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คำถาม : เราเกิดมาเพื่ออะไรคะ
...Continue ReadingWhy are we born?
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Question: what are we born for?
Answer: I think there are as many answers to this big questions as the number of people on earth. or maybe more than the number of people in this world because one person would have changed the answer many times. Me too.
If you ask when I was younger, I would answer one thing. I was younger, I would answer another thing or ask when I was older, I might answer another thing. But I asked. Now, I would like to answer what I could think of now.
The day that I gave you to listen makes me think about "Ashram 4" the process of Hindu life which divided into 4 STEPS:
1) The Virgin (age of education). The meaning of life in this age is to learn through both life experience and knowledge in the classroom to work.
2) Cuddle (Reigns). The meaning of life at this age is to build a place in the world. Answer yourself who I am. What career should I do. Find a partner, have a family, build stability for life and love.
3) yesterday (who sacrificed the house) the meaning of life at this age has changed from " collecting " to " Lalay " when the family starts to be stable, it's time to practice the mind. Learn to be happy from " release " Instead of "hugging"
4) Sanyasi (Doing Dharma). The meaning of life is to do the salvation to the cuddle th of life.
Ashram 4 may look like academic criteria. But if you look carefully, I think the sequence of life is really like that. The change of life needs in life changes according to the body and hormones within us.
In the age of hormones, we are excited about everything. The world looks new. It's nice to pick up. It's nice to own.
When I come to young, it's the age that I want to have. I want to collect things. It's a lot of suffering. Because I want to be very disappointed. I need stability. But I learned that there is nothing stable in this world. I collect things that I want to be satisfied Plus, young hormones in the body that gradually diminimize their heart.
When I have almost everything I ever wanted, I found that I am not happy. So I slowly tell myself that - eh or the answer is not about the outside of the body, but it's about training. So I start traveling inside. The mind seeks answers from training. Heart instead of concubine
...
Therefore, the answer to the question, " why are we born " changes by day, time and circumstances in life. But no matter what age, I think there is one answer that we can always answer every day, age and situation. That is " we were born to love and Being loved "
The meaning of this answer is that we are born to associate with other people in the world. We are born to be part of the world and all things.
We are born to know that something is holding us alive. Trees, butterflies, clouds, distilled into water for us to drink. There is a chef cooking for us. There is a tailor making clothes for us to wear. The reason that raised me, my father drove us to school. There is a teacher to teach me. I have friends waiting for fun. There are people who love to cheer me up. There are many things that hold our lives.
We are born to recognize these connections.
Touch, perceive, indulge, and be part of all things that are assembled as our lives.
Meanwhile, we are also part of things and people. We are children of parents, brother, brother, friends of friends, husband of husband, husband of husband, husband, doctor, doctor, a passenger of motorcycle. The camera of the person who asked us to take a picture. We are the source of the carbon dioxide of trees. The one who affects ice that the north pole white bear is lying around. The one who helps not throw trash into the sea for fish in the sea. No need to eat plastic bags choking. What else. What's more. The world.
We are born to recognize these connections.
Touch, perceive, indulge and be the best part of other things and others.
...
If we speak Buddhist, we are born to break the ego or divided thoughts, " this is me. That's you " or " this is me. That's the world " but we spend life and training the mind to see the fact that the real life is not. " ego " is " sleeping cuddle ta " is invisible, but not emptiness. We are invisible because we are connected to other things. Others live in one flesh.
And that is the one connected love.
In one corner, we are born to give love and in the other end we are born to receive love.
If you feel this "love" no matter what age, we are, we will have a kind heart and feel the kindness that others have for us and see that we are all human beings who suffer, full of love, greedy, angry.
With this cuddle th world, we do not feel alone, lonely, not cut ourselves off from the world and others. We will find a connection and redeem. Ask ourselves how our existence is useful to others and other things.
