精彩的製作過程全紀錄!!
#哥吉拉怪獸之王2019皮套製作全記錄
Godzilla 2 King of the Monsters Suit Construction Record
(壹)、組合您的團隊:
這不是一個簡單的計畫,需要大家分工合作才會完成。
壹、裡衣:哥吉拉的內裝,採用全海棉製作,包含背鰭這部份由我乾女兒啾吉負責。
貳、電路和Led燈配置,控制晶片的程式填寫和哥吉拉基礎上色,這部份由我好友瑋哥負責。
叁、外皮,肌肉,尾巴,哥吉拉的臉部和全身細部雕刻,全身魔鬼氈的組合由我負責。
肆、外皮貼皮輔助由小蔡負責,因為皮實在太多了,他還在工作室直接住了好幾天專門貼皮,超級辛苦。
Team:
This project is done by the following members:
Chu chi--making the base suit with sponge and the fins.
Master--all electronic devices and the main painting job.
Shredder Mei--sculpting skin, muscles, tail and face and velcro attaching.
Mr. Tsai--attaching all artificial leathers.
(貳)、朋友輔助:
翼空發明特製底漆,跟一般乳膠不同有芭樂的清香XD
感謝喨哥魔鬼氈與金剛速乾膠的驚人知識幫助,不愧有魔鬼氈之神的外號。
謝謝子貓老師和伍洋老師幫忙嘴部的上漆跟頭部的微調讓哥吉拉更具真實感。
Supporter:
Yi-Shouan--providing specialized waterproof base glue.
Coneco Lin couples--detailed painting of mouth and head.
Soycorce Jing--providing knowledge of electronic devices.
Liang--providing the knowledge of using velcro and super glue.
(叁)、駕駛員訓練:
哥吉拉原型因為內部太多機關的配線佔據太多空間因此這隻原型必須女生才能操縱(如有新訂製我們會照著裝者的身材),啾吉、小要、安妮為哥吉拉原型的駕駛員。
Pilots:
Chu chi, Kaname and Annie.
There are too many electronic devices inside the prototype Godzilla suit and make the inner space much smaller than we thought.
So it only can be worn and controlled by slender girls.
New orders will fit customer’s body.
(肆)、哥吉拉製作開始:
※ 裡衣: 由啾吉製作,身體和腳為重要的步驟,由它慢慢延伸整隻哥吉拉。我們可以看到剛完成的裡衣哥吉拉可以比耶非常靈活。
※ 全身肌肉和尾巴雕塑: 通通使用海棉才方便行動,海棉的塑造技術大部份是「研磨」和「電烙鐵燒」,這樣才能控制我想要的樣子。 臉部比較特別,必須先上乳膠,在上面使用特製輕土去雕塑,最後再用電烙鐵燒出鱗片。
※ 塗色: 使用壓克力顏料為主,在上色之前務必上2-3層特調底漆,之後直接上色。
※ 控制晶片跟Led燈條控制: 由瑋哥寫程式,這方面就不解說了,這需要專業的知識,這使哥吉拉背鰭能發光使出「紅蓮型態」,嘴巴也有嘴砲喔!
Construction Sequence:
Base suit--body and legs were finished first and extended to other parts.
The base suit is very flexable.
Muscles and tail--they are stacked with amount of sponge.
The shape was sculpted with mini grinder and soldering iron.
Face--emulsion needed to be applied first and sculpted the shape with light clay.
Scales were sculpted with soldering iron.
Painting--waterproof base glue needed to be applied 2~3 times first.
The whole suit was painted with acrylic color.
Electronic devices--We used lithium batteries to power all LEDs and control circuit.
Fin lights can be switched between blue and red.
The fading frequency is also controlable.
There is a speaker and smoke generator for roaming and shooting atomic heat beam.
(伍)、活動規劃: 感謝好友馬可多的規劃與幫忙,和各位朋友的幫忙,有了您們台灣哥吉拉才被世界所看見,謝謝。
Activity Plan:
Thanks for all supporting of Makoto Tsai and all other friends.
Taiwanese Godzilla is proud of you.
#特別感謝SoysorceJing的幫忙
同時也有13部Youtube影片,追蹤數超過885萬的網紅Michelle Phan,也在其Youtube影片中提到,Hi beautifuls! It's Back 2 Cool season ;) I'm gonna hook you up with my School Care Package. Find out how to win here! http://michellephan.com/back-to...
「mr beam」的推薦目錄:
- 關於mr beam 在 特製隊Creator Union of Tokusatsu Facebook
- 關於mr beam 在 Mr.生活扉頁 Facebook
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- 關於mr beam 在 Michelle Phan Youtube
- 關於mr beam 在 JayGrayVN Youtube
- 關於mr beam 在 SekineRisa Youtube
- 關於mr beam 在 Car Scratch | Funny Episodes | Mr Bean Official - YouTube 的評價
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mr beam 在 Mr.生活扉頁 Facebook 八卦
Justin Bieber 無預警在復活節釋出全新 EP《Freedom》🔥🔥
這張《Freedom》是小賈受到福音的啟發而做,全專找來眾多 R&B、嘻哈、流行歌手同做,如:BEAM, Brandon Love, Chandler Moore, Judah Smith, Tori Kelly, Lauren Walters 等人
Mr. 個人是覺得這張的層次又比《Justice》來得更高,且歌詞深度也較《Justice》來得深刻,特別是最後一首〈Afraid To Say〉寫出了他自己內心對於社會以及自我成長的懷疑和衝突,並反問大家能不能給彼此一些大家成長空間,神是如此愛我們,沒有讓我們被註銷、從這世界抹滅,那我們也不該這樣對彼此,非常的令人感動與充滿反思❤️
mr beam 在 再活一次童年 - 安妮媽媽Blogger Facebook 八卦
[Fuji Kindergarten]
The Best Kindergarten You've Ever Seen!
