我哥之前因為陪朋友去考街頭藝人證照看到一些評審對街頭藝人的態度發聲 而上了新聞。我覺得他很勇敢的去做了一件對的事。
希望政府不會時間過了就不關心這些事情。希望我們都可以更客觀的去看藝術,尊重不一樣藝術和藝術家。我覺得以下我哥說的非常好,想跟大家分享。
想知道之前的事可看新聞連結:
http://www.storm.mg/article/270611
親愛的大家:
我想感謝所有支持我、以及給予我鼓勵意見的每個人;同時也要感謝熱情關注此事、協助揭露街頭表演者們應試處境問題的許多媒體與記者們。我很抱歉這些日子我保持著沉默—僅有一個原因:我並不希望這件事情,在台北市文化局正式給予溝通管道之前就發展到無法控制的程度;我很抱歉遲至今日我才發表這篇文章,但我確實需要一些時間來沉澱彙整我心中的感受和想法,而我也需要時間及一些協助使這篇文章能夠以中文來呈現。
在我採取更進一步的行動之前,我其實未曾預料到這件事情在媒體與社交媒體上的感染力如此龐大;我受寵若驚的感動能夠聽見發自你們每個人內心的聲音,而我也著實感到抱歉,面對著如潮水般湧來的各種訊息,似乎超過我所能負荷。請原諒我未能夠逐ㄧ去回應每個人的訊息,但我真的想讓你們知道,你們每ㄧ個人都讓我感到不可思議、帶給我深深的感動及感謝。
我不認為自己是一個勇敢的人,我也自知自己並非街頭藝人的代表或者發言人。但我是一個藝術創作者,一個表演藝術家,一個教育者,而最重要的,我身為一個 "人"。我的家人、朋友及師長們,總是教導我應該為正確的事情挺身而出。
我明白事情有時候總是不像我們所期待的永遠是非分明。但發生在5月21日星期天的街頭藝人評審事件,是對藝術群體的一種「極不尊重」。不論反面評論者所提出的藉口、理由或是文化差異等緣由,這些應試的表演者們,很顯然是被視為次等公民,或者(經驗與技能不夠成熟?)的學生等級。而與此同時,同樣非常清晰的是,街頭藝人評審制度或許是立意良善,但其審查過程的執行層面,卻是嚴重缺失連連。
藝術並非一種特權的這件事情如今已完全被遺忘。台北市文化局本應提倡所有具有文化及藝術可能性的事情,但它並未做到這ㄧ點。很顯然的,一個「對表演者的基本尊重」並不存在 — 許多表演者都如此感覺,有些人則深感受傷。
就算是得到全世界所有理應被如此對待的原因及理由,他們仍然感受到自己的不被尊重;因為這就是事實。
再一次的我想強調我並不是認定台北市文化局與該評審是一個「壞人」,我想強調的只是這個評審街頭藝人表演的執行環節,究竟有多麼的不妥當與糟糕。
我試著回應一個反面評論者所提到的觀點:若街頭藝人證照是ㄧ場「考試」、考試就會有考試的規則。評審無需與應試者惺惺相惜,掉頭就走是因為模擬街頭現場環境以及時間到了。再一次的,在我描述現場狀況的前ㄧ篇文章中,大家或許還記憶猶新:許多表演者根本沒有完整的短至一分半鐘的時間可以好好表演,遑論是超過2-5分鐘的時間限制了。
而這樣的回應是否也指出了另一個值得我們去思考的問題: 為什麼我們會將它視為一種「考試」,而不是ㄧ個表演者的「試鏡」呢?
首先,這些表演者們並不是學生。事實上,許多人更可能是一個專業的音樂家、舞者、或者正從事著表演藝術的人。當然,我不否認也可能會有些正在學習中的族群。但,最重要的是,當他們「在屬於他們應得的演出時間與機會裡 (而且還是付費才有的),他們就是ㄧ個真正的表演者。」
他們不應該被看待成一個不成熟的學生或者次等的公民。而就算一個人擁有著學生的身分,這個身分也不應該影響或侷限他或她,作為一個藝術創作者的身分及所有可能性。「藝術家」並非是透過一個人的職業身分或者社會地位來定義的。
所謂「考試」的這個字眼指涉著ㄧ個學術教育機構,而我們都知道台北市文化局所應該扮演的角色與作用,並非一個學術性的教育機構,也並非是用來教育藝術創作者們該知道些什麼?該怎麼表現?藝術教育及審美的養成也從來不是在追求填鴨式教育裡的ㄧ個標準答案。將街頭藝人的徵選視為「考試」的視角,或許本身就有待商榷。
評審的場所是在一個公共場合,許多居民與遊客都會圍觀欣賞著表演,其中有些人或許不了解藝術;因而這些人也許會將在場的評審們,視做為某種藝術的衡量標準;試問,當這些人看到評審對待表演藝術家的行為與態度,當他們看到評審總是任意打斷演出,並且掉頭就走不帶ㄧ句回應時,人們日後還能懂得尊重街頭表演藝術家嗎?
