fit meaning的八卦，YOUTUBE和Yahoo名人娛樂都在討論

「你們只有子彈，
希望子彈用完我已經死了。
如果我沒死，你們就會沒命。」
"No, you have bullets and the hope
that when your guns are empty,I’m no longer standing,
because if I am,you’ll all be dead before you’ve reloaded."

「人民不應該害怕政府，
政府才應該害怕人民。」
"People should not be afraid of their governments.
Governments should be afraid of their people."

「製造恐懼，是政府的終極武器。」
"Fear became the ultimate tool of this government."

「面具底下不只是血肉之軀，
而是一個理念，理念是刀槍不入！」
"Beneath this mask there is more than flesh.
Beneath this mask there is an idea,
and ideas are bulletproof."

「我們被教導要記住思想，
而不是人，因為人可能失敗。
他可能會被捕，他會被殺死，被遺忘，
但400年後思想仍可改變世界。」
"We are told to remember the idea and not the man,
Because a man can fail. He can be caught,
he can be killed and forgotten,
But 400 years later, an idea can still change the world."

「為什麼？
因為儘管警棍代替了交談，
言論自由仍然有強大力量，
言論是表達意見的方式，
它也能向廣大人民揭露真相。
而真相是，這是個極權政府。
暴虐無道、殘殺無辜。
你曾經擁有過反對的自由，
可以說出你想說的話，
現在政府卻使用極端的暴力，
強迫你服從。」
"Why?
Because while the truncheon may be used in lieu of conversation,
words will always retain their power.
Words offer the means to meaning,
and for those who will listen, the enunciation of truth.
And the truth is,
there is something terribly wrong with this country, isn't there?
Cruelty and injustice, intolerance and oppression.
And where once you had the freedom to object,
to think and speak as you saw fit,
you now have censors and systems of surveillance
coercing your conformity and soliciting your submission.”

「這是怎樣發生的？這要怪誰？
這是某些當權者的決定。
他們必須付出代價，不過每個人都難脫共疚。
大家都敢怒不敢言，我知道原因，
你們很害怕，誰不害怕呢？
戰爭、恐怖事件、疾病。
這一連串可怕的事，蒙蔽你們的理性和常識，
恐懼引起你們的恐慌，用恐懼控制你⋯⋯
他向你許諾秩序，他向你許諾和平，
所要求的不過是你的服從和沈默。」

“How did this happen? Who's to blame?
Well certainly there are those more responsible than others,
and they will be held accountable, but again truth be told,
if you're looking for the guilty, you need only look into a mirror.
I know why you did it.
I know you were afraid. Who wouldn't be?
War, terror, disease.
There were a myriad of problems which conspired to corrupt your reason
and rob you of your common sense.
He promised you order, he promised you peace,
and all he demanded in return was your silent, obedient consent."

「他是你，也是我，他是我們每一個。」
"He is you, and me, he was all of us."

V for Vendetta (2005)

《我的幸福5/2 週末》

*週日下午兩點誠品信義書店「廿世紀典範人物」新書分享會，我下午二時開始演講，離上次在台灣大學公開演説。快半年了！分享會報名一小時預告已額滿，但TVBS電視台慷慨的支持。派出SNG車，屆時TVBS文茜的世界周報YouTube 及世界周報Facebook 都將同步直播。

*新書分享會後我將直奔高雄衛武營，參加劉孟捷（李斯特巡禮之年）鋼琴獨奏會。這是劉孟捷回台，最重要的一場音樂會，我目睹他用盡了一切心力。過去即使21歲時在費城代打缺席大師的音樂會，劉孟捷都未曾如此緊張。他此次回台，手術前為了沒有遺憾，共舉行三場音樂會：其中4/17與5/30皆是與國家交響樂團NSO合作：530那一場指揮是呂紹嘉。但他告訴我，某些曲目對他而言，是Piece of Cake ：惟獨衞武營這一場，曲目由他自己決定，現場錄影，並且找了金曲獎錄音師同步錄音。

