By now, you have probably heard about my father’s red box. Minister Heng Swee Keat posted about it last week. The red box was a fixture of my father’s work routine. It is now on display at the National Museum of Singapore in his memorial exhibition.
Some of my father’s other personal items are there too. His barrister’s wig (of horsehair) from when he was admitted to the Bar. And a Rolex Oyster Perpetual watch given to him by the Singapore Union of Postal and Telecommunications Workers after he represented them in the famous postmen’s strike in 1952.
I enjoyed my visit to the exhibition a few days ago. Was happy to hear that many of you went yesterday. The exhibition will be on until 26 April. – LHL
MR LEE'S RED BOX
Mr Lee Kuan Yew had a red box. When I worked as Mr Lee’s Principal Private Secretary, or PPS, a good part of my daily life revolved around the red box. Before Mr Lee came in to work each day, the locked red box would arrive first, at about 9 am.
As far as the various officers who have worked with Mr Lee can remember, he had it for many, many years. It is a large, boxy briefcase, about fourteen centimetres wide. Red boxes came from the British government, whose Ministers used them for transporting documents between government offices. Our early Ministers had red boxes, but Mr Lee is the only one I know who used his consistently through the years. When I started working for Mr Lee in 1997, it was the first time I saw a red box in use. It is called the red box but is more a deep wine colour, like the seats in the chamber in Parliament House.
This red box held what Mr Lee was working on at any one time. Through the years, it held his papers, speech drafts, letters, readings, and a whole range of questions, reflections, and observations. For example, in the years that Mr Lee was working on his memoirs, the red box carried the multiple early drafts back and forth between his home and the office, scribbled over with his and Mrs Lee’s notes.
For a long time, other regular items in Mr Lee’s red box were the cassette tapes that held his dictated instructions and thoughts for later transcription. Some years back, he changed to using a digital recorder.
The red box carried a wide range of items. It could be communications with foreign leaders, observations about the financial crisis, instructions for the Istana grounds staff, or even questions about some trees he had seen on the expressway. Mr Lee was well-known for keeping extremely alert to everything he saw and heard around him – when he noticed something wrong, like an ailing raintree, a note in the red box would follow.
We could never anticipate what Mr Lee would raise – it could be anything that was happening in Singapore or the world. But we could be sure of this: it would always be about how events could affect Singapore and Singaporeans, and how we had to stay a step ahead. Inside the red box was always something about how we could create a better life for all.
We would get to work right away. Mr Lee’s secretaries would transcribe his dictated notes, while I followed up on instructions that required coordination across multiple government agencies. Our aim was to do as much as we could by the time Mr Lee came into the office later.
While we did this, Mr Lee would be working from home. For example, during the time that I worked with him (1997-2000), the Asian Financial Crisis ravaged many economies in our region and unleashed political changes. It was a tense period as no one could tell how events would unfold. Often, I would get a call from him to check certain facts or arrange meetings with financial experts.
In the years that I worked for him, Mr Lee’s daily breakfast was a bowl of dou hua (soft bean curd), with no syrup. It was picked up and brought home in a tiffin carrier every morning, from a food centre near Mr Lee’s home. He washed it down with room-temperature water. Mr Lee did not take coffee or tea at breakfast.
When Mr Lee came into the office, the work that had come earlier in the red box would be ready for his review, and he would have a further set of instructions for our action.
From that point on, the work day would run its normal course. Mr Lee read the documents and papers, cleared his emails, and received official calls by visitors. I was privileged to sit in for every meeting he conducted. He would later ask me what I thought of the meetings – it made me very attentive to every word that was said, and I learnt much from Mr Lee.
Evening was Mr Lee’s exercise time. Mr Lee has described his extensive and disciplined exercise regime elsewhere. It included the treadmill, rowing, swimming and walking – with his ears peeled to the evening news or his Mandarin practice tapes. He would sometimes take phone calls while exercising.
He was in his 70s then. In more recent years, being less stable on his feet, Mr Lee had a simpler exercise regime. But he continued to exercise. Since retiring from the Minister Mentor position in 2011, Mr Lee was more relaxed during his exercises. Instead of listening intently to the news or taking phone calls, he shared his personal stories and joked with his staff.
