next time句首的八卦，YOUTUBE、PTT、DCARD和Yahoo名人娛樂都在討論

聽埋呢首送給CY嘅version之後
完喇好嘛？
本周冠軍歌：
FF的s《羞家BABY》

每次遇見你時怕你出醜
怕你發言會太任性太牛
Oh CY CY baby
CY CY baby
Next Time請先搵我斟斟

你咪再扮蟹態度似小丑
最怕你又笑笑容似隻狼
Oh CY CY baby
CY CY baby
冇腦嘅嘢咪說出口

沉悶如飛蚊般飛過
期待煩膠Press Con一過
我要高叫 I Help U
要向世界告知
i'm ready make you 乖

Don't be my 羞家baby
My 羞家baby
懇請你說話要小心
當然信你係超然的人
但係講就沙䴤
口UpUp咁太Tree Gun

Don't be my 羞家baby
My 羞家baby
點解你個人咁天真
真的想說句： 「You r Kai」
咪再咁蠢豬 不准天天都滾搞我
I hate OT

《我的幸福5/2 週末》

*週日下午兩點誠品信義書店「廿世紀典範人物」新書分享會，我下午二時開始演講，離上次在台灣大學公開演説。快半年了！分享會報名一小時預告已額滿，但TVBS電視台慷慨的支持。派出SNG車，屆時TVBS文茜的世界周報YouTube 及世界周報Facebook 都將同步直播。

*新書分享會後我將直奔高雄衛武營，參加劉孟捷（李斯特巡禮之年）鋼琴獨奏會。這是劉孟捷回台，最重要的一場音樂會，我目睹他用盡了一切心力。過去即使21歲時在費城代打缺席大師的音樂會，劉孟捷都未曾如此緊張。他此次回台，手術前為了沒有遺憾，共舉行三場音樂會：其中4/17與5/30皆是與國家交響樂團NSO合作：530那一場指揮是呂紹嘉。但他告訴我，某些曲目對他而言，是Piece of Cake ：惟獨衞武營這一場，曲目由他自己決定，現場錄影，並且找了金曲獎錄音師同步錄音。

5/2衛武營-劉孟捷鋼琴獨奏會《李斯特巡禮之年》購票連結
https://www.opentix.life/event/1384752689074294784

劉夢捷明白他即將面對一個大手術，手術風險之外，他的免疫系統疾病，將使他的康復之路更長。

沒有人可以預知未來，為了圓他的夢，醫院每天都要求他早上、晚上量血壓，報告直接傳給院長。振興醫院院長魏崢雖然是亞洲第一把心臟外科醫師，但也不敢大意。

畢竟這個人的生命那麼脆弱，他的心臟主動脈剝離，那是實質的「心碎」了：但他仍有詩，仍有音樂夢。在生命的交接處，在白日與黑夜的交义口，劉孟捷想為他的音樂生涯，留下最美好的紀錄。

他選擇了李斯特。

在這場音樂會前，他甚至以英文寫下了自己與音樂、疾病的半生回顧：如李斯特的巡禮，有仰望，有沉思，有失落，有幽微的疼痛。他以詩篇般的演奏模式，傾訴，詠嘆。他曾得到天賦，也走過死蔭的幽谷。命運是一層又一層的黑影逼近，老天爺隨時想帶走他。

而他已不再流淚，不再沉浸於悲愴告別：因為對他而言活著並不容易，他要讓自己更深刻的抓住每一分時光之美。

如果時間和空間，正如哲人們所形容的
都是不實際存在的東西：那從不感到衰敗的太陽，也不會比我們了不起多少！

他如艾略特的詩句中所形容的：我們為什麼要如此貪心總在祈禱，想活上整整一個世紀？

蝴蝶雖僅活了一天，已經歷了永恆。

當他的身軀如露水還在藤蔓顫抖時，他送給我們一場「完全浪漫又超技的李斯特」。

等音樂會結束了，至少有一張CD，一段YouTube 影像：不論孟捷代表生命的那朵鮮花是否枯萎，他彈奏如天使的音聲不會飛離，它會停留在那夜，繼續釋放芬芳。

這是盡生命之力、之情獨奏的音樂會。劉孟捷説：這樣當他走進手術室時，會少一點悲傷。

或許快樂的日子本來就不多，但讓這場「完全李斯特．完全劉孟捷」的獨奏會放出神聖的光彩吧！

我必將赴會，不會錯過！我知道此刻的獨奏會，很難複製，因為它綜合了太多的情感、愛念，釋放與生命的抒情。

*劉孟捷為此次獨奏會寫下的文字：This past year has seen some unprecedented changes in the world. Many lives have been lost and many have changed. The world has changed while many of us confront the uncertainty of the future.

