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攝影之聲 Voices of Photography
Issue 13 : 抗議、行動與影像
Protests, Activism and Images

本期由郭力昕、張世倫、李威儀、廖偉棠、冨山由紀子、東方輝、港千尋、顧錚與伊妮絲築起筆陣，進入台灣、香港、中國與日本的反叛運動場景。我們試圖重回台灣黨外運動興起的70年代、街頭狂飆的80年代，直至2014年太陽花學運的佔領現場，在抗爭照片、影片與攝影書堆中，追尋抗議攝影與影像政治的軌跡；同時爬梳香港與日本社會運動與抗議攝影的發展歷程，並針對60年代在日本引發的大規模抗爭事件——「三里塚鬥爭」進行了抗議攝影書考；另外也從達達主義攝影蒙太奇，看影像藝術的政治反抗。這期也特別邀請三位戒嚴世代的資深攝影工作者——宋隆泉、蔡明德、許村旭——進行影像對談，重現他們在《自由時代》、《人間雜誌》等新聞媒體工作時期在街頭運動前線攝影的衝撞實況。而內頁夾帶的《SHOUT》，則收錄香港攝影師林亦非在台灣三月學潮裡對懸浮青春的影像素描。

在Artist's Showcase單元，本期由張照堂書寫影像創作者葉清芳的狗眼人生，打開阿芳黃湯揮灑而自由放逐的私密暗箱；而Q單元則專訪著名的日本攝影書設計師町口覺、攝影家瀨戶正人與新加坡國際攝影節創辦人李錦麗，分別就攝影的編輯、創作和展覽進行對話；「台灣攝影史」連載則探查1870年代就在自拍的恆春首任知縣周有基的生平，以及台灣古早相館的命名典故；還有藝評家黃翰荻從鄧南光的鏡頭側寫，一探上世紀女性從20到60年代的歲月風華。

寫到這裡，不免發現編輯台又一次呈現被資料大規模轟炸的狀況。在工作期間的日與夜裡，我們與滿坑滿谷的影像文獻交談，與堆積如山的稿件版面作戰；透過照片穿越各個抗爭現場，看到那些曾在街頭激起的火花，又被重蹈覆轍的歷史泥浪淹沒覆蓋，令我們在理應充滿鬥志的編輯路途上，偶爾心情暗淡。

為了提振精神，這次破例在此點播一首收錄於楊祖珺1985年《大地是我的母親》專輯、由蔡式淵作詞、楊祖珺作曲的〈超級倒楣小市民〉給大家，這首歌30年依然不退流行，適合各世代闔家聆聽。保重。

「餿水牌沙拉油 毒玉米米酒
飼料牌奶粉 國民黨也要吃
袋鼠牌牛肉乾 黃樟素沙士
沒信用合作社 倒楣的小市民
我們還要衷心感謝他們
賜給我們核能電廠
有一天不必再煩惱
我們都上了天堂」

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Collaboratively penned by Kuo Li-Hsin, Chang Shih-Lun, Lee Wei-I, Liao Wei-Tang, Tomiyama Yukiko, Akira Higashikata, Chihiro Minato, Gu Zheng and Agnès, this issue brings us into the scenes of movements in Taiwan, Hong Kong, China and Japan. We trace the trails of protest photography and image politics through revisiting the rise of Taiwanese social movements in the 70s, its flourishing in the 80s… all the way to the Sunflower Movement in 2014. At the same time, we look at the development of social movements and protest photography in Hong Kong and Japan, investigating the development of protest photobooks with a focus on the Sanrizuka Conflict, which sparked off large scale protests in Japan in the 60s. Also, we explore the political revolt of image arts from the point of view of Dadaism photomontage. We invited three experienced photographers from the martial laws era —Song Lung-Chuan, Tsai Ming-De and Hsu Tsun-Hsu— to a discussion on their photographs as frontline photojournalists covering street movements. As for the SHOUT insert in this issue, photographer Lam Yik-Fei from Hong Kong presents youth and uncertainty with snapshots taken during the Sunflower Movement in Taiwan this past March.

