💕「愛台灣,我的選擇」系列第16發:熱愛台灣詩的美國學者白瑞梅(Amie Parry)
「我在加州內陸地區一個叫做聖伯納迪諾的小城市長大,隨後在聖地牙哥念大學和研究所,並獲得文學博士學位。求學期間我們必須至少選修一門外語,所以我就選了中文。1987年我大學畢業之後,跟朋友來了台灣一趟,在台灣教英文和學中文六個月,接著就自己一個人當起背包客在亞洲四處旅遊。
我本來想要研究中國古典詩詞,後來因為獲得傅爾布萊特獎學金,便又再度回到台灣。當時我在討論詩詞的聚會上認識了幾位現代派詩人,所以我就將研究主題轉而聚焦在台灣60、70和80年代的現代詩。我的博士論文探討的就是,以現代主義來理解現有政治語言中難以理解的現代性。我認為歷史形塑而來的經驗,往往比語言本身還要複雜。
我研究的那些詩作沒有明確的政治性,反而是有很強的實驗性質,並帶著詭譎的神秘感。當時我認識的現代派詩人大多是跟著國民黨飄洋過海來台的外省人,他們經歷過戰爭和顛沛流離,也經歷過劇烈且痛苦的歷史創傷。每個人的經驗都不同,在那個年代,也很難說出口。後來,我寫了一本關於詩的書,並聚焦在一兩位我覺得特別有趣的詩人。我在書中問了一些類似的問題:這些詩作如何幫你思考艱難的議題?
當時的現代詩已經頗有制度,許多詩人都有投稿《現代詩》這份重要的詩刊,有些詩人則是將詩作與戲劇結合。整體而言,台灣的現代詩、表演藝術和文學都發展地如火如荼,也深深吸引了我,但我還未全盤了解。當我完成博士論文時,我便獲得交通大學的教職,讓我對台灣的學術圈感到非常驚艷。而當我出版第一本著作時,我也很訝異能在美國獲獎;我根本不知道自己獲得提名,當時我問授獎單位:「為什麼選擇我的書?」他們表示:「因為書中其中一個章節是以跨國的架構來進行整體論述,妳不是單用西方的理論和東方的詩詞,而是從東西方共同錘煉出嶄新的知識。」
我目前任教於中央大學英美語文學系,除了擔任系主任之外,我也有教授寫作課、文學課和文學文化理論課程。從我1987年第一次來台灣到現在,我覺得台灣人愈來愈能自在地與來自不同地方的人交談,就個人經驗來說,我認為台灣社會愈來愈開放。我第一次來台灣時,經歷了許多台灣社會有趣的發展,也結交了許多朋友,並認識了許多學術圈的同好。我想,這些珍貴的回憶就是呼喚我再度回台的動力;就像是,如果你覺得這個社會充滿生氣和活力,而你也能夠參與其中、做出貢獻,我想這就是像家一樣的感覺吧!」
✨白瑞梅 Amie Parry 現為中央大學英美語文學系 專任教授
💕Why I chose Taiwan #16 – Amie Parry
“I grew up in a small city in inland California called San Bernardino. I went to college and graduate school in San Diego. I got my PhD in literature. We were all expected to learn at least one language, so I did Chinese. I traveled to Taiwan with a friend right after I graduated from college in 1987. We came here to teach English and study Chinese for six months, then I traveled around Asia by myself with a backpack.
I originally wanted to study classical Chinese poetry. I got a Fulbright grant and I came back here. I started going to the poetry nights that were happening at that time. I met some of the modernist poets, and I switched my focus to the modernist poetry of the 60s, 70s, and 80s in Taiwan. I wrote my dissertation on modernism as a way of understanding the parts of modernity that are hard to know in the existing political language that we inherit. I think that experience in historical formation is always more complicated than the language.
These poems are not explicitly political; they're very experimental and strange. At the time, the modernist poets I met were mostly 外省, men who had been drafted and come over with the KMT, so they had experienced war and displacement, and a very intense and traumatic historical moment. People experienced it differently, and at that time, it was a hard thing to talk about. Later, I wrote a book about poetry, but I just focused on one or two poets I find really, really fascinating. And I was asking some of the same kinds of questions: how can these poems help you think about certain topics that are hard to think about?