For most musicians, life has changed. For months, we have been conducting our lessons online, and concerts have mostly stopped or become an online experience as well. More time has been spent learning how to improve the online teaching experience than one could have imagined. While I have felt the duty to continue teaching, the format the pandemic requires for teaching leaves me unwilling to spend more time than I have to.

And truly, I have had other things to deal with. When the pandemic started to worry the American public in March, I was in the middle of a tour with the String Quartet-in-Residence at Curtis, the Vera Quartet. However, our concerts were canceled, and everything came to a sudden halt.

I felt the universe had sent me an unexpected gift, as I had also just received some terrible news concerning my worsening aortic arches and a diagnosis of kidney cancer. The sudden halt in my professional schedule seemed perfect in its timing. I was able to settle into a monastic existence, to simply practice and attempt to heal.

I see many musicians itching to be concertizing again, and many stepped into new territory, performing on the internet. Many took time to develop new podcasts, and to write new materials for their art. Sadly, many have struggled as they have fallen into desperation without any concert incomes. Altogether the music industry seems to be in peril, and many worry about how music and musicians will survive.

However, I had my own survival to think about. Having been through many difficult experiences in my life, I knew this might be the most difficult I would encounter. My Doctors describe me as a walking time bomb. My condition could be lethal at any moment if my blood pressure gets out of control. So while others wrestle with the fate of the music industry, I’ve needed to face my own fate and mortality.

Playing concerts can mean many things to people. At different times throughout my life, I’ve felt the need to express different aspects of myself. When I was young, I wanted to embody the spirit of romanticism, playing lots of Chopin and Schumann. Then there was a period of time when I wanted to challenge myself by showing off pyrotechnics. I had a brooding period where I turned to the pathos of Rachmaninoff, and then felt the need to return to the purity of Schubert and nobility of Brahms. Throughout this pandemic, I wanted to play Bach. Through Bach’s music I found a kind of spiritual sanctuary.

In considering the program for this concert, I felt again the urge to play music that reflects my current feelings and state of mind. The title of today’s recital, “Years of Pilgrimage” seems to fit exactly what I am experiencing.

Liszt wrote several volumes of “Années de pèlerinage” throughout his life to reflect on thoughts he had during his travels. He links his philosophical thoughts to the scenery which inspired them. “Au Bord d’un Source” describes feelings of rejuvenation while standing next to a clear stream of water, a symbol and source of life and energy. It seems to say, when the stream is so pure, life can be so full of joy.

In the Les jeux d'eaux à la Villa d'Este (The Fountains of the Villa d'Este), the water has a magical and supernatural quality, as Liszt himself wrote in the inscription: "But the water that I shall give him shall become in him a well of water springing up into eternal life,"( from the Gospel of John.)

For me, I have never felt more connected to Liszt than when he looked upon the valley of Obermann and questioned the meaning of existence. At this moment in my life, I often find myself reflecting my experiences of what I see and read into philosophical musings. Perhaps many people come to a time when this is so.

In all this I have felt gratitude for the love stories and sonnets that one can romantically indulge in, and for storms so violent that they threaten to destroy one’s spirit, even the hell-bound journey which brings up questions about the purpose of life…

On this journey, I felt full and alive as a human being. Looking back on this journey, I am grateful for everything, whether happy or sad, to have made an impact, found and imparted meaning to this life.

The unusual time of this pandemic has marked a milestone for me. I have journeyed back home, and as it happened, this is the first time I have spent so much time in my hometown Kaohsiung in over 35 years. It’s particularly nostalgic to play these pieces as some of them were significant in my early musical career. Vallée d’Obermann was the piece I played in my first competition at the junior high school level, in which I won first prize on the national level, which allowed me to be qualified to apply for a special permission to study abroad. This meant my dream to be educated as a musician could be continued in an environment where I could develop fully. In the following year when I was 13, I won the first Asia-Pacific Youth PIano Competition with the Dante Sonata. The competition catapulted me into national attention as I was headlined in several newspapers, and especially since it was held in Kaohsiung, I became a local hero as well. During the same event, I had a fateful meeting with one of the important influences in my life, Mr. Gary Graffman, who then mentored me throughout not only the years when I was studying at Curtis, but throughout my illness and recovery as a pianist. Right before I departed to study in Philadelphia, I played my first solo recital throughout Taiwan, and along with the Dante Sonata, I also performed the three sonnets.