5/2衛武營-劉孟捷鋼琴獨奏會《李斯特巡禮之年》購票連結
https://www.opentix.life/event/1384752689074294784

劉夢捷明白他即將面對一個大手術，手術風險之外，他的免疫系統疾病，將使他的康復之路更長。

沒有人可以預知未來，為了圓他的夢，醫院每天都要求他早上、晚上量血壓，報告直接傳給院長。振興醫院院長魏崢雖然是亞洲第一把心臟外科醫師，但也不敢大意。

畢竟這個人的生命那麼脆弱，他的心臟主動脈剝離，那是實質的「心碎」了：但他仍有詩，仍有音樂夢。在生命的交接處，在白日與黑夜的交义口，劉孟捷想為他的音樂生涯，留下最美好的紀錄。

他選擇了李斯特。

在這場音樂會前，他甚至以英文寫下了自己與音樂、疾病的半生回顧：如李斯特的巡禮，有仰望，有沉思，有失落，有幽微的疼痛。他以詩篇般的演奏模式，傾訴，詠嘆。他曾得到天賦，也走過死蔭的幽谷。命運是一層又一層的黑影逼近，老天爺隨時想帶走他。

而他已不再流淚，不再沉浸於悲愴告別：因為對他而言活著並不容易，他要讓自己更深刻的抓住每一分時光之美。

如果時間和空間，正如哲人們所形容的
都是不實際存在的東西：那從不感到衰敗的太陽，也不會比我們了不起多少！

他如艾略特的詩句中所形容的：我們為什麼要如此貪心總在祈禱，想活上整整一個世紀？

蝴蝶雖僅活了一天，已經歷了永恆。

當他的身軀如露水還在藤蔓顫抖時，他送給我們一場「完全浪漫又超技的李斯特」。

等音樂會結束了，至少有一張CD，一段YouTube 影像：不論孟捷代表生命的那朵鮮花是否枯萎，他彈奏如天使的音聲不會飛離，它會停留在那夜，繼續釋放芬芳。

這是盡生命之力、之情獨奏的音樂會。劉孟捷説：這樣當他走進手術室時，會少一點悲傷。

或許快樂的日子本來就不多，但讓這場「完全李斯特．完全劉孟捷」的獨奏會放出神聖的光彩吧！

我必將赴會，不會錯過！我知道此刻的獨奏會，很難複製，因為它綜合了太多的情感、愛念，釋放與生命的抒情。

*劉孟捷為此次獨奏會寫下的文字：This past year has seen some unprecedented changes in the world. Many lives have been lost and many have changed. The world has changed while many of us confront the uncertainty of the future.

For most musicians, life has changed. For months, we have been conducting our lessons online, and concerts have mostly stopped or become an online experience as well. More time has been spent learning how to improve the online teaching experience than one could have imagined. While I have felt the duty to continue teaching, the format the pandemic requires for teaching leaves me unwilling to spend more time than I have to.

And truly, I have had other things to deal with. When the pandemic started to worry the American public in March, I was in the middle of a tour with the String Quartet-in-Residence at Curtis, the Vera Quartet. However, our concerts were canceled, and everything came to a sudden halt.

I felt the universe had sent me an unexpected gift, as I had also just received some terrible news concerning my worsening aortic arches and a diagnosis of kidney cancer. The sudden halt in my professional schedule seemed perfect in its timing. I was able to settle into a monastic existence, to simply practice and attempt to heal.

I see many musicians itching to be concertizing again, and many stepped into new territory, performing on the internet. Many took time to develop new podcasts, and to write new materials for their art. Sadly, many have struggled as they have fallen into desperation without any concert incomes. Altogether the music industry seems to be in peril, and many worry about how music and musicians will survive.

However, I had my own survival to think about. Having been through many difficult experiences in my life, I knew this might be the most difficult I would encounter. My Doctors describe me as a walking time bomb. My condition could be lethal at any moment if my blood pressure gets out of control. So while others wrestle with the fate of the music industry, I’ve needed to face my own fate and mortality.

Playing concerts can mean many things to people. At different times throughout my life, I’ve felt the need to express different aspects of myself. When I was young, I wanted to embody the spirit of romanticism, playing lots of Chopin and Schumann. Then there was a period of time when I wanted to challenge myself by showing off pyrotechnics. I had a brooding period where I turned to the pathos of Rachmaninoff, and then felt the need to return to the purity of Schubert and nobility of Brahms. Throughout this pandemic, I wanted to play Bach. Through Bach’s music I found a kind of spiritual sanctuary.