沒錯,我們都知道這是一場「考試」,我們也很清楚這些手上拿著計分表的人們就是評審;因此,事實上評審們根本無需「模擬」街頭現場那些會隨時走掉的陌生人們。
這些評審以及相關單位的人員,理應提倡藝術,並且作為ㄧ種示範與典範,讓普羅大眾都能夠看到該如何去欣賞ㄧ場演出。一個表演者並不會因為他選擇在街頭表演,就因此比不上一個在大舞台演出的藝術家。我自己就曾在世界各地超過百個不同的絢麗舞台演出過,但我仍然汗顏自己可能也不比這些街頭藝術家們來的優秀。
我曾擔任過ㄧ些國際比賽的評審,我也曾舉辦過專業的試鏡;我從來沒有聽過關於尊敬一個人的這件簡單事情,會需要在時間充裕的前提下才能夠發生。
如果一點表情會洩漏出評審成績的好惡,其實也真的可以不用笑或是無需在表演結束時說一聲謝謝。而評審也真的「不需要」與考證照的街頭藝人感覺惺惺相惜,因為這些都不是我想討論的重點。
我在意的是,表演者所需要的,只不過就是一個對人與對一個演出者的「基本尊重」而已。這樣的尊重存在與否,如人飲水冷暖自知,在人與人的接觸中就能直接感受的到,著實無需仰賴規則或語言的贅述。
我作為一個藝術創作者和教育者,穿梭各地工作超過15年的職業生涯經驗,或許會因此被視為一個外國人,但我的身分就是一個台灣公民。身為一個39歲的成年人,我可以分辨何謂尊重,而表達尊重甚至不需要浪費到任何一秒鐘。如果一個人會需要至少五分鐘以上的充足時間才有可能表達出對另外一個個體的尊重的話,那他可能需要重新再思考一下,尊重對他而言意謂著什麼?
再度回應一位也曾擔任過街頭藝人評審的老師所提出來「中途要求更換曲目或要求表演者改唱另ㄧ種語言的歌」的理由,是因為評審們不會希望一個街頭藝人一整年下來只會唱同一種語言、甚至是只唱同ㄧ首歌。
我所思考的是當一個街頭藝人遵守規定,付費且努力準備去應試時,他ㄧ定會準備了符合完整時間長度的、同時也是自己最擅長、最喜歡或者是最期待能被看見的那些內容;表演一首歌曲或者ㄧ種風格並不代表他就只會唱那ㄧ首歌;而且就算是當做他只會唱ㄧ種語言、ㄧ首歌,如果他能把這首歌反覆演繹的淋漓盡致時, 又有什麼不好呢?
難道我們不曾注意到百老匯的音樂劇就是同樣的那幾部,而獅子王也已經在舞台上展演了20年了嗎?許多同樣內容重複的音樂劇票房始終歷久不衰,持續帶給觀眾們心靈的滿足。而人氣歌手愛黛兒從頭到尾也只會用英文唱歌,而且幾乎都是類似的曲風,我們可曾在乎過她有沒有能力去唱中文歌呢?
ㄧ部舞蹈作品光在荷蘭本土就能有至少五十場大大小小的演出機會。但在台灣,ㄧ部作品如果能有五個場次的演出,可能已經算是很長壽了。這樣的環境迫使藝術創作者們必須不斷快速的「生產新作」,而將舊有積累的作品與經驗拋在腦後。就所有對於藝術的挹注與投資(不僅僅是金錢)來說,這樣的情況對藝術的生產是ㄧ種過度消耗與浪費,也並未真正教育到民眾如何去看待藝術的價值。
而最終,這樣的評審過程與態度並不僅僅是對街頭表演藝術者的不尊重,同時也是對於藝術的不尊重。
台北市文化局星期ㄧ曾經聯絡過我,親切向我表示將與我進一步聯絡並討論這件事情;他們要求我先將評審的照片拿掉—我答應取下照片,但前提是他們必須確實誠意的允諾一個面對面的溝通。這幾天我也暫時迴避了一些報導媒體的詢問(還請大家見諒)只因我衷心希望能先與台北市文化局及該評審當面談一談。我ㄧ直等待,但我也持續的看到了相關機構或人員回應給媒體的諸多理由與藉口; 自從將照片從網路上取下之後,直到今日都沒有人再跟我連繫過。慢慢的我突然明白星期一的那通電話,或許純粹只是ㄧ個希望我能將照片取下的操作手法,而並非真的試圖去了解整個經過以及解決問題。我對這個本應提倡藝術與文化的機構感到無比失望。
我知道我並非一個公眾人物,而我也不能代表所有想要考取街頭藝人執照的表演者們;自從我的臉書網頁訊息爆炸之後,我就不斷的在思考這件事情,我反覆思考自己是否該繼續爭執此事,這似乎並非與我切身相關的事情,然而,身為一個藝術教育者,我卻又感受到深切的責任。
經過反覆的思考以及與朋友們的討論,我意識到不論我們的展演形式如何不同,我們同樣都是表演藝術群體中的一分子。台北市文化局最後很可能將持續充耳不聞,而這位被我所抱怨的評審也可能繼續做他這些年來ㄧ直在做的事—用他ㄧ貫的態度。除非他們願意傾聽與改變,否則我無法改變任何人。
我真心相信有些事情值得改善,也可以改善。我必須強調我並不是想要攻擊或羞辱任何人。我只希望能有機會去討論如何讓審查的過程變的更適當。我看到台灣有許多優秀的藝術家,但環境對藝術和藝術家的不尊重不但打擊同時也限制了他們的發展;更遺憾的是,這一切可能是在許多疏忽之中造就出來的環境。
許多評審過程如果能夠在尊重藝術的前提之下思考和進行,事情或許會截然不同。
只要有一點點可能去拋開面子的問題,或許也就有機會明嘹我們所期待的結果其實是一樣的。
事實上我之所以說了這麼冗長的話語,並非是要不尊敬所謂的評審或師長,而正是因為我對藝術的尊敬,使我更深切的關注身為一個教育者所代表的意義。今天我看到了街頭表演藝術家是如何被不當的對待,而很顯然的我也不會是唯一的目擊者。某個程度上我的聲音似乎被放大了,但我也知道我的聲音並不是唯一的一個,我是許許多多的聲音中的ㄧ份子。
William
---------
Dear All,
I would like to thank you for all the encouraging messages and supportive comments. I would also like to thank all the journalists and reporters who are passionate about this issue and are so willing to expose the problem that was faced by these street performers. I am sorry that I have been quiet but with a reason: I don’t want it to get much bigger than it already was until I talked to the Taipei Cultural Affair. I apologize that it took me a while, but I needed some time to gather my thoughts and help to translate my writing into Chinese.