It’s perfect that now, back in Kaohsiung, all these memories have flooded back into my head. I feel so lucky to have been born here, and to have met my first teacher, Chin-Li Lee, who inspired me on the path to become a musician. Prof. Alexander Sung filled me with dreams of becoming an artist. I am grateful for his belief in my talent, when he chose to give a 12 year old such philosophical pieces to play.

Having once again spent some months in Kaohsiung, I can freshly appreciate the source of inspiration it once was for me. I have returned to the source to heal. Having already glimpsed hell’s gate several times, battered and weathered by the storms of life, I know there is a reason life is this way, and it all will be alright.

Meng-Chieh Liu
April, 2021

*劉孟捷衛武營《李斯特巡禮之年》演奏會中，包括李斯特以佩脫拉克三首情詩譜寫的鋼琴琴詩：這三首情詩是從大詩人佩脫拉克一百多首情詩挑出來的，詩本身就很優美，依此激發李斯特的浪漫主義創作靈感，成為琴藝上最困難演奏，但也特別細膩溫柔的琴詩。

這三首分別是：
〈佩脫拉克第47號十四行詩〉〈佩脫拉克第104號十四行詩〉及〈佩脫拉克第123號十四行詩〉。
Franz Liszt（1811-1886）: Sonetto 47 del Petrarca, Sonetto 104 del Petrarca, Sonetto 123 del Petrarca, from Années de pèlerinage, Deuxième année: Italie

李斯特於1846年先出版藝術歌曲《三首佩脫拉克十四行詩》（Tre sonetti del Petrarca），再改成鋼琴獨奏版。

三首佩脫拉克十四行詩
中譯：焦元溥（元溥也是友情贊助，特別準備音樂資料，周日南下，聆賞劉孟捷的樂曲，並且陪同他盯著錄音共三天）

〈第47〉
祝福每天、每月、每年，
所有片刻與鐘點、時間與季節，
在那美麗的原野，

我為一雙眼眸魂縈夢牽。

祝福初遇時的甜，
與愛同在、受苦不停歇，
如弓箭刺穿令我淌血，
傷口永留感動在我心間。

祝福一切我發出的聲音，
當呼喚著我深愛的女郎，
渴望、嘆息、淚濕滿襟。
祝福我寫下的文字遠揚，
歌頌她的芳名，萬古長新。
我心永屬於她，無人能闖。

〈第104〉
我找不到和平，也無意打仗，
我恐懼、我期望，燃燒又冰透。
我向天飛升，卻躺在地上，
我一無所有，卻又擁抱整個宇宙。

我身陷囹圄，監牢又開敞；
我不受囚禁，卻銬著鎖頭。
愛情不讓我死，也不讓我飛翔；
不要我活，也不准我逃離悲愁。

欲看卻無眼，啞口還在發言，
我甘心殞滅，卻仍高聲呼救，
我痛恨自己，但仍愛著他人。

憂傷滋潤我，淚水伴隨笑臉，
生命不足惜，死亡也不煩憂；
我淪落至此，都是妳啊，我的愛人！
〈第123〉

我在塵世見到仙子的美，

她天堂般優雅無與倫比。
想起她讓我悲傷又歡喜，
所見如幻夢迷霧與幽黑。

妳的可愛眼睛使我落淚，
多少次讓太陽也要妒忌。
我還聽到四周發出嘆息，
移動了山嶽停止了河水。

愛情智慧憐憫憂傷財富，
在淚水中形成甜美聲響，
奇妙和諧世上未曾目睹。
天堂追隨著音樂的流淌，
雖然枝上樹葉並未飛舞，
空氣與風息卻充滿芬芳。

5/2衛武營-劉孟捷鋼琴獨奏會《李斯特巡禮之年》購票連結
https://www.opentix.life/event/1384752689074294784

我們的天父，願您的名受顯揚....三歲就開始唸的天主經，如今第一次，唸第一句就想哭。林鄭也自稱基督徒，聲稱受上帝感召才「犧牲」自己做特首，她說天堂已留位給她。大家說林鄭昨天流的是鱷魚流，說她做戲裝哭。我寧願她在演戲，但不，她並不是裝的，那是她真心的眼淚，她真心相信瞄準學生的頭來開槍是對的，她真心覺得自己好委屈，為香港人好才作出「很多個人犧牲」免為其難做特首。最恐怖的，莫過於掌權者真心相信自己的暴政正在彰顯天主的正義。

