我是國榮。來自澳洲昆士蘭省,讀中學時成績非常好,分數已足夠在大學選讀任何一科。當時我希望成為一名醫生,因為可以幫助他人。我在新南威爾斯大學讀醫科,第一年是住在雪梨北區一個朋友家中,第二年入住大學國際宿舍,宿舍規定最少有半數是留學生,不是澳洲人。最先兩年結識了不少香港、新加玻、馬來西亞的朋友,與他們很合得來,不過最重要是入住宿舍後,便遇到了香港的流行歌曲。有一天我行經走廊時,聽到一些很悅耳的音樂,我便問同學這是甚麽歌曲及可否借給我欣賞,他便借了給我。我已忘記是Leslie還是Alan的歌,但肯定是其中一位。因為很喜歡這些歌曲,便到唐人街購買,後來一邊聽歌一邊看歌詞,因此慢慢地學識了很多中文字。
因為喜歡唱歌,所以在大學的同學活動,開始演唱中文歌,也曾參加香港學生會舉辦的歌唱比賽,參賽歌曲是「愛的根源」,結果獲得亞軍。我很清楚記得,國際宿舍為了文化交流,每年舉辦一次國際晚宴,希望不同種族的學生可以表演和分享文化。Leslie在一九八五年 唱Monica獲得獎項,那是一首我很喜歡的歌曲,所以在文化交流晚會我便選擇唱Monica。當時同學覺得很驚奇,我怎可能唱Monica。我是跟着錄影帶,學習他的舞步和唱歌技巧。我不停地在公眾地方練習,其他同學看到我很用心練習,也過來幫助我。在台上表演時有幾位同學為我伴舞,當晚演出非常成功。
一九八五年Leslie和幾位香港天皇巨星,來澳洲開演唱會。演唱會的主辦公司,需要義務司機,朋友問我能否當義務司機。我答應了,後來知道是當Leslie的司機。有一天他放假不用排練,我們便駕車往坎培拉,當日天氣多雲有微雨,甚麽也看不清楚,喝過咖啡後便離開,回程是Leslie駕駛,他的英語非常好,途中我們愉快地暢談,這次旅程對我來說是很重要的事情。
一九八六年Alan到來澳洲,我又當了他的司機。在他入住的酒店,介紹人在偶像面前,誤把我的名字說成河詠麟,當時在偶像面前我也不懂怎樣矯正。大約有兩年很多人以為我是河詠麟。他的四位女和音,知道我懂得唱他的歌,所以告訴了他,在排練那天他叫我上台一起唱。認識Leslie 和Alan兩位巨星,對我的影響很大,聽到他們的歌,和看到觀眾的反應,我開始對香港的歌唱發展很重視。
因為常常想着唐人街和唱歌,沒有用功讀書,因此醫科的第三年考試不合格,需要重讀,在一九八六年重讀了三個月便決定退學。
後來做了三份洗碗碟工作,還做了個多月砌磚的工作,我把工作一年多,所得工資儲起來,買了一張單程機票和帶了一千澳元,便到來香港發展。唯一的準備是問一個朋友能否到他的家中居住。他的父親很勉強地答應,但需要收租金。我甚麽準備也沒有,只是刻意買了一張單程機票,是因為不想遇到少許困難便放棄,返回澳洲。
初到香港時甚麼都不認識,沒有計劃,也沒有朋友。我最先是住在廣播道,但我的朋友不是在那裡居住,因為他還在讀書。初來時沒有事做,所以在外面逛了幾天,有一天意外地行到紅磡體育館,中門外有四名男士在吸煙,他們竟然叫我河詠麟。原來他們是Alan的樂隊成員,在一九八六年見過面,但相隔一年,竟然還可以記起我,這就是緣分。當時Alan正在為演唱會排練,他們帶我進去體育館,這樣便再見到Alan。一九八七年的演唱會是三十一場,我看了三十場。本來打算看足三十一場,但是有少許問題出現,因為我住的地方有規定,晚上十時半後便會關門,不會再讓人進出。但演唱會是不會這麽早便完場,每晚看完演唱會,我會行去尖沙嘴,然後再步行回廣播道,然後在公園外的石椅小睡,到五時公園開門便進去睡覺,但最終因捱不住,有一晚沒有去看演唱會。有一次Alan突然問我,今晚可否上台唱歌,我說當然可以,便成為他的嘉賓。我第一次表演Alan十分開心,但第二次他在台上介紹,有一個外國人,唱他的歌十分出色,當他呼喚河詠麟出場,因為我不在場,所以沒有出現。後來他問我為何沒有出現,我便向他解釋原因,他便安排我入住酒店,直到演唱會完結。所以便有第三次呼喚我上台,這是我第二次成為嘉賓跟他一起唱「朋友」,真是十分興奮。到八月他的生日會也有邀請我做嘉賓,其實每一件發生的事情都是有關係的。
後來我在北角僑冠大厦租了一間劏房居住,有一次從北角行到中環,看到一間職業介紹公司的招聘啟示,我便前往應徵。當時職員說我可以教英文,但我不是教師,他認為沒有問題,便介紹我到一間補習社工作。在補習社工作了幾個月,有一位同事看到一張電視台的海報,需要招聘 一個西方人,但要懂得說中文。我致電應徵,他是一位獨立經紀,我說沒有經驗和廣東話也不是很好,他說沒有問題。我便去見一位電視台女監製,她給我一段英文劇本,要我讀出來。因為很緊張,五分鐘都不能出聲,我跟自己說,不嘗試會後侮一生。那一段對白是警官責備下級,責備人一定是很大聲的,所以我便很大聲說出來。當時她正在做自己的事,沒有再理會我,但我的叫聲使她大吃一驚。因為沒有其他外國人給她選擇,她無奈地聘請了我,這套劇集需要兩個西方人,另外一位是當主角,從那時開始,便在電視台工作了二十年。