In the Artist’s Showcase, Chang Chao-Tang introduces to us the life and works of the late photographer Yeh Ching Fang, allowing us a peek into his personal black box; Q features the well-known Japanese photobook designer Machiguchi Satoshi, photographer Seto Masato and the curator of Singapore International Photography Festival Gwen Lee, who shares with us the design, layout, creation and exhibition of photographs respectively. In the Taiwanese Photography History series, we investigate the naming allusions of early Taiwanese photo studios and the life of the first governer of Heng Chun, Prefect Zhou Youji, who already took selfies way back in 1870s; art critic Huang Han-Di also explores the beauty and elegance of women in 1920s -1960s through the images of Deng Nan-Guang.

We realized, at this point, that Once again the editorial desk has been again overloaded with a huge amount of reference materials. Night and day, we bury ourselves in the sea of images and documents, examining photographs of battles and the displays of passionate beliefs on the streets, which were drowned time and again by the tides of time and history. Such realization occasionally dampened our fighting spirit, which is --supposedly-- strong and relentless.

In order to boost our spirit, we have made an exception in dedicating a song here: The Ill-fated Citizens from the album The Earth is My Mother (1985) by TC Yang, written by TC Yang and Cai Shirun. After three decades, this song is still relevant and suitable for all ages.

"Cooking oil made from leftover food,
rice wine made from toxic corn
Powdered milk made from animal feed,
which the KMT themselves all need to eat too
Beef jerky made from kangaroo meat, root beer with safrole
Co-ops with no credit
Ill-fated citizens
We should also sincerely thank them
For giving us nuclear power plants
For one day we won’t need to worry anymore
As we’ll all go to heaven together"

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攝影之聲 Voices of Photography
Issue 13 : 抗議、行動與影像
Protests, Activism and Images
www.vopmagazine.com

#新刊出版 New release!

Voices of Photography 攝影之聲
Issue 29 : #被攝影史──成為影像的台灣
History of the Photographed:
Taiwan as an Image

延續我們對於攝影史的關注，本期審視屬於我們自身的攝影經驗──被攝影的歷史。從台灣的殖民史出發，自十九世紀中葉以降歷經的人類學調查採集、二十世紀初隘勇線推進下的暴力顯影，到帝國博覽會裡的「台灣」意象與人種展示──這是一段最為系統性地將台灣影像化的初始時期。我們如何成為被攝影的對象？如何化為一具科學標本和一幅想像圖騰？如何在視覺上被納編（或排除）於國族與文化的整頓編程，並糾結至今？此一影像的潛歷史──被攝影的歷史──是我們返視「攝影史」的一處起點。

藉此，本期試圖反詰「歷史」，思考致使我們「成為影像」、「進入攝影史」的支配與佈局，嘗試突破以往「攝影（者）的歷史」框架，開啟我們的「被攝影（者）的歷史」覺察，或許將能發現對我們而言更為重要的攝影的歷史遺產，生成屬於我們的另翼影像史觀。

專題中收錄的影像與文論，標記了我們在「被攝影」的歷史經驗裡的複雜和衝突──我們從已故人類學者胡家瑜對早年台灣人類學田野調查至戰後發展的介紹專論開始，探看影像採集的知識化歷程及當代意涵；黃翰荻追尋日本人類學者鳥居龍藏與森丑之助在殖民年代的台灣原住民族群踏查足印，細述二人巨大的歷史身影；高俊宏在總督府「理蕃時期」的諸多「討伐」寫真帖中，重新諦視「歸順者」肖像裡的幽微目光；瓦歷斯．諾幹以解／反殖民書寫，展現自身與族人生命經驗裡實切的影像歷史感知；松田京子則以東京拓殖博覽會中對殖民地的活人陳列展演，析解形塑「台灣」的視覺策略。