At that time, Modernist poetry was a kind of an institution already. There was a journal called 現代詩, “Modern Poetry,” a really important journal that most of these poets were published in. Some of them combined poetry and theater. There's just so much going on in Taiwan in terms of poetry and performance and literature. It's just amazing. And I'm very interested in it at all, but I haven't kept up. After I finished my dissertation, I got a job offer at 交大. I thought, wow, there's something really amazing happening intellectually here. When my first book came out, it actually got an award in the U.S., and I was so surprised. I didn't even know it had been nominated. I asked them, ‘Why did you choose my book?’ And they said, because one of the chapters has a transnational of framework for the whole argument, so it wasn't like you used Western theories and Eastern texts, it's like the whole knowledge part is coming out of both places.
I currently teach in the English department at National Central University. I'm the chair and I teach writing classes, literature classes, and literary and cultural theory classes. Since my first visit to Taiwan in 1987, I think people are a little more comfortable talking to people from different places. In my personal interactions, I feel a difference, like a greater openness. Back then, there were so many interesting things happening here, all at one time, and that's the time that I happened to be here. And I made good friends in my personal life and in my intellectual life. And I think those are the things that made me come back: like if you feel that there's something interesting happening and there's some way that you can support it. I guess that's a way of feeling at home.” — Amie Parry
✨Amie Parry is professor of the Department of English at the National Central University
同時也有1部Youtube影片,追蹤數超過38萬的網紅CH Music Channel,也在其Youtube影片中提到,《Penny Rain》 April Showers / 靜待五月時節的四月雨 作詞:aimerrhythm 作曲:AlbatoLuce 編曲:玉井健二・百田留衣 歌:Aimer 翻譯:澄野 意譯:CH English Translation: lyricaljourneys 版權聲明: 本頻道不...
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poems中文 在 國立故宮博物院 National Palace Museum Facebook 八卦
這件【明 湯煥 遊西山詩 Poems on Traveling to the Western Mountains, Tang Huan, Ming dynasty (1368-1644)】混合了楷書、行書和草書,不但沒有違和感,還讓人覺得獨樹一格!
🔽釋文:(附圖為全件局部)
秋日宿西山臥佛寺。西日猶在山。暮烟已生樹。馬首緣岡迴。僕夫指前路。側逕遙解鞍。空林散狐兔。衲子慣逢迎。惜茲煩禮數。方丈花木深。供張混妍素。坐覺萬籟虛。月采波光注。蟲鳴露下莎。蔬剪霜前瓠。幾年塵鞅間。觸此烟霞痼。中夜魂夢清。心地欣如故。胡不聞琅璫。車音乃驚寤。因思出世難。山靈亦成誤。 遊香山寺。秋晴山暖野花發。小雨石徑無塵埃。果園槭槭響墮葉。香澗泠泠漱古苔。危磴千盤但佛閣。藏舟一壑為玄臺。漫言人世與茲絕。上方金碧令心哀。鄰初道人。
🔽書法賞析:
本幅書寫〈秋日宿西山臥佛寺〉、〈遊香山寺〉自作詩兩首,書法受元代「雜體書」影響,混雜楷、行、草和章草四體,唯筆法更加自由奔放,獨樹一幟。
🔽關於湯煥:
湯煥(生卒年不詳),字堯文,號鄰初。浙江杭縣人,隆慶四年(1570)舉人。善書法、精篆刻,高士奇(1644-1703)謂其「以書法稱於時,蓋從晉人蹊徑而入者。」
🔽 Tang Huan (dates of birth and death unknown), had the style name Yaowen and the sobriquet Linchu. A native of Hang County in present day Zhejiang, he passed the imperial examinations at the provincial level in the fourth year of Ming dynasty emperor Longqing's reign (1570). Tang was both a talented painter as well as an expert carver of seals. Gao Shiqi (1644-1703) once said of Tang, "renowned in his own lifetime for his calligraphy, he embarked upon his path by studying the Jin dynasty masters."
🔽 This work contains two poems, entitled "Taking Lodging at Lying Buddha Temple in the Western Mountains in Autumn" and "A Trip to Fragrant Hills Temple." Revealing the influence of Yuan dynasty "mixed script," its calligraphy contains a blend of kaishu, xingshu, caoshu, and zhangshu (regular script, cursive script, grass script, and draft script, respectively). However, clearly marching to the beat of his own drummer, Tang writes in a manner freer, bolder, and more untrammeled than his influences.
