classical中文的八卦，YOUTUBE和Yahoo名人娛樂都在討論

💕「愛台灣，我的選擇」系列第六發：美國在台協會高雄分處處長歐雨修的台灣青春歲月💕

「1994當年我即將畢業於德州大學，那時候德州大學每年都會提供獎學金給學生到師大學習中文，而我很幸運的申請到了！其實我曾考慮去日本念書，但最後決定來台灣繼續學習文言文。現在回想起來很好玩，因為當時我只離開過美國一次，而且我也不知道台灣會是什麼樣子，所以來台灣後我整個很驚喜。1994年的台灣和現在有些不同，但也有些事物保持原樣，比方說：台灣人還是超級親切、食物依然非常美味，雖然那時台北還沒有捷運，但台北的公共交通已經很便利了，台灣真的很讚！1998年我以美國在台協會實習生的身分回到台灣，2006年到2010年間，我回到台灣學台語，接著在美國在台協會經濟組工作；2017年我以美國在台協會高雄分處處長的身分再度回到台灣，我跟你說台灣真的是日新月異，進步神速！我常常開玩笑說，美國中西部人和台灣人是世界上最友善的人，不過台灣南部人好像又更友善更親切，而且我覺得南部的食物又更好吃（恩，我知道有人會不同意啦）。」

💕Why I Chose Taiwan #6 💕

"I was graduating from college in 1994 and every year my school, the University of Texas, had a fellowship to study Chinese at 師大 (National Taiwan Normal University, NTNU). That year I applied for it and I got it. I also had the option of going to Japan, but I decided that I wanted to come to Taiwan to keep studying classical Chinese at 師大. It’s funny, thinking back, at that time I had only been outside of the U.S. once before, and I had no preconceived idea of what Taiwan would be like. So obviously, I was very pleasantly surprised. This was 1994, so Taiwan was a little bit different than it is now, but some things are the same: The people were super nice, the food was excellent, and public transportation in Taipei was convenient, although they didn’t have the MRT quite yet. It was a great place to be. Then I came back as an intern at AIT in 1998, and then I was here from 2006-10, studying Taiwanese and then working at AIT in the economic section. I’ve been back again since 2017 as the Principal Officer of our AIT branch in Kaohsiung, and I can tell you Taiwan just keeps getting better and better. I always joke that the nicest people in the world are mid-Westerners and Taiwanese people, and I believe that here in the south, they somehow manage to be even nicer, even friendlier. I think the food is better in the south as well. (Controversial opinion, I know.)"--- AIT Kaohsiung Branch Chief Matthew O’Connor

💕「愛台灣，我的選擇」系列第16發：熱愛台灣詩的美國學者白瑞梅(Amie Parry)

「我在加州內陸地區一個叫做聖伯納迪諾的小城市長大，隨後在聖地牙哥念大學和研究所，並獲得文學博士學位。求學期間我們必須至少選修一門外語，所以我就選了中文。1987年我大學畢業之後，跟朋友來了台灣一趟，在台灣教英文和學中文六個月，接著就自己一個人當起背包客在亞洲四處旅遊。

我本來想要研究中國古典詩詞，後來因為獲得傅爾布萊特獎學金，便又再度回到台灣。當時我在討論詩詞的聚會上認識了幾位現代派詩人，所以我就將研究主題轉而聚焦在台灣60、70和80年代的現代詩。我的博士論文探討的就是，以現代主義來理解現有政治語言中難以理解的現代性。我認為歷史形塑而來的經驗，往往比語言本身還要複雜。

我研究的那些詩作沒有明確的政治性，反而是有很強的實驗性質，並帶著詭譎的神秘感。當時我認識的現代派詩人大多是跟著國民黨飄洋過海來台的外省人，他們經歷過戰爭和顛沛流離，也經歷過劇烈且痛苦的歷史創傷。每個人的經驗都不同，在那個年代，也很難說出口。後來，我寫了一本關於詩的書，並聚焦在一兩位我覺得特別有趣的詩人。我在書中問了一些類似的問題：這些詩作如何幫你思考艱難的議題？

當時的現代詩已經頗有制度，許多詩人都有投稿《現代詩》這份重要的詩刊，有些詩人則是將詩作與戲劇結合。整體而言，台灣的現代詩、表演藝術和文學都發展地如火如荼，也深深吸引了我，但我還未全盤了解。當我完成博士論文時，我便獲得交通大學的教職，讓我對台灣的學術圈感到非常驚艷。而當我出版第一本著作時，我也很訝異能在美國獲獎；我根本不知道自己獲得提名，當時我問授獎單位：「為什麼選擇我的書？」他們表示：「因為書中其中一個章節是以跨國的架構來進行整體論述，妳不是單用西方的理論和東方的詩詞，而是從東西方共同錘煉出嶄新的知識。」

