Spent the afternoon watching Jack Neo’s Long Long Time Ago 2 (我们的故事2) with grassroots leaders from Ang Mo Kio. The movie takes us back to our early years of nationhood. It showed how tough life was in the kampungs, but also how wrenching it was for people to leave their familiar kampungs to resettle into HDB estates. But because of their hard work, and their willingness to change, we built today’s Singapore.
“Nation building” sounds abstract and straightforward. But actually it was made up of the joys and sorrows, the blood, sweat and tears of so many individual families. Jack Neo told the story well - I am sure I was not the only one to tear up during the show.
My thanks to the cast and crew. They have captured a treasured part of our people’s history. Do catch it if you have time. :) - LHL
我们都有自己的故事。今天下午与宏茂桥的基层领袖一起看了梁智强导演的<<我们的故事2>>。这部电影把早期新加坡甘榜里艰苦但充满人情味的生活描述的栩栩如生,演员们也很用心的演出,把我们带入了剧情,一起欢笑,也被他们感动而流泪。要了解新加坡建国时代,人民是怎么从甘榜迁居到政府组屋的过程,不妨看一看这部动人又幽默的电影。- 李显龙
(Photo from J Team Productions and mm2 Entertainment)
同時也有5部Youtube影片,追蹤數超過120萬的網紅Phê Phim,也在其Youtube影片中提到,Phê Phim News: UPDATE Về TRAIN TO BUSAN 2 & THE CONJURING 3 | "Tâm Thư" Của Đạo Diễn NOLAN ? FOLLOW/LIÊN HỆ CHÚNG MÌNH TẠI ? ?WEBSITE ĐỈNH ► https:/...
time up movie cast 在 DJ荳子 Facebook 八卦
6月份節目歌單【好事自在Latte】
6/28(五)
14:04:05好久不見/5566
14:08:05看上她/黎明
14:11:45Party Ain’t Over/Pitbull/Usher
14:18:30天黑請閉眼/陳零九/邱鋒澤
14:23:13沒那麼簡單/黃小琥
14:33:30Beautiful days/Love Psychedelico
14:38:07愛的海洋/曲婉婷
14:47:10愛如潮水/蔡淳佳
14:52:32Bang Bang/will.i.am
15:04:03世界第一等/劉德華
15:08:09別急著說妳愛我到天長地久/糯米糰
15:12:09I Knew You Were Trouble/Taylor Swift
15:18:27紅豆Red Bean/方大同
15:22:17我要給世界最悠長的濕吻/蔡健雅
15:26:11HANABI/Mr.Children
15:36:28今天心情真好/Alex艾力克斯
15:39:31Happy Birthday買滴兒/大嘴巴
15:42:52麻木/王大文
15:48:00還隱隱作痛/動力火車
15:53:54Woman Up/Meghan Trainor
16:03:56有染/阮丹青
16:08:31最笨的人是我/方炯鑌
16:13:33誘惑/Yunees
16:20:15Move Your Body/Sia
16:24:13宇宙小姐/S.H.E
16:32:19緊急的眼淚/梁詠琪
16:37:19跳舞吧!Together we dance/西城秀樹
16:44:58刺青春/F.I.R.飛兒樂團
16:50:15Shock me into love/Lenka 蘭卡
16:53:40獨家快樂/卓文萱
💱6/27(四)
2:04:04 PM愛有什麼不好/旺福
2:09:44 PM愛上你/周覓/F(x)-Victoria
2:13:30 PMSummer Girl/西野加奈
2:20:53 PM多麼安靜啊/手島 葵
2:25:35 PM聊天/郭靜
2:34:51 PMI Won't Let You Down/ Ok Go
2:39:12 PM發現/蕭敬騰
2:48:58 PMMy Destiny/LYn
2:53:02 PMFor You/Liam Payne/Rita
3:04:03 PM雄雄想起伊來/黃子佼
3:08:36 PM一億元的日落/JS
3:13:15 PM每個女孩子啊/東京事變
3:21:04 PMThe Cure/Lady Gaga
3:24:47 PM被你寵愛/鍾瑾樺
3:33:48 PMAll For Love/Michael Bolton
3:37:17 PM牽阮的手/蘇打綠
3:41:13 PM無色憂傷/王艷薇
3:48:22 PMThis Love/Maroon 5
3:51:58 PM因為有你/歐得洋
4:03:56 PM難得有情人/關淑怡
4:07:32 PM陪你到最後/羅志祥
4:11:54 PMSayonara/Red Velvet
4:18:03 PMHere I Am/Bryan Adams
4:22:47 PM我討厭你/宇宙人
4:32:05 PM我們之間的事/范瑋琪
4:36:43 PM想對你說/楊宗緯
4:40:55 PMHot Stuff/DAVICHI
4:48:59 PM造夢者/F.I.R.飛兒樂團
4:52:15 PMSpeed Of Sound/Coldplay
☪️6/26(三)
2:04:55 PMLove Love Love/平井堅
2:10:20 PMI LOVE YOU,JOHN/陳珊妮
2:13:20 PM你是幾零後/呂程程
2:20:30 PM You Need To Calm Down/Taylor Swift
2:23:15 PMU Make Me Wanna/蕭亞軒/BLUE
2:32:37 PM殘酷月光/林宥嘉
2:36:58 PM關你屁事啊/彭佳慧/熊仔
2:41:24 PM假假/魏妙如/USAGii
2:44:11 PMNo Lie/Sean Paul/Dua
2:50:58 PM無畏的明天/Bii畢書盡
2:54:30 PMChange/4MINUTE
3:04:49 PM酒醉的恰恰/王識賢
3:08:44 PM珍珠奶茶/品冠
3:12:06 PM愛撒嬌-檸檬茶/大塚 愛
3:18:19 PM發現心樂園/左左右右
3:21:16 PMAll of your life/Backstreet Boys
3:29:36 PM別客氣/蘇盈之
3:33:10 PM你是你的/弦子
3:37:37 PMLet Me Love You/Ne-Yo
3:46:30 PM硬地女孩/潘嘉麗
3:50:26 PMBOOMERANG/Wanna One
3:54:33 PM把最甜的都給妳/兄弟本色
4:04:03 PM你連笑起來都不快樂/游鴻明
4:08:17 PM讓我好好看看你/許茹芸
4:12:22 PMLa·La·La Love Song/久保田利伸
4:19:52 PMCheck You Out/Darin
4:23:12 PM萬人迷/艾成
4:32:21 PM天黑/阿杜
4:37:44 PMSafiatou/Carlos Santana
4:47:07 PM自由之歌/F.I.R.飛兒樂團
4:51:21 PM帥一個/羅志祥
4:53:30 PMLEAVIN'遠走高飛/Jesse McCarthey
💟6/25(二)
2:04:04 PM當愛情來了/王心凌
2:07:49 PM蹦蹦蹦/梁心頤
2:11:25 PM彩虹/柚子
2:20:27 PM春夏秋冬/EXO-CHANYEOL
2:24:02 PM擁抱我/柯以敏
2:33:40 PMLittle More/Chris Brown
2:39:03 PM家家酒/家家
2:48:28 PM羞羞男/李英宏
2:54:39 PMDON’T GET AROUND MUCH A/Tony Bennett
3:04:03 PM無言花/江蕙
3:08:21 PM沒有傘的人/楊永聰
3:12:12 PMObsessed/Mariah Carey
3:18:52 PM365天/JPM