【夏主教哭了、我們也哭了】
2019年6月12日晚上8時
聖母聖衣堂 特別彌撒

講道全文：「彌撒前一小時，我和幾十位青年傾談、聆聽他們。他們都是今天都幾小時或全日在金鐘的。我好難過 ，不應該如此結果的。我聽到青年的態度，都是理性、和平、克制。或許你會說他們天真，他們以為人多聚集，就會起作用，推遲逃犯（引渡）條例的議程。

但不知什麽原因，不知是誰的命令，他們的經驗告訴我，青年受到的，是被暴力對待。我完全想不到為什麼會這樣，青年完全不應該要面對這一切。我從沒有想像到，香港社會為何會走到今日？

我在香港出生、成長。這兒有我家人，有我所愛的家人！我們想自由地生活下去，想生命能受保障，希望擁有人該有的自由，不用生活在恐懼中。難道這樣很過份？難道這是我們不配擁有的嗎？不是的！不對！不應該如此！因此，幾天前，我們當中很多人走出來，用我們的腳、遊行、用我們的汗水去表達。但好像沒有用......

今天，很多人罷課或罷工，幾萬人圍著立法會，但又被驅趕了，好像又起不了作用。教會呼籲我們祈禱、參與彌撒，又有什麼用呢？

但我剛才聽到青年分享時，我聽到了，我見到很美善的人性表現。在如此不公平的對待下，仍是閃耀著人性的光輝，青年們彼此幫忙、互相扶持：「多少人來，就多少人走！」這就是彼此相愛，這就是耶穌的教導。這就是我們祈禱時，祈求上主俯允我們、改造我們，從靈性從心底改造我們
...... 所得到的成果。

第一篇讀經，聖保祿說：「文字叫人死，神卻叫人活。」就是這份靈性了。但可惜今日香港社會，說要在文字上做功夫，說要定下不知什麼法例，不知說到幾美好的法例，但好像沒有什麼人明白的法例。

耶穌告訴我們，真正的法律，是成全，是使人成全！真正的法律使人懂得為其他人著想，懂得愛別人，甚至會犧牲自己。

剛才，我和林祖明神父從堅道教區中心步行到這裡，因為我們怕會交通擠塞，所以也不駕車了。但感謝上主讓我走了這段路！我見到有很多青年，我心裡很難受...... 為何會這樣的？但我在這份難受中，卻很欣賞他們。

我欣賞他們這份純潔，對社會的愛護。他們做不了什麼，他們還可以做什麼呢？他們只能夠站在街上叫幾句(口號)，以表達他們的意願，希望當權者聽到，只是如此而已。

有何過份之有呢？為何不可以呢？
我沿路行過來，我的心在流淚。

但同時，我感謝上主！感謝天主，讓我們香港社會，能擁有這麽美好的青年。我見到上主祂的肖像，銘刻在這些年青人靈魂的深處，他們走出來，其實非為了自己。

各位兄弟姐妹，我不知道我們還可以做什麼，路可以怎樣走下去。但今日耶穌告訴我們：成全！真正的成全在我們，我們怎樣看待我們的生活和生命。我們尋求公義，就用公義的方法！

我們為了香港社會，就為香港社會上每一個人，懂得彼此相愛、彼此尊重，互相一起，了我們這地方，為我們這片土地，能做一丁點就做一丁點。即使即一篇經文、一個祈禱、一個反省、一句說話、一個WhatsApp訊息....

