[PS5/PS4] Get an overview of the Resident Evil Village Collector’s Edition! Pre-order NOW!
Contents:
-Resident Evil Village Package version
-SteelBook®
-Chris Redfield Figure
-64-Page A4 Art Book
-Reversible Microfiber Cloth Map
-Trauma Pack DLC
: Samurai Edge - AW Model-01
: RE7 Found Footage Filter
: RE7 Tape Recorder Save Point
: Saferoom Music "Go Tell Aunt Rhody"
: Mr. Everywhere Weapon Charm
: Unlock "Village of Shadows" Difficulty
: The Tragedy of Ethan Winters Artwork
Don’t miss out this fan-must-have edition, pre-order in your local retail store now!
https://www.residentevil.com/village/en-asia/product/
Resident Evil Village will be coming to PS5, PS4, Xbox Series X, Xbox One and Steam on Fri, 7 May 2021.
*The PlayStation®4 version can be upgraded to the PlayStation®5 digital version at no additional cost. The PS5™ upgrade from the physical PS4™ version requires a PS5™ console with a disc drive.
同時也有9002部Youtube影片,追蹤數超過941萬的網紅Sơn Tùng M-TP Official,也在其Youtube影片中提到,#ChungTaCuaHienTai #SonTungMTP #HaiTu #MTP #MTPEntertainment #MTPTalent #CTCHT Executive Producer: Nguyen Thanh Tung Composer: Son Tung M-TP Music Pr...
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recorder 在 Lee Hsien Loong Facebook 八卦
By now, you have probably heard about my father’s red box. Minister Heng Swee Keat posted about it last week. The red box was a fixture of my father’s work routine. It is now on display at the National Museum of Singapore in his memorial exhibition.
Some of my father’s other personal items are there too. His barrister’s wig (of horsehair) from when he was admitted to the Bar. And a Rolex Oyster Perpetual watch given to him by the Singapore Union of Postal and Telecommunications Workers after he represented them in the famous postmen’s strike in 1952.
I enjoyed my visit to the exhibition a few days ago. Was happy to hear that many of you went yesterday. The exhibition will be on until 26 April. – LHL
MR LEE'S RED BOX
Mr Lee Kuan Yew had a red box. When I worked as Mr Lee’s Principal Private Secretary, or PPS, a good part of my daily life revolved around the red box. Before Mr Lee came in to work each day, the locked red box would arrive first, at about 9 am.
As far as the various officers who have worked with Mr Lee can remember, he had it for many, many years. It is a large, boxy briefcase, about fourteen centimetres wide. Red boxes came from the British government, whose Ministers used them for transporting documents between government offices. Our early Ministers had red boxes, but Mr Lee is the only one I know who used his consistently through the years. When I started working for Mr Lee in 1997, it was the first time I saw a red box in use. It is called the red box but is more a deep wine colour, like the seats in the chamber in Parliament House.
This red box held what Mr Lee was working on at any one time. Through the years, it held his papers, speech drafts, letters, readings, and a whole range of questions, reflections, and observations. For example, in the years that Mr Lee was working on his memoirs, the red box carried the multiple early drafts back and forth between his home and the office, scribbled over with his and Mrs Lee’s notes.
For a long time, other regular items in Mr Lee’s red box were the cassette tapes that held his dictated instructions and thoughts for later transcription. Some years back, he changed to using a digital recorder.
The red box carried a wide range of items. It could be communications with foreign leaders, observations about the financial crisis, instructions for the Istana grounds staff, or even questions about some trees he had seen on the expressway. Mr Lee was well-known for keeping extremely alert to everything he saw and heard around him – when he noticed something wrong, like an ailing raintree, a note in the red box would follow.
We could never anticipate what Mr Lee would raise – it could be anything that was happening in Singapore or the world. But we could be sure of this: it would always be about how events could affect Singapore and Singaporeans, and how we had to stay a step ahead. Inside the red box was always something about how we could create a better life for all.
We would get to work right away. Mr Lee’s secretaries would transcribe his dictated notes, while I followed up on instructions that required coordination across multiple government agencies. Our aim was to do as much as we could by the time Mr Lee came into the office later.