3:22:03 PM男孩/Hey! Say! JUMP
3:31:20 PM北極星的眼淚/張棟樑
3:35:35 PM生日快樂/江美琪
3:39:37 PM依然/李洪基
3:46:12 PMUptown Funk/Bruno Mars
3:51:13 PM牽掛/伍佰
4:03:56 PM滾滾紅塵/陳淑樺/羅大佑
4:06:57 PM剛好遇見你/李玉剛
4:10:07PM Picture Perfect Love/M-Flo/MONKEY
4:18:01 PM愛的宣言/大嘴巴
4:21:01 PMMEGATRON/Nicki Minaj
4:29:01 PM說真的/容祖兒
4:33:24 PMCareless Whisper/Montell Jordan
4:40:00 PM好想你 2.0/四葉草
4:46:44 PM愛上屬於你的天空/F.I.R.飛兒樂團
4:51:33 PM有愛直說/KIMBERLEY 陳芳語
4:55:02 PM青春 tell me what it is/SF9
🔗6/24(一)
14:04:12High咖/張惠妹
14:07:57It's My Day/薛凱琪
14:11:23Sweet Spot/Flo Rida/Jennifer
14:18:03我們很好/林俊傑
14:22:22我很好/劉若英
14:31:47追夢人/林曉培
14:35:03奇蹟的開始/V6
14:40:12千年之戀/信樂團/戴愛玲
14:48:209453/玖壹壹
14:52:41從開始到現在/Ryu
15:03:56孝子/台客電力公司
15:08:25Super Girl/Super Junior M
15:16:27流星雨/F4
15:20:55愛與被愛/吳汶芳
15:24:09Brave Heart/Hilary Duff
15:32:25安靜/周杰倫
15:38:19水晶/任賢齊/徐懷鈺
15:41:39I'll Be There For You/Bon Jovi
15:50:06Get Out/MP 魔幻力量
15:54:39Happiness/Love Psychedeliced
16:04:03親密愛人/梅艷芳
16:08:55以後別做朋友/周興哲
16:13:06毫無特色的戀愛/乃木板46
16:19:34Don't Stop The Music/Dream Girls
16:23:20Turn It Up/Ciara
16:30:50還是好朋友/古巨基/梁靜茹
16:34:50Day By Day/As One 16:40:28后羿/李榮浩
16:43:45Hug Me/Pharrell William
16:49:24如果你說愛我/F.I.R.飛兒樂團
16:53:48Don't Leave Me This Way/Thelma Houston
📫6/21(五)
2:04:04 PM散播快樂散播愛/草蜢
2:07:50 PM高興!快樂!我愛你!/Dreams Come True
2:14:53 PM像風一樣/薛之謙
2:18:59 PM曖昧/侯湘婷
2:23:35 PMthis is love 這就是愛/will.i.am
2:33:19 PM說分手之後/小宇
2:36:48 PMRemember/APINK
2:41:37 PM純屬意外/戴佩妮
2:50:20 PMGood Time/Owl City
2:53:34 PMDiamond/OZI
3:04:03 PM練舞功/謝金燕
3:07:28 PMNow That I Found You/Britney Spears
3:14:53 PM法蘭西多士/告五人
3:18:37 PM換日線/紀文惠
3:21:45 PM Echa Pa'lla/Pitbull/PAPAYO
3:30:13 PMYou Raise Me Up/Susan Boyle
3:33:57 PM我們不像我們/丁噹
3:43:08 PM跳進來/張惠妹/葛仲珊
3:46:08 PM Run For You/KAT-TUN
3:51:11 PM說走就走/陶吉吉
4:03:56 PM我很醜可是我很溫柔/趙傳
4:07:35 PM框不住的愛/王艷薇
4:10:44 PM迷宮戀曲/嵐
4:18:42 PMGangnam Style/Psy
4:22:08 PM愛的主打歌/蕭亞軒
4:32:30 PMThe Rose/Westlife
4:35:58 PM抱著你Be with you/縱貫線
4:41:08 PM真的嗎?/莫文蔚
4:50:11PM365/Zedd/Katy Perry
4:53:10 PM一樣愛著你/By2
🎹6/20(四)
14:04:05I'm super ready/鼓鼓
14:07:29Don't Cha/Pussycat Dolls
14:14:45Spark/家入里歐
14:18:58決定愛你/徐若瑄
14:28:23顯微鏡下的愛情/黃義達
14:34:25說出你的願望Genie/少女時代
14:43:11夜晚/吳卓源
14:47:05Rehab/Amy Winehouse
14:52:02斷了思念/信樂團
15:04:03擱咧用手機仔/石尤
15:07:17超級喜歡/卓文萱
15:10:14Beautiful to Me/BTOB
15:17:36Bounce Back/Little Mix
15:20:15精舞門/羅志祥
15:28:43Wild Horses/Susan Boyle
15:33:34對摺/任賢齊
15:41:15忍者棒棒/卡莉怪妞
15:46:54美麗新世界/S.H.E
15:52:25你,好不好?/周興哲
16:03:56愛那麼重/巫啟賢
16:08:38尚好的青春/孫燕姿
16:12:57STAMINA 鬥志/黑色餅乾
16:19:51No New Friends/ LSD
16:22:43日不落/蔡依林
16:31:35心裡學/徐佳瑩
16:37:38GOTTA BE SOMEBODY/SHAYNE WARD
16:48:43Once Again/NCT 127
16:51:50女孩/韋禮安
👉6/19(三)
2:04:12 PM被幸福追著跑/張棟樑
2:07:45 PMMaru‧Maru‧Mori‧Mori/蘆田愛菜
2:11:28 PM子曰/卜學亮
2:19:09 PMTalk//Two Door Cinema Club
2:22:39 PM豆漿/陳零九
2:31:36 PM情定來時路/禹成旻
2:35:54 PM如影隨形/江美琪
2:41:21 PMParty Days/魏如昀
2:50:15 PM那個淑女的夜生活/東京事變
2:53:44 PM而我{眼已垂落}/這位太太
3:03:56 PM懷念的播音員/齊秦
3:08:10 PM第二次心碎/Erika劉艾立
3:12:21 PMYou Need Me,I Don't Need you/Ed Sheeran
3:19:13 PMComplicated/Rihanna
3:23:24 PM上位/邱勝翊
3:31:50 PMI Dreamed A Dream/Susan Boyle
3:34:53 PM歌頌者/吳青峰
3:39:51 PM寫一首情歌給我/馬念先
3:47:47 PM神明、佛祖/椎名林檎/向井秀三
3:51:25 PM想要得不到/Tizzy Bac
4:04:03 PM是不是這樣的夜晚你才會這樣的想起我/吳宗憲
4:08:44 PM幸福的定義/莊心妍
4:12:43 PMLook What You Made Me Do/Taylor Swift
4:19:14 PMThe One/Kylie Minogue
4:23:08 PM人來瘋/溫嵐
4:31:33 PM等你下課/周杰倫/楊瑞代
4:36:00 PM風光明媚/動力火車
4:41:06 PMBe My Love/酷懶之味
4:48:49 PM愛上遊樂/JR紀言愷/阿喜
4:53:15 PMYour Body/Christina Aguila
🍜6/18(二)
2:04:05 PM最好的天氣/郭采潔
2:07:40 PM愛你在心口難開/周蕙
2:10:44 PMWon't Be Long/EXILE
2:19:22 PMOld Movie/金希澈
2:23:17 PM最親愛的你/范瑋琪
2:32:51 PMLove Song/方大同
2:37:43 PMBack For You/One Direction
2:48:16 PMManiac/Michael Sembe
2:52:34 PM故事未完成/楊培安/劉虹翎
3:04:03 PM當選/林美美
3:07:41 PM南丁格爾/陳大天
3:11:10 PM魔鏡阿魔鏡/4MINUTES
3:17:51 PM愛了很久的朋友/田馥甄
3:21:53 PM怪胎/鄭中基
3:25:59 PMHard Out Here/Lily Allen
3:34:13 PMStand By Me/Susan Boyle
3:37:07 PM喜歡你/鄧紫棋
3:41:09 PMWe'll Never Know/韋禮安
3:48:07 PM解放浪漫/柯有倫/安心亞
3:51:51 PMTime Will Tell/宇多田光
4:03:56 PM為情所困/梁朝偉