In considering the program for this concert, I felt again the urge to play music that reflects my current feelings and state of mind. The title of today’s recital, “Years of Pilgrimage” seems to fit exactly what I am experiencing.

Liszt wrote several volumes of “Années de pèlerinage” throughout his life to reflect on thoughts he had during his travels. He links his philosophical thoughts to the scenery which inspired them. “Au Bord d’un Source” describes feelings of rejuvenation while standing next to a clear stream of water, a symbol and source of life and energy. It seems to say, when the stream is so pure, life can be so full of joy.

In the Les jeux d'eaux à la Villa d'Este (The Fountains of the Villa d'Este), the water has a magical and supernatural quality, as Liszt himself wrote in the inscription: "But the water that I shall give him shall become in him a well of water springing up into eternal life,"( from the Gospel of John.)

For me, I have never felt more connected to Liszt than when he looked upon the valley of Obermann and questioned the meaning of existence. At this moment in my life, I often find myself reflecting my experiences of what I see and read into philosophical musings. Perhaps many people come to a time when this is so.

In all this I have felt gratitude for the love stories and sonnets that one can romantically indulge in, and for storms so violent that they threaten to destroy one’s spirit, even the hell-bound journey which brings up questions about the purpose of life…

On this journey, I felt full and alive as a human being. Looking back on this journey, I am grateful for everything, whether happy or sad, to have made an impact, found and imparted meaning to this life.

The unusual time of this pandemic has marked a milestone for me. I have journeyed back home, and as it happened, this is the first time I have spent so much time in my hometown Kaohsiung in over 35 years. It’s particularly nostalgic to play these pieces as some of them were significant in my early musical career. Vallée d’Obermann was the piece I played in my first competition at the junior high school level, in which I won first prize on the national level, which allowed me to be qualified to apply for a special permission to study abroad. This meant my dream to be educated as a musician could be continued in an environment where I could develop fully. In the following year when I was 13, I won the first Asia-Pacific Youth PIano Competition with the Dante Sonata. The competition catapulted me into national attention as I was headlined in several newspapers, and especially since it was held in Kaohsiung, I became a local hero as well. During the same event, I had a fateful meeting with one of the important influences in my life, Mr. Gary Graffman, who then mentored me throughout not only the years when I was studying at Curtis, but throughout my illness and recovery as a pianist. Right before I departed to study in Philadelphia, I played my first solo recital throughout Taiwan, and along with the Dante Sonata, I also performed the three sonnets.

It’s perfect that now, back in Kaohsiung, all these memories have flooded back into my head. I feel so lucky to have been born here, and to have met my first teacher, Chin-Li Lee, who inspired me on the path to become a musician. Prof. Alexander Sung filled me with dreams of becoming an artist. I am grateful for his belief in my talent, when he chose to give a 12 year old such philosophical pieces to play.

Having once again spent some months in Kaohsiung, I can freshly appreciate the source of inspiration it once was for me. I have returned to the source to heal. Having already glimpsed hell’s gate several times, battered and weathered by the storms of life, I know there is a reason life is this way, and it all will be alright.

Meng-Chieh Liu
April, 2021

*劉孟捷衛武營《李斯特巡禮之年》演奏會中，包括李斯特以佩脫拉克三首情詩譜寫的鋼琴琴詩：這三首情詩是從大詩人佩脫拉克一百多首情詩挑出來的，詩本身就很優美，依此激發李斯特的浪漫主義創作靈感，成為琴藝上最困難演奏，但也特別細膩溫柔的琴詩。

這三首分別是：
〈佩脫拉克第47號十四行詩〉〈佩脫拉克第104號十四行詩〉及〈佩脫拉克第123號十四行詩〉。
Franz Liszt（1811-1886）: Sonetto 47 del Petrarca, Sonetto 104 del Petrarca, Sonetto 123 del Petrarca, from Années de pèlerinage, Deuxième année: Italie