While we did this, Mr Lee would be working from home. For example, during the time that I worked with him (1997-2000), the Asian Financial Crisis ravaged many economies in our region and unleashed political changes. It was a tense period as no one could tell how events would unfold. Often, I would get a call from him to check certain facts or arrange meetings with financial experts.
In the years that I worked for him, Mr Lee’s daily breakfast was a bowl of dou hua (soft bean curd), with no syrup. It was picked up and brought home in a tiffin carrier every morning, from a food centre near Mr Lee’s home. He washed it down with room-temperature water. Mr Lee did not take coffee or tea at breakfast.
When Mr Lee came into the office, the work that had come earlier in the red box would be ready for his review, and he would have a further set of instructions for our action.
From that point on, the work day would run its normal course. Mr Lee read the documents and papers, cleared his emails, and received official calls by visitors. I was privileged to sit in for every meeting he conducted. He would later ask me what I thought of the meetings – it made me very attentive to every word that was said, and I learnt much from Mr Lee.
Evening was Mr Lee’s exercise time. Mr Lee has described his extensive and disciplined exercise regime elsewhere. It included the treadmill, rowing, swimming and walking – with his ears peeled to the evening news or his Mandarin practice tapes. He would sometimes take phone calls while exercising.
He was in his 70s then. In more recent years, being less stable on his feet, Mr Lee had a simpler exercise regime. But he continued to exercise. Since retiring from the Minister Mentor position in 2011, Mr Lee was more relaxed during his exercises. Instead of listening intently to the news or taking phone calls, he shared his personal stories and joked with his staff.
While Mr Lee exercised, those of us in the office would use that time to focus once again on the red box, to get ready all the day’s work for Mr Lee to take home with him in the evening. Based on the day’s events and instructions, I tried to get ready the materials that Mr Lee might need. It sometimes took longer than I expected, and occasionally, I had to ask the security officer to come back for the red box later.
While Mrs Lee was still alive, she used to drop by the Istana at the end of the day, in order to catch a few minutes together with Mr Lee, just to sit and look at the Istana trees that they both loved. They chatted about what many other old couples would talk about. They discussed what they should have for dinner, or how their grandchildren were doing.
Then back home went Mr Lee, Mrs Lee and the red box. After dinner, Mr and Mrs Lee liked to take a long stroll. In his days as Prime Minister, while Mrs Lee strolled, Mr Lee liked to ride a bicycle. It was, in the words of those who saw it, “one of those old man bicycles”. None of us who have worked at the Istana can remember him ever changing his bicycle. He did not use it in his later years, as he became frail, but I believe the “old man bicycle” is still around somewhere.
After his dinner and evening stroll, Mr Lee would get back to his work. That was when he opened the red box and worked his way through what we had put into it in the office.
Mr Lee’s study is converted out of his son’s old bedroom. His work table is a simple, old wooden table with a piece of clear glass placed over it. Slipped under the glass are family memorabilia, including a picture of our current PM from his National Service days. When Mrs Lee was around, she stayed up reading while Mr Lee worked. They liked to put on classical music while they stayed up.
In his days as PM, Mr Lee’s average bedtime was three-thirty in the morning. As Senior Minister and Minister Mentor, he went to sleep after two in the morning. If he had to travel for an official visit the next day, he might go to bed at one or two in the morning.
Deep into the night, while the rest of Singapore slept, it was common for Mr Lee to be in full work mode.
Before he went to bed, Mr Lee would put everything he had completed back in the red box, with clear pointers on what he wished for us to do in the office. The last thing he did each day was to place the red box outside his study room. The next morning, the duty security team picked up the red box, brought it to us waiting in the office, and a new day would begin.
Let me share two other stories involving the red box.
In 1996, Mr Lee underwent balloon angioplasty to insert a stent. It was his second heart operation in two months, after an earlier operation to widen a coronary artery did not work. After the operation, he was put in the Intensive Care Unit for observation. When he regained consciousness and could sit up in bed, he asked for his security team. The security officer hurried into the room to find out what was needed. Mr Lee asked, “Can you pass me the red box?”
Even at that point, Mr Lee’s first thought was to continue working. The security officer rushed the red box in, and Mr Lee asked to be left to his work. The nurses told the security team that other patients of his age, in Mr Lee’s condition, would just rest. Mr Lee was 72 at the time.