二零一四年九月我在N o w T V的一個音樂節目做嘉賓,在一間音樂室裡我和三位節目主持人,唱歌和談論音樂。到最近才知道,他們三位是100毛的老闆。到聖誕100毛找我拍攝雜誌封面,我不知為何找我拍攝封面,原來三位老闆是認識我的,只是我自己不知道。
二零一五年八月他們聯絡我,他們有一首歌,問我會否願意演唱,那首歌曲我很熟悉,歌詞十分口語化,應該可以學到的。但當時是星期五,表演是在星期日,只得兩天時間作準備,所以我很用心練習。舞台是有電視屏幕可以看到歌詞,但我盡量避免看電視屏幕,只是有需要時才看一看,便可以放心地唱。能夠上台非常開心,我可以扮了演一個角色,唱一首悅耳和有趣的歌,觀眾很熱鬧和興奮,真是十分難得。我知道這是一生一次,這不是自己可以做到,是他們給我機會。那首歌很受歡迎,而且登上了流行榜。聖誕節前他們聯絡我,表示將會舉辦總選,問我會否參加,我便欣然答應了。當天每位表演者,會有兩首歌曲,在十二月廿六日接到新歌,我從沒有聽過那首歌,是一首說唱歌曲,而且歌詞很陌生,對我來說十分困難,所以我不停地練習了四百多次。當晚表演由Now T V直播,有七十萬人觀看,想不到自己能夠獲得香港區最受歡迎男歌星獎,當宣佈我的名字時,極度開心,無人能想到,唱出真香港的歌曲,是由一個西方人唱出,可以感動到別人。這是天時地利人和,超乎現實,簡直是一個奇蹟。因為那首歌不是我揀選,是別人給我的,練習這首歌時眼睛常常都會充了滿淚水和很感動。
西方人在香港發展演藝事業是十分困難的,機會不多,只能扮演一些無關重要的角色,但我從來沒有想過放棄。五年前我計劃灌錄一張唱片,因為胃酸倒流,把聲帶灼傷,使我聲音變得沙啞,這件事使我非常懊惱,因為辛苦練習多年,卻發生了這個問題,後來我矯正了唱歌方法,問題得以改善,可以繼續唱歌,現在準備為唱片再進行錄音工作。
最近有很多關於少數族裔的事情出現在我身上 ,現在我為一個港台節目做旁白,是關於少數族裔在香港。他們在本地娛樂圈發展是十分困難,因為在一個有九成是同一種族的地方,看電視或電影,也是會看自己的種族,未必會看少數族裔。如果他們幾個人合作,做一個節目,然後在網上發放,是有機會成功。香港有很多少數族裔居住,有些人的中文比我好,他們也愛香港。
我心目中的香港人,是要做香港人做的事,吃香港人吃的食物,關心香港,不看膚色,希望他們也能說廣東話,最重要是覺得香港是自己的家,這便是真正的香港人。
I am Gregory. I hail from Queensland, Australia. During my high school years, my grades were excellent. They were good enough for me to enroll in any subject that I wanted to in university. At that time, I wanted to become a doctor because I could help others. I studied Medicine at the University of New South Wales. In my first year, I lived in my friend’s home located in North Sydney. During my second year, I lived in International House at the university. It was a rule for the school campus to have at least 50 percent overseas students. They cannot be Australians. I met a lot of Hong Kong, Singaporean and Malaysian friends in my first two years. I was able to get along with them very well. But what is most important was that after living in International House, I came across Hong Kong pop music. One day I was walking along the corridors and overheard beautifully melodic music. I asked my classmate what music he was listening to and if he could lend me the music to listen to. He leant it to me.