While Mr Lee exercised, those of us in the office would use that time to focus once again on the red box, to get ready all the day’s work for Mr Lee to take home with him in the evening. Based on the day’s events and instructions, I tried to get ready the materials that Mr Lee might need. It sometimes took longer than I expected, and occasionally, I had to ask the security officer to come back for the red box later.
While Mrs Lee was still alive, she used to drop by the Istana at the end of the day, in order to catch a few minutes together with Mr Lee, just to sit and look at the Istana trees that they both loved. They chatted about what many other old couples would talk about. They discussed what they should have for dinner, or how their grandchildren were doing.
Then back home went Mr Lee, Mrs Lee and the red box. After dinner, Mr and Mrs Lee liked to take a long stroll. In his days as Prime Minister, while Mrs Lee strolled, Mr Lee liked to ride a bicycle. It was, in the words of those who saw it, “one of those old man bicycles”. None of us who have worked at the Istana can remember him ever changing his bicycle. He did not use it in his later years, as he became frail, but I believe the “old man bicycle” is still around somewhere.
After his dinner and evening stroll, Mr Lee would get back to his work. That was when he opened the red box and worked his way through what we had put into it in the office.
Mr Lee’s study is converted out of his son’s old bedroom. His work table is a simple, old wooden table with a piece of clear glass placed over it. Slipped under the glass are family memorabilia, including a picture of our current PM from his National Service days. When Mrs Lee was around, she stayed up reading while Mr Lee worked. They liked to put on classical music while they stayed up.
In his days as PM, Mr Lee’s average bedtime was three-thirty in the morning. As Senior Minister and Minister Mentor, he went to sleep after two in the morning. If he had to travel for an official visit the next day, he might go to bed at one or two in the morning.
Deep into the night, while the rest of Singapore slept, it was common for Mr Lee to be in full work mode.
Before he went to bed, Mr Lee would put everything he had completed back in the red box, with clear pointers on what he wished for us to do in the office. The last thing he did each day was to place the red box outside his study room. The next morning, the duty security team picked up the red box, brought it to us waiting in the office, and a new day would begin.
Let me share two other stories involving the red box.
In 1996, Mr Lee underwent balloon angioplasty to insert a stent. It was his second heart operation in two months, after an earlier operation to widen a coronary artery did not work. After the operation, he was put in the Intensive Care Unit for observation. When he regained consciousness and could sit up in bed, he asked for his security team. The security officer hurried into the room to find out what was needed. Mr Lee asked, “Can you pass me the red box?”
Even at that point, Mr Lee’s first thought was to continue working. The security officer rushed the red box in, and Mr Lee asked to be left to his work. The nurses told the security team that other patients of his age, in Mr Lee’s condition, would just rest. Mr Lee was 72 at the time.
In 2010, Mr Lee was hospitalised again, this time for a chest infection. While he was in the hospital, Mrs Lee passed away. Mr Lee has spoken about his grief at Mrs Lee’s passing. As soon as he could, he left the hospital to attend the wake at Sri Temasek.
At the end of the night, he was under doctor’s orders to return to the hospital. But he asked his security team if they could take him to the Singapore River instead. It was late in the night, and Mr Lee was in mourning. His security team hastened to give a bereaved husband a quiet moment to himself.
As Mr Lee walked slowly along the bank of the Singapore River, the way he and Mrs Lee sometimes did when she was still alive, he paused. He beckoned a security officer over. Then he pointed out some trash floating on the river, and asked, “Can you take a photo of that? I’ll tell my PPS what to do about it tomorrow.” Photo taken, he returned to the hospital.
I was no longer Mr Lee’s PPS at the time. I had moved on to the Monetary Authority of Singapore, to continue with the work to strengthen our financial regulatory system that Mr Lee had started in the late 1990s. But I can guess that Mr Lee probably had some feedback on keeping the Singapore River clean. I can also guess that the picture and the instructions were ferried in Mr Lee’s red box the next morning to the office. Even as Mr Lee lay in the hospital. Even as Mrs Lee lay in state.