李斯特於1846年先出版藝術歌曲《三首佩脫拉克十四行詩》（Tre sonetti del Petrarca），再改成鋼琴獨奏版。

三首佩脫拉克十四行詩
中譯：焦元溥（元溥也是友情贊助，特別準備音樂資料，周日南下，聆賞劉孟捷的樂曲，並且陪同他盯著錄音共三天）

〈第47〉
祝福每天、每月、每年，
所有片刻與鐘點、時間與季節，
在那美麗的原野，

我為一雙眼眸魂縈夢牽。

祝福初遇時的甜，
與愛同在、受苦不停歇，
如弓箭刺穿令我淌血，
傷口永留感動在我心間。

祝福一切我發出的聲音，
當呼喚著我深愛的女郎，
渴望、嘆息、淚濕滿襟。
祝福我寫下的文字遠揚，
歌頌她的芳名，萬古長新。
我心永屬於她，無人能闖。

〈第104〉
我找不到和平，也無意打仗，
我恐懼、我期望，燃燒又冰透。
我向天飛升，卻躺在地上，
我一無所有，卻又擁抱整個宇宙。

我身陷囹圄，監牢又開敞；
我不受囚禁，卻銬著鎖頭。
愛情不讓我死，也不讓我飛翔；
不要我活，也不准我逃離悲愁。

欲看卻無眼，啞口還在發言，
我甘心殞滅，卻仍高聲呼救，
我痛恨自己，但仍愛著他人。

憂傷滋潤我，淚水伴隨笑臉，
生命不足惜，死亡也不煩憂；
我淪落至此，都是妳啊，我的愛人！
〈第123〉

我在塵世見到仙子的美，

她天堂般優雅無與倫比。
想起她讓我悲傷又歡喜，
所見如幻夢迷霧與幽黑。

妳的可愛眼睛使我落淚，
多少次讓太陽也要妒忌。
我還聽到四周發出嘆息，
移動了山嶽停止了河水。

愛情智慧憐憫憂傷財富，
在淚水中形成甜美聲響，
奇妙和諧世上未曾目睹。
天堂追隨著音樂的流淌，
雖然枝上樹葉並未飛舞，
空氣與風息卻充滿芬芳。

5/2衛武營-劉孟捷鋼琴獨奏會《李斯特巡禮之年》購票連結
https://www.opentix.life/event/1384752689074294784

เอาตามจริง มันก็ไม่เข้าเกณฑ์โบราณสถานนะ
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โรงภาพยนตร์สกาลามีความเสี่ยงในการถูกทุบทิ้ง หลังจากที่กรมศิลปากรบอกปัดไม่รับขึ้นทะเบียนโบราณสถานเพราะไม่เข้าข่าย
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หลังจากที่สมาคมสถาปนิก ในพระบรมราชูปถัมภ์ได้ส่งหนังสือไปยังกรมศิลปากร ให้ช่วยผลักดันโรงภาพยนตร์สกาลาที่มีอายุ 50 ปีและปิดทำการไปเมื่อไม่นานนี้ได้รับความคุ้มครองในฐานะโบราณสถาน เพื่อไม่ให้อาคารนี้ต้องถูกรื้อถอน ในการส่งมอบพื้นที่คืนให้แก่จุฬาลงกรณ์มหาวิทยาลัย
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หลังจากที่กรมศิลปากรได้รับมอบหมายจากกระทรวงวัฒนธรรมให้ตรวจสอบและพิจารณาจากความสำคัญด้านอายุ หลักฐานเกี่ยวกับประวัติ และลักษณะแห่งการก่อสร้าง ได้ประเมินว่าโรงภาพยนตร์สกาลายังไม่ถือว่าเป็นโบราณสถาน ตามมาตรา 4 แห่งพระราชบัญญัติโบราณสถาน โบราณวัตถุ ศิลปวัตถุและพิพิธภัณฑสถานแห่งชาติ พ.ศ. 2504 (แก้ไขเพิ่มเติม พ.ศ. 2535) ที่ระบุว่าโบราณสถาน ความหมายว่า “อสังหาริมทรัพย์ ซึ่งโดยอายุ หรือลักษณะแห่งการก่อสร้าง หรือโดยหลักฐานเกี่ยวกับประวัติของอสังหาริมทรัพย์นั้น เป็นประโยชน์ทางศิลปะ ประวัติศาสตร์ หรือโบราณคดี ทั้งนี้ให้รวมถึงสถานที่ที่เป็นแหล่งโบราณคดี แหล่งประวัติศาสตร์ และอุทยานประวัติศาสตร์ด้วย” อีกทั้งยังไม่มีความสำคัญทางด้านอายุและประวัติการก่อสร้าง
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ตามเนื้อความในจดหมายที่ส่งถึงสมาคมสถาปนิกนั้น กรมศิลปากรประเมินว่าโรงภาพยนตร์สกาลาถือเป็นสถาปัตยกรรมสมัยใหม่ที่นำรูปแบบสถาปัตยกรรมแบบอาร์ตเดโกมาผสมผสาน ยังไม่ถือว่าเป็นโบราณสถาน ซึ่งอยู่นอกเหนืออำนาจที่กรมศิลปากรจะดำเนินการตามพระราชบัญญัติโบราณสถาน โบราณวัตถุ ศิลปวัตถุ และพิพิธภัณฑสถานแห่งชาติ พ.ศ. 2504 (แก้ไขเพิ่มเติม พ.ศ. 2535)
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โรงภาพยนตร์สกาลาสร้างขึ้นตั้งแต่​ พ.ศ. 2512 เคยได้รับรางวัลอนุรักษ์สถาปัตยกรรมดีเด่นในปี 2555 และปิดตัวลงเมื่อวันที่ 5 กรกฎาคมที่ผ่านมา ซึ่งเมื่อหมดสัญญาเช่าพื้นที่ในปี​ พ.ศ. 2564 สกาลาจะต้องคืนพื้นที่ให้แก่จุฬาลงกรณ์มหาวิทยาลัย เมื่อไม่ได้รับการขึ้นทะเบียนเป็นโบราณสถาน อาคารของโรงภาพยนตร์สกาลาก็จะไม่ได้รับการคุ้มครอง และเจ้าของพื้นที่ก็มีสิทธิ์จะรื้อถอนอาคารได้ตามสิทธิ์อันชอบธรรม