各位兄弟姐妹，人的能力有限，就讓我們信賴天主、投奔向祂。」- 夏志誠輔理主教

＊(更正：08:10 字幕- 人的力量有限）

English translation of the subtitles:

彌撒前一小時
An hour before the Mass
我和幾十位青年
I met a group of young people
他們今天在金鐘
They had stayed in Admiralty today
幾小時或全日在那裡
For a few hours or the whole day
我和青年傾談
I spoke with them
聆聽他們的經歷
Listened to their stories
我好難過
I was upset
不應該如此的
It shouldn’t be this way

我聽到他們是理性、和平、克制
I learnt that they are reasonable, peaceful and self-controlled
或許你會說他們天真
You may say that they are naive
以為人多在那兒就會起作用
That they think a people's gathering has the power
推遲逃犯條例的議程
To postpone the agenda to amend the Extradition Bill
但不知什麽原因
That they act without knowing why
不知是誰的命令
Without knowing who gave the order
他們的經驗告訴我
Their experience tells me
他們得到的是被暴力對待
that they were treated with violence
完全想不到為什麼
Without knowing why
完全不應面對這些
They shouldn’t have had to face that
從沒有想過
They could not imagine
香港社會為何會走到今日
How Hong Kong became what it is today

我在此出生、在此成長
I was born and grew up here
這兒有我家人
My family is here
這兒有我所愛的家人
All my loved ones are here

我們想自由地生活下去
We want to live freely
我們想生命能受保障
We want life to be protected
我們希望擁有人該有的自由
We hope to enjoy the basic freedoms that people are entitled to
不用生活在恐懼中
We don't want to live in fear
難道這樣很過份
Is that too much to ask?
難道這是我們不配擁有
Do we not deserve this?
不是 不對 不應該如此
No! That’s wrong! It shouldn't be that way

所以幾日前我們當中很多人走出來
That is why so many of us came out to demonstrate a few days ago
用我們的腳
With our steps
用我們的遊行
With our march
用我們的汗水去表達
Using our sweat to express ourselves
但好像沒有用
But it seemed to be useless
今日好多人罷課或罷工
Today many people went on strike
幾萬人圍著立法會
Thousands of people surrounded the Legislative Council
但被驅趕 好像又是沒有作用
But were driven away
It also seemed useless

教會叫我們祈禱、參與彌撒
The Church asked us to pray and attend Mass
又有什麼用呢
But what is this use of doing these?
不過剛才的年輕人分享
However, through the sharing of the young people earlier
我聽到 我見到
I heard and I saw
很美的人性表現
The beauty of humanity
在如此不公道對待下
Even in an unjust situation
仍是有人性的光輝
Humanity shines through
彼此幫忙、互相扶持
Through Helping each other, mutual support
多少人來就多少人走
Many people came, and just as many people walked together
這就是彼此相愛
This is loving one another
這就是耶穌教導
This is what Jesus teaches
這就是我們祈禱時
When we pray
上主俯允我們
God answers us
改造我們
Changes us
從靈性從心底改造我們
Transforms us in spirit, from the bottom of our heart
所得到的成果
This is the fruit of prayer
第一篇讀經裡
In the first reading
聖保祿說文字叫人死
St. Paul tells us that the letter brings death
神卻叫人活
but the Spirit gives life
是這份靈性
It is this spirit that we need
但可惜今日香港社會
Unfortunately the society Hong Kong today
要在文字上做功夫
Works on letters
要定不知什麼法例
Needs to implement such and such law
不知說到幾好的法例
A law said to be good
但好像沒有什麼人明白的法例
But a law that no one seems to understand

耶穌告訴我們真正的法例
Jesus tells us the real law
真正的法律是成全
Real law is to complete
是使人成全
To complete people
使人懂得為其他人著想
To make us think of others
使人懂得愛別人
To teach us how to love others
甚至會犧牲自己
To even sacrifice yourself

剛才我和林神父在教區中心步行到這裡
Fr. Lam and I walked here from the Diocesan Centre
因為我們怕會交通擠塞 所以也不駕車
We were worried about traffic so we didn’t drive
但感謝上主讓我走了這段路
But I thank God for letting me walk this way
我見到有很多年青人
I saw many young people
很多年青人
So many young people
我自己內心很難受
I felt uncomfortable
為何會這樣
Why is it so?
但當我在這份難受裡
But in my discomfort
我很欣賞他們
I admired them
欣賞他們這份純潔
I admired their purity
他們對社會的愛護
Their love and care for society
他們做不了什麼
They can’t do anything
他們可以做什麼
What can they do?
他們只能站在路上叫幾句(口號)
They can only stand on the road and chant a few words (slogans)
表達他們的意願
To express their wishes
希望當權者聽到
And hope that those in power will hear
只是如此而已
That’s all they can do
有何過份呢
Is that too much?
為何不可以
Why can’t they do that?
我沿路行過來
On my way here
我的心在流淚
My heart was crying
但同時我感謝上主
But at the same time, I thank the Lord
感謝天主
Thank God
讓我們香港社會
For giving our society of Hong Kong
能擁有這麽美好的青年
Such good youth
我見到上主祂的肖像
I saw the face of the Lord
銘刻在這些年青人靈魂的深處
Seared on the soul of these young people
他們走出來非為自己
They came out not for their themselves