I have forgotten whether it was the music of Leslie or Alan. But I am sure it was one of them because I really liked that kind of music. I went to Chinatown to buy it. Eventually, I listened to the music as I read the lyrics. In turn, I slowly picked up a lot of Chinese characters.
I attended many different functions to perform Cantonese songs in university because I really liked to sing. I also attended a singing competition organized by the Hong Kong student association. The competition song was ‘Root of Love’. In the end I won second runner-up. I clearly remember International House wanted to organize cultural exchanges so they held international banquets each year. Their hope was for students from different ethnic backgrounds to perform and share their culture.
In 1985, Leslie won an award for singing ‘Monica’. It was a song that I really loved. During the international cultural exchange banquet, I chose to sing ‘Monica’. At that time my classmates were very surprised. How can I sing ‘Monica’? I followed the videos to learn the dance steps and singing techniques. I kept on practicing in public. Other students witnessed how hard I was practicing and came over to help me out. A few classmates became my accompanying dancers as I danced on stage. The performance that night was extremely successful.
Leslie and a group of Hong Kong superstars visited Australia to hold concerts in 1985. The concert organizer needed a voluntary driver. My friends asked me whether I wanted to be the voluntary driver. I accepted the offer. In the end I found out that I would become Leslie’s driver. There was one day when he was on break and did not need to rehearse. We drove to Canberra. It was cloudy and there was light rain on that day. We could not see clearly. After having a coffee, we left. Leslie was next to drive. His English was very good. During the journey back we chatted happily. The trip was very important to me.
In 1986, Alan came to Australia. I was also his driver. Our mutual friend misread my name as “Ho Wing Lun” in front of my idol during his stay at the hotel. I was not able to correct him at the time because Alan (“Wing Lun”) was my idol. Many people thought I was called “Ho Wing Lun” for around two years. His four back-up singers knew I was able to sing Alan’s songs. That was why they told him about it. During rehearsal day, he told me to sing with him on stage. Knowing superstars like Leslie and Alan had a great impact on me. To be able to listen to their songs and to witness the reactions from the audience led me to become interested in a singing career in Hong Kong.
I did not put in a lot of effort in my studies because I always thought of Chinatown and singing. Consequently, I failed my medical examinations in my third year. I had to re-take my subjects. In 1986, I re-took my studies for three months but then I decided to quit school.
In the end I juggled three dish washing jobs and also many months of brick laying work. I saved up a whole year of my salary and bought a one-way ticket to Hong Kong. I also carried $1000 Australian dollars on me. I then went to Hong Kong to develop my career. I only asked my friend whether I could stay at his place as preparation to living in my new homeland. His father reluctantly agreed but had to receive rent. I did not have anything equipped or prepared. I only purposely bought a one-way ticket because I did not want to easily give up when I encountered minor difficulties and return to Australia.