In 2010, Mr Lee was hospitalised again, this time for a chest infection. While he was in the hospital, Mrs Lee passed away. Mr Lee has spoken about his grief at Mrs Lee’s passing. As soon as he could, he left the hospital to attend the wake at Sri Temasek.
At the end of the night, he was under doctor’s orders to return to the hospital. But he asked his security team if they could take him to the Singapore River instead. It was late in the night, and Mr Lee was in mourning. His security team hastened to give a bereaved husband a quiet moment to himself.
As Mr Lee walked slowly along the bank of the Singapore River, the way he and Mrs Lee sometimes did when she was still alive, he paused. He beckoned a security officer over. Then he pointed out some trash floating on the river, and asked, “Can you take a photo of that? I’ll tell my PPS what to do about it tomorrow.” Photo taken, he returned to the hospital.
I was no longer Mr Lee’s PPS at the time. I had moved on to the Monetary Authority of Singapore, to continue with the work to strengthen our financial regulatory system that Mr Lee had started in the late 1990s. But I can guess that Mr Lee probably had some feedback on keeping the Singapore River clean. I can also guess that the picture and the instructions were ferried in Mr Lee’s red box the next morning to the office. Even as Mr Lee lay in the hospital. Even as Mrs Lee lay in state.
The security officers with Mr Lee were deeply touched. When I heard about these moments, I was also moved.
I have taken some time to describe Mr Lee’s red box. The reason is that, for me, it symbolises Mr Lee’s unwavering dedication to Singapore so well. The diverse contents it held tell us much about the breadth of Mr Lee’s concerns – from the very big to the very small; the daily routine of the red box tells us how Mr Lee’s life revolved around making Singapore better, in ways big and small.
By the time I served Mr Lee, he was the Senior Minister. Yet he continued to devote all his time to thinking about the future of Singapore. I could only imagine what he was like as Prime Minister. In policy and strategy terms, he was always driving himself, me, and all our colleagues to think about what each trend and development meant for Singapore, and how we should respond to it in order to secure Singapore’s wellbeing and success.
As his PPS, I saw the punishing pace of work that Mr Lee set himself. I had a boss whose every thought and every action was for Singapore.
But it takes private moments like these to bring home just how entirely Mr Lee devoted his life to Singapore.
In fact, I think the best description comes from the security officer who was with Mr Lee both of those times. He was on Mr Lee’s team for almost 30 years. He said of Mr Lee: “Mr Lee is always country, country, country. And country.”
This year, Singapore turns 50. Mr Lee would have turned 92 this September. Mr Lee entered the hospital on 5 February 2015. He continued to use his red box every day until 4 February 2015.
(Photo: MCI)
recorder 在 TWICE Facebook 八卦
원스와 함께한 TT 첫번째 팬싸인회! 3시간이 금방갔어요^^ 오랜만에 만나서 너무 즐거웠고, 즐거웠고, 또 즐거웠어요! 그럼, 화요일에 또 만나요 원스♡ (혹시 문제가 생길까해서 리코더는 a.k.a 슬픔이 매니저 언니가 챙겼습니다!)
#TWICE
TT's first fan sign meeting with ONCE! 3 hours has been passed very quick :) ^^ It was great, great and more great to see you all ONCE! See you all next time ! ♡ (In case there will be a problem with recorder, it would be take care by the a.k.a Suel-Pum's manager!)
#TWICE
Translated
recorder 在 Sơn Tùng M-TP Official Youtube 的評價
#ChungTaCuaHienTai #SonTungMTP #HaiTu #MTP #MTPEntertainment #MTPTalent #CTCHT
Executive Producer: Nguyen Thanh Tung
Composer: Son Tung M-TP
Music Producer: Onionn.