我目前任教於中央大學英美語文學系，除了擔任系主任之外，我也有教授寫作課、文學課和文學文化理論課程。從我1987年第一次來台灣到現在，我覺得台灣人愈來愈能自在地與來自不同地方的人交談，就個人經驗來說，我認為台灣社會愈來愈開放。我第一次來台灣時，經歷了許多台灣社會有趣的發展，也結交了許多朋友，並認識了許多學術圈的同好。我想，這些珍貴的回憶就是呼喚我再度回台的動力；就像是，如果你覺得這個社會充滿生氣和活力，而你也能夠參與其中、做出貢獻，我想這就是像家一樣的感覺吧！」

✨白瑞梅 Amie Parry 現為中央大學英美語文學系 專任教授

💕Why I chose Taiwan #16 – Amie Parry

“I grew up in a small city in inland California called San Bernardino. I went to college and graduate school in San Diego. I got my PhD in literature. We were all expected to learn at least one language, so I did Chinese. I traveled to Taiwan with a friend right after I graduated from college in 1987. We came here to teach English and study Chinese for six months, then I traveled around Asia by myself with a backpack.

I originally wanted to study classical Chinese poetry. I got a Fulbright grant and I came back here. I started going to the poetry nights that were happening at that time. I met some of the modernist poets, and I switched my focus to the modernist poetry of the 60s, 70s, and 80s in Taiwan. I wrote my dissertation on modernism as a way of understanding the parts of modernity that are hard to know in the existing political language that we inherit. I think that experience in historical formation is always more complicated than the language.

These poems are not explicitly political; they're very experimental and strange. At the time, the modernist poets I met were mostly 外省, men who had been drafted and come over with the KMT, so they had experienced war and displacement, and a very intense and traumatic historical moment. People experienced it differently, and at that time, it was a hard thing to talk about. Later, I wrote a book about poetry, but I just focused on one or two poets I find really, really fascinating. And I was asking some of the same kinds of questions: how can these poems help you think about certain topics that are hard to think about?

At that time, Modernist poetry was a kind of an institution already. There was a journal called 現代詩, “Modern Poetry,” a really important journal that most of these poets were published in. Some of them combined poetry and theater. There's just so much going on in Taiwan in terms of poetry and performance and literature. It's just amazing. And I'm very interested in it at all, but I haven't kept up. After I finished my dissertation, I got a job offer at 交大. I thought, wow, there's something really amazing happening intellectually here. When my first book came out, it actually got an award in the U.S., and I was so surprised. I didn't even know it had been nominated. I asked them, ‘Why did you choose my book?’ And they said, because one of the chapters has a transnational of framework for the whole argument, so it wasn't like you used Western theories and Eastern texts, it's like the whole knowledge part is coming out of both places.

I currently teach in the English department at National Central University. I'm the chair and I teach writing classes, literature classes, and literary and cultural theory classes. Since my first visit to Taiwan in 1987, I think people are a little more comfortable talking to people from different places. In my personal interactions, I feel a difference, like a greater openness. Back then, there were so many interesting things happening here, all at one time, and that's the time that I happened to be here. And I made good friends in my personal life and in my intellectual life. And I think those are the things that made me come back: like if you feel that there's something interesting happening and there's some way that you can support it. I guess that's a way of feeling at home.” — Amie Parry

✨Amie Parry is professor of the Department of English at the National Central University

星音符剧团即将为您💥震撼上演——中国古代四大名著之首《红楼梦》话剧。
Symphony Theatre proudly presents the stage play “The Dream of Red Mansions”, an adaptation of the most celebrated classical Chinese novel! 💥💥

❤古代长篇巨作《红楼梦》，即将在大马首度以话剧形式呈现，星音符剧团将根据史实与原著改编。为您演绎一场刻骨铭心、至真至爱、荡气回肠的爱情故事。

❤此次，星音符剧团力邀锺洁希演出话剧女主角——出淤泥而不染的林黛玉。男主角为全球万里挑一，犹如贾宝玉再现的——林霆坚。<别说爱错>的领衔主演——美籍导演浪漫王子李安田，与<音乐盒>话剧的领衔主演——魅力型男马杰飞也会重磅加盟！

