Pls share the news
感謝三位朋友辛勞的工作,把我那篇記錄自已在泰國被非法扣押十二小時的文章,3000字一句不漏地完整翻譯成英文,現在成功刊登在英國《衛報》。
Thank you my friends contributed to the full translation of my 3,000-word essay describing the 12-hour ordeal in a detention cell, now available on The Guardian.
(希望各位關注事件的朋友,廣傳給你身邊不懂得閱讀中文的外國人,讓他們了解向中共投誠的泰國政府,是如何封錮和打壓前往曼谷交流的香港年輕學生)
It seems that the Thai government feels it has much to fear from youth movements that promote democracy, such as mine in Hong Kong.
But my passport had been taken away, and I had been forbidden to use my phones or computers, so I could not contact anyone. They could do as they pleased. My two requests – to contact a lawyer and for them to explain the legality of their action – were both rejected with a simple “No”.
I criticised them for detaining me without any legal basis as something that was a violation of human rights and they replied: “We’ll tell you why once we have you detained.” I continued to point out that they were violating proper police procedure, but they simply replied: “You know this is Thailand, it’s like China. Not like Hong Kong!”
He was right, I thought. It is like China – not like Hong Kong. After all, the Hong Kong publisher Gui Minhai was kidnapped in Thailand last year and was eventually sent to mainland China.
So after China, Macau and Malaysia, there is now another territory I know I cannot enter. In fact, I still don’t understand why. I have never criticised the Thai government. I was only invited there to share my experiences of being a young man who took part in the umbrella movement. And this led to me being detained as soon as I stepped off the plane and being treated in a way that goes completely against human rights and the law. I spent almost 12 hours in detention and was deprived of my passport and of contact with others.
I am absolutely certain that my unlawful detention by the Thai authorities was motivated by their fear of youth movements around the world.
Indeed, young people right across the globe will only become more united and engaged as our collective yearning for democracy, civil liberties and other universal values strengthens. So too will our commitment to street activism. Our hopes and dreams transcend culture, language, country and political realities.
同時也有314部Youtube影片,追蹤數超過11萬的網紅Lukas Engström,也在其Youtube影片中提到,Do you want to see MORE videos like this one? Please consider joining my YouTube channel to get access to exclusive perks and also support me as all m...
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【Syzygy 大師名言】
" I think all kinds of meanings in life transcend your self. They're linked to other generations of people around us, to our children and our family. We're passing on something of ourselves to others. I feel that's what makes our life full of meaning. "
---- Irvin D. Yalom
「我認為生命的意義超越了自我。它與我們身邊的其他世代、與我們的孩子、家庭息息相關。我們正從我們自身傳遞某些東西到其他人身上,我感覺這便是讓生命充滿意義的原因。」-- 歐文‧亞隆
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歐文‧亞隆(Irvin D. Yalom)
1931年6月13日生於美國華盛頓特區。父母是俄羅斯人,第一次大戰後移民美國。亞隆是美國當代精神醫學大師級人物,也是造詣最深的心理治療思想家。早年師承新佛洛伊德學派大師蘇利文(Harry S. Sullivan),將以人際關係為基礎的心理治療理論發揚光大,成為美國團體治療的當代權威。他並將存在主義心理學融入心理治療之中。曾任教於美國史丹佛大學,目前是該校榮譽退休教授,仍在加州派洛艾圖及舊金山執業。他的著作極受重視,包括心理治療經典作品《存在心理治療》、《日漸親近》、《生命的禮物》、《凝視太陽》等,以及廣為人知的心理小說系列《愛情劊子手》、《診療椅上的謊言》、《當尼采哭泣》、《叔本華的眼淚》、《斯賓諾莎問題》等。
中文翻譯:#小盆栽
transcend中文 在 Betty Apple 倍帝愛波 Facebook 八卦
非常榮幸受 Cheng-Ta Yu邀請,在母校 關渡藝術節的 KdMoFA 關渡美術館 哺挫 BOOCHOA 展覽發表
擬酷液得LiqueeredX《超完美女友當機趴體 Fucking-Super-Girlfriend Crash Party》 !
這場展演計畫與開幕策劃受到今年出國展演的許多啟發,也在有限的經費內因為許多好友與新人力挺,從去年亞洲雙年展在Chim Pom作品上所聚的道上趴體,直到轉世花木蘭,此當機趴體絕對是本人歷年之創作新高峰。
免費入場,人數有限,
美什麼,藝術都不藝術了。
就為了讓你放下一切趴體投地。不管你的現實是幾點,在這場扮演開始都是即將凌晨的那點。
---------------
”超完美女友當機趴體“表演計畫,透過一場派對讓不同表演者透過模擬網路情色直播與性愛機器女郎角色之展演形象介入現場,編織網路時代的螢幕中「完美女性」各種面向,延伸陰性書寫於後網路時代的實踐方法。表演穿越現場空間,進入到觀眾手機屏幕中,呈現多重視角的現場切片,再現屏幕框內框外之形象流變與慾望誘惑之展演姿態。將「當機」為現場身體展演文本指向「趴體」挪用Party的中文諧音,即「狂歡後」的身體狀態討論呈現科技父權面的「完美」架構之外的「錯誤」姿態。
《Fucking-Super-Girlfriend Crash Party》as a party, this project allows different performers to simulate the performance images of online pornographic live streaming and female sex robot, for onsite intervention, weaving the various aspects of a “perfect female” presented through the screen in the cyber age, and deriving the practical methods of feminine writing in the post-Internet age. Digital performers and audience engagement in live-streamed performances enable performances to transcend the onsite space and enter the phone screens of audience, presenting multi-perspective slicing of the live event, and re-enacting the performances of fluid images and lusts and temptations inside and beyond the frames. Using “crash” to refer the text of live performance to the discussion of “趴體 (lying down on belly), the Chinese transliteration of “party,” which is the physical state after “crazy partying,” this work presents the status of “error” beyond the “perfect” framework of the technological patriarchy.