When I first arrived in Hong Kong, I did not know anything. I did not have any plans. I also did not have any friends. Initially, I lived in Broadcast Drive but my friend did not live there because he was still studying. I did not have anything to do at first. That was why I hung around Hong Kong for several days. One day, by coincidence, I came across Hung Hom Coliseum. At the entrance, there were four men smoking. They noticed me and surprisingly called out “Ho Wing Lun”. They were, in fact, members of Alan’s band. We have first met in 1986. Surprisingly, they remembered me after a whole year. That is called fate. At that time, Alan was preparing for his concert. The four men brought me inside the Coliseum. I saw Alan. There were 31 shows in his 1987 concert. I watched 30 of them. I intended to watch all 31 shows but there was a slight problem. There were rules at my guest house. After ten thirty each night, the door to the home will be locked. Nobody was allowed to enter or leave the house. But concerts do not end so early. So, after watching each concert in the evening, I would walk to Tsim Sha Tsui and then walk back to Broadcast Drive. I would sleep on the concreate seats outside the park. When the park opens at five in the morning, I will go in and sleep. Eventually, I was unable to handle it. One night I cannot watch a show. Once Alan asked me “Can you sing on stage tonight?” I told him “Of course I can.” I became his special guest. Alan was extremely happy when I first performed. By the second show, he announced that: “There is a westerner who can sing my songs very well.” He called out my name “Ho Wing Lun!” But because I was not at the scene, I did not show up. Eventually, he asked me why I did not show up. I explained my reason to him. He then arranged a hotel for me to stay at until the end of the concert. That was why he was able to call me out the third time! That was my second time as special guest singing “Friends” with him. It was exhilarating. In August, he introduced me as a special guest at his birthday party. Actually, everything happens for a reason and everything is interconnected.
Soon after, I rented a tiny flat at a building in North Point to live in. I walked from North Point to Central once. I came across a recruitment agency looking to hire. I went in to give it a shot. At that time, the staff said I could teach English but I was not a teacher. The staff said it was not a problem and introduced me to work at a learning center. After working there for a few months, a colleague saw a TV station’s poster. They were looking to recruit a westerner but that person needs to be able to speak Cantonese. I called to give it a try. The person who answered was an independent agent. I told that agent I had no experience and my Cantonese was not very good. The agent told me it was not a problem. I went to see the TV station’s female producer. She gave me an English script and wanted me to read it out. I was so nervous that I did not utter a word in five minutes. I told myself, if I do not try, I will regret it for life. The dialogue depicted a police telling off a subordinate. When you tell someone off, you must be very loud so, I read my lines out very loudly. At that time, the female producer was doing her own work and did not care about me but because I was so loud, I frightened her! As there were no other westerners for her to choose from, she had no choice but to hire me. The TV show required two westerners. The other westerner played the main character. From then onwards, I worked at the TV station for twenty years.
In September 2014, I appeared as a guest on a NowTV music program. I was in a band room with the three show hosts. We sang and discussed music. Only recently, I found out that they were the Founders of 100 Most. When it was Christmas, 100 Most invited me to appear on the cover of their magazine. I did not know why they wanted me to do it – only to find out that the Founders of the magazine already knew who I was! It was just me who did not know that.
In August 2015, 100 Most contacted me and asked me whether I wanted to sing this particular song. I was very familiar with the song lyrics. The lyrics were very colloquial. I should be able to learn it. It was Friday. The performance was on Sunday. I only had two days to prepare for it. That was why I practiced very hard. The stage showcased the lyrics. But I tried my best not to look at them. I would only glance at them when I needed to. I felt more confident and assured as I sang.
I was extremely elated to be able to perform on stage. I can play a role singing a wonderful and amusing song. The audience was super warm and excited. It was a moment to be treasured. I know this can only happen once in my life. It cannot be done by myself. It is because I was given a chance by 100 Most. The song was very popular and hit the charts. Before Christmas, 100 Most contacted me and expressed that there would be a final election of the songs. They asked me whether I would like to participate. I was more than happy to give it a try. On the day of the show, each contestant would have two songs.
On the 26th of December, I received the new song. I have never heard of the song before. It was a rap song. I was very unfamiliar with the lyrics. I found them very difficult. That was why I kept practicing it for more than four hundred times. The show was broadcasted live by NowTV. Around seven hundred thousand people watched the broadcast. I cannot imagine winning the Best Hong Kong Male Singer. When my name was announced, I was extremely delighted. Nobody can imagine that a westerner was able to sing a song about ‘real Hong Kong’. It can touch people. It was something that happened at the right place and at the right time. It was also surreal and a complete miracle. It is because the song was not selected by me. It was given to me by others. My eyes were often wet from practicing this song. I was very touched.
It is very difficult for westerners to develop their artistry in the entertainment industry. Chances are slim. They can only play roles that are irrelevant and unimportant. But I never thought of giving up. Five years ago I planned to record my own album. But because of stomach acid reflux, my vocal chords got damaged. My voice became hoarse and coarse. It brought me a lot of frustrations because I have worked hard for many years. Then this happened. I then amended my singing techniques and the issue improved significantly. I was able to sing again. I am now working on re-recording my new album.