本期Artist’s Showcase單元，我們與藝術家葉偉立進行長篇訪談，呈現他這些年來以行動介入所構成的獨特影像場域，記錄其未曾間斷的勞作沉思。而在影像論述單元，本期新闢由影像研究者李立鈞執筆的科學攝影專欄，揭示平時隱沒在科學實踐中的「影像問題」，首篇從圖繪細菌與拍攝細菌在十九世紀引發的論爭談起，一探科學家對於攝影「客觀性」的認知辯證。謝佩君接續前期對於影像／視覺理論的引介，深入闡論歐美學界近年如何反駁過去以視覺機具作為現代性發展的線性觀點。黎健強探究香港攝影源流的連載系列，揭載「作為影像的香港」在1850年代末首次出現於可供西方觀眾賞玩的遠東立體照片。此外本期亦特邀黃建宏撰文紀念近期辭世的法國哲學家貝拿爾．斯蒂格勒，記述其影像哲理綿延的技術與時間之論。

在本期出版（焦頭爛額）之際，也正是《攝影之聲》邁入第十年的開端，回想起來真是一段不可思議的旅程。感謝所有的讀者共同撐起這份小刊，也要再次感謝參與《攝影之聲》、支持我們的朋友與工作伙伴，給予我們面對艱困的勇氣，繼續在蜿蜒的道路上行進。

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As we continue on the topic of the history of photography, we turn to our own photography experiences in this issue – our history of being photographed. It takes root in Taiwan’s colonial history, from the collection of anthropological surveys in the 19th century, to the acts of violence at the defence lines as they pushed on during the Japanese colonial era in the early 20th century, as well as the exhibition of the “Taiwanese” imagery and ethnicity at various expositions held during the Japanese colonial rule. These form the beginnings of a systematic effort to visualize Taiwan. How did we become the photographed, a scientific specimen, a totemic image? How did we become visually part of (or excluded from) the rectification process of nationality and culture, that continues to trouble us till now? The veiled history of such an image – the history of being photographed – guides the beginning of our journey of looking back at the “history of photography”.

With this, we attempt to cross-examine “history” and think through the control and disposition that led us into “becoming an imagery” and “going into the history of photography”, hoping to break free from the existing framework of “the history of the photograph(er)” and enlighten our awareness of the “history of the photographed”. We reckon this could allow us to discover the historical heritage of photography that is even more important to us and generate our very own alternative view of the history of photography.

The collection of imagery and essays in this series marks the complexity and conflicts in our historical experience of “being photographed”. We begin with the late anthropologist Hu Chia-Yu’s field research of Taiwan’s anthropology from the early years to the post-war period as we explore the knowledge-based development and contemporary meaning of imagery collection. Huang Han-Di traces the footsteps of Japanese anthropologists Torii Ryuzo and Mori Ushinosuke in their study of the Taiwanese indigenous peoples in the colonial era, detailing the historical impact that they had. Kao Jun-Honn takes a second look at the faint gaze in the eyes of those who had pledged allegiance, as captured in the many portraits of the “submissives” kept at the Governor-General’s office during the Japanese rule. Walis Nokan expresses his and his fellow people’s real perception of the history of photography as they had experienced it in his de-/anti-colonization writings. Matsuda Kyoko analyses the visual strategy of shaping “Taiwan” through the living displays at the Tokyo Colonization Exposition of 1912.

In this issue’s “Artist’s Showcase”, we feature an in-depth interview with artist Yeh Wei-Li, showing our readers his unique field of imagery that extends from his art of intervention, a record of his neverending contemplation with regard to labor and art. Moving on to essays on visual imagery, we present a new scientific photography column by imagery researcher Lee Li-Chun, who unveils the “imagery problem” that underlies scientific practice, beginning with cognitive dialectics of “objectivity” of photography by scientists that stemmed from the debate sparked by illustrating and photographing bacteria in the 19th century. Hsieh Pei-Chun continues with her introduction to imagery/visual theory from an earlier issue, and explains in detail how Western academia has refuted the existing linear view of visual machinery as a modern development. Edwin K. Lai’s series on the origins and development of Hong Kong photography tells us about the first 3D photograph from the Far East that aimed to entertain a Western audience with “Hong Kong as an image” in the late 1850s. In addition, we specially invited Huang Chien-Hung to commemorate the French philosopher Bernard Stiegler, who had recently passed, and the continuous techniques and time that stems from his philosophy of imagery.