The security officers with Mr Lee were deeply touched. When I heard about these moments, I was also moved.
I have taken some time to describe Mr Lee’s red box. The reason is that, for me, it symbolises Mr Lee’s unwavering dedication to Singapore so well. The diverse contents it held tell us much about the breadth of Mr Lee’s concerns – from the very big to the very small; the daily routine of the red box tells us how Mr Lee’s life revolved around making Singapore better, in ways big and small.
By the time I served Mr Lee, he was the Senior Minister. Yet he continued to devote all his time to thinking about the future of Singapore. I could only imagine what he was like as Prime Minister. In policy and strategy terms, he was always driving himself, me, and all our colleagues to think about what each trend and development meant for Singapore, and how we should respond to it in order to secure Singapore’s wellbeing and success.
As his PPS, I saw the punishing pace of work that Mr Lee set himself. I had a boss whose every thought and every action was for Singapore.
But it takes private moments like these to bring home just how entirely Mr Lee devoted his life to Singapore.
In fact, I think the best description comes from the security officer who was with Mr Lee both of those times. He was on Mr Lee’s team for almost 30 years. He said of Mr Lee: “Mr Lee is always country, country, country. And country.”
This year, Singapore turns 50. Mr Lee would have turned 92 this September. Mr Lee entered the hospital on 5 February 2015. He continued to use his red box every day until 4 February 2015.
(Photo: MCI)
同時也有156部Youtube影片,追蹤數超過255萬的網紅相信音樂BinMusic,也在其Youtube影片中提到,只要還擁有自己,就不是一無所有 獨一無二創作精靈 白安 醞釀1561天 譜寫10首時代之作 第三張全新創作專輯《1990s》 首波主打《讓我逃離平庸的生活》 「這首歌不只是我逃離我的平庸生活,每個人都有屬於自己最獨特的生活,希望大家聽到這首歌時也會有勇氣找到自己、更接近自己,沒有人是平庸的,每...
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คน Gen Y ยอมจ่ายเงินให้กับสิ่งที่ตัวเองคิดว่าดี / โดย ลงทุนแมน
คน Gen Y หรือ Millennials คือกลุ่มคนที่เกิดในช่วงปี 1980s ถึง 1990s (ปัจจุบันมีอายุในช่วง 19 - 39 ปี)
ลักษณะของคนกลุ่มนี้ จะมีความเชื่อมั่นในตัวเองสูง ทะเยอทะยาน มุ่งมั่นต่อความสำเร็จ และความก้าวหน้าในอาชีพการงาน
ในขณะเดียวกันก็ต้องการชีวิตที่มีความยืดหยุ่น ชอบความท้าทาย และแสวงหาโอกาสในการทำงาน หรือเดินทางท่องเที่ยวในต่างประเทศ
ที่สำคัญคือ คนกลุ่มนี้ยังให้ความสำคัญกับตัวเองมากกว่าคนใน Generation ก่อนๆ
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เรียกได้ว่า ต่อให้ซื้อของเป็นสิบๆ อย่าง ก็สู้ของดีชิ้นเดียวไม่ได้
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คนที่ซื้อ บ้าน คอนโด ราคาแพง ถ้าทำเลดี มีความสะดวกสบายในการใช้ชีวิตจริง ก็ยอมจ่ายเพื่อซื้อเวลาในการเดินทาง
รถยนต์ ขอให้มีระบบความปลอดภัยที่ดีแม้ว่าจะราคาสูง แต่ช่วยลดโอกาสเกิดเหตุการณ์ไม่คาดฝันได้