Artist: Son Tung M-TP
Starring: Son Tung M-TP, Hai Tu
Executive Supervisor: Chau LE
Project Manager: M-TP Talent | A member of M-TP Entertainment
Project Marketing: Henry Nguyen
Unit Production Manager: Mr. Blue
Art Director: Ben Pham
Digital Team: Avril Tran, Tu Le
Partnership Management: Jodie Nguyen, Trang Nguyen
Admin and Support: Thanh Ha, Viet Nguyen, Hoang Nguyen, Bao Truong, Bich Tran, Hung Dang,Nhi Do
Securities: Vo Duong Ngoc Hoa
Photographer: Manh Bi
Photographer Assistant: Phuc Nguyen, Trung Hieu
BTS Videographer & Editor: Cyan, Tien Le
Graphic Designer: Hoang Minh Nguyen
Stylist: Pham Bao Luan
Make Up: Phat Phat
Hair Stylist: Gill Nguyen
PRODUCED BY CHILDREN OF
Executive Producer: Tony Nhat Nguyen
Director: Le Huy Anh
Script Writers: Nguyen Hoai Thu & Le Huy Anh
Project Manager: Ngo Mai Phuong
Producers: Hoang Duy Khanh, Micah Khang, Ngo Mai Phuong
Line Producer: Hong Vy Tran
Cinematographer: Tung Bui
Art Director: Hai Truong
Production Design: AI Team ART
Assistant Art Directors: Hoa Mi, Nam Nguyen
Props Master: Mr. Ngoc
1st Assistant Director: Le Hoang Phuong
2nd Assistant Director: Nam Vo
Script Supervisor: Ngoc Phan
Visualizer: Yen Khe
Camera Operator: Mr. Blue
Focus Puller: Duy VK
2nd Focus Puller: Gang Nguyen
Gaffers: Nguyen Minh Phung, Pham Thai Tuan
Steadicam Operator: Huan Nguyen
Rental House: PS Vietnam
Assistants Camera: Nguyen Duy, Nguyen Van Hai
Special Equipments: Arrow Flycam, Lumigrade, Son Tony, Huy Nguyen
Hanoi Equipment: Minh Nhi
Flycam: Thong Kieu
Location Managers: Vo Tuan Anh, Ta Long Vinh Nam, Huy Nguyen
Behind the Scenes: Giang Le
Casting Agency: Storm Casting
Casting Manager: Bao Tran
Assistant Casting Managers: Thai Huu Nghia, Banh Manokanh
Production Assistants: Truong Nguyen, Tran Duong, Salem Truong
Nam Lee, Nhat Duy, Hieu Tay, Phong Vu
Stylists: Ve KrisNa, Nguyen Ngoc Hang
Assistant Stylists: Pha Phan, Phat Tran, Cam Nhung, Quang Lau
Make Up: Tri Nhan Team
Cascadeur: TeamX
Sound Recorder: Ngoc Vinh
Caterting: Ho Le Team
Accountant: Hoa Le
Post-Production: Children Of Studio
Editor | Colorist | Online Artist: Tuan Do
Assistant Editor: Nguyen Nghi
DIT: Dat Tran, Soi Pham, Tran Nguyen Hoang
Music Score: Garrett Crosby, Ian Rees
Music Score Supervisor: Chris Wong
Sound Design & Final Mix: Tian Do
VFX Supervisor: Clement Duy Nguyen
3D Asset Team: Nguyen Nhat Duy Ta, Quoc Khang
3D Animation: Nguyen Ngoc Huy
Lighting/Lookdev: Nguyen Nhat Duy
FX Artists: Trieu Nguyen, Nguyen Huu Bao Duy
Compositors: Clement Duy Nguyen, Ty Thinh, Nguyen Thanh Dat
Cast:
Lieutenant: Migikyo
Lady Boss: Ngan Quynh
Newspaper: Timothy Linh Bui
Entourage: Dat Lok, Phuc Toan, TA Fung, Huy Truong, Vinh Tran, Pham Ngoc Son, PaoNek, Ho Quang Thanh, Huy Dan
Assistants: Luong Anh Ngoc, Anh Phuong
The Old Boss: Quan Cao
The Bosses: Quoc Hoa, Van Ta, Nhon Nguyen, Huynh Phu, Manh Bao, Do Hiep, Thanh Hai, Cuong Le
Chef: Nguyen Tan
Bartender: Nguyen Tuan
Noodle Guy: Giang Le
Kidnappers: Bao An, Huu Nghia
Stand-Ins: Nguyen Minh Thoi, Kim Anh
Stunt Driver: Tony Nhat Nguyen
▶️ More information about Sơn Tùng M-TP:
Facebook: https://www.facebook.com/MTP.Fan
Instagram: https://www.instagram.com/sontungmtp
Youtube: https://www.youtube.com/sontungmtp
Twitter: https://twitter.com/sontungmtp777
@Spotify: https://spoti.fi/2HPWs20
@Itunes: https://apple.co/2rlSl3w
▶️ More information about M-TP Talent:
Website: https://mtptalent.com
Facebook: https://www.facebook.com/mtptalent
Instagram: https://www.instagram.com/mtptalent
Twitter: https://twitter.com/mtptalent
▶️ More about M-TP ENTERTAINMENT:
Website: https://mtpentertainment.com
Facebook: https://www.facebook.com/mtptown
Instagram: https://www.instagram.com/mtpent_official
Twitter: https://twitter.com/mtpent_official
Youtube: https://www.youtube.com/c/mtpentertainment
▶️ More about Hải Tú:
Facebook: https://www.facebook.com/haitu.lq
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▶️ CHÚNG TA CỦA HIỆN TẠI Digital Package: https://mtptalent.com/#/shop
▶️ CLICK TO SUBSCRIBE: http://popsww.com/sontungmtp
#sontungmtp #sontung #mtp #mtpentertainment #mtptalent #haitu
recorder 在 Huỳnh Tiểu Hương Youtube 的評價
Đến Với Trẻ Mồ Côi Bằng Trái Tim Yêu Thương, Lòng Nhân Ái & Tình Nhân Loại ...