4:08:53 PM最愛的痛/梁心頤
4:13:17 PMSomebody That I Used To Love/Gotye
4:19:38 PMMagic/LoveHolic
4:23:07 PM成績單/胖虎樂團
4:30:28 PM不完美/李玖哲
4:34:02 PM不自由/家家
4:40:08 PMDONE FOR ME/Charlie Puth
4:50:30 PM我愛搖滾/大囍門
4:54:59 PMI Love Rock 'N' Roll/Water Boy
🏴6/17(一)
2:04:11 PM頭號甜心/張韶涵
2:07:44 PMPlay我呸/蔡依林
2:10:56 PMAnd No Matches/Scooter
2:18:13 PM都幾歲了/Ella 陳嘉樺
2:22:09 PM愛要去那裡/黎明
2:24:51 PM分手的預感/夏川里美/鄧麗君
2:33:48 PM乖乖壞女孩/梁文音
2:37:28 PM水蜜桃輓歌/旺福
2:40:59 PMWild Eyes/Shinhwa
2:47:29 PM董小姐/宋冬野
2:53:42 PMBaby/Justin Bieber
3:03:56 PM我愛你/陳建瑋
3:07:14 PM呼呼/安心亞
3:10:31 PMChunky/Bruno Mars
3:18:06 PM倒霉農場/Lulu黃路梓茵
3:21:17 PMBambino/布袋寅泰
3:29:41 PMA Million Dreams/Susan Boyle
3:34:11 PM原來你什麼都不想要/張惠妹
3:42:28 PM夢醒時分/伍佰
3:46:08 PM女爵/楊乃文
3:51:37 PMI Believe I Can Fly/R. Kelly
4:04:03 PM喜歡你/陳潔儀
4:08:22 PM隱形的紀念/阿信
4:13:15 PM舉棋不定/W-inds
4:19:46 PMI'm A Mess/Bebe Rexha
4:22:43 PMWuHa/潘瑋柏
4:31:32 PM她愛了我好久/蘇永康
4:36:34 PM忘課/楊丞琳
4:41:33 PM殺你說晚安/顏力妃/BOXING
4:50:16 PM真的假的/陶晶瑩
4:53:30 PMBounce/Calvin Harris
♻️6/14(五)
2:04:06 PMParty All Night/秦宇子
2:07:38 PMHow We Do/Rita Ora
2:14:02 PMWithout You/高爾宣
2:16:52 PM為愛癡狂/劉若英
2:21:48 PMDream On繼續作夢吧/Roxette
2:29:45 PMTaboo/倖田來未
2:33:26 PMNoNo!/蔡詩蕓
2:38:02 PM好想要揮霍/盧廣仲
2:48:07 PMDo It/Tuxedo
2:52:43 PM要去高雄/宇宙人
3:04:03 PM心裡有針/蕭煌奇
3:09:00 PMA Million Dreams/Susan Boyle
3:16:06 PM專屬寶座/汪小敏
3:19:46 PMNever Really Over/Katy Perry
3:23:09 PM癡情玫瑰花/Under Lover
3:32:58 PMYou Light Up My Life/Whitney Houston
3:36:33 PM美好時光/光良/阿穆隆
3:41:01 PMMUSIC/嵐-二宮和也
3:48:56 PMYou Should Be Dancing/Bee Gees
3:54:11 PM我不是在悲傷的想念你/陳珊妮
4:03:56 PM你把我灌醉/黃大煒
4:08:59 PM你離開他了嗎/曾沛慈
4:13:09 PM七月七日晴/Dreams Come True
4:19:19 PM騙吃騙吃/頑童MJ116
4:23:35 PMGood Feeling/Flo Rida
4:32:17 PM氧氣/范曉萱
4:36:42 PM不好說/許書豪
4:41:02 PMAmazing-Bad Lady/Cross Gene
4:50:47PMHeart is a Warrior/Chachi
4:53:53 PMALL IN/楊韻禾
🎧6/13(四)
2:04:04 PM小壞壞/嘻遊記
2:07:08 PMLove You Like A Love Son/Selena Gomez
2:10:12 PMsummer dance/女孩與機器人
2:17:24 PM相思病/Aimer
2:21:14 PM對摺/任賢齊
2:31:18 PM牛仔很忙/周杰倫
2:34:00 PMGood Old Days/P!nk
2:39:03 PM下一個天亮/郭靜
2:48:10 PMMedicine Jennifer Lopez/Medicine
2:52:07 PM秘密/獅子合唱團
3:04:03 PM答答答/余佩真
3:07:48 PMPiano/范逸臣
3:16:12PMFriends/Anne-Marie/Marshmello
3:19:34 PM天生一對/Mom & Dad
3:27:40 PMLove Is Forever/Billy Ocean
3:31:45 PM愛的可能/葉蒨文
3:36:03 PM男子漢的浪漫/玖壹壹
3:44:52 PMWe Young/NCT DREAM
3:49:41 PMIf You Don't Know Me By Now/Rod Stewart
3:53:28 PM傻孩子/閻韋伶
4:03:56 PMLemon Tree/蘇慧倫
4:07:03 PM壞女孩/Ella 陳嘉樺
4:10:31 PMGet Down/Backstreet
4:16:45 PM心跳/王力宏
4:21:02 PMOh I.../SAKURA
4:31:05 PMOoh La La/Britney Spears
4:36:18 PM一起搖擺吧/許哲珮
4:38:35 PM吻別/張學友
4:49:56 PMBeautiful/BEAST
4:53:30 PM桃花旗袍/By2
📯6/12(三)
2:04:12 PM香草把噗/南拳媽媽
2:07:52 PM給他/郭采潔
2:11:41 PMDancing Queen/少女時代
2:18:34 PMSixteen/Ellie Goulding
2:21:49 PMLove Killah/Spexial
2:30:05 PM假動作/房祖名
2:34:15 PM慢慢喜歡你/莫文蔚
2:39:00 PMStressed Out/Twenty One Pilots
2:46:38 P妳+我=love?/手越增田
2:50:37 PM綁夢/容祖兒
2:54:58 PM大肚楠/阿牛
3:03:56 PM我問天/翁立友
3:08:26 PM大眠/王心凌
3:12:14 PM即使妳離開我/2PM
3:17:49 PMCha Cha Cha/Humo
3:21:12 PM限時專送ABC/草蜢
3:30:41 PM我不要很浪漫/暉倪
3:35:29 PM天使/五月天
3:39:34 PMBoy With Luv/BTS 防彈少年團
3:47:49 PMCarnival/The Cardigans
3:52:33 PM流浪者之歌/陳綺貞
4:04:03 PM請你放心/趙詠華
4:08:21 PM你的宇宙/王大文
4:12:00 PMQueen/Shawn Mendes
4:17:51 PMHey Baby/No Doubt
4:21:16 PMBOOGIE/吳建豪
4:29:55 PM造夢者/F.I.R.
4:34:29 PM半情歌/元若藍
4:39:26 PMDon't Know Why/Norah Jones
4:49:47 PMLove Song/BIGBANG
4:53:27 PM其實也沒聊什麼/朱俐靜
🌐6/11(二)
2:04:05 PM心跳/弦子
2:07:24 PMDown/Fifth Harmony
2:13:31 PMI'm Here/梁多一
2:17:13 PM愛在黑夜/許茹芸
2:22:00 PM I Say A Little Prayer/Aretha FranklinAretha
2:30:38 PM天降辣妹/小男孩樂團
2:34:07 PM木瓜芒果/椎名林檎
2:38:19 PM沒關係/吳克群
2:46:59 PMThe World Is Ours/Aloe Blacc
2:50:56 PM喜歡待在家/慢慢說樂團
2:53:56 PM星空戀曲/鄧福如
3:04:03 PM一支小雨傘/洪榮宏
3:07:22 PM衝動/蕭亞軒
3:11:54 PMI For You/Luna Sea
3:20:18 PM錯對了/文慧如
3:23:41 PMMy Songs Know What You Did do in the dark/Fall Out Boy
3:31:42 PM一下下/同恩
3:36:10 PM愛七手冊/陳曉東/那對夫妻
3:40:08 PM和我一起玩吧/Cross Gene
3:48:31 PMAngel In Your Eyes/LSD
3:52:37 PM愛是什麼鬼/蕭閎仁
4:03:56 PM變了模樣/翁虹