Before I go on any further, I never expected my story would go viral on the media and the social media. I am humbled and touched to hear from many of you. All the messages I’ve received have been overwhelming. I am not able to reply to all of them, but I’d like you to know that I am honored, thankful, and touched by every single one of them.
I do not consider myself as a brave person, nor do I consider myself a representative for the street performers. BUT I am an artist, a performer, educator, and most of all I am a human being.I have always been taught to stand for what’s right by my family, friends and mentors.
I understand things are not as black and white as we all wish sometimes. However, what happened on Sunday 21st of May was a disgrace to the art community. Regardless of all the excuses that were given or cultural differences, it was very obvious these performers were treated like lower-class citizens; if not, students. It was also very clear that the intention might be well, but the execution of the busker’s exam was done horribly.
Somehow the idea that ART is NOT a privilege had been forgotten. Taipei Cultural Affair is supposed to be advocating for all things cultural and artistic but it was not conveyed that day. It was very clear the respect was not there. Many felt it and some got their feelings hurt. Even with all the excuses there are in the world, many experienced the disrespect. That was the truth. Again I have to emphasize that I believe Taipei Department of Cultural Affair and its adjudicators are good people, but the execution of the exam was poor.
It brings to the question…. why is it called an exam? Shouldn’t it be an audition?
These performers were not students when they took the exam. Some of them were actually professional musicians, dancers, or performers. Just because one is a student, it doesn’t make him or her less of an artist. Artists are not defined by their social status or occupation.
The term exam suggests an educational institution, but we know Taipei Department of Cultural Affair is not an educational institution. They do not decide what these artists need to know. These performers were not given any materials to study, thus the term exam is very misleading.
The exam took place in a public space. Many tourists and residents were there to enjoy the event. Many do not understand arts. So they may look up to these adjudicators as role models who are experienced in the arts. When they saw how this exam was being done, do you think they would have any respect for these performers afterwards? They saw these adjudicators interrupting the performers and left without saying a “thank you.” We all knew it was an exam, we all knew these people were adjudicators. They did not need to pretend to be street spectators who just walk away. They all carried their score boards in their hands.
Just because a performer performs on the street, it doesn’t make that performer any less of a performer than someone who is performing on big stages. I myself have performed over hundreds of stages around the world and I do not dare to think myself better than these performers.
I have judged a handful of international competitions. I have also held professional auditions. I have never heard an excuse that respect can’t be shown when time is limited. You do not need to smile to simply say “thank you.” Since when, a smile means “I favor you.” What a performer need is respect. Over the 15 year span of my professional career as an educator and artist, and 39 years of being a human being, I know what respect looks like. It doesn’t take more than a second to show it. If it takes longer than 5 minutes to show what respect is, I think you may need to rethink what respect means to you.
Another excuse that was presented was that they don’t want a street artist performs only one kind of songs or genre throughout the year. Don’t they know broadway musicals? Lion King has been performed over 20 years. They’ve been doing the same musical numbers for years to sold out audiences. Adele has been singing the same genre of music and always in English. Does it matter that she doesn’t sing in other genre or sing in Chinese?
One dance production in the Netherlands can be performed up to 50 performances within the Netherlands itself. In Taiwan, a dance work only performed 5 times the most. They are forced to constantly create new works and leave the old works behind. That is a waste of arts funding and it doesn’t educate the public on the value of the arts. These performers is old enough to decide what they want to show these judges with their limited time.
In the end it wasn’t just disrespectful to the performers, but also to the arts.
I was contacted by the Taipei Cultural Affair on Monday, the representative spoke nicely promising that they would discuss further with me. He asked me to take the adjudicator’s picture down, I agreed with the condition of meeting in person to further discuss what could be done better. I have refused to talk to reporters for the last few days. I have been waiting but I then heard the excuses given to the media. Since I’ve taken down the picture of the head adjudicator, they haven’t made any attempt to contact me. I came into a realization that when they made the call, it wasn’t to address the problem but simply to manipulate me to take down his picture. I’m disappointed at this institution that was supposed to promote the arts and culture.
I realized I am not a public figure, nor am I responsible for the well being of all artists who want to get a busker license. After my Facebook post went viral, I’ve been thinking so much about this issue. I kept going back and forth questioning whether I should keep fighting for this. It doesn’t feel like my fight, but at the same time I feel responsible as an art educator.
I truly believe this can be fixed. I need to emphasize, I am not attacking anyone. And I don’t want to shame anyone. I want to start a discussion how to make it better. Taipei has some of the best performers I’ve seen, yet the lack of respect for the arts and artists has suppressed their ability to excel. And ironically, it’s often done unintentionally.
If the exam is done based on respect for the arts itself, things might have come out differently. And just maybe if we all let go the “face” culture, we could possibly see further to realize that we are all wanting the same thing.
I saw mistreatments towards performers that day. It was very obvious I wasn’t the only one witnessing it. It was not that I don’t respect these adjudicators/teachers, but because I respect the arts and the meaning of a teacher that is why I had to speak up. Somehow my voice had been amplified this week. But my voice wasn’t and isn’t singular. I am simply a voice amongst many.
