📝酈英傑處長給台灣人民的道別信
「隨著我擔任美國在台協會處長的日子即將畫下句點,我也即將離開台灣,我想藉這個機會和大家分享,這一番歷練對我來說的意義是什麼。當我說擔任AIT處長其實是我這輩子的榮幸,也讓我得以實現長期職業生涯中的抱負與理想,這麼說一點也不為過。
我19歲時第一次離開家鄉,就是來台灣。對年輕的我來說,從那時起,台灣就成了交流與理解、探索與冒險的同義詞。台灣不僅有著讓人眼花撩亂的異鄉風情,也代表著意想不到的嶄新機會。我在這裡嘗試新奇的食物,像是水餃和臭豆腐,並且學習如何在擠滿單車和機車的大街小巷穿梭自如。一方面,我努力用我粗淺的中文,讓別人聽懂我說的話;但同時我也發現,無論走到哪裡,迎接我的都是滿滿的親切友善與熱情好客。
因此,在成為美國外交官後,能夠以台灣作為我派駐海外的第一站,真是再適合不過了。畢竟,是台灣首先點燃了我對亞洲、尤其是台灣的畢生興趣,也激發了我對跨文化理解和共享目標——也就是外交工作——的終身熱忱。此後,我也曾派駐其他地點,多數是在大中華區域,但我的台灣經歷與回憶始終常存我心。最終我能以美國駐台最高層級外交官的身分回來這裡,可說是我多年職涯的高峰。顯然,我這一生注定與台灣有著深刻的連結,或者也叫作「緣分」吧,才會讓我一次又一次不斷地回到台灣。
常有人問我,為什麼我這麼喜歡台灣。我總覺得:「答案不是很明顯嗎?」不過如果一定要我從個人與專業的角度,解釋我對台灣的喜愛與敬佩之情,我通常會提到以下幾個領域:
首先,台灣兼具活力與穩定、進步與延承、還有創新與傳統。每次回到這裡,我都對台灣社會在各個方面日新月異的進步感到驚艷不已。台灣的民主更臻成熟,經濟益加蓬勃,環境保護更受關注,藝術文化發展也生生不息。
台灣在許多最先進的科技產業上持續為全球創新樹立標竿,但與此同時,台灣的社會穩定和文化傳承依舊令人欽羨佩服。儘管生活充裕且形象良好,台灣人民卻依然謙虛樸實、平易近人。在台灣,最古老的傳統薪火相傳、歷久彌新。文化和歷史古蹟受到妥善的修復與保護;年輕人也可以學習代代相傳的書法技巧,接著再把作品秀在Instagram上。
再者,對美國來說,台灣正是共享利益與共享價值交集的典範。美台夥伴關係的重點在於確保科技發展能夠嘉惠、而非傷害我們雙方的經濟,科技突破則應被用於鞏固、而不是破壞我們的原則。美台之間自由、多元、平等及透明等共享價值,時時激勵我們努力在世界各地打造民主社會的韌性。而我們也持續尋求新的方式,為解決全球問題做出貢獻,這麼做不僅是因為能夠造福我們自己的人民,也是因為我們相信,身為21世紀敦親睦鄰的好夥伴,就是該這麼做。
最後,每當我想到台灣、以及整體美台關係,我總會想到希望、光明和成長。美台的情誼在過去40年來不斷拓展與茁壯。我相信每任處長都會同意,他們離開台灣時的美台夥伴關係,比起他們剛上任時都更上一層樓。同樣的,當我向AIT告別的那一天,我的心中將充滿肯定與成就感,因為我知道,美台夥伴關係比以往都更加深刻和強健,我也對自己能為美台關係今天亮眼的進展小有貢獻,而深感驕傲。
但是,比起這些事情,我想我更難忘的是台灣在我生命中所留下的深刻印記。我永遠會記得我在台灣度過的第一個聖誕節,還有第一個農曆新年。我永遠會記得台灣朋友的真摯與溫暖、教會同伴堅定的信仰、炎炎夏日來一碗芒果冰的沁涼、資源回收車沿街播放《給愛麗絲》的回音,還有巷弄中撲鼻而來的茉莉花香,這些都會是我畢生珍藏的美好回憶之一。我也會記得好友間的餐聚、充滿歡笑和故事的夜晚、以及一路以來我受到過的無數的善意與關懷。我更會永遠記得,是各位台灣朋友們,你們以各種不同的方式,讓我和我家人的生命更加地豐盛美好。對此,我要衷心地謝謝大家。
雖然我將離開台灣,但台灣不會離開我。」
— 美國在台協會處長 酈英傑
✅信件全文亦可至AIT官網查看:https://bit.ly/2TSkLDF
📝A Farewell Letter from AIT Director W. Brent Christensen
"As my time as AIT Director draws to a close and I prepare to leave Taiwan, I want to take this opportunity to tell you what this experience has meant to me. It is not an exaggeration to say that this has been the honor of my life and the fulfillment of a career-long aspiration.