💥必看8大重点💥
✨《红楼梦》在大马首度以话剧演出
✨《红楼梦》根据史实和原著改编
✨国际艺人锺洁希与多位资深演员同台演出
✨最新3D科技绝美LED背景视觉影像
✨特邀美国音乐人为《红楼梦》打造主题曲与插曲
✨逼真的音效与专业背景音乐配搭
✨精致的古风道具布置
✨精美雅致大气有诚意的古代服装

❤锺洁希曾演出《七步诗》、《月光》、《音乐盒》、《别说爱错》话剧等…精湛的演技受到媒体与观众的肯定，演出的话剧更是场场爆满，大受观众的欢迎与认可。 李安田自小在美国和台湾两地成长，属于性格派演员，并且曾在美国受过名师指导拍摄及导演。马杰飞曾经演出《音乐盒》话剧与《别说爱错》话剧，他也是多部电影、短片和MV男主角，深受大众喜爱。马杰飞也是一名导演，他将要推出的力作是与李安田导演携手执导的一部话剧名为《没有泪的天空》。马杰飞、李安田、林霆坚都是在大学主修戏剧及音乐表演系。

❤ “四大名著” 之一《红楼梦》描绘了人生百态, 是一部能够体现中华民族文化与智慧的经典完美结合著作。《红楼梦》话剧根据史实与原著改编，以荣国府为背景，情节以贾宝玉和林黛玉之间的故事贯穿全剧。

❤ 值得一提的是，许多人提到红楼梦中的林黛玉，都会觉得她就是柔弱的化身。事实上，林黛玉是一个勇敢聪慧的女子，她比任何红楼梦中的女子更加敢于挑战世俗。 很多人把林黛玉比喻为水芙蓉，只因这种植物有 “出淤泥而不染” 的赞誉。贾宝玉与林黛玉纯真又刻骨铭心的爱情，更是红楼最凄美动人的故事。至于林黛玉的眼泪，绝不能简单地理解为眼泪代表柔弱，就像王熙凤用银子来修炼自己在世俗中的能力一样，或许林黛玉她是用一生的眼泪来修炼爱情。

❤ 《红楼梦》话剧首次搬上大马舞台，带观众走进《红楼梦》的世界，体会《红楼梦》的深刻内涵，享受红楼作品的美学呈现，让观众深刻体验古典名著的艺术魅力。同时，透过根据史实与原著改编的《红楼梦》话剧，想带大家更深一层的认识出淤泥而不染的贾宝玉与林黛玉。❤🧡💛💚💙💜

❤《红楼梦》话剧24/07星音符剧场首演，星音符为您诚意打造《红楼梦》话剧，让您深刻体验古典名著的艺术魅力。敬请期待！

📅🗓️《红楼梦》话剧演出6场，演出日期如下🏹🏹🏹
[第一场] 24/07/2020（五）
[第二场] 25/07/2020（六）
[第三场] 26/07/2020（日）
[第四场] 31/07/2020（五）
[第五场] 01/08/2020（六）
[第六场] 02/08/2020（日）
【地点】星音符剧场
【时间】晚上8点钟⏳
【联络号码】012-642 0336（负责人梁小姐）
【中文对白，附有英文字幕】

想要购买话剧入门票🤩？请点击这里 ：
📲📲📲https://wa.link/1zlg05 (012-642 0336)
此活动由马来西亚自然医学公会（MNA）主办，为癌症病患筹募基金。以获取更多最新资讯，请守住洁希脸书！

Symphony Theatre proudly presents the stage play “The Dream of Red Mansions”, an adaptation of the most celebrated classical Chinese novel! 💥💥

❤ “The Dream of Red Mansions”, an early, lengthy masterpiece, is about to be performed in Malaysia for the first time in drama form. With the play based on the original historical novel of the same name, Symphony Theatre is bound to portray for you an unforgettable, passionate, and heart-rending love story.

❤This time, Symphony Theatre invited Jessie Chung to take the stage as lead actress, portraying the pure and unadulterated Lin Daiyu. The lead actor, Terry Lim, was chosen out of a ton of applicants from around the world. Joining the ranks is lead actor of “Meant to Be”, the romantic, princelike American director Paul Lee and lead actor of “Music Box”, the charismatic heartthrob Jeffrey Beh!