A lot of ethnic minority issues materialized around me as of late. I am currently the voice over for a RTHK program about ethnic minorities in Hong Kong. It is very hard for them to develop their career in the local entertainment industry. It is because when 90 percent of the people share the same skin color comes together in a particular place, those watching TV or film will tend to watch people of their own skin color. They may not watch ethnic minorities. If a group of ethnic minorities work together to create a program for the web, it may work out. There are a lot of ethnic minorities residing in Hong Kong. Some of their Chinese is better than mine. They also love Hong Kong very much.
‘Hong Kongers’, to me, are people who need to do things ‘Hong Kongers’ do. Eat Hong Kong food. Care about Hong Kong. And do not look at skin color. I hope they can also speak Cantonese. Most importantly, they should regard Hong Kong as their home. Then, they are ‘real Hong Kongers’.
同時也有2部Youtube影片,追蹤數超過7,750的網紅BONBON SUET,也在其Youtube影片中提到,將要碰壁的一刻,你要做一個決定,換一個立場,還是轉身逃跑?Songs for a New World 以歌曲捕捉這一瞬間,探討生命、愛和抉擇,屬於今天的故事和人物,再以音樂開展新世界。作曲及填詞Jason Robert Brown將觀眾由1492年西班牙船艦的甲板上,帶到紐約第五大道,遇上立志用籃球...
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off stage中文 在 Claudia Mo/毛孟靜 Facebook 八卦
用英文講 #我大聲不等於我冇禮貌
“I may be loud but it doesn't mean that I'm being uncivil”
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《我大聲不等於我沒禮貌》
//近年香港人有一句口頭禪:我大聲不等於我沒禮貌,似曾相識?這句話其實出自周潤發《監獄風雲》的經典對白。
//用英文表達,要稍加推敲。若純粹直譯:我大聲,是I'm being loud;不等於 does not equate;而我沒禮貌,就是 I'm being impolite 。
//把句子串起來:I am being loud does not equate I'm being impolite?聽上去不大對,是吧。即使對方也會明白,但這句子會給視為 Chinglish 中式英文,或 me no like 一類的洋涇濱英語 pidgin English,即流於字對字直譯、令洋人發笑的英語。
//我大聲不等於我冇禮貌,最好的英文對等句子,應該是:I may be loud but it doesn't mean that I'm being uncivil.
一開口說 I may be,要表達的是當事人自覺不算聲浪大,但對方既然認為如此,也就順着對方意思來自辯。
//中間加了but,隨後不用 doesn't equate,因為 equate 這個字用在此處並不自然,改為 it doesn't mean 較佳;最後的沒禮貌,固然可以保留 impolite,也可以考慮用 rude 粗暴無禮,但為了要提升禮數的層次,改用聽上去比較高深的 uncivil 。
//- I may be loud but it doesn't mean I'm being uncivil,譯回中文,是「我也許算是大聲但不等於我禮數不周」。
//而批評人說話大聲,一般可用 strident 聒噪、piercing 刺耳一類的形容詞。要更繪影繪聲,可考慮以下例句:
//- He was screaming his head off. 他大聲地叫,像頭都要掉下來了。
- His loud voice punctured the air like a knife. 他的聲音大得像一把刀刮過空氣。
當然,說話細聲也不一定是好事,可以給形容為 mutter 咕噥、mumble 蚊滋也似的嘰哩咕嚕。
//有一種細語,更屬於令人討厭的類別,就是 stage whisper。
//Whisper 耳語,但加了 stage 舞台,都猜到了吧:a loud whisper by an actor that is audible to the spectators for dramatic effect but is not supposed to be heard by the other actors,台上演員大聲「耳語」,好讓台下觀衆聽到,但這是戲劇效果,按劇本其他演員是聽不到的。
換言之,舞台耳語即大聲耳語 audible whisper,故意給人聽見的自言自語。
//- “The food is awful here," he stage whispered. 「這裏的食物難吃極了,」他壓着嗓子卻響亮地耳語道。//
off stage中文 在 Ruby 老師 Facebook 八卦
😍😍😍今天復活很多了!Sorry大家一直沒有update~
【English Time 生活英語】
talk shop 是什麼意思?
它當然不是什麼 「說話店」,也不是聊天室 (chat room)。
talk shop 其實是 talk about business 的意思, 也就是「談公事」。
例如:
Let’s enjoy the party tonight and not talk shop.