The first time I left my hometown at age 19, it was to come to Taiwan. From that early age, Taiwan became synonymous for me with the ideas of exchange and understanding, exploration and adventure. Taiwan represented both disorienting foreignness and unexpected opportunity, as I tried new food – like shuijiaos and qiu doufu – and learned to navigate my way through streets crowded with bicycles and scooters. And struggled to make myself understood with my rudimentary Mandarin. But all the while discovering the kindness and generosity that welcomed me wherever I went.
It felt appropriate for me to serve my first tour as a U.S. diplomat in the place that first sparked in me a lifelong interest in Asia – and in Taiwan in particular – and in cross-cultural understanding and shared purpose, or in other words, diplomacy. After that, my career took me to other places, but mostly still in the China region. But the memories of my experiences in Taiwan stayed with me. And finally having the opportunity to serve as the top U.S. diplomat to Taiwan was the culmination of all the years that came before. It is clear that I have a lifelong connection to Taiwan, or “yuanfen,” that has led me to return again and again.
People often ask me why I have such a fondness for Taiwan. “Isn’t it obvious?!” I always think. But when forced to explain my affection for and professional fascination with Taiwan, I usually come back to a few themes.
First, dynamism and constancy; progress and preservation; innovation and tradition. Every time I return to Taiwan, I am immediately struck by the many ways Taiwan has advanced as a society. Taiwan’s democracy grows more mature, its economy more prosperous, its environment more cared-for, and its arts and culture more vibrant.
Taiwan’s industry continues to set the benchmark for global innovation in some of the most sophisticated technologies, but at the same time, Taiwan society is remarkable for its stability and cultural continuity. Taiwan’s people, despite their relative wealth and stature, continue to be modest and unassuming. Taiwan’s most ancient traditions are alive and well. Cultural and historic sites are restored and preserved. Young people may learn calligraphy techniques handed down for generations, but then share their work on Instagram.
Second, for the United States, Taiwan exemplifies the intersection of shared interests and shared values. Our partnership is about making sure our economies are beneficiaries rather than casualties of technological development and ensuring that technological development advances rather than undermines our principles. Our shared values of freedom, diversity, equality, and transparency inspire our efforts to build the resilience of democracies around the world. And we continue to find new ways to contribute to global problem solving, both because it benefits our own peoples and because we share the belief that this is what it means to be a good neighbor in the 21st century.
Finally, I associate Taiwan – and the broader U.S.-Taiwan relationship – with hope, promise, and growth. This friendship has expanded and flourished over the past 40 years; I believe every person who has done this job walked away knowing they left this partnership better than they found it. I will similarly leave AIT with a sense of accomplishment and success, knowing that the U.S.-Taiwan partnership is deeper and stronger than ever, and feeling immensely proud of my small role in getting us there.
But more than any of these things, I will remember the ways that Taiwan has touched me personally. I will always remember my first Christmas in Taiwan – and my first Chinese New Year. I will remember the warmth of Taiwan friendship, the faith of my fellow church members, the taste of a mango bing on a hot summer day, the echo of “Fur Elise” from the recycling truck, the fragrance of jasmine blossoms in village alleyways – these are just some of the memories I will treasure. I will remember the long dinners with dear friends, full of laughter and stories. And I will remember their many kindnesses. I will remember all the ways big and small that you, the people of Taiwan, touched my life and the lives of my family. And for that, I thank you.