Sincerely,
William Lü
Taipei National University of the Arts 國立台北藝術大學
寶藏巖國際藝術村 Treasure Hill Artist Village
Taipei National University of the Arts
臺北表演藝術中心 Taipei Performing Arts Center
National Theater and Concert Hall, Taipei
中正紀念堂 Chiang Kai-shek Memorial Hall
National Taiwan University of Arts
Department of Cultural Affairs, Taipei City Government
同時也有238部Youtube影片,追蹤數超過38萬的網紅CH Music Channel,也在其Youtube影片中提到,《Re:CREATORS》 shØut 作詞:澤野弘之、Tielle 作曲:澤野弘之 編曲:澤野弘之 歌:SawanoHiroyuki[nZk]:Tielle & Gemie 版權聲明: 本頻道不握有任何音樂所有權,亦無任何營利,一切僅為推廣用途。音樂所有權歸原始創作者所有。請支持正版。 Cop...
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這篇文章精闢描繪了現今台北市政府乃至於整個台灣對表演藝術的態度,卡勒看了既氣憤又無奈,在此翻譯分享給各位粉絲。希望我們都能盡微薄之力,慢慢改變台灣對藝術的看法。只有當我們能夠尊重一項專業時,它才能蓬勃發展,讓台灣發光。
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〈今天在公共場合發飆了〉
譯/卡勒
這是我第一次當眾情緒失控,氣到不行。
今天本來過得開開心心的,想說去參觀一下台北市街頭藝人考試,應該會更加愉快。到了國父紀念館,看見表演者都在各自的表演區準備就緒,感覺滿不錯的。直到我看到評審團的主審如何對待那些表演者,我就再也無法閉口不語。
我先說明一下這個考試:每位表演者都必須報名繳費,才能參加街頭藝人證照考試。他們有三分鐘的表演時間,希望能藉此獲得證照,就能靠自己的興趣來賺點小錢。但這位帶隊的評審(如照片所示)似乎很沒耐心。還不到一分鐘,他就硬生生打斷一個歌手的表演,說:「很多人都會唱不同語言的歌捏,像是英文歌啊什麼的。你唱一首來聽聽!」於是這個歌手開始唱台語歌。但才唱沒兩句,那位主審就和旁邊的評審交頭接耳,根本沒注意聽,接著他直接轉身離開,揮手示意其他評審跟上。
那個歌手根本唱不到一分半的時間(說好的三分鐘呢,不但沒有,還一直被這個評審打斷)。要記得:這個評審可是有領薪水的,是這些滿懷希望的表演者付錢請他來這邊看他們一展長才的。他基本上一再用同樣態度對待每個表演者,默視他們的用心與努力。連一句感謝的話也沒有說。他一副自己是大老闆的樣子,高高在上,俯視這些可悲的表演者。想聊天就聊天,想離開就離開,一聲「謝謝」、一個讚賞的手勢都沒有。一個鼓手在表演的時候一直被他打斷,說要「換點別的」。換了三次,他就頭也不回的走了。其他評審只是跟在他後頭,什麼也沒說。
於是,我走向前去,彬彬有禮的詢問他的大名和名片,告訴他希望未來能私下跟他一對一聊聊。他出言不遜,問我是什麼人。我能看出在他眼中,我這個年輕人不過就是個區區大學生。但我不是。我是個四十歲的舞蹈家、製片人,還是指導過全球各大名校與藝術節的教育家。
他不想給我他的名片。他似乎不太爽,而且很驚訝竟然有人會出聲。於是我說我可以留下自己的聯絡資訊,但我們需要好好討論一下剛剛的考核情形。
今天台北市政府審核表演者的方式,不僅不尊重,而且還嚴重侮辱了整個表演藝術圈。我不想把話說那麼白,但他讓我別無選擇。
我告訴他:第一,他對表演者的態度很不尊重。身為一個教育家,看到這種狀況,我是沒辦法保持緘默的。第二,這樣的審核流程對表演藝術社群很不公平。如果他不能把表演藝術者當作人看待,那他對藝術的看法又有何可取之處。我可以看出他氣炸了。但老話一句,他讓我別無選擇。他對待這些表演者的態度非常低劣。身為一個藝術家與藝術推動者,我必須有所行動。
承辦單位向我道歉,說考核必須繼續進行。我說我沒有要他們停下來的意思,只是想知道可以如何跟他們聯絡,討論這件事。跟我熟識的人,就會知道我是什麼個性。我這個人隨遇而安,幾乎不在公共場合發脾氣。但我今天所目睹的,對所有的表演藝術者來說都是天大的侮辱與蔑視。
這位高傲的評審完全不在乎我的意見。從他的眼神看得出來。基本上,他就是他自己所處世界的主宰,他說一,沒有人能說二。那就是他一貫的作風。在場的所有年輕員工都怕他。他今天表現這麼輕慢、無理、高傲,我真的很想知道他為什麼要這樣。
事後有幾個人走過來,感謝我勇於出聲抗議。他們其實也覺得很不滿,卻沒有勇氣對那個評審、或是對核發證照的單位表達意見。一名來自新北市的承辦人員說,看到表演者被如此對待,就連她自己也感到很不好受。
我不明白為什麼大家不站出來聲援彼此。台北市政府辜負了自己的市民,更是辜負了自己的表演藝術社群。
作為一個理應提倡藝術、文化與誠信的政府單位,他們今日的表現可說是慘不忍睹。這就像是叫貓、狗、鳥、猴來參加考試,然後告訴牠們考試內容是爬樹一樣。荒謬至極。
我留下聯絡資訊,他們說之後會跟我聯繫。如果他們沒這麼做,這就會成為我下一部製片計畫的主題,肯定很有意思。就拍一部紀錄片吧,拍攝一群滿懷希望與抱負的表演者受到何等對待的紀實。
我很抓狂,我很氣憤。真心希望他們能改變這般膚淺看待藝術的方式。
謝謝大家關注這個議題,我剛剛把評審的照片拿掉了,原因是我希望大家不要將這位評審當成壞人,而也我們把焦點專注在這個事件上,而不是人身上,我們才能真正長期的改善這個問題.因為我不會中文,所以我會和我的夥伴們一起再產出一篇更詳盡完整的中文文章,屆時也煩請大家一同關注,讓台灣的藝術環境更好,最好也謝謝幫我翻譯以下文章的朋友,我非常訝異這篇造成的影響力,感謝你們!
