痛苦的歷史創傷。每個人的經驗都不同,在那個年代,也很難說出口。後來,我寫了一本關於詩的書,並聚焦在一兩位我覺得特別有趣的詩人。我在書中問了一些類似的問題:這些詩作如何幫你思考艱難的議題?
當時的現代詩已經頗有制度,許多詩人都有投稿《現代詩》這份重要的詩刊,有些詩人則是將詩作與戲劇結合。整體而言,台灣的現代詩、表演藝術和文學都發展地如火如荼,也深深吸引了我,但我還未全盤了解。當我完成博士論文時,我便獲得交通大學的教職,讓我對台灣的學術圈感到非常驚艷。而當我出版第一本著作時,我也很訝異能在美國獲獎;我根本不知道自己獲得提名,當時我問授獎單位:「為什麼選擇我的書?」他們表示:「因為書中其中一個章節是以跨國的架構來進行整體論述,妳不是單用西方的理論和東方的詩詞,而是從東西方共同錘煉出嶄新的知識。」
我目前任教於中央大學英美語文學系,除了擔任系主任之外,我也有教授寫作課、文學課和文學文化理論課程。從我1987年第一次來台灣到現在,我覺得台灣人愈來愈能自在地與來自不同地方的人交談,就個人經驗來說,我認為台灣社會愈來愈開放。我第一次來台灣時,經歷了許多台灣社會有趣的發展,也結交了許多朋友,並認識了許多學術圈的同好。我想,這些珍貴的回憶就是呼喚我再度回台的動力;就像是,如果你覺得這個社會充滿生氣和活力,而你也能夠參與其中、做出貢獻,我想這就是像家一樣的感覺吧!」
✨白瑞梅 Amie Parry 現為中央大學英美語文學系 專任教授
💕Why I chose Taiwan #16 – Amie Parry
“I grew up in a small city in inland California called San Bernardino. I went to college and graduate school in San Diego. I got my PhD in literature. We were all expected to learn at least one language, so I did Chinese. I traveled to Taiwan with a friend right after I graduated from college in 1987. We came here to teach English and study Chinese for six months, then I traveled around Asia by myself with a backpack.
I originally wanted to study classical Chinese poetry. I got a Fulbright grant and I came back here. I started going to the poetry nights that were happening at that time. I met some of the modernist poets, and I switched my focus to the modernist poetry of the 60s, 70s, and 80s in Taiwan. I wrote my dissertation on modernism as a way of understanding the parts of modernity that are hard to know in the existing political language that we inherit. I think that experience in historical formation is always more complicated than the language.
These poems are not explicitly political; they're very experimental and strange. At the time, the modernist poets I met were mostly 外省, men who had been drafted and come over with the KMT, so they had experienced war and displacement, and a very intense and traumatic historical moment. People experienced it differently, and at that time, it was a hard thing to talk about. Later, I wrote a book about poetry, but I just focused on one or two poets I find really, really fascinating. And I was asking some of the same kinds of questions: how can these poems help you think about certain topics that are hard to think about?
At that time, Modernist poetry was a kind of an institution already. There was a journal called 現代詩, “Modern Poetry,” a really important journal that most of these poets were published in. Some of them combined poetry and theater. There's just so much going on in Taiwan in terms of poetry and performance and literature. It's just amazing. And I'm very interested in it at all, but I haven't kept up. After I finished my dissertation, I got a job offer at 交大. I thought, wow, there's something really amazing happening intellectually here. When my first book came out, it actually got an award in the U.S., and I was so surprised. I didn't even know it had been nominated. I asked them, ‘Why did you choose my book?’ And they said, because one of the chapters has a transnational of framework for the whole argument, so it wasn't like you used Western theories and Eastern texts, it's like the whole knowledge part is coming out of both places.