I may be leaving Taiwan, but Taiwan will never leave me. "
-- AIT Director William Brent Christensen
✅Read the letter: https://bit.ly/3hUrsgw
同時也有16部Youtube影片,追蹤數超過18萬的網紅Cyber Editing,也在其Youtube影片中提到,#how do I #cyberediting #crash NO SERIOUS INJURIES... Both rider and passenger were able to walk. The riders went to hospital for a check up anyway. ...
「ever after中文」的推薦目錄:
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Cheers! Our movie ‘Babi’ has been shortlisted by the Around International Film Festival and Thai Film Festival! Kop kun krap!🙏🙏🙏
To be frank, I have completed 2 films last year, one was ‘Nasi Lemak 1.0’ which was filmed above board and another film was ‘BABI’ which was filmed secretly. We never talked openly about this project because it is a banned film (Well, it’s pretty obvious even from the film title…) and we don’t want to get into unnecessary attention…
Due to the COVID-19 pandemic, the release date of ‘Nasi Lemak 1.0’ has been delayed indefinitely and it has caused quite a big deal to us… While we were amidst of the dark clouds, we found our silver linings! ‘BABI’ was selected in 2 internationally famed film festivals, the ARFF Berlin (Around International Film Festival Berlin) and the International Thai Film Festival! We were really really happy about it!
‘BABI’ is a film based on a real-life event, the movie sheds light on a massive school racial riot which took place in year 2000 in a small town somewhere Southern in Malaysia. During that time Malaysia was still under the authoritarian rule of one-dominant party, abuse of power and corruption were frequent, media and news were being stringently controlled and filtered. Thus, the incident was being ‘compromised’ by relevant authority, most of Malaysians doesn’t know about this incident.
The script was actually written 7 years ago, the main reason that the film was not in production that time was because nobody would ever consider to invest on a zero-profit, must-be banned film. The second reason was I had no idea whom should I ask for help, I believed after hearing the film title, everyone would be scared off... Yet in the end, I’m still managed to finish this film with a very very very tight budget. I want to thank all the people who have contributed greatly to the movie, especially the producer Joko Toh
We decided to put the 7-year-old script in production is to tell the truth behind the story but most importantly sending a message to all Malaysians that we must be more unified disregard of our ethnicity and race. In short, we shall always lend a helping hand to each others and communicate with our hearts and souls, therefore we won’t be exploited by politicians who incite racial sentiment to reach their end goal. Otherwise, more tragic like this will happens…
The idea of be able to screen this film in Malaysia has never crossed my mind before, that’s why we never tried to register the film after the production. Rightly next, I hope that this film can be seen elsewhere other than at Thailand’s or Germany’s film festival, I wish there are better methods in exposing the film and to reach out to everyone. Currently, we are still on our lofty quest but please do cheer for us! Happy Merdeka Day in advance! Malaysia Boleh!
*Versi BM*
Tahniah! Filem kami [BABI] telah dipilih dalam Around International Film Festival dan Thai Film Festival ! Kop Kun Krap! 🙏🙏🙏
Sebenarnya pada tahun lepas kami telahpun menghasilkan dua buah filem. Yang pertama adalah filem [Nasi Lemak 1.0] yang penggambarannya dijalankan dengan berani dan terang, satu lagi adalah filem [BABI] dimana proses penggambaran dijalankan dalam keadaan yang sulit dan rahsia. Kami tidak pernah membuat apa-apa pengumuman mengenai perkara ini, kerana khuathir filem ini akan menimbulkan kontroversi (lihat sajalah nama filemnya...) Kami tidak mahu memburukkan keadaan.
Disebabkan isu pandemik Covid-19, filem [Nasi Lemak 1.0] tidak dapat ditayangkan di pawagam dan telah membawa kerugian yang teruk pada kami. Walaubagaimanapun kami menerima berita baik berkenaan pemilihan filem [BABI] dalam dua festival filem antarabangsa yang berprestij iaitu ARFF Berlin (Around International Film Festival Berlin) serta International Thai Film Festival! Kami berasa amat gembira!