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#GQThailand #SaveScala
Scala cinema at risk of being smashed after the Silpak Bork Department doesn't accept landmark registration because it doesn't fit.
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After the Royal Architects Association sent a book to the Silpakorn Department to help push 50 years old scala cinema and closed recently. Protected as a landmark for no. Let this building be demolished to deliver space back to Chulalongkorn University.
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After the Department of Arts was assigned by Ministry of Culture to investigate and consider age importance, evidence of history and construction characteristics. Scala cinemas are not considered a landmark following section 4 of the Antibodies Act. And the National Museum of Por. B.E. 2504 (edit more. Prof. 2535) says a landmark, meaning ′′ Real Estate by age or characteristics of construction or evidence of property is beneficial in art, historical or archaeology, including archaeology, historical and historical parks It's also not important in age and construction history.
.
According to the letter sent to the Association of Architects, Silpakorn Department estimates that Scala cinema is a modern architecture that brings artico architecture to blend. It's not considered a landmark which is beyond the power of Silpakorn department to operate. According to the Act of Landmark, Antiques, Art and National Museum of Art. B.E. 2504 (edit more. B.E. 2535)
.
Scala cinema built since the hospital. Prof. 2512 was awarded the 2555 Best Architecture Conservation Award and shut down on 5 July, which ended the area's lease in 2555 Prof. 2564 Scala must return the area to Chulalongkorn University. When it is not registered as a landmark, the building of the cinema is not protected and the owner of the area has the right to demolish the building. The righteous one.
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#GQThailand #SaveScalaTranslated

同學期待的政治英文影片第一集總算出爐了! 在此先聲明，我跟Howard老師純粹是分析英文，兩位總統都是神人級的第二語言使用者! 此影片的目的不在於比較兩者的英文能力，而是提供學習者英文口語的實際操作和可以注意的小細節。 以下是影片中提到的一些資訊，請看完再發表評論:

馬英九（1950年7月13日－），中華民國政治人物，曾任中華民國第12、13任總統、國民黨主席等職。畢業於國立台灣大學法律學系，其後前往美國深造，獲紐約大學法學碩士學位，哈佛大學司法學博士學位。曾經擔任蔣經國總統的英文翻譯。

影片: https://youtu.be/lRACKQkgFqc?t=32
Former President of Taiwan Ma Ying-jeou, in conversation with Jerome A. Cohen, discusses student exchanges between Germany and France.