Ellen can’t stop talking shop, even at her own birthday party.
這個片語也可以把兩個字反過來,變成名詞 shop talk 來用。意思就是「關於公事的談話」,比如有時跟同事出去玩或出席宴會場合,同事想一直講關於上班的事情,我們就可以說: No shop talk tonight, OK?
「尬舞」的英文怎麼說?
「尬舞」這個新名詞在台灣的意思是 「以跳舞一決高下」,在英文裡的說法是用名詞 dance-off. 它搭配的動詞是 have, have a dance-off 就是和別人尬舞的意思。比如: Madonna and Lady Gaga had a dance-off on stage.
The teenagers were having a dance-off.
Kim challenged me to a dance-off.
另外,如果是和別人「尬歌」,英文裡就叫 have a sing-off.
例如: My friends and I had a sing-off at the new karaoke bar.
「比中指」的英文怎麼說?
「比中指」的英文其實很簡單,就叫 give (someone) the finger
the finger (那根手指) 在這裡當然就是中指,也可以說 the middle finger ~
如: Did he just give me the finger?
I gave him the finger because he wouldn’t shut up.
普通名詞則可以放 give 後面,也可以用 give the finger to someone 的句型。
比如:I can’t believe Tim just gave the boss the (middle) finger.
= I can’t believe Tim just gave the (middle) finger to the boss.
The drunk driver gave the policeman the finger.
= The drunk driver gave the finger to the policeman.
「打勾勾」的英文怎麼說?
「打勾勾」在英文裡的講法就是 make a pinky promise (to someone)
如: She made a pinky promise to her daughter.
I made a pinky promise to Ben (saying) that I would not tell anyone about his problem.
「狐狸精」的英文怎麼說?
有些人以為「狐狸精」叫 a foxy woman, 事實上要看情形而定。
foxy 的意思,講得粗俗一點,就是指一個很「騷」的女人,中文和英文對狐狸這種動物的看法倒是「英雄所見略同」呀......
a foxy woman 是一個帶著一點點負面意味的說法,a seductive woman 或是名詞 a temptress則是指性感, 充滿誘惑力的女性。
比如: The young secretary is such a temptress.
但是中文的「狐狸精」有時候指的是一個已婚男人外遇的對象 (還不見得是性感誘人的......) ,這時候就要叫 a homewrecker. (wreck 這個字是動詞 「破壞」的意思),所以 a homewrecker 字面上就是「破壞別人家庭的人」的意思。
A temptress不一定是a homewrecker. A homewrecker 也不一定是a temptress 哦!
「幸災樂禍」 的英文怎麼說?
很多人如果被問到這個問題,可能都會被考倒或想盡辦法要用句子把這個成語翻譯出來。 事實上, “幸災樂禍” 的說法出奇地簡單,它就是用 gloat [glot] 這個動詞。要講因為什麼事而幸災樂禍的話,則是用 gloat over…
比如: Are you here to gloat? (你是來這裡幸災樂禍的嗎?)
I’m sure he’s gloating over my failure right now.
(我想他此刻一定在因我的失敗而幸災樂禍)
Sally’s sister gloated over her failing business.
(Sally 的姐姐對她的生意經營不善幸災樂禍)
有趣的是, 在英文裡,「幸災樂禍」 只能當動詞用,只有在德文裡,才有一個字是用來講看到別人發生不好的事情時,有點開心的感覺 (很多哲學或心理學的字都是從德文來的。人為什麼在看到別人突然跌倒時,居然會想笑的這種反應 是個很有趣的心理學/人類學現象)
在德文裡,這種因別人的不幸而產生的開心感覺,叫 schadenfreude [ˋʃɑdən͵frɔɪdə],
有時候在文章裡或電視電影裡會看到或聽到這個字,是一個英文裡的「外來語」 用法。
「心想事成」簡單的說法是:May all your wishes come true!
或是 May you achieve anything your heart desires !
而 「萬事如意」則是 May everything go your way !
(注意因為 may 是助動詞, 所以後面的 go 要用原形) 。
may 這個助動詞有很多種意思和用法,用在祝福別人的句型裡, 要把 may 放句首, 後面的動詞記得用原形。比如要祝人家健康快樂,就是 May you be healthy and happy.
「扮家家酒」這種遊戲叫 play house
如: Most little girls like playing house.