I currently teach in the English department at National Central University. I'm the chair and I teach writing classes, literature classes, and literary and cultural theory classes. Since my first visit to Taiwan in 1987, I think people are a little more comfortable talking to people from different places. In my personal interactions, I feel a difference, like a greater openness. Back then, there were so many interesting things happening here, all at one time, and that's the time that I happened to be here. And I made good friends in my personal life and in my intellectual life. And I think those are the things that made me come back: like if you feel that there's something interesting happening and there's some way that you can support it. I guess that's a way of feeling at home.” — Amie Parry
✨Amie Parry is professor of the Department of English at the National Central University
同時也有66部Youtube影片,追蹤數超過11萬的網紅GreatKidsLearning,也在其Youtube影片中提到,唐詩欣賞 月下獨酌 - 李白(Drinking Alone Under the Moon) 中文原文﹕ 花間一壺酒,獨酌無相親; 舉杯邀明月,對影成三人。 月既不解飲,影徒隨我身; 暫伴月將影,行樂須及春。 我歌月徘徊,我舞影零亂; 醒時同交歡,醉后各分散。 永結無情游,相期邈雲漢。 英文翻譯...
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- 關於poetry中文 在 Pin by Clarence Shek on Chinese Calligraphy 中文書法 的評價
poetry中文 在 國立故宮博物院 National Palace Museum Facebook 八卦
#雅集 可以說是古代文士的派對(party),筵席上有精緻美味的佳餚與文藝活動助興,出席者冠蓋雲集,舉辦者張羅各種細節、參與者盛裝出席,這種慎重、期待的心情古今相通。網站設計師為大家準備了這張特別的【清 冷枚 #春夜宴桃李園 Banquet at the Peach and Plum Garden on a Spring Evening】Leng Mei (fl. 18th c.), Qing dynasty,希望大家喜歡!
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#以文會友—#雅集圖特展(2019/10/05 ~ 12/25)
陳列室:北部院區 第一展覽區 202,210,212
Friends Through Culture: A Special Exhibition of Paintings on Elegant Gatherings (05 OCT ~ 25 DEC 2019)
Gallery: 202,210,212 (Northern Branch) Exhibition Area I
中文:https://theme.npm.edu.tw/exh108/ElegantGatherings
English: https://theme.npm.edu.tw/exh108/ElegantGatherings/en/page-1.html
日本語:https://theme.npm.edu.tw/exh108/ElegantGatherings/jp/page-1.html
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畫作賞析:
本幅取材自李白(701-762)〈春夜宴桃李園序〉,描寫桃李花盛開庭園中的夜間遊宴活動,畫上除了文士飲酒賦詩,還有仕女逗弄小狗以及偷喝酒和打盹的僮僕,充滿輕鬆歡愉的氣氛。此序為李白宴會上有感而發之作,勉人珍惜良辰美景並及時行樂。
冷枚是清代康熙、乾隆朝宮廷畫家,善畫人物與宮苑景色,此畫顏色穠麗,工整嚴謹,是清宮繪畫細膩華美風格的典型之例。
【Banquet at the Peach and Plum Garden on a Spring Evening】Leng Mei (fl. 18th c.), Qing dynasty
This painting is an imaginative reconstruction from Li Bai’s (701-762) "Preface to the Banquet at the Peach and Plum Garden on a Spring Evening." It shows a garden with peach and plum trees in full bloom as figures banquet and stroll at night. The scroll also depicts scholars drinking wine and composing poetry and includes such vignettes as a lady playing with a small dog and another sneaking a sip of wine as a child attendant takes a nap to the side. The scenery is filled with an atmosphere of joy and relaxation. The preface represents Li Bai’s inspiration at the banquet to encourage people to cherish the beautiful scenery and good times, enjoying them while it lasts.