●沒有看稿子
●非常有經驗的講者
●發音大致上標準 (Prussia 普魯士, herald, tribune, presidency)
●good use of stress (enhancements)
●流暢度有練過特別停頓來思考
●提連貫性跟內容組織的部分
●會以故事的方式去切入重點

用的評分系統: https://www.ielts.org/-/media/pdfs/sp...

●wide range and skillful use of vocabulary: are aware of, feel uneasy, visionary leaders, engage in a massive student exchange, worked miracles, became cornerstones
●mistakes: skip school, quit school, tense--become cornerstone
●short, concise sentences suited for clear public speaking
●lexically dense sentences

★★★★★★★★★★★★

蔡英文（1956年8月31日－）是中華民國（臺灣）的政治人物、法律學者、律師，為現任中華民國總統，原擔任民主進步黨主席。她先後獲得國立臺灣大學法律學系法學士、康奈爾法學院法學碩士、及倫敦政治經濟學院法學博士，曾任教於國立政治大學法學院和東吳大學法學院。

影片: https://youtu.be/5ygpAnK02uk?t=55
President Tsai Ing-wen in Harvard giving advice to students on policy challenges, choices, and leadership in the next decade

●沒有看稿子
●英式發音* (taught, good), 非常清楚
*其實很多英國人不喜歡英式口音這個標籤，英國人覺得他們自己講的才是真正標準的英文，是美國人才有口音

而且現在的英國(聯合王國)也是四個國家組成的，每個區域的發音都有一些區別。

用的評分系統: https://www.ielts.org/-/media/pdfs/sp...

●用詞豐富: rebellious, challenge your teachers and contemporaries, make yourself suited for changes, sharing values, expediting
●流暢度, 有些停頓, 但是思考內容的停頓絕對是自然的!
●文法沒有任何的錯誤 (a rebellious one, meaning...分詞構句, everything that is taught 形容詞子句, what is true today...名詞子句)

★★★★★★★★★★★★

對我而言，英文是一種工具，不覺得每一個政治人物都需要英文，有專業和可靠的翻譯輔助，就足夠了。

媒體報導: https://wp.me/p44l9b-1G4

在此提供我的「心智圖詞彙攻略」課程: https://bit.ly/2teELDq

也獻上Howard老師會走路的翻譯機，《會走路的翻譯機，神級英文學習攻略本》 http://bit.ly/2DfGrhH

最後要感謝炙瞳夢 RED FILM幾位大導演的友情協助，幫我們拍出一級棒的影片!

★★★★★★★★★★★★

NOTE: Thank you for the comments, everyone, both the positive and negative ones. We'll continue to do our best to produce entertaining yet educational videos.

There is a lot of information that we could not fit in a 10 min video, and some parts could be more clearly presented. For example, pauses are entirely natural when one searches for content. This point was stated in the video but went unnoticed by many commenters. Some have also expressed concerns about the clips selected. We selected them based on the following criteria: be related to education, have "spontaneous" interaction, and be in the public domain. Not many clips on the net meet these criteria, and the two above were the only ones we had access to. Last, some comments (from both sides) have accused us of bias. We tried to be as impartial as possible, and if you require more information on our thoughts, please refer to our notes in the video description. As previously stated, both candidates are advanced second language users, and it is not our aim to compare or criticize them. Again, thank you all for your feedback. We will strive to do better in the future.

in case you missed classic makeup tutorials as much as I did...here's a sparkly pink starry eyed look inspired by my fairy lights ✨ made in partnership with Revlon ♡

Fluent in more than one language? Help me + other viewers by adding subtitles for this video in your language here! ?‍♀️
http://www.youtube.com/timedtext_video?v=nRRTStvnmTU&ref=share


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Hello! How are you all doing?
I've been feeling very nostalgic lately...it started with listening to pop hits from 2008-2010 and now I'm listening to Studio Ghibli orchestra compilations (*꒦ິ꒳꒦ີ) Isn't it strange how music takes on a different meaning when you revisit it a few years later? You may realize a song makes you feel something in the moment you first hear it, but you never realize how memories fold into the melody over time. Perhaps I am rewriting "Carrying You"'s meaning to me by listening to it now.
I hope to look back on this time fondly in the future too.