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หรือแม้แต่ที่นอน ที่เรายอมลงทุนซื้อในราคาที่แพง เพราะจะใช้เวลามากกว่า 1 ใน 4 ของชีวิตเรากับการนอน
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เพราะต่อให้เราประสบความสำเร็จแค่ไหน ก็มีโอกาสเกิดเรื่องไม่คาดฝันได้เสมอ
ดังนั้นคน Gen Y ควรต้องวางแผนเพื่อใช้ชีวิตให้สุดอย่างที่อยากทำ
เช่น การวางแผนเพื่อสุขภาพ เป็นเรื่องสำคัญกับชีวิตเรา เมื่อเราเจ็บป่วย
ประกันสุขภาพที่เหมาะสมกับคน Gen Y ตัวหนึ่งก็คือ บีแอลเอ เพรสทีจ เฮลธ์
ซึ่งเป็นประกันสุขภาพที่คิดเพื่ออนาคต จากกรุงเทพประกันชีวิต
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**เบี้ยประกันชีวิตและเบี้ยประกันสุขภาพ สามารถนำไปหักลดหย่อนภาษีเงินได้บุคคลธรรมดา ตามหลักเกณฑ์ที่กรมสรรพากรกำหนด
วางแผนอย่างคน Gen Y ต้อง “บีแอลเอ เพรสทีจ เฮลธ์” จากกรุงเทพประกันชีวิต
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1990s 在 相信音樂BinMusic Youtube 的評價
只要還擁有自己,就不是一無所有
獨一無二創作精靈 白安
醞釀1561天 譜寫10首時代之作
第三張全新創作專輯《1990s》
首波主打《讓我逃離平庸的生活》
「這首歌不只是我逃離我的平庸生活,每個人都有屬於自己最獨特的生活,希望大家聽到這首歌時也會有勇氣找到自己、更接近自己,沒有人是平庸的,每個人都有屬於自己的天空。」
___白安
白安回憶寫這首歌當時,曾在書中讀到深刻留在心中的一段話:「有時候,你的心需要以適當的方式打碎,打碎自己的心之後,人就會有所體悟,或者說你能感受到全新的東西。」因此她在歌詞中唱道「讓我去擁抱 曾經透恨的傷口」整首歌中是讓白安至今最衝擊的一段歌詞。這些年她開始學會如何跟過去的自己和解,才有可能真正的接受自己。只有在真正接受自己的時候,才能成為一個更堅強的人。《讓我逃離平庸的生活》寫的除了是白安這四年來糾結的心境,同時也為90年代出生的年輕人發聲,白安希望藉由這首充滿力量正面能量的歌,鼓勵這個世代年輕人,用力去追、奮力去闖,勇敢擁抱曾經痛恨的傷口,讓未來只屬於自己,成功逃離那重複無味的平庸。
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■ 白安「讓我逃離平庸的生活」音樂彈唱會
12.16 (Sun.) 14:30 STARBUCKS草山門市
-「讓我逃離平庸的生活」-
製作人 Producer:白安Ann Bai
配唱製作人 Vocal Producer:李劍青 Li Jian Qing
編曲 Music Arrangement:李劍青 Li Jian Qing
鋼琴 Piano:伍冠諺 Chet, 白安 Ann Bai
木吉他 Acoustic Guitar:李劍青 Li Jian Qing
電吉他 Electric Guitar:鄔忠揚 Joel Voo
合成器 Synthesizer : 蕭力惟 Kenny Hsiao
貝斯 Bass:甯子達 Michael Ning
鼓 Drums:李定楠 Wumin Hola
弦樂編寫 Strings Arrangement:李劍青 Li Jian Qing
弦樂 Strings:李劍青 Li Jian Qing
弦樂錄製 Strings Recording:李劍青 Li Jian Qing@JQ Studio
和聲編寫 Backing Vocal Arrangement:李劍青 Li Jian Qing
和聲 Backing Vocals:白安 Ann Bai
和聲錄製 Backing Vocals Recording:白安 Ann Bai@221b Studio
人聲錄製 Vocal Recording:白安 Ann Bai@221b Studio
鋼琴錄製 Piano Recording:黃君富 Frank Huang@二川錄音室 Lights Up Studio, 蕭力惟 Kenny Hsiao@221b
吉他錄製 Guitar Recording: 蕭力惟 Kenny Hsiao@JAK studio
貝斯錄製 Bass Recording:黃君富 Frank Huang@相信音樂錄音室 B’in Music Studio
鼓錄製 Drums Recording:單為明 Link Shan@二川錄音室 Lights Up Studio
鼓錄音助理 Drums Recording Assistant:蔡周翰 Chou Han Tsay@二川錄音室 Lights Up Studio
混音 Mixing:林正忠 Jerry Lin@白金錄音室 Platinum Studio
OP:相信音樂國際股份有限公司
TWK231811601
*Special Thanks:Palazzu Stidda
#白安
#1990s
#讓我逃離平庸的生活
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1990s 在 Michelle Phan Youtube 的評價
Hi beautiful! Excuse my voice. I caught a cold in NY :( Anyways, are you ready to rock the grunge look this fall? Pair up your distressed plaid with smoldering eyes and a dark pout. Share your grunge look with me by tagging #MishLook so I can find and like it!