一間真正為小朋友而設計的幼稚園!作為建築系出身的我,真心希望世界各地的幼稚園也能夠如Fuji Kindergarten般,提供一個"沒有規限的生活樂園"予最天真可愛的小孩!
快聽聽日本建築師Takaharu Tezuka的TED TALK
At this school in Tokyo, five-year-olds cause traffic jams and windows are for Santa to climb into. Meet: the world's cutest kindergarten, designed by architect Takaharu Tezuka. In this charming talk, he walks us through a design process that really lets kids be kids.
其他詳細介紹(from http://www.e-architect.co.uk/)
Fuji Kindergarten, Ring Around a Tree
Design: Tezuka Architects
Around the Great Zelkova Tree
The annex to Fuji Kindergarten contains English classrooms and a school bus waiting area. A twisting zelkova tree dominates the site and while half of the building is exterior space, the footprint does not define the boundary between outside and in.
Ring Around a Tree is a small contribution to a historically complex space. Nearly fifty years ago the zelkova nearly died when it was blown over by a typhoon. Not only did it survive, but the tree has grown so large that two adults cannot clasp hands around its base. The angled trunk is perfect for climbing, with bark polished smooth by generations of small, adventuresome hands. Previously, a tree house occupied the site, so small only children could enter. Ducks lived at the base of the tree and on nice days classes were held in the cool shade.
Fuji Kindergarten, Ring Around a Tree
Each May, greenery engulfs the building. The oval-shaped plan traces the zelkova’s broad canopy making the columns and floor seem to vanish in the shimmering shadows. Existing branches take precedence and penetrate the building, and grown-ups have to crawl when ascending the stairs to the roof.
A Classroom Without Furniture
While the main building is elliptical, lacking a precise center, the annex has a clear focal point. Its original design drew inspiration from the legend of Buddha preaching under a linden tree, but the space was not used exactly as we had envisioned. Despite the openness of the English classroom, the teacher and children prefer to squeeze into tight corners and niches between floor plates. The five meter-tall building has seven levels, with clearances ranging from 600mm to 1500mm. This idea came from the school’s vice principal who requested “a classroom without furniture.” When we showed our son and daughter, they touched the ceiling with their hands, smiling. The principal, Mr. Kato, said that for children, the ceiling is like the sky – they cannot touch it. When the sky is lowered to their level, it transports them into the world of giant adults. If you visit the school on a nice day, you’ll find giggling kindergartners wedged into spaces less than 60 centimeters high.
Fuji Ring Around a Tree
Typically ceilings are taller than head height and railings secure areas where someone could fall. Here, however, the ceiling is lower than the height of a child, and there are many steps without guardrails. Before we opened the school to the kindergartners, I brought my own children here to play. Just as we had expected, there were a few small bumps and bruises, but certainly nothing serious. What we could not ignore was when my children began climbing over the handrail and out onto the branches of the tree, this was dangerous. We solved this issue by tying ropes around certain areas. For the principal, they are a safety measure, but for us the ropes capture a positive aspect of the design. If we had begun by considering safety as our primary option, the building would never have been realized in its current form. While even a 50cm height can be hazardous for children, learning about these dangers and gaining control of one’s surroundings are important parts of a child’s education at Fuji Kindergarten.
The highest platform is one meter off the ground, a step manageable for a bold kindergartner. The flooring material is a cork-like En Tout Cas that protects children when they tumble or fall, although there is no way to avoid injury 100% of the time. According to Principal Kato, children who do not learn how to avoid minor injuries can experience much more serious accidents as adults. Rather than coddle a boy with a broken arm, the principal proclaims the cast “cool” and presents him proudly to the class as a hero. Of course, a broken arm is much different from a broken neck or back. There is a difficult balance between safety and educational principles. We had to make the space first and see how it could be improved, the ropes being one example of this process. As the tree grows, its relationship with the building will change, and the positioning of the ropes will change as well.
Minimal Structure
The building’s structure is extremely thin. This was important because with rooms less than one meter high, it was conceivable that the structure could be larger than the spaces themselves. The floors are reinforced with 9mm steel ribs and most of the columns are smaller than 30mm square, almost furniture-like dimensions. At this size, the structure is even thinner than the tree branches. The ribs under the roof look like the veins of a leaf, but they were not intended to mimic the tree. Instead the form is a natural result of a rational structural analysis. The low floor-to-floor heights, allow the columns a larger slenderness ratio. If we assume a ratio of 1:40, a ceiling height of 1.2 meters allows a column width of 3cm. The horizontal loads are supported by eight vierendeel plates, four span the circumference and four align on the radii. Each column and beam is unique in section, using only as much material as is necessary. Although we are not imitating the tree per se, the result is a form that is extremely close to that found in nature. We conducted an excavation survey in order to avoid building over the zelkova’s roots. A concrete slab foundation sits on carefully placed stakes. Countless miniature light bulbs appear like a swarm of fireflies alighting on the tree – a traditional symbol of summertime in Japan.
We named the project “Ring Around a Tree,” a name suggested by Peter Cook who, upon visiting the site, recalled the English children’s song “Ring Around the Rosie.”
Ring around the rosie,
Pocketful of posies,
“Ashes, Ashes,”
We all fall down!
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? Nếu bạn thấy video này hay thì hãy để lại cho mình 1 LIKE và 1 SUBCRIBE (1 thích và 1 đăng ký) kênh nhé ¯\_(ツ)_/¯
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