💥 8 Reasons Why You Should Watch 💥
✨ This marks the first public performance of the stage play “The Dream of Red Mansions” in Malaysia
✨ “The Dream of Red Mansions” is based on the original historical novel
✨ International artist Jessie Chung takes the stage with many experienced actors
✨ Stage backdrops created through the latest 3D technology for stunning, lifelike environments
✨ American musician brought on board to compose the theme song and soundtrack
✨ Accompanied by realistic sound effects and professional background music
✨ Stage design incorporates exquisite ancient Chinese elements and props
✨Actors wear elegant, refined, majestic and authentic period costumes

❤Jessie Chung has performed in stage plays including “The Quatrain of Seven Steps”, “Moonlight”, “Music Box”, “Meant to Be” and more. Her superb acting skills caught the attention of the media and audience alike. She is known for her sold-out performances that are popular with and praised by theatregoers. Paul Lee, who was raised between the U.S. and Taiwan grew to be a character actor and has learned the craft of cinematography and directing under a few renowned in instructors in the U.S. Jeffrey Beh, who has starred in the stage plays “Music Box” and “Meant to Be”, has also starred in several films, short films and music videos that are well-received. Jeffrey Beh is also a director, and he will be directing alongside Paul Lee in an upcoming masterpiece of his, the stage play “Tearless Sky”. Jeffrey Beh, Paul Lee, and Terry Lim all majored in performing arts and music.

❤One of the Four Great Classical Novels, “The Dream of Red Mansions” depicts various aspects of life and is a comprehensive, literary work that embodies the culture and wisdom of the Chinese. “The Dream of Red Mansions” was adapted from true historical events and traces the bittersweet tragedy at the Rong Mansion between Jia Baoyu and Lin Daiyu.

❤It is worth mentioning that many people believe for Lin Daiyu of “The Dream of Red Mansions” to be the epitome of frailty. That couldn’t be further from the truth. Lin Daiyu was a brave and intelligent woman who dared—more than any woman in “The Dream of Red Mansions”—to challenge the worldliness around her. Many liken Lin Daiyu to a lotus, because the flower is known to grow out of the mud unsoiled. The pure and unforgettable love between Jia Baoyu and Lin Daiyu is the most poignant and moving story in “The Dream of Red Mansions”. As for Lin Daiyu’s tears, they should not be simply understood as symbols of weakness. Just as Wang Xifeng used money to perfect her materialistic ways, perhaps Lin Daiyu used a lifetime of tears to perfect her love.

❤ “The Dream of Red Mansions” is set to be staged in Malaysia for the first time, and will transport the audience into the world of the original novel so they can feel its profound literary treasures, enjoy its aesthetical presentation, and experience intensely the artistic charms of this classical masterpiece. Moreover, through the stage adaptation of the original historical novel—“The Dream of Red Mansions”—we hope that everyone will have a deeper understanding of Jia Baoyu and Lin Daiyu, who kept their purity even in a filthy world.

❤ “The Dream of Red Mansions” debuts on July 24 at Symphony Theatre. This stage play presented by Symphony Theatre will allow you to intensely experience the artistic charms of this classical masterpiece. Don’t miss it!

📅🗓️ Six shows have been scheduled; the performance dates are as follows: 🏹🏹🏹
First show: Friday, July 24, 2020
Second show: Saturday, July 25, 2020
Third show: Sunday, July 26, 2020
Fourth show: Friday, July 31, 2020
Fifth show: Saturday August 1, 2020
Sixth show: Sunday, August 2, 2020
Venue: Symphony Theatre
Showtime: 8 p.m. ⏳
Contact number: 012-642 0336 (Representative Ms. Leong)
Performed in Mandarin with English surtitles

Want to purchase tickets? 🤩 Visit the following link:
📲📲📲 https://wa.link/lck748 (012-642 0336)

The show is a fundraiser organized by the Malaysia Naturopathic Association (MNA) to help cancer patients in need. Stay tuned on Jessie’s Facebook for more updates and information!