At the same time as we (run off our feet to) prepare for the publication of this issue, Voices of Photography is going into its 10th year, and what an incredible journey it has been. We sincerely thank all our readers for keeping us going, and express our heartfelt gratitude once again to all our friends and partners who have worked with us and given us the courage to overcome our difficulties to march on on this winding road.

新刊現身 | NEW RELEASE (第20期!!!)

Voices of Photography
Issue 20 : 冷戰影像．美國因素
Cold War Images．The American Factor

冷戰，一個自二戰後從美國與蘇聯為首的對立關係之中展開，進而影響世界局勢與歷史發展的關鍵詞彙。1950年代起，居於美國反共圍堵政策重要位置的台灣——麥克阿瑟口中的「不沉的航空母艦」——也在美援的推力下，進入了一個新的社會與文化狀態。從意識形態到可口可樂，美國因素至今依舊牽動著東亞世局與我們日常生活的方方面面。在本期專題中，我們從台灣出發，循著東亞島鏈爬行，從冷戰時期的影像檔案，到後冷戰時期的當代攝影創作，對遠去卻仍鮮明的冷戰記憶進行了一次影像考查。

以文化冷戰作為切點，張世倫推究東亞冷戰架構下的圖像線索，剖視美國新聞處與國府的影像敘事策略；單德興與王梅香分別從香港美國新聞處自1950年代起發行的《今日世界》與《四海》畫報，揭開冷戰年代資本主義陣營宣傳戰的紙上烽火；李威儀探查農復會於美援時期拍攝的照片檔案，尋找過往台灣攝影譜系中遺落的美援身影；仲嶺繪里奈以不同世代沖繩攝影家的在地視角，細細解讀戰後沖繩人在美軍佔領與基地環繞下，複雜糾結的認同與抵抗；朴智洙藉由多位南韓攝影家的影像，訴說朝鮮半島分斷體制在北緯38度線間的沉重拉扯；許芳慈則透過藝術家菲奧娜．阿蒙森與萬迪拉塔那的作品，揭示在美國主導的冷戰史學之外的異質論述與歷史創傷。

此外，我們更專訪曾在六○年代派駐台灣的美軍退役士官長肯特．馬修。1965年，23歲年輕的馬修搭上C-54運輸機來到台灣，在隸屬美國空軍的台北通訊站工作，同時兼任台北美軍顧問團軍官俱樂部分部的經理；退休後，他建立了網站，召集許多當年駐台的美國老兵分享在台灣的時代足印。在馬修的軍旅回顧裡，我們彷彿重返歷史現場——美國大兵、俱樂部和基地……。這不只是一個老兵的故事，更是一段屬於台灣的集體記憶。

今年初，對當代視覺文化思考有深遠影響的藝評家約翰．伯格，以高齡90歲辭世。為紀念他，我們邀請影像評論家郭力昕與張世倫在編輯室進行了一場長篇對談，深度評析伯格的觀點論述及其知識份子典型，同時由資深藝評家黃翰荻執筆，追憶伯格敏銳深刻的觀看之道，絕對適合伯格的重度讀者。此外，這期我們也開啟一個新的攝影書選書單元「Photobook Club」，每期邀請一位國際影像工作者、研究者或收藏者，為讀者挑選近來值得關注的攝影書籍，本期將由位在墨爾本的亞太攝影書庫創辦人伯克-史密斯率先為大家介紹。