l 《擬酷液得Liqueered》
昨晚我們才剛在這結束一場派對,你錯過了嗎?在23點47分那刻,愛波對著麥克風,造作地從塗抹豐厚唇蜜的雙唇間,發出意味不明的爆裂吼叫聲,瞬間的情緒波動差點讓為了掩蓋平頭的粉紅假髮掉落,左手仍沒落拍地同步效果器調轉至極限。後方手臂有刺青的場控男子應和著這份情緒,將各色燈光調至急速閃爍他其實不懂,但他知道這理當是一個高潮橋段。嗡太大的聲響導致我耳鳴,倚賴的雙瞳不斷地被重複曝光,認知像是幻燈影像般進入了流變的狀態。接著,現場被紅光全面籠罩,愛波瞬間溫柔地說:「我們現在都是女生。」,這個指令讓我頓時分不清現在是在線還是離線 ……
We just finished a party here last night. Did you miss it? At exactly 23:47 exploded into the microphone meaningless screams through her lips with thick, pretentiously applied layers of lip gloss; her instantaneous emotional shockwave almost made her pink wig that was intended to cover up her shaved head drop on the floor. Her left hand, without missing a beat, simultaneously turned the effects unit up to the max. The man with tattoos on his arm in charge of onsite control behind her played along with her emotion, and switched the lights in different colors to rapid gleaming…He really did not understand, but he knew this was inevitably a climax. Humm…the sound was too loud, it gave me tinnitus, and the pupils I relied on were being constantly re-exposed; like projections, cognition entered a rheological state. Then, the place was covered in red light, and, all of a sudden, A tenderly said: “We are all girls now.” This command suddenly made me confused with whether we were online, or offline….
More Information:
http://www.kdmofa.tnua.edu.tw/index.php?REQUEST_ID=bW9kPWV4JnBhZ2U9ZGV0YWlsJllZPTIwMTkmRUlEPTI3OA==
transcend中文 在 Lukas Engström Youtube 的評價
Do you want to see MORE videos like this one? Please consider joining my YouTube channel to get access to exclusive perks and also support me as all my income will go directly back into the channel: https://www.youtube.com/channel/UCJQ4cxWeJk2eM4vVRRC9cbg/join
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transcend中文 在 Lukas Engström Youtube 的評價
Welcome to a NEW type of videos on this channel where I'll (try to) regularly update you all with Taiwan News and talk about the days that have passed. Unsurprisingly, this week has solely been focused on COVID-19. However, as there already is a significant amount of videos out there talking about the situation in Taiwan, we wanted to turn it around and inform the Taiwanese audience how the situation looks like in other parts of the world.
Thank you all so much for watching and please note that we'll keep the tone a lot lighter in future videos. So don't forget to subscribe to all our channels to show your support and to stay updated for more Taiwan News!
元元 (Francois Devatine): https://www.youtube.com/user/Fruncoyy
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Gimbal: DJI Ronin-S Handheld 3-Axis: https://amzn.to/2NG4L20
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Bag: Lowepro ProTactic BP 450 AW II:https://amzn.to/2NDbCsN
BACK-UP GEAR:
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ADATA D8000L LED Power Bank: https://amzn.to/34MrlLY
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全集播放清單:https://www.youtube.com/playlist?list=PLFbpBUhLEeCxdZcwJI8FN09YIYoRG5XeN
全程特效全開 1080P 60FPS 錄製,給您最佳的電影級享受!
【惡靈古堡:啟示2】- PC特效全開中文劇情電影60FPS - 第一集
PC主機配備 :
Driver 347.25
-i7-3770k OC 4.5Ghz
-Transcend 1600mhz 16G RAM (8GX2)
-EVGA GTX780 ACX SC3GD5
-Sandisk Extreme SSD 120G
-SuperFlower 850W silver 80+
遊戲簡介:
《惡靈古堡:啟示2》是由CAPCOM所製作的《惡靈古堡》系列外傳性質作品《惡靈古堡:啟示》的續作,《啟示》中加入了之前系列中“傳統”的探索和解謎模式,著重表現遊戲的恐怖和懸疑氣氛,讓玩家們重新感受到那種不敢前進的恐懼感。在次世代主機強大機能下相信本作依然會有不俗表現力。
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