▶《美麗舊世界》專輯數位收聽
https://www.soundscape.net/a/12288

▶〈I’m Not A Little Girl〉MV 👀
https://youtu.be/ZXSO_FCoek4

▶〈美麗舊世界After Utopia〉MV 👀
https://www.youtube.com/watch?v=pR4hghE7PjE

▶〈殘酷森林〉MV 👀
https://youtu.be/qD51JH1O2hs

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製作團隊：得體工作室
監製：好餓 Howard.K
團隊監製：柯英智 Arvin Ke
製片：張俊偉
執行製片：張少鴻、林孝昇
導演：王孝玨
攝影師：林燁
攝大助：文國平
美術：小拗
執行美術：秋瑾
美術助理：R4
造型：饒芳瑜
妝髮：徐薇琪 林書帆
妝髮助理：蔡亞倫
燈光師：黃維宣
燈光助理：林晏均、林余璠
燈光實習生：邱聖翔
燈車司機：鄭哲安
攝影器材：和寬攝影器材
燈光器材：和寬攝影器材
演員：文頤、小孟、小管
調光：林柔以
手工後期：小樹、小管、小歐、侑函

Credit
作詞 Lyricist：李芷婷 / 黃建東 / 陳婉玲
作曲 Composer：潘偉凡 / 李杰珉
製作人 Producer：潘偉凡 / 李杰珉
編曲 Arranger：潘偉凡 / 李杰珉 / 黃富彥Huangfu
古典吉他 Classical Guitar：劉雲平
和聲 Backing Vocal：簡愛
和聲編寫 Backing Vocal Arranger：簡愛
錄音 Recording Engineering：潘偉凡 / 李杰珉 @唯有音樂錄音室
和聲錄音 Backing Vocal Recording：陳逸宏 @荒原錄音室
混音 Mixing Engineering：潘偉凡 / 李杰珉 @唯有音樂錄音室
母帶後期處理 Mastering：唐承運 @翼研娛樂EntireMuzik
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李芷婷與製作人潘偉凡原創的全新音樂風格「陷阱阿拉丁」結合Trap節奏與Bossa Nova風格的吉他律動，竟然混種出既輕鬆又緊繃的聽覺衝突，與現代人心裏極度不平衡的矛盾狀態有異曲同工之妙。因此歌詞方向就從「一邊悠哉喝著咖啡，一邊冷血地看手機裡別人的八卦竊笑」這樣的畫面著手延伸。橋段邀請了率性又氣勢磅礡的新生代饒舌女力──陳婉玲Lin，以強烈且具批判性的中英饒舌劃開了螢幕的屏障，直擊每個人不願面對的內心陰暗面。

i世代的人類出生在網路科技遠超前人所想的年代，人們雖能快速的連結任何地方，卻也被爆炸般的海量資訊淹沒。訊息傳遞的速度快了無限倍，但人類的劣根性沒有改變，有人喜歡看你往上爬的同時，也就會有人想要看你怎麼跌入谷底，畢竟網路上永遠少一則爆流量的貼文，更少一句可以放在驚嘆號前面的殺人標題。在我們追求訂閱、按讚、留言、分享的過程中，犧牲的不僅是隱私，更可能是內心的良善。在享受著窺探他人隱私或公審他人所帶來的快感的同時，人們常常忘記在每一則爆料副本的背後，至少都有一位無助的受害者，正在孤單的面對這場混亂。我們創作這首歌曲的同時也在反思，怎麼樣透過自律，透過獨立思考的能力，去了解事件的真相，而不是淪於人云亦云，或僅是逞著一時的口舌之快而成為了加害者；於是，這首歌曲就在這個社會現象的背景下誕生了。

合作邀約
☎️ 02-2564-2595 唯有音樂有限公司
✉️ jin@onlymusic.tw

Cicada 《Farewell》臺灣版
誠品網路書店：http://goo.gl/qKQois
博客來網路書店：http://goo.gl/XPCRro
讀冊Taaze：http://goo.gl/kGyyGK
更多特殊通路：http://www.agoodday.com/blog/?page_id=7

自選合輯2009–2012
十四首絕版曲目
重新編寫、錄音製作

Cicada's FB:
http://www.facebook.com/cicadataiwan
http://www.cicada-tw.com
cicadatw@gmail.com

日本版：http://flau.jp/releases/56.html
Pre-Order on Bandcamp:
https://flau.bandcamp.com/album/farewell

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“Farewell” described how someone who went through the cycle of a relationship. It’s about breakup, facing the future alone and also reveals the teenage girls inside us. We selected 14 songs from “Over the Sean/Under the Water”, “Pieces”, and “Let’s Go” With the new recording and production, together they told a story.