二月截稿之際，傳來青年藝術家任航輕生的惡耗，讓人震驚不已。我們在2013年的「身體與性」專題曾與任航對話，在他作品中穎異的肢體語言所展露的視覺張力，推進著身體意識的遊戲邊界，令人著迷，也使他成為近年國際攝影圈的一顆新星，但他卻毫不留戀地如流星飛去，告別他正澄亮的藝術生命。謹在此揮手，悼念送行。任航，好走！

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Cold War, a historical keyword, refers to a period of time which unfolded after World War II with conflicting relations between the United States and the Soviet Union, affecting the political and historical development of the world. From the 1950s, The U.S.’s anti-communist stronghold Taiwan, which was hailed by McArthur as the “Unsinkable aircraft-carrier”, entered a new social and cultural order under the influence of U.S. Aid. From ideology to Coca-Cola, “The American factor” has been influencing developments in East Asia and our daily lives in more ways than one. In this issue, we set off from Taiwan and move along the East Asian island chain as we look into image archives of the Cold War era to contemporary post-Cold War photography work, conducting a visual study of distant yet fresh Cold War memories.

Using the Cultural Cold War as his point of discussion, Shih-Lun Chang examined the pictorial clues under the framework of the Cold War in East Asia, in order to analyse the strategies of pictorial narratives by the U.S. Information Service and the KMT government; Te-Hsing Shan and Mei-Hsiang Wang respectively made use of the study of World Today and Four Seas, both started by the U.S. Information Service in Hong Kong, to unravel the intense ideological war by the Cold War Capitalist camp on paper. Through his study of the “Joint Commission on Rural Reconstruction” image archives' shots captured during the U.S. Aid Period, Wei-I Lee searched for past images of the U.S. Aid Period left behind in Taiwan's photography spectrum.

Furthermore, Erina Nakamine chose to make use of the local perspectives of three Okinawan photographers from three generations to conduct a detailed study of Okinawans' complicated self-identity and resistance issues while under American rule and surrounded by U.S. military bases. Through the photographic images of many South Korean photographers, Park Jisoo told the heavy-hearted story of struggles that took place in the Korean Peninsula on the 38th parallel. Fang-Tze Hsu's unraveling of alternative discourse and historical trauma outside of the US-centric Cold War historiography was done through a study of Fiona Amundsen and Vandy Rattana's works.

In addition, we also feature an interview with a retired U.S. Sergeant First Class, Kent Mathieu, who was based in Taiwan in the Sixties. He arrived in Taiwan on a C-54 carrier in 1965 where he worked in Taipei Air Station belonging to the U.S. Air Force in Taipei, while he also took up the post of Manager in the MAAG HQ’s Annex Officer's Club in Taipei. Following his retirement, Mathieu set up a website which served as a depository of memories for many American soldiers who had previously served in Taiwan. Through the memories of Mathieu’s military career, it was as if we were teleported back in time to the era filled with images of U.S. soldiers, clubs, pubs and bases..... These imprints which have been gradually forgotten in Formosa not only formed the stories of many US soldiers once based in Taiwan, but also collective memories belonging to Taiwan as well.

Earlier this year, renowned and influential art critic John Berger passed away at age 90. In memory of him, we invited photography critic Li-Hsin Kuo and Shih-Lun Chang for a long dialogue to conduct an in-depth critique of Berger’s ideas and his identity as an intellectual. At the same time, we invited experienced art critic Han-Di Huang to pen an article detailing Berger’s acute and intense views on seeing, which would certainly satisfy Berger’s ardent fans. In addition, from this issue onwards, we have started a new segment “Photobook Club” where we invite an international image practitioner, author, researcher or collector, to introduce to our readers recent worthy photobook reads. This issue, we open with Daniel Boetker-Smith, who is the founder of Melbourne-based Asia-Pacific Photobook Archive.