If you want to find meaning for your own life, a satisfying answer may not be because it's the end. The happiness that we find to fulfill our lives. We will be bored of it one day and find a new answer. Let's come to put in a leaking hole of craving. Lifetime of life
If we only think about ourselves, one day that we have everything but we are not happy, it may reach the point where there is no answer to breathe. But if we have a life that is connected to others, we will always mean something else.
So we exist for others and other things that are connected.
Of course we can't feel this all the time because human nature always twitches us to think about ourselves first. Protect ourselves. Exploit for ourselves. That's normal. I am too.
And that would be the homework of life that nature has given us about 80 years to practice and purify the mind to feel the clean feeling of being part with everything and lay down the heaviness of carrying "ego" And cravings to concubine who we are.
Have you ever stood on the mountain or on the beach quietly and went away? Have you ever looked up at the night sky with stars in the sky?
In a state of silence that we don't want to occupy mountains, sea and stars, there will be one time we disappear. We will be happy.
Because we are giving love and receiving love from all things.Translated
同時也有98部Youtube影片,追蹤數超過28萬的網紅The Meatmen Channel,也在其Youtube影片中提到,Recipe at: http://www.themeatmen.sg/mango-and-coconut-rice-pudding-pops Beat the heat and indulge in these frozen remakes of the classic Thai mango s...
「indulge meaning」的推薦目錄:
- 關於indulge meaning 在 Roundfinger Facebook
- 關於indulge meaning 在 文茜的世界周報 Sisy's World News Facebook
- 關於indulge meaning 在 The MeatMen Facebook
- 關於indulge meaning 在 The Meatmen Channel Youtube
- 關於indulge meaning 在 蒙納米豎琴樂團 Monamis Harps Youtube
- 關於indulge meaning 在 蒙納米豎琴樂團 Monamis Harps Youtube
- 關於indulge meaning 在 Indulge Meaning - YouTube 的評價
indulge meaning 在 文茜的世界周報 Sisy's World News Facebook 八卦
《我的幸福5/2 週末》
*週日下午兩點誠品信義書店「廿世紀典範人物」新書分享會,我下午二時開始演講,離上次在台灣大學公開演説。快半年了!分享會報名一小時預告已額滿,但TVBS電視台慷慨的支持。派出SNG車,屆時TVBS文茜的世界周報YouTube 及世界周報Facebook 都將同步直播。
*新書分享會後我將直奔高雄衛武營,參加劉孟捷(李斯特巡禮之年)鋼琴獨奏會。這是劉孟捷回台,最重要的一場音樂會,我目睹他用盡了一切心力。過去即使21歲時在費城代打缺席大師的音樂會,劉孟捷都未曾如此緊張。他此次回台,手術前為了沒有遺憾,共舉行三場音樂會:其中4/17與5/30皆是與國家交響樂團NSO合作:530那一場指揮是呂紹嘉。但他告訴我,某些曲目對他而言,是Piece of Cake :惟獨衞武營這一場,曲目由他自己決定,現場錄影,並且找了金曲獎錄音師同步錄音。
5/2衛武營-劉孟捷鋼琴獨奏會《李斯特巡禮之年》購票連結
https://www.opentix.life/event/1384752689074294784
劉夢捷明白他即將面對一個大手術,手術風險之外,他的免疫系統疾病,將使他的康復之路更長。
沒有人可以預知未來,為了圓他的夢,醫院每天都要求他早上、晚上量血壓,報告直接傳給院長。振興醫院院長魏崢雖然是亞洲第一把心臟外科醫師,但也不敢大意。
畢竟這個人的生命那麼脆弱,他的心臟主動脈剝離,那是實質的「心碎」了:但他仍有詩,仍有音樂夢。在生命的交接處,在白日與黑夜的交义口,劉孟捷想為他的音樂生涯,留下最美好的紀錄。
他選擇了李斯特。
在這場音樂會前,他甚至以英文寫下了自己與音樂、疾病的半生回顧:如李斯特的巡禮,有仰望,有沉思,有失落,有幽微的疼痛。他以詩篇般的演奏模式,傾訴,詠嘆。他曾得到天賦,也走過死蔭的幽谷。命運是一層又一層的黑影逼近,老天爺隨時想帶走他。
而他已不再流淚,不再沉浸於悲愴告別:因為對他而言活著並不容易,他要讓自己更深刻的抓住每一分時光之美。
如果時間和空間,正如哲人們所形容的
都是不實際存在的東西:那從不感到衰敗的太陽,也不會比我們了不起多少!