各位兄弟姐妹
Dear brothers and sisters
我不知道我們還可以做什麼
I don't know what else we can do.
路可以怎樣走下去
What the next steps are
但今日耶穌告訴我們
Today, Jesus tells us
成全
To fulfill
真正的成全在我們
Real fulfillment is in us
我們怎樣看待我們的生活和生命
In how we treat life and our lives
我們尋求公義就用公義的方法
We use just ways to seek justice
我們為了香港社會
If we are for the society of Hong Kong
就為香港社會上每一個人
Then we are for every single person within the society of Hong Kong
懂得彼此相愛 彼此尊重
Know how to love and respect one another
互相一起為了我們這地方
Work together for this place
為我們這片土地
For our land
能做一丁點 就做一丁點
Whatever you can do, do it
即使一篇經文
Even with a piece of scripture
一個祈禱 一個反省 一句說話
a prayer, a reflection, a sentence
一個WhatsApp
a message on WhatsApp
各位兄弟姐妹
Dear brothers and sisters
人力有限 讓我們信賴祂 投奔祂
The human power is limited
Let us trust in Him
Go to Him

這次介紹的是滴妹最愛歌曲之一，Charlie Puth 的 We Don't Talk Anymore! 超多小滴點播這首喔！跟著音樂搖擺吧XD 記得要點播歌曲給我喔！
訂閱阿滴英文 ▶ http://bit.ly/rde-subscribe
支持阿滴英文 ▶ http://pressplay.cc/rayduenglish

【We Don't Talk Anymore 歌詞 中英翻譯】
*Chorus*
We don’t talk anymore *3
我們不再交談
Like we used to do…
像我們從前那樣
We don’t love anymore
我們不再相愛
What was all of it for?
這一切都是為了什麼
Ohh, we don’t talk anymore
我們現在已經不再交談
Like we used to do…
以往的一切都消失無蹤

I just heard you found the one you’ve been looking
我聽說你已經找到你一直尋找的那位
You’ve been looking for
你一直期盼的那位
I wish I would have known that wasn’t me
我希望我早該認清你要的人不是我
‘Cause even after all this time I still wonder
但是經過了這麼久我不禁想
Why I can’t move on
為什麼我不能釋懷
Just the way you did so easily
就像你毫無迷戀一般地離開了我

Don’t wanna know
我不想知道
What kind of dress you’re wearing tonight
你今晚穿著什麼樣的裙子你多麼的美
If he’s holding onto you so tight
也不想知道他是否把你緊緊擁在懷裡
The way I did before
就如同我過去那樣抱著你一樣
I overdosed
我因愛沉醉
Should’ve known your love was a game
早該知道你的愛是場遊戲
Now I can’t get you out of my brain
然而我已經深陷其中脫離不出來
Ohh, it’s such a shame…
真的是太可悲了

Chorus*

I just hope you’re lying next to somebody
我希望你身邊躺著的人
Who knows how to love you like me
會像我一樣懂得怎麼好好愛你
There must be a good reason that you’re gone
你離開一定是有一個很好的理由
Every now and then I think you
時時刻刻我都會在想
Might want me to come show up at your door
你會不會其實想要我再次出現在你門前
But I’m just too afraid that I’ll be wrong
但是我很害怕是我想太多了

Don’t wanna know
我不想知道
If you’re looking into her eyes
你是否深情地望著她
If she’s holding onto you so tight the way I did before
而她又是否緊緊的抱著你 就像我之前一樣
I overdosed
我因愛沉醉
Should’ve known your love was a game
早該知道你的愛是場遊戲
Now I can’t get you out of my brain
然而我已經深陷其中脫離不出來
Oh, it’s such a shame
真的是太可悲了

Chorus*

Don’t wanna know
我不想知道
What kind of dress you’re wearing tonight
你今晚穿著什麼樣的裙子你多麼的美
If he’s giving it to you just right
也不想知道他是不是有好好的疼愛妳
The way I did before
就像我愛你一樣
I overdosed
我因愛沉醉
Should’ve known your love was a game
早該知道你的愛是場遊戲
Now I can’t get you out of my brain
然而我已經深陷其中脫離不出來
Oh, it’s such a shame
真的是太可悲了