4:07:31 PM演員/薛之謙
4:11:47 PMLove Story/安室奈美惠
4:18:22 PMShape Of You/Ed Sheeran
4:22:13 PMCTO/C.T.O
4:29:56 PM天空/蔡依林
4:34:28 PM我好想好想你/蕭秉治
4:39:48 PMI Would Like/Zara Larsson
4:50:31 PM代替說再見/Rain
4:54:05 PM無聲的失控/羅志祥
⚜️6/10(一)
2:04:12 PM姐姐/自由發揮/溫嵐
2:07:04 PMWhistle/Flo Rida
2:10:46 PM嗯哼/鼓鼓
2:17:19 PM最近的永遠/光良
2:21:26 PM流年/王菲
2:30:29 PM蘋果之歌/椎名林檎
2:33:52 PM黑色柳丁/陶吉吉
2:39:14 PM預備浪漫/姚亦晴
2:47:24 PM重傷/林凡
2:52:28 PMParadise/Coldplay
3:03:56 PM茫茫到深更/羅時豐
3:07:53 PMA Million Dreams/Susan Boyle
3:12:23 PM五千塊/leo王/春艷
3:19:26 PM國王皇后/大嘴巴
3:22:37 PM活在當下/李洪基
3:30:16 PMHigh By The Beach/Lana Del Rey
3:34:28 PM我最親愛的/張惠妹
3:39:10 PM離開地球表面/五月天
3:47:35 PMWe Two/Aimer
3:52:44 PM乾妹妹/張震嶽
4:04:03 PM鐵窗/許美靜
4:08:40 PM芥末/陳曉東
4:15:31 PM結婚鬥魂進行曲/氣志團
4:20:56 PM本色/八三夭
4:28:51 PM寂寞寂寞就好/田馥甄
4:33:11 PM何必打擾/古巨基
4:39:15 PMhello 哈囉/will.i.am
4:50:48 PMCaptains Of The Sk/Sky Sailing
4:53:23 PM第五季/張韶涵
🍗6/7(五)
2:04:11 PMDi Di Da/郭書瑤
2:07:35 PMPizzzzzzzA/平野綾
2:11:32 PM碰碰/王心凌
2:17:29 PM回家/家家
2:23:09 PMRight here waiting/Richard Marx
2:27:30 PM翻轉壞未來/李依瑾
2:35:06 PM耳朵要解渴/莫文蔚
2:38:34 PMYou Never Walk Alone/BTS
2:41:15 PM秋天別來/伍思凱
2:49:35 PM我想我挺好的/艾怡良
2:53:30 PMMagic/Coldplay
3:03:56 PM博杯/江蕙
3:08:54 PM夢田/S.H.E
3:12:43 PMHave It All/Jason Mraz
3:19:47 PM有點兒意思/鹿含
3:23:13 PM茱麗葉/SHINee
3:31:38 PMYou Took My Heart Away/搖滾麥克
3:35:09 PM紅色向日葵/羅美玲
3:39:10 PMJIGGY/BCW
3:45:10 PM愛的城堡/卓文萱
3:48:14 PM我不是神/郁可唯
3:52:42 PMDo Me More/安室奈美惠
4:04:03 PM鹿港小鎮/羅大佑
4:09:01 PMSome Nights/Glee Cast
4:13:20 PM改變/MC HotDog/張震嶽
4:20:28 PM我要飛/草蜢
4:24:23 PMI Am Here/P!nk
4:28:34 PM熱/張靚穎
4:37:31 PM不換/熊天平
4:43:13 PM一杯起/葛仲珊
4:50:40 PMLOLLiPOP/LOLLiPOP
4:54:25 PM電司/Lollipop F
🎉6/6(四)
2:04:12 PM滑步向左/比莉
2:07:56 PM最最愛/王詩安
2:11:41 PMFollow Me/Hardwell
2:18:14 PMSTORY/never young beach
2:20:47 PM愛洗蝦米/旺福
2:31:00 PM你不知道的事/王力宏
2:35:32 PM謝謝你愛我/于文文
2:40:42 PM卡莉─ANAN/卡莉怪妞
2:47:36 PM歐兜邁/徐若瑄
2:52:18 PM稻草人/李遐怡
3:03:56 PM上愛唱的歌/陶吉吉
3:08:24 PMSomeone Like You/Adele
3:13:02 PM我比從前想你了/Bii畢書盡
3:21:34 PM稀罕沒理由/潘瑋柏/吳昕
3:25:27 PMWhere Is The Love/The Black Eyed peas
3:35:40 PM多麼安靜啊/手島 葵
3:40:15 PM天堂/光良
3:43:44 PM阿嬤的話/蕭煌奇
3:51:10 PM以歌會舞/郭富城
3:53:23 PMTake U High/SS501
4:04:03 PM其實不想走/周華健
4:09:02 PMA Million Dreams/Susan Boyle
4:16:37 PM早晨瑜伽/Matzka/小S
4:20:35 PMBlurred Lines/Robin Thicke
4:30:02 PM長鏡頭/那英
4:34:08 PM像我這樣的人/毛不易
4:38:38 PM黏度最佳新人/邵雨薇
4:42:14 PM@-train/大和美姬丸
4:49:54 PM親愛的炸彈 Dear Bomb/麻吉弟弟
4:53:09 PMDie Young 求愛敢死隊/Ke$ha
💙6/5(三)
2:04:39 PM上海HONEY/Orange Range
2:07:31 PM雙節棍/周杰倫
2:10:41 PM愛的路上我和你/周蕙
2:17:27 PMHurts 2B Human/P!nk
2:20:44 PM壞人/方炯鑌
2:30:57 PM這是你的歌/周湯豪
2:34:05 PMI Do/APINK
2:38:21 PM好久不見/楊永聰
2:43:08 PM坐在巷口的那對男女/自然捲
2:49:26 PMCHEESE/太妃堂
2:53:53 PMHappy/Pharrell William
3:04:04 PM可愛的車/董事長
3:06:40 PM改變/MC Hot Dog/張震嶽
3:10:28 PMYou will give me that kiss/The Casino Roya
3:15:34 PMAngel/Lionel Richie
3:19:36 PMBaby Boy/王心凌
3:22:43 PMParty All Night/N2O
3:31:10 PM舊日時光的山丘/矢野真紀
3:36:00 PM手放開/李聖傑
3:40:15 PM周星星/吳克群
3:46:32 PMMoney On My mind/Sam Smith
3:49:42 PM三個字/魏如萱
3:53:20 PM晚點開竅/文慧如
4:03:56 PM在你背影守候/辛曉琪
4:09:07 PMAll Out of Love/Air Supply
4:13:15 PM那個誰/李建軒
4:20:28 PM一樣的月光/丁噹
4:25:09 PMultra soul/B'z
4:32:23 PM那些年/胡夏
4:39:36 PM愛錯/李心潔
4:44:55 PMGangsta Boy/f(x)
4:51:11 PMLost control/Alan Walker
4:54:34 PM你妹安那/安那
🎼6/04(二)
2:04:12 PM傷心的人別聽慢歌/五月天
2:07:41 PMCrystal Ball/Keane
2:14:39 PMKill This Love/BLACKPINK
2:17:45 PM可愛美眉/張信哲
2:21:14 PMLet Me Love You/Ne-Yo
2:30:19 PM以前 以後/A-Lin
2:34:31 PM在思緒重疊之前/平井堅
2:41:09 PM控制狂/冼佩瑾
2:44:24 PML-o-v-e Love/溫拿樂隊
2:49:12 PM黏度最佳新人/邵雨薇
2:53:55 PMPop A Bottle/Jessica Mauboy
3:03:56 PM丁酉年正月二十一/余佩真
3:08:40 PM我比從前想你了/Bii畢書盡
3:13:16 PM純白/小田和正
3:20:07 PMK.O/李宣榕
3:23:21 PMHeartbeat/安立奎
3:30:46 PMLove On The Weekend/John Mayer
3:34:05 PM仨人/郭靜/范瑋琪+張韶涵
3:38:23 PM戀戀真言/蘇慧倫
3:44:37 PM陷阱/袁詠琳
3:48:27 PMShampoo/After School
3:53:29 PM關不掉的收音機/蘇永康
4:04:03 PMMen's Talk/張清芳
4:08:19 PM關於你的所有幻想/朱興東
4:13:09 PMYou Make It Real/James Morrison
4:19:12 PM不愛最大/弦子
4:22:17 PM電話熱線/迷你早安
4:30:17 PM大齡女子/彭佳慧
4:35:09 PM其實我也不知道/蕭煌奇