他如艾略特的詩句中所形容的:我們為什麼要如此貪心總在祈禱,想活上整整一個世紀?
蝴蝶雖僅活了一天,已經歷了永恆。
當他的身軀如露水還在藤蔓顫抖時,他送給我們一場「完全浪漫又超技的李斯特」。
等音樂會結束了,至少有一張CD,一段YouTube 影像:不論孟捷代表生命的那朵鮮花是否枯萎,他彈奏如天使的音聲不會飛離,它會停留在那夜,繼續釋放芬芳。
這是盡生命之力、之情獨奏的音樂會。劉孟捷説:這樣當他走進手術室時,會少一點悲傷。
或許快樂的日子本來就不多,但讓這場「完全李斯特.完全劉孟捷」的獨奏會放出神聖的光彩吧!
我必將赴會,不會錯過!我知道此刻的獨奏會,很難複製,因為它綜合了太多的情感、愛念,釋放與生命的抒情。
*劉孟捷為此次獨奏會寫下的文字:This past year has seen some unprecedented changes in the world. Many lives have been lost and many have changed. The world has changed while many of us confront the uncertainty of the future.
For most musicians, life has changed. For months, we have been conducting our lessons online, and concerts have mostly stopped or become an online experience as well. More time has been spent learning how to improve the online teaching experience than one could have imagined. While I have felt the duty to continue teaching, the format the pandemic requires for teaching leaves me unwilling to spend more time than I have to.
And truly, I have had other things to deal with. When the pandemic started to worry the American public in March, I was in the middle of a tour with the String Quartet-in-Residence at Curtis, the Vera Quartet. However, our concerts were canceled, and everything came to a sudden halt.
I felt the universe had sent me an unexpected gift, as I had also just received some terrible news concerning my worsening aortic arches and a diagnosis of kidney cancer. The sudden halt in my professional schedule seemed perfect in its timing. I was able to settle into a monastic existence, to simply practice and attempt to heal.
I see many musicians itching to be concertizing again, and many stepped into new territory, performing on the internet. Many took time to develop new podcasts, and to write new materials for their art. Sadly, many have struggled as they have fallen into desperation without any concert incomes. Altogether the music industry seems to be in peril, and many worry about how music and musicians will survive.
However, I had my own survival to think about. Having been through many difficult experiences in my life, I knew this might be the most difficult I would encounter. My Doctors describe me as a walking time bomb. My condition could be lethal at any moment if my blood pressure gets out of control. So while others wrestle with the fate of the music industry, I’ve needed to face my own fate and mortality.
Playing concerts can mean many things to people. At different times throughout my life, I’ve felt the need to express different aspects of myself. When I was young, I wanted to embody the spirit of romanticism, playing lots of Chopin and Schumann. Then there was a period of time when I wanted to challenge myself by showing off pyrotechnics. I had a brooding period where I turned to the pathos of Rachmaninoff, and then felt the need to return to the purity of Schubert and nobility of Brahms. Throughout this pandemic, I wanted to play Bach. Through Bach’s music I found a kind of spiritual sanctuary.
In considering the program for this concert, I felt again the urge to play music that reflects my current feelings and state of mind. The title of today’s recital, “Years of Pilgrimage” seems to fit exactly what I am experiencing.