As we close our articles collection in February, we have received the sad news of young artist Ren Hang’s suicide, which has left us in deep shock. We had a dialogue with Ren Hang in 2013 for the Bodies and Sex feature, we saw for ourselves the visual tension demonstrated through body language in his works, where he mesmerized all with his pushing of the game boundaries circling the human body. This led him to become the young star of the international photography scene in recent years. With his passing which happened like disappearing shooting stars, his illustrious life as an artist has also ended. We wish to bid him a fond farewell, may you rest in peace, Ren Hang!

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Voices of Photography 攝影之聲
www.vopmagazine.com

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えーと......ああ ワインです

あの
マイク•ミラーさんはアメリカから来ました
傘、駅、椅子、会社 大好き

うるさい
俺は初級の日本語しか学ばないから
不機嫌なら お前 がやれよ

おじさん
緣投欸おじさん
一緒に帰ろう
花火と着物
先生は明日も晴れると言ったよ

詞 - 陳孜昊 HowHow
曲 - 鄧福如 AFÜ
製作人 - 鄧福如 AFÜ
編曲 - 黃冠龍 Alex.D
和聲編制 - 鄧福如 AFÜ
和聲 - 鄧福如 AFÜ / 七月半 SevenFat
Guitar - 黃冠龍 Alex.D
Bass - 黃群翰(大單)
Drum - 李定楠 Stanley Lee
錄音 - 魏百謙＠強力錄音室 / 小單Link＠Lights Up Studio
混音 - 王俊傑(Mr.K)＠強力錄音室

► 訂閱七月半YouTube：https://pis.ee/SF_YT
► 七月半Facebook：https://pis.ee/SF_FB
► 七月半Instagram：https://pis.ee/SF_IG

---------------------------------
[How哥宇宙MV]
Client
七月半

Production
夢想動畫X羊王創映

Director
李劭謙 Robin Lee

Consultant
蔡嘉軒 Tetsu Tsai

Post Executive Producer
吳至正 Sheep Wu
李走狗 Yeh Chuan Yao

Post Producer
傅琬婷 Wan Ting Fu
羅嵩博 Sunber Lo

Design & Art
陳硯詠 Yanyong Chen
鍾語桐 Yuhton Chung
翁聖和 Fly Weng
王建盛 Jason Wang
林崇仁 CR LIN
李文愷 Kalvin Lee
林于庭 Yu-ting Lin
呂依璇 I Hsuan Lu
張雅雅 Chang Ya-ya
王甄淳 Louise Wang

Modeling & texture
李柏權 Hiroshi Lee
朱家靚 Chu Chia Ching
李哲誠 Li Che Cheng
林皓偉 Wayhe Lin
王甄淳 Louise Wang
張雅雅 Chang Ya-ya
葉昀昇 Yun Sheng Ye
蔡騰洌 Alan Tsai
林永益 Yong Aik Lim
羅唯嘉 WeiJya Lou
鄭耀荻 Odi Cheng
陳佳螢 Chen Chia Yin

Rigging
張斌祺 Bin Chi Chang
林廷穎 Evan Lin
陳俊儒 Juyn Ru Chen
周瀅 Ying Chou

Animation
安良啟 Anne An
林建隆 Iron Lin
鍾孟穎 Miles Chung
鐘昀麗 Chung Yun Li
陳威志 Wei Jhih Chen
白雅婷 Ya Ting Bai
王威程 Wei Cheng Wang
林宗儒 Zong Ru Lin
羅嵩博 Sunber Lo
陳冠伶 Chen KuanLing
羅唯嘉 WeiJya Lou

Lighting
劉筱婷 Tiffany Liu
聞書聆 Wen Shu Ling
許閎硯 Hung Yen Hsu
郭柏延 Patrick Kuo
鍾瀚洋 Han Yang Chan
葉昀昇 Yun Sheng Ye
羅嵩博 Sunber Lo
蔡騰洌 Alan Tsai
張雅雅 Chang Ya-ya
林永益 Yong Aik Lim
陳冠伶 Chen KuanLing
羅唯嘉 WeiJya Lou