4:41:15 PMKiss Me/Sixpence None The richer
4:44:27 PM劇作家/回聲樂團
4:50:13 PM魯蛇/大嘴巴
4:53:46 PM我的女神/CNBLUE-鄭容和
🎁6/3(一)
2:04:04 PMIt's My Day/薛凱琪
2:07:28 PM幸福離島/孟耿如/劉以豪
2:10:40 PMNow Is The Time/蔡依林
2:17:27 PM美麗、醜與我/獅子合唱團
2:21:52 PM倒帶人生/陳奕迅
2:31:22 PM東區東區/八三夭
2:34:27 PMTop Girl/G.NA
2:38:59 PM是愛/陶晶瑩/方大同
2:42:28 PMInsomnia/Craig David
2:48:33 PM熱帶戀曲/松浦亞彌
2:53:07 PM猴喜翻/庾澄慶
3:04:03 PM若沒愛你要愛誰/黃妃
3:08:38 PM那個誰/李建軒
3:13:03 PMTAKE MY PLACE/Lily Allen
3:20:59 PM第五街的誘惑/李玖哲
3:24:30 PMWrecking Ball/Dami Im
3:32:38 PM戀人啊/張力尹
3:37:21 PM歌頌者/吳青峰
3:42:19 PM你好毒/張學友
3:49:02 PM我的Super Life/錦繡二重唱
3:52:19 PMDANCE WITH ME NOW!/E-girls
4:03:56 PM廣島之戀/莫文蔚/張洪量
4:09:10 PM給你/妳/柯智棠
4:13:00 PM2 Become 1/Spice Girls
4:19:24 PMBenz Booty/高爾宣
4:21:53 PMletting you in/Haley
4:30:54 PM藍天/黃小琥
4:35:58 PMTo Be Loved/Michael Buble
4:40:44 PM好想回到幼稚園/胖虎樂團
4:44:00 PMDIVINE IDYLLE/Vanessa
4:46:31 PM娃娃國/Sonic Deadhorse
4:51:11 PMBad Girl/羅志祥
4:54:49 PMYEAH/APINK
#好事989
#好事自在Latte
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time up movie cast 在 半瓶醋 Facebook 八卦
【水世界】的前製設定與現場劇照
WATERWORLD (1995)
In celebration of today’s anniversary of this wet mess/epic. Let’s celebrate the hard work this crew put into bringing this world to life. Water movies are never easy but when it comes to this movie anytime you bring it up and a crew member from it is in earshot, the stories pour out. Not always bad, I know a AC that said he had a blast, he loved the boat rides out and all the camaraderie the crew had to have to get thru it. To all the crew that helped bring WATERWORLD to life, We salute you and thanks for the memories. I personally enjoy this hot mess of a movie, it’s one of the last ones of its kind...done practically...in a way.
let’s take a deepest of dives into WATERWORLD
The director, Kevin Reynolds, knew there would be problems before production had even started, “During pre-production. Because having never shot on water to that extent before, I didn’t really realise what I was in for. I talked to Spielberg about it because he’d gone to do Jaws, and I remember, he said to me, “Oh, I would never shoot another picture on water”.
“When we were doing the budget for the picture, and the head of the studio, Sid Sheinberg, we were talking about it and I said, “Steven told me that on Jaws the schedule for the picture was 55 days, and they ended up shooting a 155 days”. Because of the water. And he sat there for a moment and he said, “You know, I’m not sure about the days, but I do know they went a hundred percent over budget”. And so, Universal knew the potential problems of shooting on water. It’s monstrous.”
The film began with a projected budget of $100 million which had reportedly increased to $175 million by the end of production. The principle photography had overrun for at least thirty days more than originally planned due to one major decision.
Whereas today they would film in water tanks with partially built sets, employing green screens to fake the locations, back in 1995 they decided to build everything full size and shoot out on the ocean.
This causes extra logistical problems on top of those that already come with making a major action blockbuster. Cast and crew have to be transported to sets. The camera boats and sets float out of position and will have to be reset between takes taking up valuable production time.
The first draft of Waterworld was written by Peter Radar, a Harvard graduate who wanted to break into the film business. His contact in the film industry was Brad Kevoy, an assistant to the legendary director Roger Corman.
Roger Corman is best known for making films very quickly on a small budget. He also liked to give young talent a chance to direct and write their own films. Brad informed Peter that if he could write a Mad Max rip off, he would arrange to finance and let him direct the picture.
Radar came back and pitched the idea for what would become Waterworld. Kevoy took one look at him and said,