Liszt wrote several volumes of “Années de pèlerinage” throughout his life to reflect on thoughts he had during his travels. He links his philosophical thoughts to the scenery which inspired them. “Au Bord d’un Source” describes feelings of rejuvenation while standing next to a clear stream of water, a symbol and source of life and energy. It seems to say, when the stream is so pure, life can be so full of joy.
In the Les jeux d'eaux à la Villa d'Este (The Fountains of the Villa d'Este), the water has a magical and supernatural quality, as Liszt himself wrote in the inscription: "But the water that I shall give him shall become in him a well of water springing up into eternal life,"( from the Gospel of John.)
For me, I have never felt more connected to Liszt than when he looked upon the valley of Obermann and questioned the meaning of existence. At this moment in my life, I often find myself reflecting my experiences of what I see and read into philosophical musings. Perhaps many people come to a time when this is so.
In all this I have felt gratitude for the love stories and sonnets that one can romantically indulge in, and for storms so violent that they threaten to destroy one’s spirit, even the hell-bound journey which brings up questions about the purpose of life…
On this journey, I felt full and alive as a human being. Looking back on this journey, I am grateful for everything, whether happy or sad, to have made an impact, found and imparted meaning to this life.
The unusual time of this pandemic has marked a milestone for me. I have journeyed back home, and as it happened, this is the first time I have spent so much time in my hometown Kaohsiung in over 35 years. It’s particularly nostalgic to play these pieces as some of them were significant in my early musical career. Vallée d’Obermann was the piece I played in my first competition at the junior high school level, in which I won first prize on the national level, which allowed me to be qualified to apply for a special permission to study abroad. This meant my dream to be educated as a musician could be continued in an environment where I could develop fully. In the following year when I was 13, I won the first Asia-Pacific Youth PIano Competition with the Dante Sonata. The competition catapulted me into national attention as I was headlined in several newspapers, and especially since it was held in Kaohsiung, I became a local hero as well. During the same event, I had a fateful meeting with one of the important influences in my life, Mr. Gary Graffman, who then mentored me throughout not only the years when I was studying at Curtis, but throughout my illness and recovery as a pianist. Right before I departed to study in Philadelphia, I played my first solo recital throughout Taiwan, and along with the Dante Sonata, I also performed the three sonnets.
It’s perfect that now, back in Kaohsiung, all these memories have flooded back into my head. I feel so lucky to have been born here, and to have met my first teacher, Chin-Li Lee, who inspired me on the path to become a musician. Prof. Alexander Sung filled me with dreams of becoming an artist. I am grateful for his belief in my talent, when he chose to give a 12 year old such philosophical pieces to play.
Having once again spent some months in Kaohsiung, I can freshly appreciate the source of inspiration it once was for me. I have returned to the source to heal. Having already glimpsed hell’s gate several times, battered and weathered by the storms of life, I know there is a reason life is this way, and it all will be alright.