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1990s 在 Namewee Youtube 的評價
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今年出道 25 週年的 TRF 團長 DJ KOO,與來自馬來西亞的 C-POP 百萬金曲鬼才,Namewee 黃明志實現夢幻合作。全球爆紅曲「TOKYO BON 2020」的製作公司,株式会社 Cool Japan TV 及日本娛樂公司 Avex Management 攜手合作,安排亞洲各國合計 2,000 萬粉絲以上的人氣 YouTuber 在日本齊聚一堂,共同製作了 TRF 名曲盆舞改編版「BOY MEETS GIRL 2020」。
通過這次的合作,DJ KOO 與 Namewee 黃明志加入了兩人的 RAP 饒舌歌詞,實現了日語,英語,中文的多語言歌詞改編。歌曲的故事設定為,在日本流行音樂文化席捲亞洲的 90 年代,在馬來西亞聽著 J-POP 度過少年時期的 Namewee 黃明志,對 DJ KOO 訴說「少年與少女在那之後的故事並不是那麼地一帆風順」。DJ KOO 藉由引用原曲歌詞「邂逅才是人生的尋寶遊戲」,加上改編歌詞回應「一路以來受過了多少創傷,也因為這些經歷讓我們變得更堅強,更善良。讓我們一起繼續尋找人生中最寶貴的事物吧」。兩人通過這夢幻合作,對現代少年少女們發出鼓勵的訊息。
MV 的高潮盆舞部分,更加入了世界知名日本藝人 Piko 太郎的友情客串。此外,DJ KOO 的理念「One Asia, One World」也引起了亞洲各國人氣 YouTuber 的共鳴,齊聚一堂一同跳盆舞。舞蹈由繼承加貿百萬石文化,擁有 100 年歷史的創作日本舞蹈孝藤流傳人,孝藤右近排舞。此外,奧運會金牌選手清水宏保,avex 新人團體 callme,贊助商 Molly Fantasy 的 Lala也到場支持。
MV 裡也插入了首度發布此曲的舞台,在法國巴黎舉辦的 “Japan Expo 2018” 15,000 人的演唱會影像。DJ KOO 表示「面向奧運會 2020,日本將成為全世界的焦點,希望可以通過日本傳統文化盆舞,將日本的魅力告訴全世界」。
□ BOY MEETS GIRL 2020 / Namewee feat. DJ KOO
出演 : Namewee、DJ KOO、孝藤右近
特別嘉賓 : Piko 太郎、清水宏保、PInO、callme、AR performers
YouTuber : Shen Lim、MaoMaoTV、林進、小A辣、Nana梁雲菲、Toyz、屎萊姆的3次元、魚乾、菜喳、Cody Hong、彤彤、Kidinn、Yvonne Chua、Ernest DoCrazy、RU醬、Ayu TV
Produced by : Cool Japan TV、avex management
贊助 : Molly Fantasy
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In conjunction to his 25th anniversary, TRF’s leader DJ KOO collaborated with Malaysia’ Top C-POP million hits artist Namewee.
The production company behind the viral hit 「TOKYO BON 2020」- Cool Japan TV - the leading influencer marketing company, gathered Asia’s Top YouTubers in this Bon dance version of TRF’s remix song「BOY MEETS GIRL 2020」together with one of the largest music entertainment companies, avex entertainment.