*************************
🌐中文:https://theme.npm.edu.tw/exh109/calligraphy10907/index.html
🌐English: https://theme.npm.edu.tw/exh109/calligraphy10907/en/page-1.html
🌐日本語:https://theme.npm.edu.tw/exh109/calligraphy10907/jp/page-1.html
poems中文 在 每天為你讀一首詩 Facebook 八卦
三月假想 ◎崔舜華
三月時,鶯不飛
淋雨的草露仰起了項頸
我們牽手爬上傍晚的屋頂
在市區的半空
假想櫻桃熟落的一聲啁啾
假想大隱隱於巷的好天氣
關於末日的消息四方流竄
人們吞嚥著苦難
又反哺而言愛
假想自己說喜歡你
開口前先抱住你寡言的腰
午春三月
花蔓嬌弱的尾音攀上你的脊梁
一方玲瓏風景
供我寧靜滋養
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◎作者簡介
崔舜華,政大中文所畢業,仰賴瑣碎文字,勉以度日維生。著有個人詩集《波麗露》、《你是我背上最明亮的廢墟》及攝影詩集《婀薄神》;與蔡琳森合譯艾倫‧金斯堡詩集《嚎叫》(Howl and Other Poems)。
個人網址:《稠人。》
--
◎小編邱伊辰賞析
關於末日的假想,人類社會從來不乏說法。
我們跨越了千囍年、走過二零一二,到了現在,日子並沒有因此變得更加踏實,我們仍舊揣著對未知的恐懼與想像,走進每一個全新的一天。
〈三月假想〉中所書寫的末日,便是這樣一種想像的末日。詩人將末日與感情中對於未知的不確定性連結,「關於末日的消息四方流竄/人們吞嚥著苦難/又反哺而言愛」,末日所象徵的是還未來到的可能的結束。而現實是苦難的,當人們意識到這樣的可能時,反而選擇在一片痛苦中走向愛,不禁令人聯想到張愛玲〈傾城之戀〉中白流蘇與范柳原在絕境中被成全的愛情。
〈三月假想〉全詩共三段,透過現實與想像的交錯,將三月的春景與詩人的心情相連結。
詩人以「三月時,鶯不飛/淋雨的草露仰起了項頸」之自然景色作為開場,對比「鶯飛草長」的春光明媚,反相描繪城市中下雨的春景,同時為此詩帶來了一種不慍不火的情調。
與愛人牽手俯瞰市區的吵嚷,詩人所敘寫的景色,是來自身旁的人所給予自己的春景,如同「櫻桃熟落的啁啾」與「大隱隱於巷的好天氣」,透過想像,詩人描繪了心中此刻的春景,同時也是對詩人對未來寧靜美好的想像。
在詩的最後亦回歸自然景色的書寫,三月的花象徵著詩人小心翼翼保護著的真心,面對可能的末日,詩人選擇在「開口前先抱住你寡言的腰」,無論外在世界如何傾頹、衰敗,在愛情中的戀人們,只要牽著彼此的手,便能夠感受永恆,最終收束在「執子之手,與子偕老」的恬靜美好中。
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美術設計:靖涵/Instagram:c__nh_n
#三月假想 #崔舜華 #三月 #稠人 #末日 #邱伊辰 #七年級詩人 #每天為你讀一首詩
http://cendalirit.blogspot.com/2019/03/20190322.html
poems中文 在 CH Music Channel Youtube 的評價
《Penny Rain》
April Showers / 靜待五月時節的四月雨
作詞:aimerrhythm
作曲:AlbatoLuce
編曲:玉井健二・百田留衣
歌:Aimer
翻譯:澄野
意譯:CH
English Translation: lyricaljourneys
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Please support the original creator.