《Farewell》從EP《Over the Sea/Under the Water》、專輯《散落的時光》與《一起走吧》自選十四首曲子，包括早期「告別系列」的〈以一種假裝放蕩的矜持 與你告別〉、〈告別／再見〉、〈最後 仍在一起〉。為了賦予它們新的生命，Cicada重新編寫與錄製，串成一個故事。關於告別、關於一人獨自面對未來的過程，也關於活在自己世界的少女。

之所以在此刻梳理這些作品，並不是要揮別那段日子，而是主動與之靠近，找到現在與當時的距離──當我們撿起那些快要忘記的美好過往，才能知道它們可以被放在哪裡，以及接下來將如何走下去。

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Cicada

小提琴 許罡愷
中提琴 鍾漁靜
大提琴 楊庭禎
木吉他 謝維倫
鋼琴／作曲 江致潔

〈 以一種假裝放蕩的矜持 與你告別〉中文歌名與部分影像畫面源於詩人林汮的作品《無題》

導演 鄭晴心
演員 吳柔衣

■ 更多林子安：
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各式工作演出邀約請私訊IG或臉書專頁
For business, please send private message to my Instagram or Facebook fan page.

■ 更多【Cover by AnViolin】：https://bit.ly/2vWVtF5

🎶樂譜連結 Sheet Music🎶
https://gumroad.com/anviolin
（台灣請用蝦皮）https://shopee.tw/anviolin

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電影經典配樂女人香《Por Una Cabeza》小提琴版本 | Violin cover by Lin Tzu An of Por Una Cabeza

今天送給大家這首阿根廷探戈舞曲的代表，也是全世界樂迷所最為熟知而深深愛上的探戈旋律。
很多電影都不約而同引用了這一段華麗而動人的探戈旋律作為音樂背景，作為影片中絢麗的亮點，
最為人所熟知的就是在電影女人香，這隻舞曲也是電影史上最經典的探戈片段之一。

歌曲中原本是寫出對情人之間錯綜複雜、難以割捨的惋惜，
但是看了電影後，我覺得探戈好像被賦予了更深的意義。
探戈中不怕失誤，可以重新來過；探戈不怕結束，可以再舞一曲。舞不盡的探戈才是人生。
Por Una Cabeza有個很好的中文譯名叫做一步之遙，面對生活中的困境我們很多時候會望而卻步，
如同電影中的主角會有孤獨會有迷茫，會想抽身會想放棄，但電影告訴我們人生就像探戈舞曲一樣不應該真正停步。

在揣摩電影還有背後帶來的人生意義啟發的同時，也希望可以兼顧探戈舞曲的風格（好難）
希望大家可以細細品嚐，會喜歡我詮釋的版本。

歡迎大家在沒有下雨的週末到信義區香堤大道，聽cover歌曲的live版！詳細演出相關資訊，我都會更新在我的Instagram 限時動態！

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Here comes cover of the day: the classical music for Argentine tango, and it is also the well known melody deeply loved by fans all over the world.
This beautiful piece of music was showed up in many movies as the background music, among which is the scent of a woman, and was regarded as the brilliant highlight in the film.

The song was at first about the intricate and inseparable love between lovers.
But after watching the movie, I believe tango was given a deeper meaning about our lives.
Tango is not afraid of making mistakes, for you can start over. Tango is not afraid of ending, because you can dance again. So at the moment I realized that our life is just like the endless tango.

TBH, there's a well translated Chinese meaning for Por Una Cabeza, called within a stone's throw.
When facing difficulties in life, we are often discouraged, of course, but just as the characters in the movie who would at times be lonely and confused, and others want to go away and give up, the movie was telling us that life should not just stop there.

hope y’all enjoy the life inspiring tango!

Should you have any request regarding cover songs, just comment below and let me know.
Also please share the video and subscribe to my channel https://bit.ly/2EsTGMQ.
Don't forget to click the 🔔 bell to be notified when my videos come out!

Visit me at Taipei Shin Kong Mitsukoshi Xinyi Plaza to enjoy more my live cover songs. Check it out details on my Instagram stories!

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編曲Arrange：林子安 Lin Tzu An
混音Remix：林子安 Lin Tzu An
小提琴 Violin: 林n子安 Lin Tzu An
鍵盤piano : Neon lu
攝影師剪接師 Photographer & Film editor: Santon.W
文字編輯 Social media editor/manager: Lily Wu

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如果你喜歡我的影片的話，歡迎贊助我，讓我有更多資源去提升畫面與音樂。
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【Cover by AnViolin】每週上傳新的小提琴cover影片，
喜歡的話請訂閱我的頻道 https://bit.ly/2EsTGMQ
也記得開啟🔔訂閱通知，按讚留言分享給你家人朋友看！

還想看子安cover什麼歌？留言跟我說 ！

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