I CAUSED A SCENE TODAY IN THE PUBLIC
Today I got very angry and upset for the first time in public in front of a crowd.
What started out as a nice day, I thought it would only get better by attending the street performance artist's exam in Taipei. Everything seemed nice when I saw the performers were all prepared in their provided locations around the Sun Yat Sen Memorial Hall. But after I saw the head of the judge panel treated the street performers while performing, I couldn't keep my mouth shut.
Let me explained: each performer had to pay to register for the license exam. They were given 3 minutes to present their work(s) hoping they'd get a lisence so they can earn some sort of living from their passion. This one particular judge (pictured) leading the group seems impatiently listen and watch the street performers. It barely hit the one minute mark, he aggressively cut into the song of a singer and told the performer "many singers sing in different languages like English etc, sing in another language!"(I paraphrased with my bad Chinese translation). Then the singer started singing in Taiwanese language. But barely two sentences, he talked to another judge barely paying attention to the performer this head judge basically just left and gestured to the rest of the group to follow him.
The singer sang barely a minute and a half (they were promised 3 mins and they kept being interrupted by this judge). Bare in mind, this judge is earning a wage while these hopeful performers were paying him to be there. He basically did the same thing over and over again disregarding the artist's intent and hard work. Not a single word of appreciation. He just acted as he was a big boss looking down on these petty performers. He chatted as he wished and walked away without saying a "thank you" or a gesture of acknowledgement. A percussionist kept being interrupted asking him to do something different. Then he just left after the third time. The rest of the judges just followed.
So, i approached him politely asking for his name and his business card. I told him I wanted to talk to him one on one in the future. Degradingly he asked me who I was. I could see in his eyes that he saw a young man who looked like a student to him. But I was not and am not. I am a 40 year old dance artist, filmmaker and educator that have taught around the globe and in many prestigious colleges and festivals.
He didn't want to give me his business card. He seemed annoyed and surprised that someone spoke up. So I said I can give him my contact info but we needed to talk on how the exam went.
The way Taipei city exams the performers today was both disrespectful and insulting to the arts community in general. I didn't want to say this all out. But he left me with no choice.
I told him, for one, the way he treated the performers was disrespectful. As an educator I could not be quiet when I see something like that. Second, the process of the exam is not doing the art community any justice. If he cannot see the artists as a human being first, then what does it say about his view on the Arts. I could see him pissed off. But again he left me with no choice. He was very degrading towards these performers. As an artist myself and an art advocate I had to do something.
The organizer apologized to me said the process needed to go on. I told him I wasn't trying to stop them. I merely want to know how I could get in touch with them to discuss this. If you know me well enough, you should know my temperament. I am a happy go lucky person. I almost never get angry in the public. But it was genuinely insulting and degrading to every artists based on what I saw today.
This arrogant judge didn't care of my opinion. I could see it in his eyes. He was basically the superior in his world and his way was the right way. That's how he had always done it. All the young staffers there were afraid of him. Today he was disrespectful, rude, and arrogant. I really want to know why he does what he does.
After the incident, a few people came up and thanked me for speaking up. They felt the same way but they didn't have the courage to say it to this judge or the organization that issues these licenses. One organizer from the New Taipei City said even she felt bad seeing how the performers being treated.
I don't understand why people don't stand up for each other. The Taipei City has failed their community and even more so to their arts community.
For an organization that is supposed to advocate for the arts, culture and authenticity, they did miserably today. It is like giving an exam to a dog, a cat, a bird and a monkey then telling them that their exam is climbing a tree. It's absolutely ridiculous.
I left them my contact information. They said they will contact me. If they don't, this could be an interesting subject for my next film project. A documentary on how these hopeful, aspiring performers being treated.
I am mad and I am angry. I really hope they will change their shallow way of seeing Arts.
P.S. Share or repost in Chinese. They need to change. Thanks.
台北國際藝術村-寶藏巖 Taipei Artist Village-Treasure Hill
Taipei National University of the Arts
臺北表演藝術中心 Taipei Performing Arts Center
National Theater and Concert Hall, Taipei
中正紀念堂 Chiang Kai-shek Memorial Hall
National Taiwan University of Arts
keep contact中文 在 麗麗(lele) Facebook 八卦
我之前去考也是這樣
大概是考不上就特別記仇吧哈哈哈!
以下中譯....