“Are you out of your mind? This would cost us three million dollars to make this movie!”
So Radar kept hold of the idea and decided to re-write the script but, this time, going wild. He wrote what he wanted to see on-screen, limited only by his imagination, not a real world production budget.
He managed to get the newly written script shown to a pair of producers with whom he had made contact with. They loved it and ironically they passed it onto Larry Gordon. He shared the enthusiasm saying it had the kind of cinematic possibilities he was looking for. A deal was signed on Christmas Eve of 1989.
As further script rewrites progressed, it became clear that Waterworld was too big for the Larry Gordon’s production company to undertake by themselves. In February 1992, a deal was signed with Universal Pictures to co-produce and co-finance the film. This was now six years after the first draft had been written.
Universal had signed director Kevin Reynolds to Waterworld. Whilst he was finishing his latest film, Rapa Nui, pre-production for Waterworld was already underway.
The decision was taken that the largest set for the film, known as the atoll, would be built full size. The atoll was the primary location for film and in the story served as the location for a small population of survivors.
The logic behind this decision was due to the high percentage of live action filming required in this location, as well as a huge action set piece. No sound stage would be big enough to incorporate this number of scenes and it was crucial that we see the mariner sail his boat into the atoll, turn around and set out again. A full-size construction was the only way to go as the use of miniature and special effects would be impractical.
The next problem was deciding where to build this huge set. After much research, Kawaihae Harbour in Hawaii was chosen as the location. The atoll could be constructed in the harbour and rotated when needed thus allowing for open sea in the background. Later towards the end of principle photography, the atoll could be towed out into the open sea for the filming of the big action sequences which would be impractical to shoot in an enclosed harbour.
Director Kevin Reynolds also discussed the possibility of using the same water tank as James Cameron’s The Abyss, which had filmed there around five years ago,
“We had even entertained the notion of shooting at that big nuclear reactor facility where they had shot The Abyss, to use it for our underwater tank. But we found it in such a state of disrepair that economically it just wasn’t feasible. We didn’t have as much underwater work as they did. Most of The Abyss is interiors and underwater and model work, ours is mostly surface exterior.”
The production company had originally envisioned building the atoll by linking approximately one hundred boats together and building upon this foundation, just like the characters in the film. The production crew set out to search Hawaii and get hold of as many boats as possible.
During this search, a unique boat in Honolulu caught their attention. Upon further investigation, they discovered it was built by Navitech, a subsidiary of the famous aircraft production company, Lockheed.
They approached Lockheed with the strange request of figuring out how they could build the foundations of the atoll. Lockheed found the request unusual but didn’t shy away from the challenging. They agreed to design the atoll foundation and Navitech would construct it.
Meanwhile, an 11ft miniature model of the atoll was sent out to a model ship testing facility in San Diego. Scaled wave tanks are used to determine the effects of the open sea on large scale miniature models of new untested ship designs. This would help determine what would happen with the unusual design of the atoll when it was out of the harbour.