Comp
駱信宏 Bio Luo
蔡尚甫 Sean Tsai
張暐明 Bono Chang
韋琛丰 Andy Wei
潘紫涵 Pan Tz Han
謝孟成 Hsieh Meng Cheng
劉筱婷 Tiffany Liu
李建緯 Chien Wei Lee
許閎硯 Hung Yen Hsu
郭柏延 Patrick Kuo
余如晨 Ruth Yu
沈正蕾 Shen Chang Lei
黃思慈 Szu-Tzu Huang

Cel Animation
張雅雅 Chang Ya-ya
陳昱融 Yuzo Chen
吳東晟 Dong Cheng Wu
林晉葦 Allen Lin
林于庭 Yu-ting Lin

Creative Storyboard
陳冠伶 Chen Kuan Ling
黃羿豪 Yi Hao Huang
焦亦柔 Yi Rou Jiao
羅方 Fang Lo
謝明儒 Hsieh Ming Ru
蔡卉婷 Hui Ting Tsai
林于庭 Yu-ting Lin
林子維 Tzu-wei Lin
邱柏翰 Po Han Chiu
莊子筠 Tzu Yun Chuang
羅唯嘉 WeiJya Lou
邱靖芬 Ching Fen Chiu
呂依璇 I Hsuan Lu
徐崇軒 Chung Hsuan Hsu
劉潁聲 Ying Sheng Liu
陳勁宇 Chin Yu Chen
蔡函穎 Han Ying Tsai
莊妍茜 Yen Chien Chuang
郭瑞邦 Ruei Bang Guo

---------------------------------
【七月半團員們's YouTube】
HowHow：https://pis.ee/How_YT
蔡阿嘎：https://pis.ee/Ga_YT
馬叔叔：https://pis.ee/Ma_YT
阿傑：https://pis.ee/Jay_YT
蔡哥：https://pis.ee/Tsai_YT


【七月半團員們's Facebook】
HowHow：https://pis.ee/How_FB
蔡阿嘎：https://pis.ee/Ga_FB
馬叔叔：https://pis.ee/Ma_FB
阿傑：https://pis.ee/Jay_FB
蔡哥：https://pis.ee/Tsai_FB


【七月半團員們's Instagram】
HowHow：https://pis.ee/How_IG
蔡阿嘎：https://pis.ee/Ga_IG
馬叔叔：https://pis.ee/Ma_IG
阿傑：https://pis.ee/Jay_IG
蔡哥：https://pis.ee/Tsai_IG

官方臉書 Facebook Official Page : Ruby DFaye 狄妃
官方IG Instagram Official : @rubydfaye
官方微博 Official Weibo : 狄妃_Ruby

故事大綱：這是一個改編自真人真事的故事。
Ruby狄妃是一位雕塑藝術工作者，而小琳則負責銷售Ruby的藝術品。同時，Ruby和小琳是一對恩愛的同性情侶，和一般情侶一樣，他們甜蜜相戀，甚至同居。日子久了，Ruby開始想跟小琳坦誠相見，於是把束胸脫下，不料此舉卻讓小琳開始對同性相戀產生了矛盾甚至抗拒。兩人不能見光的感情本來對小琳已造成極大壓迫感，小琳開始陷入抉擇愛與現實的掙扎與痛苦，也漸漸地和Ruby開始產生摩擦。有一天，有一位男生送小琳回家被Ruby撞見，遭到Ruby質問，小琳按耐不住心中的壓力而崩潰，憤提分手並搬離她倆的家。小琳最後也沒辦法接受相愛的另一半不是異性。
=======================================================