-----------------------------------------------
// 今日令我感到震驚的一幕 //
今天是我第一次在公眾場合、眾人面前表達我的憤怒與失望。
這一切開始於美好的一日,我以為這天只會因為參觀台北街頭藝術家徵選而更美好。當我看到所有的表演者們都在散佈於中正紀念堂各地的徵選位置準備時,一切都看起來完美極了。但在我看到評審團主席如何對待這些奮力演出的街頭表演者時,我無法對這一切保持沈默。
先讓我說明,每位表演者都必須支付報名費參加街頭藝人的徵選。徵選時他們獲得3分鐘的時間來呈現他們的表演,希望透過徵選獲得街頭藝人證,所以他們可以有機會透過他們熱愛的事物(表演)賺取收入。照片中的這位評審,帶領著一組看起來對觀看或聆聽街頭藝人的表演完全不耐煩的評審團。演出大約進行一分鐘時,他暫停了歌手的演唱,並對歌手說:許多歌手能唱不同語言的歌,像是英文,唱另一種語言!隨後歌手唱了一首台語歌,但大約唱了2句,他就和另一位評審交談,並不在意歌手的表現,這位評審團的主席就離開了,並招手要其他評審跟著他。
這位歌手只唱了不到一分半鐘(他們規定為3分鐘,而且這位評審中途不斷地打斷),請記得,這位評審的出席費是由這些充滿的期待的表演者們支付的,過程中他不斷的踐踏這些藝術家的熱情與努力。沒有任何一個正面的字眼,他的行為就像他是這裡的大老闆,高高在上的看著這些卑微的表演者們。他隨意地與他人閒談以及離場,從未有任何言語或動作上給予任何人肯定。一位擊樂演奏者的呈現被打斷,並被要求演奏不同的內容,第三次時他就離場了,而其他評審就跟著他這麼做。
所以,我禮貌的接近他,詢問他的姓名以及希望索取他的名片。我告訴他我希望未來能與他對談。他鄙視的問我是誰?他用看待一位學生的眼神看著我,但我並不是。我是一位已40歲,並曾於世界各地的大學與藝術節工作的的舞蹈、電影、和教育工作者。
他不想給我他的名片,他看起來很不耐且驚訝有人對此表達意見。所以我說我可以給他我的聯絡資訊,但我們必須對徵選方式做討論。
今天台北市徵選街頭表演者的方式是對整體的藝術工作者與環境的不尊重與侮辱,我不想否定這一切,但他讓我無從選擇。
我和他說,第一點,他對待表演者的方式過於失禮。身為一位教育者,我無法對我所見的保持沈默。
第二點,評選的流程對藝術領域來說並不公正,若他不能尊重藝術家,那他對藝術的觀點又是什麼?我可以看出他對我的發言嗤之以鼻。但他的行為使我無從選擇。他嚴重踐踏這些表演者,我自己身為藝術家與藝術支持者,我必須要做點什麼。
承辦人對我表示道歉,並說程序必須要繼續下去。我和他說我並沒有意思要停止他們,我僅不過是想知道我該怎麼與他們取得聯繫,討論這件事情。如果你對我有足夠的了解,會知道我的個性,我是一個隨遇而安,很好相處的人。我幾乎未曾在公眾場合發過脾氣。但今日他們對在場所有藝術家做的一切,是真正的污辱與踐踏。
我可以從這位傲慢的評審眼裡看得出,他並不在意我的意見。他認為他是權威,而且他的做法是對的,他也總是這麼做。所有的年輕職員總是畏懼他。今天他的無禮、粗暴、傲慢,使我非常想了解他為何這麼做。
事後,幾個人前來感謝我站出來發聲,表示他們也有同感但沒有勇氣對評審、主辦單位反應這些評議、授權機制的問題。其中一位新北市政府承辦人說,她也對藝術家被對待的方式感到難過。
我不懂為什麼人們不為彼此挺身而出。台北市的社會已經失去它的功能,在藝術領域更是嚴重。
身為一個理應支持與保護藝術的機構,不論在文化或專業上,今天他們都完全失格。這一切看起來像是一個考一條狗、一隻貓、一隻鳥和一尾魚去爬樹一樣的荒謬。
我留給了他們我的聯絡資訊,他們說他們會聯絡我,如果他們沒這麼做,這可以是我下一部電影的標題《一部關於那些帶著希望與期待的表演者被如何對待的紀錄片》。
我非常的憤怒,我真的希望能夠改變他們對藝術膚淺的觀點。
翻譯William Lu文章
中文翻譯來自 黃翊
https://www.facebook.com/huangyimoving/posts/1727036437312305
謝謝大家關注這個議題,我剛剛把評審的照片拿掉了,原因是我希望大家不要將這位評審當成壞人,而也我們把焦點專注在這個事件上,而不是人身上,我們才能真正長期的改善這個問題.因為我不會中文,所以我會和我的夥伴們一起再產出一篇更詳盡完整的中文文章,屆時也煩請大家一同關注,讓台灣的藝術環境更好,最好也謝謝幫我翻譯以下文章的朋友,我非常訝異這篇造成的影響力,感謝你們!
I CAUSED A SCENE TODAY IN THE PUBLIC
Today I got very angry and upset for the first time in public in front of a crowd.
What started out as a nice day, I thought it would only get better by attending the street performance artist's exam in Taipei. Everything seemed nice when I saw the performers were all prepared in their provided locations around the Sun Yat Sen Memorial Hall. But after I saw the head of the judge panel treated the street performers while performing, I couldn't keep my mouth shut.
Let me explained: each performer had to pay to register for the license exam. They were given 3 minutes to present their work(s) hoping they'd get a lisence so they can earn some sort of living from their passion. This one particular judge (pictured) leading the group seems impatiently listen and watch the street performers. It barely hit the one minute mark, he aggressively cut into the song of a singer and told the performer "many singers sing in different languages like English etc, sing in another language!"(I paraphrased with my bad Chinese translation). Then the singer started singing in Taiwanese language. But barely two sentences, he talked to another judge barely paying attention to the performer this head judge basically just left and gestured to the rest of the group to follow him.
The singer sang barely a minute and a half (they were promised 3 mins and they kept being interrupted by this judge). Bare in mind, this judge is earning a wage while these hopeful performers were paying him to be there. He basically did the same thing over and over again disregarding the artist's intent and hard work. Not a single word of appreciation. He just acted as he was a big boss looking down on these petty performers. He chatted as he wished and walked away without saying a "thank you" or a gesture of acknowledgement. A percussionist kept being interrupted asking him to do something different. Then he just left after the third time. The rest of the judges just followed.