Leng Mei was a court painter during the reigns of the Kangxi to Qianlong emperors who excelled at painting figures and court scenery. The opulent colors of this work and the refined brushwork make it a typical example of the beautiful detailed style of Qing court art.
poetry中文 在 朱學恒的阿宅萬事通事務所 Facebook 八卦
我也很想寫一篇這種講稿
我一定超專業的
但是
我沒有女兒
父愛爆棚❤️
#姆士捲雜物誌
credit: Button Poetry
加入 姆士捲雜物誌
poetry中文 在 GreatKidsLearning Youtube 的評價
唐詩欣賞 月下獨酌 - 李白(Drinking Alone Under the Moon)
中文原文﹕
花間一壺酒,獨酌無相親;
舉杯邀明月,對影成三人。
月既不解飲,影徒隨我身;
暫伴月將影,行樂須及春。
我歌月徘徊,我舞影零亂;
醒時同交歡,醉后各分散。
永結無情游,相期邈雲漢。
英文翻譯 / English Translation﹕ by Betty Tseng
In amongst flowers with a bottle of wine
I drink alone for there is no one close by.
I raise my chalice to invite the shining moon,
The moon casts me a shadow and we have a triad.
The moon never learns to drink,
My shadow absent-mindedly follows me.
Nevertheless I have them around me,
Moments should be enjoyed as they be.
I sing and the moon lingers,
I dance and my shadow whirled under.
In my sober moments we rejoiced together,
It is a company no longer once I am drunk.
Such fellowship shall last despite our parted ways,
When we shall come together again is up to the remote heavens above.
poetry中文 在 Susie Woo 戴舒萱 Youtube 的評價
很多人想多了解我住的地方:這支影片你們將看到英國布萊頓周圍美麗的風景。🍂
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#英國 #新詩 #風景
poetry中文 在 GreatKidsLearning Youtube 的評價
贈衛八處士 To My Retired Friend Wei 五言古詩
中文原文﹕
人生不相見,動如參與商,
今夕復何夕?共此燈燭光。
少壯能幾時?鬢髮各已蒼。
訪舊半為鬼,驚呼熱中腸。
焉知二十載,重上君子堂。
昔別君未婚,兒女忽成行;
怡然敬父執,問我來何方。
問答乃未已,兒女羅酒漿。
夜雨剪春韭,新炊間黃粱。
主稱會面難,一舉累十觴;
十觴亦不醉,感子故意長。
明日隔山岳,世事兩茫茫。
英文翻譯 _ English Translation﹕ By Betty Tseng
We have been unable to reunite for so long,
We have been like morning and evening stars that never meet in the sky.
What a night this has been?
For us to share this candlelight.
For how long does youth last?
Your hair has greyed and so has mine.
Of the old acquaintances I called upon, half of them have ghosts become,
Aghast and gut-wrenched I cried.
All of a sudden twenty years have gone by
Before I could again call on where you reside.
You were not engaged when we went our separate ways,
You are now married with children after all this time.
They courteously greet their father's friend,
And my journey enquire.
Before I could their curiosity satisfy,
You have you son bringing out the wine.
We nibble on spring chives just gathered in the evening rain,
In a fresh meal that rough grains contain, abundant is pure joy as old friends reunite.
You marvel at how unexpected such a reunion is,
In one go you gulp down more than a pint.
Pints after, high in spirit you are yet sober still,
And I am grateful for your friendship so genuine.
Tomorrow shall find us separated by mountains again,
What the future holds is vague and undefined.
poetry中文 在 Pin by Clarence Shek on Chinese Calligraphy 中文書法 的八卦
Chinese Calligraphy, Digital Art, Poetry, Poetry Books, Poem, Poems. Clarence Shek. 22 followers. More information. Chinese Calligraphy · Digital Art. ... <看更多>
poetry中文 在 【生命之詩poetry】電影中文預告2011/1/14上映 - YouTube 的八卦
第63屆坎城影展最佳劇本獎☆ 坎城影展首映掌聲長達七分鐘☆ 法國觀影人次超過20萬人☆ 韓國奧斯卡大鐘獎 ... ... <看更多>