Marriage is not playing house. (婚姻不是兒戲) 不過,如果當名詞的話,playhouse 兩個字連在一起寫,則是指上演舞台劇的劇院了,偶爾也有可能用在某劇團的名稱裡。
資料提供來自Teacher Cecilia
off stage中文 在 BONBON SUET Youtube 的評價
將要碰壁的一刻,你要做一個決定,換一個立場,還是轉身逃跑?Songs for a New World 以歌曲捕捉這一瞬間,探討生命、愛和抉擇,屬於今天的故事和人物,再以音樂開展新世界。作曲及填詞Jason Robert Brown將觀眾由1492年西班牙船艦的甲板上,帶到紐約第五大道,遇上立志用籃球脫貧的年輕男子,再見證終日幻想能嫁個有錢人的女子,終於如願以償卻發現沒靈魂的一段婚姻。Songs for a New World 是個組曲音樂劇 (Song Cycle),17首歌曲蘊含著17個故事。自1995年於外百老匯首演後,已經於全球上演數百場。
It's about one moment. It's about hitting the wall and having to make a choice, or take a stand, or turn around and go back. These are the stories and characters of today, the Songs For A New World. This moving collection of powerful songs examines life, love and the choices we make. Brown transports his audience from the deck of a 1492 Spanish sailing ship to a ledge 57 stories above Fifth Avenue to meet a startling array of characters ranging from a young man who has determined that basket-ball is his ticket out of the ghetto to a woman whose dream of marrying rich nabs her the man of her dreams and a soulless marriage. Songs for a New World, a theatrical song cycle, which played Off-Broadway in 1995, and has since been seen in hundreds of productions around the world.
作曲及填詞 Music and Lyrics:Jason Robert Brown
導演及歌唱指導Director and Singing Coach:李頴康* Wing-hong Li*
音樂總監及鋼琴 Music Director and Pianist:邵天慈 Tin-chi Siu
主演Cast:
原子鏸 Marsha Yuan 劉榮豐 Rick Lau 黃雪燁 BonBon 魚旦Ronny Yuen
現場樂隊 Live Band:劉君豪 Isaac Lau 鄧應祈Ying-ki Tang 王梓豪Charlie Wong
編舞 Choreographer:陳雅珊 Shan Chan
佈景及服裝設計 Set and Costume Designer:王詩華(樹蛙)Suwa Wong
燈光設計 Lighting Designer:蕭健邦 Leo Siu
音響設計 Sound Designer:馮璟康 King-hong Fung
宣傳平面設計 Promotional Graphic Designer:鍾凱飛 Fei Chung
舞台監督 Stage Manager:吳紫靈 Kami Ng
導演助理 Assistant to Director:尹溥程* Edwin Wan*
助理監製 Assistant Producer:鄒棓鈞 Alastor Chow
監製 Producer:陳健迅 Seth Chan
*承蒙香港演藝學院允許參與製作
With the kind permission of the Hong Kong Academy for Performing Arts for joining the production
21 – 24 / 7 / 2016 8:15 pm
23 – 24 / 7 / 2016 3:15 pm
沙田大會堂文娛廳 Cultural Activities Hall, Sha Tin Town Hall
$260 $190
英語演出,中文字幕概要
Presented in English with Chinese surtitles
節目全長約1小時30分
Approximately 1 hour 30 minutes
門票由5月21日起於城市售票網公開發售 Tickets available at URBTIX from 21 May
全日制學生#、六十歲或以上長者#、殘疾人士及看護人獲八折優惠。
[#] 優惠票數量有限,先到先得。
20% discount for
-Senior citizens aged 60 or above (limited offer)
-Full-time students (limited offer)
-People with disabilities and the minder
每次購買5至7張正價門票可獲九折優惠
每次購買8張或以上正價門票可獲八五折優惠
10% off for each purchase of 5-7 standard tickets;
15% off for each purchase of 8 or more standard tickets
票務查詢Ticketing Enquiries 3761 6661
信用卡購票Credit Card Booking 2111 5999
網上購票Online Booking www.urbtix.hk
節目查詢Programme Enquiries 9874 0232
流動購票應用程式My URBTIX (Android及iPhone/iPad版) 購票
Mobile Ticketing App My URBTIX (Android and iPhone/iPad versions) Booking
其他優惠 Other Discounts
凡持有以下有效會員証,到城市售票網售票處購買正價門票,即獲八五折優惠:
城市當代舞蹈團「舞蹈靈」卡
香港藝術行政人員協會會員
香港演藝學院校友會會員
中英劇團「能量粉團plus」
一路青空「雲寶寶」會員
15% Discount at URBTIX Outlets only upon presentation of valid membership card:
CCDC Dance Inspirations
Members of Hong Kong Arts Administrators Association
Members of HKAPA Alumni Association