Chorus*

(We don’t talk anymore)
Don’t wanna know
我不想知道
What kind of dress you’re wearing tonight (Oh)
你今晚穿著什麼樣的裙子你多麼的美
If he’s holding onto you so tight (Oh)
也不想知道他是否把你緊緊擁在懷裡
The way I did before
就如同我曾那樣抱著你一樣
(We don’t talk anymore)
I overdosed
我因愛沉醉
Should’ve known your love was a game (Oh)
早該知道你的愛是場遊戲
Now I can’t get you out of my brain (Woah)
然而我已經深陷其中脫離不出來
Oh, it’s such a shame
真的是太可悲了

That we don’t talk anymore…
我們已經毫無交集…

曲名: We Don't Talk Anymore (我們不再交談)
演唱者: Charlie Puth feat. Selena Gomez (查理·普斯 feat. 賽琳娜·戈梅茲)
專輯: Nine Track Mind (2016發行)

上一部影片 阿滴請假＋YouTube Creator Day 活動資訊 http://youtu.be/ExPUnePTnBM
下一部影片 10句常用英文#3【吵架篇】https://youtu.be/faPbdAlX8cE

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🔥冰雪奇緣系列席捲全球，你知道就連服裝的顏色都暗藏了密碼嗎？
🔥140萬粉絲民調出爐！誰更適合當女王？第三集劇情如何發展？新影片一次告訴你！
🔥數位版與藍光、DVD推出！快去重溫感人的故事！
🎁留言抽精美人偶，參加辦法在影片最後
哪裡買：Apple TV app、 Google Play、myVideo /DVD以及藍光全省各大影音販賣通路以及網路購物平台均有販售
哪裡租：Apple TV app、Google Play、myVideo、中華電信MOD、friDay影音、CATCHPLAY、愛奇藝

更多資訊:https://disney.com.tw/digital

在去年底《冰雪奇緣2》上映時，我們就曾做過四支影評 ：除了《冰雪奇緣2》的深度解析、入選人生遺片清單的《冰雪奇緣1》、Olaf 10大智慧金句、還有由Elsa領軍的7大女力角色片單。每支影片都收到熱烈的迴響，尤其是姐妹倆的轉變以及第二集的結局。

隨著《冰雪奇緣2》的數位版、DVD與藍光剛上架，我們重溫了整個系列，也很好奇大家的想法，就在Instagram上做了民調，例如『Elsa需不需要愛情？』、『姐妹倆誰適合當女王？』、『如果有第三集，覺得劇情應該怎樣發展？』結果得到了許多出乎意料之外的答案！

所以今天的節目我們想要來公開民調結果。以及從我們之前沒有注意到的Frozen Fashion來解析姐妹倆的成長！

在繼續看下去之前，請先開啟字幕、訂閱頻道以及按下小鈴鐺，就不會錯過新影片上線時的通知了喔！另外感謝迪士尼的贊助，我們也準備了一套七隻Mini Egg Attack系列公仔，要送給大家，參加辦法在影片的最後呦！

🎁留言抽Mini Egg Attack系列公仔活動辦法🎁
1. 訂閱我們的頻道（要記得按小鈴鐺喔）
2. 幫這支影片按個讚，並且分享給你的朋友們看
3. 在4/19（日）23:59之前，在影片下方留言告訴我們，我們你最喜歡《冰雪奇緣2》裡面的哪一首歌？ 我們會在4/20（一）抽出1位觀眾，中獎者可獲得Mini Egg Attack系列公仔一套！
4. 得獎者將公布在此，恕不另行公告
5. 贈品限寄台澎金馬
6. 中獎名單：
飯神

開始訂閱我的頻道➔ https://goo.gl/aiVwBD
等你們來 http://t.cn/E6wgcNm

【Nabi No.19 火箭號 🚀】
The Dream is Real
2019 4/28
波士頓伯克利音樂會
倒計時15天

「我知道風裡有詩句」
農場版《奇妙能力歌》️
依然是我們伯克利「吉他二人組」@劉家凱
享受這片刻大自然的怡然時光

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#歐陽娜娜 #歐陽娜娜10週年巡迴音樂會 #公益獎學金音樂會波士頓首場 #波士頓伯克利音樂會 #倒數15天