Filem [BABI] adalah lakonan semula sebuah rusuhan perkauman yang berlaku di sebuah sekolah menengah yang terletak di bahagian selatan Malaysia pada tahun 2000. Pada ketika itu Malaysia masih berada di bawah kepemimpinan parti yang dominan. Pemimpin-pemimpin menyalahgunakan kuasa dan pihak media dikawal sepenuhnya oleh kerajaan. Oleh yang demikian, tragedi ini akhirnya telah 'diselesaikan' oleh pihak tertentu dan rakyat Malaysia telah 'disekat' dari peristiwa tersebut.
Skrip asal untuk filem [BABI] telah saya tulis sejak 7 tahun yang lalu. Namun antara sebab utama saya tidak dapat menghasilkan filem ini adalah kerana isu modal, kerana tiada yang sudi mengeluarkan modal untuk sebuah filem yang mungkin akan diharamkan dan tidak akan ditayangkan di pawagam. Sebab kedua adalah kerana saya tidak tahu siapa yang akan sudi menghasilkan filem ini bersama saya kerana saya pasti, hanya dengan mendengar namanya saja sudah tentu tiada yang akan ingin mengambil bahagian. Namun dengan segala daya usaha dari semua pihak yang sudi membantu dan menerusi modal yang teramat-amat rendah, kami akhirnya berjaya menghabiskan filem ini. Saya dengan ikhlas ingin berterima kasih pada semua krew, petugas, pelakon dan kakitangan belakang tabir yang terlibat dalam menjayakan filem ini, terutamanya penerbit Joko Toh
Tujuan utama kami merealisasikan skrip yang ditulis sejak 7 tahun yang lalu adalah untuk membongkar perkara sebenar seluruh peristiwa ini. Juga menerusi filem ini, kami ingin menyampaikan mesej betapa pentingnya perpaduan dan keharmonian diantara kaum supaya dielak dari dipergunakan oleh ahli politik demi untuk mencapai matlamat dan motif masing-masing. Jika tidak, kami percaya pasti pasti lebih banyak tragedi ngeri bakal berlalu...
Tak pernah terlintas dalam fikiran kami untuk menayangkan filem ini di Malaysia. Oleh yang demikian, kami tak pernah mohon dari mana-mana pihak berkenaan permohonan penayangan. Kami berharap selepas ini, filem ini bukan saja akan ditayangkan di festival filem Berlin dan Thailand, kami mahu supaya filem [BABI] dapat ditonton oleh lebih ramai penonton di seluruh dunia. Kami akan tetap berusaha, silalah berdoa dan sokong usaha kami! Selamat Hari Kemerdekaan untuk Malaysia! Malaysia Boleh!
*中文翻譯*
恭喜恭喜! 我們的電影【BABI/你是豬】入選了【ARFF環球國際電影節(柏林)】還有【泰國國際電影節】! Kop kun krap! 🙏🙏🙏
其實去年我在馬來西亞完成了兩部電影拍攝,一部是光明正大在拍的叫【辣死你媽-續集】,而另一部電影則是秘密進行的,叫【BABI/你是豬】。這件事情從頭到尾我們都沒有公開過,因為這是一部禁片(看戲名就知道了),我們不想節外生枝...
【辣死你媽-續集】因為疫情的緣故沒辦法上映,造成了嚴重的虧損... 當我們在愁雲慘霧之際,卻收到了天大的好消息! 就是【BABI/你是豬】入圍了國際上著名的兩大影展 【ARFF環球國際電影節(柏林)】和【泰國國際電影節】! 真的很開心!
【BABI/你是豬】真人真事改編自一起大型校園種族暴動事件,發生在2000年馬來西亞南方小鎮的一所學校裡。當時的馬來西亞處在一黨獨大,濫權腐敗,媒體被嚴格控管及消息封鎖的階段。因此這起事件在當時已被相關單位“和諧”,在馬來西亞幾乎沒有人知道。
其實這是我七年前寫的劇本,我沒拍出來的第一個原因,當然是因為沒有人會願意把錢丟進一部即將被禁,賺不回本的電影裡。第二個原因則是我當時不知道要找誰幫我拍,相信聽到這個戲名,大家應該都怕了吧... 但最後我還是以很低很低成本的方式,拜託了很多人幫忙,才完成了這部電影。真的要謝謝參與電影拍攝的每一個台前幕後的人,尤其監製 Joko Toh。
我們決定要把這部七年前的劇本拍出來的目的,就是要揭露整起暴動事件的真相,也要藉此電影提醒馬來西亞人,種族之間必須更團結,互助,交流,才不會一直被政治人物利用,以操弄種族情緒而達到政治目的。否則將會發生更多類似的悲劇...