Mo coi - Hoang Rapper ft Mi Lan
Used original sound clip composed and performed by Yoshie Kubota
“The Eternal Wind” (piano and recorder version)
https://www.soundclick.com/music/songInfo.cfm?songID=6456579
Copyright 2007 by Yoshie Kubota (ASCAP 880248310)
Arranged by Hoang Rapper
recorder 在 Toffy Jully Youtube 的評價
เพลง ยินดี (JULL+TOFFY WEDDING)
เนื้อร้อง/ทำนอง : บ๊อบบี้ สามบาทห้าสิบ
ศิลปิน : สงกรานต์ รังสรรค์ ปัญญาเรือน (ค่าย I AM )
ยินดีกับคนๆนั้นของเธอ
กับคนที่เขาเลือกเธอ
และเธอยังต้องการเขา
แม้ว่าในวันนี้สองเรา
จะเหลือเพียงความว่างเปล่า
แต่ฉันก็พร้อมจะยินดี
วันที่เธอไม่เหลือเยื้อใย
วันที่เธอเอาใจใส่ กับคนของเธอมากกว่าฉัน
วันที่เธอทิ้งความสัมพันธ์
เธอไปกับเขาคนนั้น สุดท้ายวันนี้ฉันยินดี
* ขอให้หมื่นล้านคำที่ฉันเอ่ย
ที่เธอเคยได้ยิน คำพูดนั้น
ให้เธอจดเเละจำไว้แล้วกัน
ว่าฉันนั้นพร้อมจะยินดี
** ยินดีที่เธอกับเขาคนนั้นได้รักกัน
ยินดีที่ในวันนั้นฉันได้รู้ตัว
อวยพรให้กับเจ้าสาว ด้วยใจที่เต้นรัว
ยินดีกับเจ้าตัวชายคนนั้น คือฉันเอง
(ซ้ำ * , ** , ** )
ยินดีกับเจ้าตัวชายคนนั้น คือฉันเอง
Piano : นนท์ power band, อั๋น สามบาทห้าสิบ, ต้อง สี่โพดำ
Recorder : B Loft Studio
Masterband : Upbeat Studio
Production : Room Bridal Studio
ขอขอบคุณ
คุณ วิทยา คุณปลื้ม นายกองค์การบริหารส่วนจังหวัดชลบุรี
และ ประธานสโมสรทีมฟุตบอล ชลบุรีเอฟซี
เพลงนี้เป็นเพลงที่ บ๊อบบี้ แต่งขึ้นเพื่อให้น้องจูลและพี่ท๊อฟฟี่ สามบาทห้าสิบ
และได้ถูกใช้ในงานแต่งงาน จูล+ท๊อฟฟี่ 3 ธันวาคม 2559
ร้องโดย สงกรานต์ The voice
#julltoffyfestival
Thank you :)
recorder 在 The only person to ever play the recorder professionally ... 的八卦
The only person to ever play the recorder professionally 'Spinnin' is out now. #shorts. 5.8M views 3 months ago. ... <看更多>