So, i approached him politely asking for his name and his business card. I told him I wanted to talk to him one on one in the future. Degradingly he asked me who I was. I could see in his eyes that he saw a young man who looked like a student to him. But I was not and am not. I am a 40 year old dance artist, filmmaker and educator that have taught around the globe and in many prestigious colleges and festivals.
He didn't want to give me his business card. He seemed annoyed and surprised that someone spoke up. So I said I can give him my contact info but we needed to talk on how the exam went.
The way Taipei city exams the performers today was both disrespectful and insulting to the arts community in general. I didn't want to say this all out. But he left me with no choice.
I told him, for one, the way he treated the performers was disrespectful. As an educator I could not be quiet when I see something like that. Second, the process of the exam is not doing the art community any justice. If he cannot see the artists as a human being first, then what does it say about his view on the Arts. I could see him pissed off. But again he left me with no choice. He was very degrading towards these performers. As an artist myself and an art advocate I had to do something.
The organizer apologized to me said the process needed to go on. I told him I wasn't trying to stop them. I merely want to know how I could get in touch with them to discuss this. If you know me well enough, you should know my temperament. I am a happy go lucky person. I almost never get angry in the public. But it was genuinely insulting and degrading to every artists based on what I saw today.
This arrogant judge didn't care of my opinion. I could see it in his eyes. He was basically the superior in his world and his way was the right way. That's how he had always done it. All the young staffers there were afraid of him. Today he was disrespectful, rude, and arrogant. I really want to know why he does what he does.
After the incident, a few people came up and thanked me for speaking up. They felt the same way but they didn't have the courage to say it to this judge or the organization that issues these licenses. One organizer from the New Taipei City said even she felt bad seeing how the performers being treated.
I don't understand why people don't stand up for each other. The Taipei City has failed their community and even more so to their arts community.
For an organization that is supposed to advocate for the arts, culture and authenticity, they did miserably today. It is like giving an exam to a dog, a cat, a bird and a monkey then telling them that their exam is climbing a tree. It's absolutely ridiculous.
I left them my contact information. They said they will contact me. If they don't, this could be an interesting subject for my next film project. A documentary on how these hopeful, aspiring performers being treated.
I am mad and I am angry. I really hope they will change their shallow way of seeing Arts.
P.S. Share or repost in Chinese. They need to change. Thanks.
台北國際藝術村-寶藏巖 Taipei Artist Village-Treasure Hill
Taipei National University of the Arts
臺北表演藝術中心 Taipei Performing Arts Center
National Theater and Concert Hall, Taipei
中正紀念堂 Chiang Kai-shek Memorial Hall
National Taiwan University of Arts
keep contact中文 在 CH Music Channel Youtube 的評價
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作曲:澤野弘之
編曲:澤野弘之
歌:SawanoHiroyuki[nZk]:Tielle & Gemie
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https://www.facebook.com/chschannel/
背景連結 / Background Album :
https://imgur.com/a/DNjbj
日文歌詞 / Japanese Lyrics :
Time has come to listen to the crying of their puppet souls
君がそんなにもっと楽をして
行き詰まった未来と合図
Words are strong, heart is dropped, scatter around and falls
偽りのcontact-everything
誘い込んだ傷が混ざる
誰も忘れた悲しみが fall out
偽名はただ凍る 希望のジレンマ
息削ぎ落とす行動も抑える
そう解っている答えなど捨ててしまえ
Yeah get started breaking the row
See how it spreads out
It's beyond full realization
Yeah get started re-creating the world
Take my hands till the end
feel this raw emotion
bring it on down rock rock rock
shake it up up tap top top
cuz I know how to shout out my soul
bring it on down rock rock rock
shake it up up tap top top
cuz you know how to shout out your soul
I've got a feeling. You must let me go
I wanna keep my faith forever
Words are alive, supporting us, connecting with the souls
I'm gonna fight them all to let you go
I wanna seek my way to answer
Words are alive, supporting us, connecting with the souls
You know what? We look up to the sky, count on it.
And halos in the clouds light me up. Then I awake
In the heat, get fired up. You'll call my name
Yeah get started breaking the row
See how it spreads out.
It's beyond full realization
Yeah get started re-creating the world
Take my hands till the end
feel this raw emotion
bring it on down rock rock rock
shake it up up tap top top
cuz I know how to shout out my soul
bring it on down rock rock rock
shake it up up tap top top
cuz you know how to shout out your soul
偽名はただ凍る 希望のジレンマ
息削ぎ落とす行動も抑える
そう解っている答えなど捨ててしまえ
Yeah get started breaking the row
See how it spreads out.