我從來都沒有想過這部電影能夠在馬來西亞上映,所以我們拍完了之後從來都沒有拿去申請過。接下來,希望這部電影不止在泰國和德國的影展能看到,期待以後能夠以更光明正大的方式讓所有人都能看到。我們還在努力中,請為我們加油吧!預祝馬來西亞獨立日快樂! Malaysia Boleh!
FINAS Malaysia Kementerian Dalam Negeri (KDN) Polis Diraja Malaysia ( Royal Malaysia Police ) #LPF Lembaga Penapisan Filem
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💕「愛台灣,我的選擇」系列第五發:高雄美國學校總校長卜傑明與太太來到台灣的甜蜜故事 💕💕
卜傑明:「多年前我曾經參加過美國和平志工團,過程艱辛但豐富有趣。我和睿宜剛開始交往時,她就有打算在海外定居工作,我百分之百支持她的決定。」
卜睿宜:「我畢業於航太工程學系,也曾經在波音公司實習了一段時間。大學畢業後,我到美國洛克達因公司工作,洛克達因公司是美國國家航空暨太空總署(NASA)的承包商,專門製造太空梭的主要引擎。」
卜傑明:「她可是真正的火箭科學家喔!」
卜睿宜:「我的公司在加州設計、製造引擎零件,再運到密西西比史坦尼斯太空中心進行組裝和測試,但我一直都想當個物理老師。我其實是在出差的時候認識傑明,我的同事當時和傑明的室友訂婚……結果我們現在也結婚了!」
卜傑明:「當我們在尋找海外工作機會時,台灣的機會就來了。當時我飛來台灣面試,我還記得第一次推開這扇門的時候,就有種特別的感覺。我在台灣待了兩天,上飛機的剎那,我就非常堅信這學校和台灣都是對的選擇!我那時跟睿宜說:『妳有想過去台灣嗎?』結果她從沙發上跳起來說:『有!台灣就是我的首選!』
卜睿宜:「我一直都想要學中文,我有很多高中和大學的同學都來自台灣。我喜歡溫暖的天氣,也喜歡旅遊。在這邊我結交了好多新朋友,台灣人非常友善開放!」
卜傑明:「我現在是高雄美國學校的總校長,我們有來自超過30個國家、800位學生。我們的美式教育哲學是強調批判性思考而非背誦,並著重發揮創意、創造新知 — 這不是教學法的一種,而是我們的信念。而且,我們身處高雄,就是屬於高雄的一份子。高雄美國學校的建築概念就是『透明』,就算坐在教室裡,我們的學生也能看到他們所屬的城市以及外面的世界。」
✅卜傑明博士於2017年接任高雄美國學校總校長,卜傑明先後取得美國哥倫比亞大學教育碩士及博士學位,並曾擔任過中學校長、副校長、數學及科學老師,他也曾加入美國和平志工團到萬那杜共和國從事海外服務。卜睿宜女士是火箭科學家。夫婦倆熱愛美食、聚會交流及旅遊。
Why I Chose Taiwan #5 💞
Ben: I was a Peace Corps volunteer many years ago. It was a wonderful and difficult experience. Early in our relationship, Torey told me she eventually planned to live and work overseas. I was one hundred percent on board with that.
Torey: So academically, my background is in aerospace engineering. I interned with Boeing for a while. Then after college, I went to work for Rocketdyne, which is a subcontractor for NASA, they made the space shuttle main engines.
Ben: She’s an actual rocket scientist!
Torey: My company would design and manufacture the parts for engines in California. And then we would ship them to the Stennis Space Center in Mississippi, where we would assemble and test engines. But I always wanted to be a physics teacher. When I met Ben, I was actually on a business trip. One of my coworkers was engaged to Ben’s roommate…and now we’re married!
Ben: So we were looking for overseas opportunities, and the opportunity in Taiwan came about. And I came out here to interview in person. And I remember when I walked in the front door of this place for the first time…it just felt different. I was here for two days and by the time, I got the plane to go back home, I was sold on the school. I was sold on Taiwan. I went to Torey and I said, “Torey, did you ever consider Taiwan?” She literally jumped up from couch and said, ”Yes, that’s at the top of my list.”