♡ xo
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LIPS ⁺
˖ Em Cosmetics Soft Blur Velvet Lip Liner ("Bunny") https://bit.ly/302Mjqn
˖ Anastasia Beverly Hills Pro Pencil ("Base 1") http://bit.ly/2CX1s1V
˖ Revlon x WW84 Super Lustrous Lipstick ("005 Justice For All", "006 Truth Seeker") https://bit.ly/3f7ykUy

WEARING ⁺
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˖ ColourPop Small Tapered Brush E9 http://bit.ly/2V55rPe
˖ Sigma Beauty High Cheekbone Highlighter Brush F03 http://bit.ly/2GPQWMK
˖ Crown Pink Blush Brush (no longer available)
˖ Sigma Beauty Small Eye Liner Brush E10 https://bit.ly/2XVWtbP


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˖ CAMERA
Canon EOS Rebel T6i DSLR
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˖ LENS
EF-S 18-55mm IS STM Kit Lens
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˖ EDITING PROGRAM
Final Cut Pro X 10.4.8


︾


M U S I C

˖ MusicalChair - Close to You Carpenters Trap Mix https://youtu.be/LWd7tkknoFE
˖ Emilee - Feels Like a Dream https://youtu.be/nPXlW9NLduE

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FTC: Sponsored by Revlon ♡ Some links listed are affiliate links and some products used I received in PR („• ֊ •„)

又要來推坑阿滴桌遊啦！這次要來玩的是戰鎚冥土世界，有興趣的話可以點以下連結：https://www.warhammer-world.info/home/product_detail/15

Warhammer Underworlds is a tactical arena combat game. This is a system designed for balanced, small-scale tactical games that can be played quickly and easily by anyone, but which even experienced players will find challenging to master. The game rules are designed with competitive play in mind; matches can be played in under 45 minutes, on a smaller surface than our larger-scale games, and will be ideal for club or tournament play. And not only that, we’ll be fully supporting an organized play system for this game, right from day one.

The forces you can use in this game will be drawn from races across the Mortal Realms, including some for factions that have not received any new miniatures since we first ventured into the Age of Sigmar. Each of these sets will be composed of a small band of easy-to-assemble, push-fit miniatures in the style of our single-pose heroes to represent a specific band of warriors from that faction. These are provided in coloured plastic, and clip together, so you can quite literally be playing with them within minutes of opening the box with no glue or paint needed! (Though they do look great painted, and your dice will roll better – probably.)

The game is played using unique dice and card decks, and these will, to an extent, be unique to each faction. Both decks of cards used in the game are fully customisable – meaning you can choose to create all manner of combinations of overlapping abilities to use and objectives to achieve. This can be a really rewarding part of the game – and means that even the same faction can be played in wildly different ways. We’re expecting to see all sorts of combinations tried out at game stores, clubs and in tournaments.
希德塔的鏡像城市是幻想和瘋狂的噩夢，不斷變化的迷宮，無盡的樓梯，狹窄的街道和高聳的拱門。原來的城市失去了各種顏色和生命，幾千年來，它已經成為一種不詳的毀滅。那些踏入城牆的不幸，勇敢或莽撞的冒險家，穿過國界之間的帷幕，被困在鏡城之中。對於這樣的頑固的人，所有的希望似乎都失去了。

戰鎚40K
戰鎚

#戰鎚

規則錯誤部分如下：
●1:13－其實是鎚子，不是斧頭。
●8:17－首領讓攻擊擲骰重擲的能力，必須在投擲攻擊骰之前宣告使用。
●12:35－每輪的先後決定擲骰是四顆，不是五顆。
●12:56－阿滴的攻擊擲骰是1爆擊、1鎚、1劍，粒方的雖然也1爆擊，但比較完爆擊後，要比較一般成功的數量。索奧奇的攻擊行動是成功符號是鎚，阿滴還有1鎚，粒方已經沒有其他成功骰，所以該該次的攻擊行動是成功的。
●15:38－野獸人的激勵條件是敵方戰幫有兩名或更多鬥士陣亡，而不是全場。不過這是官方中文版本身印刷的問題（英文是正確的）。