Chung Ying Theatre “Energy Fun Club plus”
The Radiant Theatre Member
JASON ROBERT BROWN 集作曲、填詞、指揮、編曲、配器師、導演和表演者於一身,被Philadelphia Inquirer 譽為「百老匯繼Stephen Sondheim 之後最聰穎和細膩的作曲家。」由Marsha Norman改編自同名暢銷小說的音樂劇The Bridges of Madison County,為他帶來第二個東尼獎最佳作曲獎。突破傳統敘事方式的外百老匯音樂劇The Last Five Years 於2015年上映電影版《留給最愛的情歌》,並由安娜.姬妲妮及謝洛美.佐敦主演。其他主要作曲及填詞音樂劇包括:Honeymoon In Vegas, 13, Parade (Drama Desk Awards及 New York Drama Critics’ Circle Awards 最佳新音樂劇及東尼獎最佳作曲獎) 及Songs for a New World。
JASON ROBERT BROWN is an equally skilled composer, lyricist, conductor, arranger, orchestrator, director and performer. He has been hailed as “one of Broadway’s smartest and most sophisticated songwriters since Stephen Sondheim” (Philadelphia Inquirer). The Bridges of Madison County, a musical adapted with Marsha Norman from the bestselling novel, earned him his second Tony Award for Best Original Score. A film version of his epochal Off-Broadway musical The Last Five Years has been released in 2015, starring Anna Kendrick and Jeremy Jordan. His major musicals as composer and lyricist include: Honeymoon In Vegas, 13, Parade (Drama Desk and New York Drama Critics’ Circle Awards for Best New Musical, Tony Award for Best Original Score), and Songs for a New World.
www.musicaltrio.hk
音樂劇作主辦
Presented by Musical Trio
Songs for a New World Facebook Page: https://www.facebook.com/events/859606444162851/
BONBON Facebook Page: https://www.facebook.com/wongsuetip.bonbon/
#SNANWHK
![post-title](https://i.ytimg.com/vi/OnGOVU9eQkg/hqdefault.jpg?sqp=-oaymwEbCKgBEF5IVfKriqkDDggBFQAAiEIYAXABwAEG&rs=AOn4CLD9Lq9mdxOe14_4hcNtKIx27gg-9A)
off stage中文 在 Andy Dark Youtube 的評價
【Super Fluffy Souffle Omelette】
〚CHI VIDEO 中文版〛 舒芙蕾歐姆蛋/ 梳乎厘奄列 ▶▶▶ https://youtu.be/gZj0kpolXiI
After the craze for Dalgona Coffee, these two weeks are all about super fluffy souffle omelette! There are many videos on how to make it perfectly, but let me share a few more insider tips with all of you!
⭐ Things you need to know about whipping egg white! ⭐
1. Fat is the biggest enemy of foaming egg white.
2. Egg whites at room temperature can create bigger volume of foam.
3. Salt weakens the stability of the structure of foam. Don't put salt with the whites.
4. Adding sugar too early retards the foaming.
5. Slightly lower the pH of egg white can fasten foaming. Add half a teaspoon of lemon juice or a pinch of cream of tartare would help.
6. Sugar slows down air bubbles from bursting.
———————————————
Ingredients:
Eggs | 4 pcs
Butter | 2 tsp
Salt | 1/4 tsp
Sugar | 1 tbsp
Method:
1. First, seperate the egg yolks and the egg whites. Add the salt to the yolks and beat them for a minute until it becomes pale-yellow colour.
2. Whip the egg whites with the sugar until soft-peak stage. Then mix with the yolks thoroughly.
3. Turn on the stove, place the butter in and coat the surface of the pan. Place the egg mixture into the pan and cover with a lid. Cook it over low heat for 4 - 7 minutes.
4. After 4 -7 minutes, take off the lid. Tilt the pan, roll the souffle omelette down and fold in half! Done!
———————————————
#Souffle
#omelette
#SouffleOmelette
#AndyDark
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