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背景 / Background - 雨上がり - 爽々 :
https://www.pixiv.net/artworks/69232505
中文翻譯 / Chinese Translation :
https://home.gamer.com.tw/creationDetail.php?sn=4682106
英文翻譯 / English Translation :
https://lyricaljourneys.wordpress.com/2019/04/09/april-showers/
日文歌詞 / Japanese Lyrics :
長い雨に遠ざかる声 足を止めて町を眺める
煙る空がどこか奇麗で 懐かしい場所に変わって
いつも傍にいてくれたよね 俄雨に立ち尽くす日も
ふいに浮かぶ過ぎた景色と 木陰の下 雨宿り
小さくて幼い それはまるで
泣き虫な誰かみたいで
四月の雨 濡れた羽
雲雀はまだ 飛べずにいる
浅い春の冷たさに身をすぼめて 時を待ち続ける
日差しの種 淡い夢
羽ばたくまで 唄を添えて
遠い空の切れ間へと 五月の花の名を 今は知らずに
長い影と呼びかける声 時を止めて星を見た夜
眠る前に交わした言葉 失くしたくないものばかり
小さくて幼い それはいつも
泣いていた 傍にいたくて
失くせないもの増えるたび
暖かさに沈んでゆく
通り雨の冷たさに身をすぼめて 歩き出せずにいる
ゆずれないもの ひとつだけ
鞄の中 仕舞い込んで
今でもまだ覚えてる右手のぬくもりと 唄を頼りに
遠く響く雷鳴には 春の嵐の手招きの音
いつか ここで 同じ景色を見てた
四月の雨 風に揺れ
雲雀は今 空を見上げ
浅い春の冷たさに身をゆだねて 羽を広げてゆく
ゆずれないもの ひとつだけ
鞄の中 仕舞い込んで
遠い空の切れ間へと 花咲く五月へと
傘もささずに
中文歌詞 / Chinese Lyrics :
在漫雨中漸漸萬籟俱寂沉靜,我歇下前進的步履,盼向熟悉的城鎮
絲縷雲霧迷濛的天穹傾刻變化綺麗,為這景色添上一絲懷愁牽念
「你總是在身旁陪伴著我呢,即便我們曾佇足紛揚驟雨沐淋的那天也不曾分離。」
腦中不經意追憶起過往點滴——樹蔭下的休憩、雨樓下的回憶
如此渺小稚嫩又青澀天真,那就彷彿——
某個膽小懦弱的愛哭鬼似
四月的連綿細雨,浸濕了的羽翼
盼望再度飛翔的雲雀,仍未能展翅翱翔
伴隨淺春的凜冽寒峭而蜷縮身軀,靜待時間流淌逝去
播灑陽光的種子,流露微淡柔和的夢想
待到能夠再度擺動羽翼之時,我將在一旁與天空伴歌
願歌聲得以高聲向遙遠天穹迴響,即使我們至今仍未聞,五月盛開綻放的花名
向細長淡去的身影遞去的輕聲呼喚,僅為那一夜的璀璨星空,忘卻了時間的流淌
即便是入眠前與你交會傾露出的話語,全都是我不欲失去的、珍貴的點滴
正是因為這份稚嫩與青澀,所以才總是——
總是在哭泣,流著淚渴望你陪伴在身邊
倘若,能獲得更多無法失去的事物
便令人更加無法自拔地沉浸在它的和煦溫暖中
僅因短暫降雨的寒意便蜷縮身軀,動彈不得、更沒有勇氣邁出步伐
無法退讓、畏懼失去的,僅此唯一
緊緊收起、深深地埋藏在,所背負的行囊之中
至今仍舊得以憶起,右手曾包裹住的柔和與溫暖,正藉著奏響的春頌煦煦傳來
遠處嘹亮迴響的雷鳴,宛若在春天的暴風中招手的聲響
曾幾何時,也曾在此處,看見同樣的景色
四月的連綿細雨,隨著清風搖曳紛飛
雲雀現在已能,昂首仰望天空
接受淺春的凜冽寒峭,而任憑身軀,張開翅膀翱翔離去
無法退讓、畏懼失去的,僅此唯一
緊緊收起、深深地埋藏在,所背負的行囊之中
靜待真摯的情感抵達那片天際的盡頭;抵達錦簇繁花盛開綻放的五月時節
也可從此收起,這把度過春雨的傘了
英文歌詞 / English Lyrics :
Upon hearing the fading voice in the middle of the rain
I stopped walking to gaze upon the city
The hazy sky is turning into
somewhere beautiful and nostalgic
You have always stayed by my side, you even
stood still on days when the rain pours unceasingly
even as scenery floated past unexpectedly
under the shelter of the trees
The small and young something is just like
someone who cries easily
The lark is still unable to fly
as its wings were drenched by the April Showers
In the cold of early spring
it furls its body, awaiting the passing of time
Just as this dream with subdued colours
is adorned by seeds of sunlight,
I will adorn the lark with poems until its wings could flap again
and it can fly to the distant skies
without knowing the name of the flower in May
A long shadow and a voice calling out to me,
the night I stopped time and saw the stars,
words exchanged before going to sleep,
these are all the things I do not want to lose
The small and young something
is always crying, wanting to stay by my side
When the things you can’t afford to lose ever increases
submerge everything in warmth
In the coldness of the passing rain
it furls its body, and stayed still
The one thing I can’t afford to lose
is buried inside my bag
Even now, as I depend on a song
I can still remember the warmth of your right hand
The distant echo of booming thunder
is the sound of the beckoning spring storm
I will see the same scenery here someday
The April Shower is swayed by the wind
The lark is now looking at the sky
In the cold of early spring
It spreads its wings in abandon
The one thing I can’t afford to lose
is buried inside my bag
I head on to the distant skies and
I head on into the month of May, where flowers bloom
without opening my umbrella

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