Meng-Chieh Liu
April, 2021
*劉孟捷衛武營《李斯特巡禮之年》演奏會中,包括李斯特以佩脫拉克三首情詩譜寫的鋼琴琴詩:這三首情詩是從大詩人佩脫拉克一百多首情詩挑出來的,詩本身就很優美,依此激發李斯特的浪漫主義創作靈感,成為琴藝上最困難演奏,但也特別細膩溫柔的琴詩。
這三首分別是:
〈佩脫拉克第47號十四行詩〉〈佩脫拉克第104號十四行詩〉及〈佩脫拉克第123號十四行詩〉。
Franz Liszt(1811-1886): Sonetto 47 del Petrarca, Sonetto 104 del Petrarca, Sonetto 123 del Petrarca, from Années de pèlerinage, Deuxième année: Italie
李斯特於1846年先出版藝術歌曲《三首佩脫拉克十四行詩》(Tre sonetti del Petrarca),再改成鋼琴獨奏版。
三首佩脫拉克十四行詩
中譯:焦元溥(元溥也是友情贊助,特別準備音樂資料,周日南下,聆賞劉孟捷的樂曲,並且陪同他盯著錄音共三天)
〈第47〉
祝福每天、每月、每年,
所有片刻與鐘點、時間與季節,
在那美麗的原野,
我為一雙眼眸魂縈夢牽。
祝福初遇時的甜,
與愛同在、受苦不停歇,
如弓箭刺穿令我淌血,
傷口永留感動在我心間。
祝福一切我發出的聲音,
當呼喚著我深愛的女郎,
渴望、嘆息、淚濕滿襟。
祝福我寫下的文字遠揚,
歌頌她的芳名,萬古長新。
我心永屬於她,無人能闖。
〈第104〉
我找不到和平,也無意打仗,
我恐懼、我期望,燃燒又冰透。
我向天飛升,卻躺在地上,
我一無所有,卻又擁抱整個宇宙。
我身陷囹圄,監牢又開敞;
我不受囚禁,卻銬著鎖頭。
愛情不讓我死,也不讓我飛翔;
不要我活,也不准我逃離悲愁。
欲看卻無眼,啞口還在發言,
我甘心殞滅,卻仍高聲呼救,
我痛恨自己,但仍愛著他人。
憂傷滋潤我,淚水伴隨笑臉,
生命不足惜,死亡也不煩憂;
我淪落至此,都是妳啊,我的愛人!
〈第123〉
我在塵世見到仙子的美,
她天堂般優雅無與倫比。
想起她讓我悲傷又歡喜,
所見如幻夢迷霧與幽黑。
妳的可愛眼睛使我落淚,
多少次讓太陽也要妒忌。
我還聽到四周發出嘆息,
移動了山嶽停止了河水。
愛情智慧憐憫憂傷財富,
在淚水中形成甜美聲響,
奇妙和諧世上未曾目睹。
天堂追隨著音樂的流淌,
雖然枝上樹葉並未飛舞,
空氣與風息卻充滿芬芳。
5/2衛武營-劉孟捷鋼琴獨奏會《李斯特巡禮之年》購票連結
https://www.opentix.life/event/1384752689074294784
indulge meaning 在 The MeatMen Facebook 八卦
Recipe at: http://www.themeatmen.sg/mango-and-coconut-rice-pudding-pops
Beat the heat and indulge in these frozen remakes of the classic Thai mango sticky rice dessert! Made with actual rice grains,the recipe for this creamy sweet goodness is really straightforward, doesn’t take long to make and is friendly on the figure too. What a sweet deal! (Literally)
To achieve those sweet flavours, this guilt-free dessert takes advantage of the natural sugars in white rice. Unlike conventional white rice, Kinmemai Better White Rice has more fibre, vitamins and immune system boosting nutrients. Moist, fluffy and slightly buttery, each grain of rice is carefully checked for their taste and texture before they go up on the shelves. With their advanced polishing techniques, these grains of rice are rinse-free and can be cooked straight away – meaning more time to make more popsicles!
Adding some lime zest to the heated mixture of rice and milk helps to lighten up the buttery flavours. Be sure to let the mixture cool or it will be too watery to fold in the mango cubes. Once done, quickly pop them into the freezer and await your cold treat!
Juicy bits of mango mixed with coconut milk and chewy grains of rice, this interesting twist to the traditional mango sticky rice dessert is delightfully refreshing and serves as a healthy summer treat for all ages to enjoy!
To find out more, go to http://www.kinmemai.com!