Torey: I always wanted to learn Mandarin and I have so many friends in high school and college who were from Taiwan. I love the heat. I love the travel. I’ve made so many new friends here. People are so nice and so open.
Ben: I now serve as the superintendent of the Kaohsiung American School. We have 800 students from a total of over 30 countries. There is a certain philosophy to American education that we apply here -- an emphasis on critical thinking over memorization; the importance of creativity and creating new knowledge -- we don’t identify them as part of our pedagogy. They are actually part of our beliefs. At the same time, we are in Kaohsiung. We are part of Kaohsiung. This school is designed to be transparent. Even when you’re sitting in the class, we want our students visually connected to the city they are part of and to the place they are part of and to the outside world.
✅Dr. Ben Ploeger joined the Kaohsiung American School community as Superintendent in 2017. He earned his EdD and MEd from Columbia University. Dr. Ploeger has worked as a head of school, principal, vice principal, math teacher, and a science teacher at the high school and middle school levels. He served in the United States Peace Corps in the island nation of Vanuatu. Mrs. Torey Ploeger is a rocket scientist. They enjoy good food, good company and conversation, and traveling together.
ever after中文 在 Cyber Editing Youtube 的評價
#how do I #cyberediting #crash
NO SERIOUS INJURIES...
Both rider and passenger were able to walk.
The riders went to hospital for a check up anyway.
I don't think this couple will be together after this.
That's why the music is called "You can forget about me"
Chinese Analysis is in the first pinned comment.
沒有骨折或嚴重受傷的情況...
但是車手們還是去醫院做了檢查。
我認為這對夫婦以後不會在一起。
這就是為什麼音樂被稱為“你可以忘記我”
中文分析是第一個固定的評論。
BGM = https://soundcloud.com/cyberediting/forget-about-me
This video is designed to inform and educate about safe vs. unsafe riding techniques & practices.
It does not promote dangerous or violent acts.
It educates other riders to avoid similar mistakes.
I will reply to comments in your own language.
我會用你自己的語言回複評論。
Saya akan membalas komentar dalam bahasa Anda sendiri.
FOLLOW ME:
Instagram: https://www.instagram.com/cyberediting/
Facebook: https://www.facebook.com/CyberEditing
email: cyberediting@yahoo.com
ever after中文 在 卡勒的譯人藝事 Youtube 的評價
※中文字幕翻譯經原創者與影片所有者Jon Cozart授權許可。
※The translation of subtitles was permitted and used by the original artist Jon Cozart, who also owns rights to the source video.
迪士尼動畫中,王子與公主永遠過著幸福快樂的日子,但其後生活的心酸誰人知呢?創意工作者Jon Cozart將童話故事帶回現實,以詼諧卻又含有警世意味的方式,用阿卡貝拉(A Cappella)訴說公主們的心聲。
更多影片內容請至部落格觀賞
http://setsunaleo.blogspot.com/2013/04/after-ever-after.html
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影片來源:http://youtu.be/diU70KshcjA
原作頻道:http://www.youtube.com/user/Paint
ever after中文 在 Laowu老吳 Youtube 的評價
After eight years behind the mask, Peter Parker is a crime-fighting master. Feel the full power of a more experienced Spider-Man with improvisational combat, dynamic acrobatics, fluid urban traversal, and environmental interactions. A rookie no longer, this is the most masterful Spider-Man you’ve ever played.
《漫威蜘蛛人》是《拉捷特與克拉克》團隊 Insomniac Games 擔綱開發的開放世界動作冒險遊戲,改編自漫威經典超級英雄漫畫《蜘蛛人》。採用開放世界舞台來呈現原作廣大的紐約曼哈頓舞台,融合高速動作與電影式演出玩法。讓玩家扮演經典超級英雄「蜘蛛人」與面罩背後的平凡人彼得 ‧ 帕克,施展飛簷走壁的蜘蛛異能縱橫現代叢林的紐約曼哈頓,打擊惡勢力維護市民安全。
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ever after中文 在 (中文歌詞)Happy Ever After & Kid By Julia Fordham - YouTube 的八卦
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