The atoll, when finished, was approximately ¼ mile in circumference. It took three months to construct and is rumoured to cost around $22 million. As the atoll would be used out on the open sea, it required a seafaring license. Nothing like this had been done before and after much deliberation, it was eventually classed as an unmanned vessel. This meant that all cast and crew would have to vacate the set whilst it was towed into position. By the end of production, the atoll was towed out to sea a total of five times.
Shooting out on the open sea presented a series of logistical problem as Reynolds describes,
“We had an entire navy, basically – I mean, this atoll was positioned about a mile off-shore in Hawaii, it was anchored to the bottom of the ocean so it could rotate. What you don’t think about are things like, you’re shooting on this atoll to maintain this notion that there’s no dry land, you always have to shoot out to sea. Away from the land. So we chose a location where we had about a 180 degree view of open water. Nevertheless, any time when you’re shooting, there could be a ship appear in the background, or something like that, and you had to make a choice. Do I hold up the shot, wait for the ship to move out, or do we shoot and say we’re going to incur this additional cost in post-production of trying to remove the ship from the background.
And at that time, CGI was not at the point it is now, it was a bigger deal. And so, even though if you’re shooting across the atoll and you’re shooting out onto open water, when you turn around and do the reverses, for the action, you had to rotate the entire atoll, so that you’re still shooting out to open water. Those are the kinds of things that people don’t realise.
Or something as simple as – if you’re shooting a scene between two boats, and you’re trying to shoot The Mariner on his craft, another boat or whatever, you’ve got a camera boat shooting his boat, and then the other boat in the background. Well, when you’re on open water things tend to drift apart. So you have to send lines down from each of those boats to the bottom, to anchor them so that they somewhat stay in frame. When you’ve got a simple shot on land, you set up the camera position, you put people in front of the camera and then you put background in there. But when you’re on water, everything’s constantly moving apart, drifting apart, so you have to try to hold things down somewhat.
And these are simple things that you don’t really realise when you’re looking at it on film. But logistically, it’s crazy. And each day you shoot on the atoll with all those extras, we had to transport those people from dry land out to the location and so you’re getting hundreds of people through wardrobe and everything, and you’re putting them on boats, transporting them out to the atoll, and trying to get everybody in position to do a shot. And then when you break for lunch, you have to put everybody on boats and take them back in to feed them.”
The final size of the atoll was determined by the size of the Mariners boat, the trimaran. The dimensions for the trimaran were finalised very early on in pre-production, allowing all other vehicles and sets to be sized accordingly.
Production required two trimarans boats which are so called because they have three hulls. The first was based on the standard trimaran blueprint and built for speed but also had to accommodate a secret crew below decks.
During wide and aerial shots it would have to look like Costner himself was piloting the boat. In reality, a trained crew could monitor and perform the real sailing of the boat utilising specially built controls and television monitors below deck.
The second trimaran was the trawler boat which could transform into the racer through the use of special practical effects rigs. Both of these boats were constructed in France by Jeanneau. Normally this type of vessel requires a year to construct but production needed two boats in five months!
Normally once the boat had been constructed, Jeammeau would deliver it on the deck of a freighter, requiring a delivery time of around a month. This delay was unacceptable and so the trimarans were dismantled into sections and taken by a 747 air freighter to the dock Hawaii. Upon arrival, a further month was required to reassemble the boat and get them prepared for filming.
sets recreating the inside of the tanker were built using forced perspective in a huge 1000ft long warehouse which had an adjoining 2000ft field. In this field, they built the set of the oil tankers deck, again constructed using forced perspective. Using the forced perspective trick, the 500ft long set could be constructed to give the impression that it was really twice as long.
There’s more to a film than just it’s sets and filming locations. Over two thousand costumes had to be created with many of the lead actors costumes being replicated many times over due to wear and tear.
This is not an uncommon practice for film production, but due to the unique look of the people and the world they inhabit, it did create some headaches. One costume was created with so many fish scales the wardrobe department had to search the entire island of Hawaii looking for anyone who could supply in the huge quantity required.
Makeup had to use waterproof cosmetics, especially on the stunt players. As everyone had a sun burnt look, a three-sided tanning booth was setup. The extras numbering in their hundreds, with ages ranging from six to sixty-five, passed through the booth like a production line to receive their spray tan. The extras then moved onto costume before finally having their hair fixed and becoming ready for the day.
In some scenes, extras were actually painted plywood cutouts to help enhance the number of extras on the set. This can easily be seen in one particular shot on board the Deez super tanker.
Filming on the water is not only a difficult and time-consuming process but also very dangerous. It’s been reported that Jeanne Tripplehorn and Tina Majorino nearly drowned on their first day of filming.
Waterworld’s star Kevin Costner reported having a near-death experience when filming a scene in which the mariner ties himself to his catamaran to survive a storm. The pounding water caused him to black out and nearly drown.
Unbeknownst to most of the crew, Kevin Costner’s stunt double was riding his jet ski across 40 miles of open ocean between his home on Maui and the film’s set on the Big Island. When he didn’t show up for work one day, the production team phoned his wife, who informed them he had already left for work. The stunt double’s jet ski had run out of gas halfway through his “commute” and a storm had swept him farther out to sea. It took a helicopter most of the day to find him. The stunt doubles name was Laird Hamilton.
As well as the logistical problems of creating a film of this scale and on water, they also had to deal with the press who seemed intent on wanting the film to fail. Director Kevin Reynolds discusses the situation,
“It was huge, we were constantly fighting – people wanted to have bad press. That was more exciting to them than the good news. I guess the most egregious example of that that I recall was that the publicist told me that one day…we’d been out the day before and we were doing a shot where we sent two cameras up on a mast of the trimaran and we wanted to do a shot where they tilled down from the horizon down to the deck below. We’re out there, we’re anchored, we’re setting the shot up and a swell comes in, and I look over and the mast is sort of bending.
And I turned to the boatmaster and I said, “Bruno, is this safe?”. And he looks up the mast and he goes, “No”. So I said, “Okay, well, we have to get out as I can’t have two guys fall off from 40 feet up”. So, we had to break out of the set-up, and go back in a shoot something else and we lost another half-day.
Anyway, the next day the publicist is sitting in his office and he gets this call from some journalist in the States and he goes, “Okay. Don’t lie to me – I’ve had this confirmed from two different people. I want the facts, and I want to hear about the accident yesterday, we had two cameramen fall off the mast and were killed”.
And, he goes, “What are you talking about?”. And he goes, “Don’t lie to me, don’t cover this up, we know this has happened”. It didn’t happen! People were so hungry for bad news because it was much more exciting than…they just said it, and you know, it hurt us.”