Facebook.com/kinmemairice
Instagram.com/kinmemairice
#themeatmensg #simple #delicious #kinmemai #betterrice #desserterecipe #beattheheat
P.S. Say, if you like our recipe videos, don't forget to follow our page and share them with your friends. We have many new videos coming up, so stay tuned!
indulge meaning 在 The Meatmen Channel Youtube 的評價
Recipe at: http://www.themeatmen.sg/mango-and-coconut-rice-pudding-pops
Beat the heat and indulge in these frozen remakes of the classic Thai mango sticky rice dessert! Made with actual rice grains,the recipe for this creamy sweet goodness is really straightforward, doesn’t take long to make and is friendly on the figure too. What a sweet deal! (Literally)
To achieve those sweet flavours, this guilt-free dessert takes advantage of the natural sugars in white rice. Unlike conventional white rice, Kinmemai Better White Rice has more fibre, vitamins and immune system boosting nutrients. Moist, fluffy and slightly buttery, each grain of rice is carefully checked for their taste and texture before they go up on the shelves. With their advanced polishing techniques, these grains of rice are rinse-free and can be cooked straight away – meaning more time to make more popsicles!
Adding some lime zest to the heated mixture of rice and milk helps to lighten up the buttery flavours. Be sure to let the mixture cool or it will be too watery to fold in the mango cubes. Once done, quickly pop them into the freezer and await your cold treat!
Juicy bits of mango mixed with coconut milk and chewy grains of rice, this interesting twist to the traditional mango sticky rice dessert is delightfully refreshing and serves as a healthy summer treat for all ages to enjoy!
To find out more, go to http://www.kinmemai.com!
Facebook.com/kinmemairice
Instagram.com/kinmemairice
#themeatmensg #simple #delicious #kinmemai #betterrice #desserterecipe #beattheheat
Join us on Facebook! - facebook.com/meatmen.sg
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indulge meaning 在 蒙納米豎琴樂團 Monamis Harps Youtube 的評價
發佈日期:2019年5月30日
更多有關蒙納米豎琴樂團 Monamis Harps 資訊
歡迎瀏覽官網 http://www.monamis.com.tw/
影片由蒙納米豎琴樂團發佈
「蒙納米」團名直譯自法語Mon Amis(我的好朋友),並刻意「誤讀」Mon Amis法語單複數,用意在期許「許多人」能在一場音樂會中達成「合一的共融」。如此親切、溫暖的意涵,拉近了和大家的距離,亦象徵著豎琴旋律溫暖每個人的心扉,可以成為大家的好朋友。
Monamis Harps was founded in the Summer of 2012.
The name of the ensemble is directly translated from French ‘ Mon Amis ’, meaning ‘ my buddies ’. Moreover, the name is intentionally misspelled in forming a complete unity.
Furthermore, the talents and characters of the members are varied ; graceful with precise while elegant softness versus heartfelt boldness with the harmonization attuned by the Director.
The sole purpose is to indulge in a fulfilled moment with the audience.
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indulge meaning 在 蒙納米豎琴樂團 Monamis Harps Youtube 的評價
更多有關蒙納米豎琴樂團 Monamis Harps 資訊
歡迎瀏覽官網 http://www.monamis.com.tw/
【蒙納米豎琴樂團 Monamis Harps】
演出日期:2016/10/09
演出地點:花蓮豐田文史館
演出曲目:神鬼奇航
影片由蒙納米豎琴樂團發佈
「蒙納米」團名直譯自法語Mon Amis(我的好朋友),並刻意「誤讀」Mon Amis法語單複數,用意在期許「許多人」能在一場音樂會中達成「合一的共融」。如此親切、溫暖的意涵,拉近了和大家的距離,亦象徵著豎琴旋律溫暖每個人的心扉,可以成為大家的好朋友。
Monamis Harps was founded in the Summer of 2012.
The name of the ensemble is directly translated from French ‘ Mon Amis ’, meaning ‘ my buddies ’. Moreover, the name is intentionally misspelled in forming a complete unity.
Furthermore, the talents and cheracters of the members are varied ; graceful with precise while elegant softness versus heartfelt boldness with the harmonization attuned by the Director.
The sole purpose is to indulge in a fulfilled moment with the audience.
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