【消失 Gone】
詞曲：Adelaine & 潘沁珈 & 洪健瑞
演唱：Ruby 狄妃

過著沒有你的難過
活著沒有你的生活
那扇門 始終沒開過
我為愛的效忠 失去作用

誰說相愛就能雋永
何嘗不想愛得磊落
我了解 我真的了解
所以保持緘默 還你自由

我們只是誠實 對待愛的真實
雖然違背世人對於愛的認知
你說和他一起至少不必掩飾
你消失

儘管給再多的感動
虔誠當承諾的信眾
比不上 他給的牽手
我將自己解剖 難以復活

我們只是誠實 對待愛的真實
雖然違背世人對於愛的認知
你說和他一起至少不必掩飾
你消失

我們愛的方式 是另類的層次
我努力維持你卻想到此為止
你不想再為這份愛作出詮釋
你消失 對我而言 不是小事

=======================================================
Music Video Production 音樂視頻製作
出品公司：狐兒娛樂 Secret Fox Entertainment

主演 - Ruby 狄妃，Kendra 蘇凱璇
友情客串 - 陳立揚

總監製 Executive Producer: Stannis 郭子恆, Ruby 狄妃
導演 Director: Dick Chua 蔡荻蔚
製作人 Producer: Jocny 黎艷芬
故事人 Story By: Ruby 狄妃
編劇 Script Writer: Lyon Ng 黃麗榕
副導 Asst. Director: Jeccise 吳芷晴
美術指導 Art Director: Eddy 徐明光
美術助理 Art Assistant：Jann 王偉玲
美術助理 Art Assistant：Giant 王佳燕
剪接師 Editor：GK 簡柏暉
攝影師 DOP: GK 簡柏暉
攝影助理 Asst. Cam: King 陳偉慶
燈光機械 Lighting Team: Banana 謝廷淵，Ah Lok 劉永樂
收音师 Sound: Soon 陳永順
服裝造型 Image Styling: Elaine Ng 黃菊清 @ Triple E Make-up & Styling
服裝管理 Wardrobe Assistant: Chloe Wai 韋美賢
髮型師 Hair Stylist: Damon Ting
化妝師 Makeup Artist: Kevin Lee
製作助理 Production Asst: Jim 李俊賢

=======================================================
Music Production 音乐制作

製作人 Producer：Hanz郭文翰
作曲 Compose：Adelaine & 潘沁珈 & 洪健瑞
作詞 Lyrics：Adelaine & 潘沁珈 & 洪健瑞
編曲 Arrangement：李祥熙
和音 Backing Vocals：Isabell 潘沁珈
錄音師 Recording Engineer：Hanz郭文翰
錄音室 Recording Studio：Vocast Studios
混音師 Mixing Engineer：Hanz郭文翰
混音室 Mixing Studio：Vocast Studios
OP：Mono Music
SP：Warner/Chappell Music Taiwan Ltd
OP: SmallBox Music
SP: Warner Chappell Music Taiwan Ltd

最新【2分之一強】節目收看►►https://www.youtube.com/playlist?list=PLyi-Ztspx3ak8Y5MFFSlMiUi4hSAUjVCl
來賓：洪都拉斯、劉雨柔、Apple、黃荻鈞
外國型男：法比歐、夢多、賀少俠、馬丁、金旼哉、王翰雷(雷諾)
電視首播：20151106

兩位主持人六月及梁赫群各自帶領藝人及外國型男們進行超激烈的遊戲對抗！
老鼠屎夢多跟隊長六月又碰頭，這次夢多一雪前恥，台語傳話默契好到全場直呼不可置信？！洪都拉斯碰到多明尼加型男王翰雷及黃荻鈞的爛台語攪局，卻能神奇得分！究竟發生什麼事氣得小梁隊群體抗議，棚內火藥味十足？！
洪都拉斯的超爆笑台式英文，讓六月隊聽攏嘸，德國型男賀少俠急到直跺腳！劉雨柔搭檔法國型男法比歐，開心到忘記答題？！韓國歐爸金旼哉遇上台灣準奶爸梁赫群，是否能展現默契接連得分？！狀況百出的比賽中，究竟誰勝誰負？

#經典 #台式英文 #洪都拉斯 #遊戲 #暴怒 #跳針 #爆笑 #崩潰 #台語傳話 #忘記答題 #默契 #得分 #爛台語 #火藥味 #雷隊友

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