Upon release, the press seemed to be disappointed that the film wasn’t the massive failure they were hoping it to be. Universal Studios told Kevin Reynolds that one critic came out of an early screening in New York and in a disappointed tone said,
“Well, it didn’t suck.”
It is true that during principle photography the slave colony set sank and had to be retrieved. However due to bad press, the rumour became much bigger and to this day when you mention the sinking set, most people assume it was the huge atoll.
During production, press nicknamed the film “Kevin’s Gate” and “Fishtar”, referring to 1980’s box office failures Heaven’s Gate and Ishtar. Heaven’s Gate failed so badly it led to the sale of United Artists Studio and has become synonymous with failure in Hollywood.
As well as the exaggerated set problems and other various production rumours, there were also difficulties with the script. In a risky move, the film was green lit and moved into production without a finalised script.
The final total is a reportedly thirty-six rewrites. One of the writers involved was Joss Whedon. Joss had worked on many scripts before becoming a director having being at the helm of both The Avengers and the sequel Avengers: Age Of Ultron. He described his experience on Waterworld as,
“Seven weeks of hell”
Everything came to a head just three weeks before the end of principle photography. Kevin Reynolds who was an old friend of Kevin Costner allegedly walked off set or was fired. There was no official statement on what happened.
When Reynolds left the production this event caused many changes to be made. Composer Mark Isham had already composed approximately two-thirds of the film’s score by the time Reynolds left and that event ultimately caused him to leave production. As Mark describes in this interview excerpt,
“Kevin Reynolds quit the film, which left me working for Kevin Costner, who listened to what I had written and wanted a completely different point of view. He basically made a completely different film — he re-cut the entire film, and in his meeting with me he expressed that he wanted a completely different approach to the score. And I said, “oh let me demonstrate that I can give that to you”, so I presented him with a demo of my approach to his approach, and he rejected that and fired me. What I find a lot in these big films, because the production schedules are so insane, that the directors have very little time to actually concentrate on the music.”
Rumours report that Costner took control of production. He directed the last few weeks of principle photography and edited the final cut of the film that was released in cinemas.
Reynolds discusses his surprise at discovering that one of the most famous scenes from what is known as the extended version, was left on the cutting room floor,
“…it would have differed from what you saw on the screen to some extent, and one of the things I’ve always been perplexed by in the version that was released, theatrically, although subsequently the longer version included it, and the reason that I did the film, was that at the very end of the picture, at the very end of the script, there’s a scene when they finally reach dry land and The Mariner’s sailing off and he leaves the two women behind, and in the script they’re standing up on this high point and they’re watching him sail away, and the little girl stumbles on something.
And they look down and clear the grass away and that’s this plaque. And it says, “Here, near this spot, 1953, Tenzing Norgay and Edmund Hillary first set foot on the summit of Everest”. And that was in script and I was like, “Oh, of course! Wow, the highest point on the planet! That would have been dry land!”. And we got it! We shot that. And they left it out of the picture. And I’m like, “Whaaat?!”. It’s like the Statue of Liberty moment in Planet of the Apes. And I was like, “Why would you leave that out?”
Written by John Abbitt | Follow John on twitter @UKFilmNerd
If any the crew cares to share any of their experiences on it please comment.
Thanks for reading
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time up movie cast 在 Phê Phim Youtube 的評價
Phê Phim News: UPDATE Về TRAIN TO BUSAN 2 & THE CONJURING 3 | "Tâm Thư" Của Đạo Diễn NOLAN
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Nội Dung: Linh, Grewi
Dẫn: Linh
Editor: Sơn, Nhân
Tin 1: Báo cáo doanh thu phòng vé trắng trơn
https://comicbook.com/movies/2020/03/24/american-box-office-hits-zero-for-first-time-ever-coronavirus/
https://www.hollywoodreporter.com/news/weekend-box-office-hit-zero-first-time-1285879
Quản lý các rạp nhận giảm 80% lương để chuyển cho nvien
https://www.hollywoodreporter.com/news/cineplex-execs-take-80-percent-pay-cut-theater-worker-layoffs-1285917
Tin 2: Tâm thư của đạo diễn Nolan về thực trạng điện ảnh
https://www.hollywoodreporter.com/news/christopher-nolan-considers-post-coronavirus-future-we-need-what-movies-can-offer-us-1285812?utm_medium=social&utm_source=facebook
https://www.washingtonpost.com/opinions/2020/03/20/christopher-nolan-movie-theaters-are-vital-part-american-social-life-they-will-need-our-help/
Tin 3: Update về các phim trong dòng kinh dị
The Conjuring 3
https://www.screengeek.net/2020/03/23/the-conjuring-3-haunted-house-formula/
The Northman
https://www.indiewire.com/2019/10/robert-eggers-northmen-first-details-cast-1202182447/
https://hnentertainment.co/production-designer-craig-lathrop-was-reuniting-with-robert-eggers-for-his-viking-thriller-the-northman-filming-now-on-hiatus-in-northern-ireland/
BXH Việt Nam
https://boxofficevietnam.com/#1543824640456-16ae0ab0-64e8
Tin 4: Train to Busan phần 2
https://www.screendaily.com/features/first-look-peninsula-yeon-sang-hos-follow-up-to-train-to-busan-exclusive/5148374.article
time up movie cast 在 Trevmonki Youtube 的評價
So how many types of students during recess can you relate to? We definitely missed out some so do let us know in the comment section and also let us know which one is your favourite! ENJOY!
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time up movie cast 在 seanlje Youtube 的評價
Times are changing and the way people do things are also changing. In this day and age, we are constantly attached to our mobile phones and it's alright but this results with us being connected yet disconnected at the same time.
The awareness that I'm trying to spread is finding the balance with the usage of our smartphones. As cliche as it sounds, Carpe diem, seize the day and live in the moment.
If you're on the go, focus on getting to your destination.
If you're in the movies, do what you've paid to do, watch the movie.
We can't get rid of smartphones (that's ridiculous) but we can change the way we use them.
Use your phones wisely.
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Special thanks to the cast:
Sai Mun: http://www.mrsaimun.com
Garwen
Gar Jun
Agnes
Chee Hong (Ivan)
Melvyn
Zi Xuan
Beh
Yan Qin
Yan Shuang
Naim
Yanly
Shiau Yuan
Joseph Rajasingam
Hon Wye: http://www.youtube.com/channel/UC-hLEZTe2ELlOvEr2W0Ry-A
Keat Ping: http://www.youtube.com/user/Bothsmalleyes
Paul: http://www.youtube.com/user/instillfilms
Special thanks to final soundtrack:
All The Angels: http://www.youtube.com/channel/UCDshC25m6fRP4QR7_TXgRvA