This collaboration saw DJ KOO and Namewee presenting their RAP segment with multilingual lyrics ranging from Japanese, English and Chinese. The setting of the MV goes back to the 1990s when Japanese pop music and culture craze swept through Asia. For Namewee who grew up listening to J-POP, he shared with DJ KOO on how teenage love was never that smooth-sailing. This was reflected in the song “Fateful encounter is like a life-time treasure hunt”, DJ Koo then responded with new lyrics “Life might be a journey of suffering, only to make us stronger and kinder. Let’s continue to search for what matters most.” This dream collaboration aims to deliver their words of encouragement to everyone.
The highlight of this bon MV goes to the guest appearance of global well-known Japanese artist Piko Taro. Together with participation of the Asia Top YouTubers, this MV humbly resonates to DJ KOO’s vision of "One Asia, One World”. The Bon dance was choreographed by Ukon Takafuji, the heir of the Takafuji clan with over 100 years of history. More guests such as Olympic gold medalist skater Hiroyasu Shimizu, avex artist group callme and Lala from Molly Fantasy also gave their support.
The MV also includes the first concert performance of this song at Paris, France where the “Japan Expo 2018” was held and garnered interest from 15,000 audience. DJ KOO expressed “With the upcoming 2020 Olympics, Japan will be the growing center-of-attraction. We hope to bring about Japan’s culture and appeal to everyone through the traditional Japanese Bon dance.”
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デビュー25周年を迎えたTRFのリーダーDJ KOOが、C-POP史上最多のミリオンビューヒットを持つ、マレーシア出身の人気アーティストNameweeと夢の共演。「Tokyo Bon 2020」の世界的ヒットで話題のアジア最大級のインフルエンサーネットワークによるインバウンドプロモーション事業を展開する株式会社Cool Japan TVは、音楽業界を牽引するエイベックス・マネジメントとの共同プロデュースによる、アジア各国の合計2,000万フォロワーを超える人気YouTuberが日本に一堂に集結して撮影を行った、TRF名曲の盆踊りリミックス「BOY MEETS GIRL 2020」のミュージックビデオを発表した。
今回のリミックスで新たに聴くことができる、日本語、英語、中国語の多言語で展開されるDJ KOOとNameweeによるラップパートでは、日本のポップカルチャーがアジアを席巻した90年代、マレーシアでJ-POPを聴きながら青春時代を過ごしたと言うNameweeが、憧れのスターであったDJ KOOに「少年と少女のその後の物語は決して平坦な道のりではなかったこと」を訴え、それに対してDJ KOOは「傷ついた分だけ強く優しくなれる、人生の宝探しをこれからも続けて行こう」とオリジナルの歌詞「出会いこそ人生の宝探し」を引用して応え、かつての少年と少女たちに応援のメッセージを送っている。
クライマックスの盆踊りでは、今や世界で最も知られている日本人アーティストとなったピコ太郎がサプライズの友情出演。DJ KOOが今回のテーマとして掲げた「One Asia, One World」に共鳴して集まったアジア各国の人気YouTuberと共に、加賀百万石の文化を継ぐ石川県金沢市にて100年の歴史を持つ創作日本舞踊孝藤流の家系に生まれ、日本を代表する舞踊家として活躍する孝藤右近の振り付けによる盆踊りを踊っている。又、オリンピックの金メダリスト清水宏保、avexの後輩アーティストcallme、協賛・協力企業モーリーファンタジーのララも駆けつけて参加している。
映像中には、本作の初公開の舞台となったフランス・パリの “Japan Expo 2018” での15,000人の熱狂的な観客を前にしたライブパフォーマンスの様子も織り交ぜられており、DJ KOOは「東京オリンピックへ向けて、日本が世界から注目を集める中、日本の伝統文化である盆踊りを楽しんでいただくことを通じて、日本の魅力を世界に発信して行きたい」と語っている。
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0:52 歌曲開始
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1990s 在 Top 20 Trends of the 1990s - YouTube 的八卦
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