It's beyond full realization
Yeah get started re-creating the world
Take my hands till the end
feel this raw emotion
bring it on down rock rock rock
shake it up up tap top top
cuz I know how to shout out my soul
bring it on down rock rock rock
shake it up up tap top top
cuz you know how to shout out your soul
Time has come to listen to the crying of their puppet souls
中文歌詞 / Chinese Lyrics :
該是時候傾聽他們傀儡般的靈魂發出的號哭──
你只想著更多那樣子的輕鬆
在未來與信號的面前無路可逃
強大的言詞令心逐漸沉淪,支離破碎墜入深淵
世間萬物皆為鏡花水月
誘引著妳陷入傷痛之中
被所有人忘卻的悲哀逐漸墜落
虛假的名字已然冰封 希望的曙光進退兩難
屏住呼吸,抑制行動
將握有的答案悉數捨棄……
以亂入衝突的方式拉開序幕吧
看清楚它如何蔓延的
這將凌駕於森羅萬象之上
開始重新創造這個世界吧
牽起我的手直到最後
感受這份赤裸的新生情感
用越來越激烈的方式擊墜一切吧
撼動世界,直到極限
因為我知道如何嘶吼出我的靈魂
用越來越激烈的方式擊墜一切吧
撼動世界,直到極限
因為妳知道如何吶喊出妳的靈魂
我蒙獲恩寵。妳得讓我走
我只渴望永遠堅持我的信念
言詞是有生命的,支持著我們,連結起眾生的魂魄
我將與千軍萬馬為敵,只為拯救妳
我只渴望找到屬於我的答案
言詞是有生命的,支持著我們,連結起眾生的魂魄
你懂什麼?我們仰望蒼穹,遙寄祈禱
而高高在上的榮光將為我指引明路。我隨之清醒
在兵荒馬亂之中,讓戰爭越演越烈。妳將呼喚我的名字──
以亂入衝突的方式拉開序幕吧
看清楚它如何蔓延的
這將凌駕於森羅萬象之上
開始重新創造這個世界吧
牽起我的手直到最後
感受這份赤裸的新生情感
用越來越激烈的方式擊墜一切吧
撼動世界,直到極限
因為我知道如何嘶吼出我的靈魂
用越來越激烈的方式擊墜一切吧
撼動世界,直到極限
因為妳知道如何吶喊出妳的靈魂
虛假的名字已然冰封 希望的曙光進退兩難
屏住呼吸,抑制行動
將握有的答案悉數捨棄……
以亂入衝突的方式拉開序幕吧
看清楚它如何蔓延的
這將凌駕於森羅萬象之上
開始重新創造這個世界吧
牽起我的手直到最後
感受這份赤裸的新生情感
用越來越激烈的方式擊墜一切吧
撼動世界,直到極限
因為我知道如何嘶吼出我的靈魂
用越來越激烈的方式擊墜一切吧
撼動世界,直到極限
因為妳知道如何吶喊出妳的靈魂
該是時候傾聽他們傀儡般的靈魂發出的號哭──

keep contact中文 在 Lukas Engström Youtube 的評價
Welcome to a NEW type of videos on this channel where I'll (try to) regularly update you all with Taiwan News and talk about the days that have passed. Unsurprisingly, this week has solely been focused on COVID-19. However, as there already is a significant amount of videos out there talking about the situation in Taiwan, we wanted to turn it around and inform the Taiwanese audience how the situation looks like in other parts of the world.
Thank you all so much for watching and please note that we'll keep the tone a lot lighter in future videos. So don't forget to subscribe to all our channels to show your support and to stay updated for more Taiwan News!
元元 (Francois Devatine): https://www.youtube.com/user/Fruncoyy
Wes Davies: https://www.youtube.com/channel/UCB29YwVijDL98e3cESRzWBA
Do you want to see MORE videos like this one? Please consider supporting me on Patreon as all my income will go directly back into the channel and cover either future travels or other resources: https://www.patreon.com/LukasEngstrom
Want to see photos from our adventures before everyone else and/or suggest what I should check out next?!
Please follow me on:
Facebook: www.facebook.com/LukasTaiwan
Instagram: www.instagram.com/LukasEngstrom
Business inquiries:
中文/English
創作者經紀人/Contact person: - Maggie
Line ID: @rog8149u
Email: lukas@ruredi.co
All music from Epidemic Sound: http://share.epidemicsound.com/DlqDP
The following is the gear I’m using when making my videos. I’m part of Amazon Services LLC Associates Program which means that I will get a small commission if you purchase anything via my links. Any commission I’ll be getting will go straight back into buying new gear for my future videos, so any sort of support is highly appreciated!
MAIN GEAR:
Insta360: https://www.insta360.com/sal/onex_real_estate_kit?insrc=INR0P5F
Camera: Canon EOS R: https://amzn.to/2CAybbh
Lens: Canon RF 24-70mm F2.8 L IS USM: https://amzn.to/34RDy1V
Insta360 One X: https://amzn.to/2KfwBjd
Tripod: JOBY GorillaPod 5K Kit: https://amzn.to/36VxMhy
Microphone: RØDE VideoMic Pro+: https://amzn.to/2Tg9mbx
Drone: DJI Mavic 2 Zoom: https://amzn.to/2Sak4CX
Mavic 2 Fly More Kit: https://amzn.to/2TlpLLT
Gimbal: DJI Ronin-S Handheld 3-Axis: https://amzn.to/2NG4L20
2x SanDisk Extreme Pro Memory Card (128GB): https://amzn.to/2Oi0CQX
Bag: Lowepro ProTactic BP 450 AW II:https://amzn.to/2NDbCsN
BACK-UP GEAR:
Camera: Canon M50: https://amzn.to/2Tf998r
Lens: Canon EF 24mm f/1.4L II USM: https://amzn.to/2O0a62Y
Lens: Canon EF 50mm f/1.8 STM https://amzn.to/2O5DJA0
Lens: Canon EF-S 10-18mm f/4.5-5.6 IS STM: https://amzn.to/2X88oR7
Canon EOS M Mount Adapter: https://amzn.to/2O1jH9I
Canon EF-EOS R Mount Adapter: https://amzn.to/2NDak0V
JOBY Gorillapod 3K: https://amzn.to/2S3GQfR
OTHER GEAR:
ADATA SD600Q SSD (240GB): https://amzn.to/2Wp28Tf
ADATA D8000L LED Power Bank: https://amzn.to/34MrlLY
Transcend ESD240C Portable SSD (480GB): https://amzn.to/2X5L7xW
Transcend ESD350C Portable SSD (480GB): https://amzn.to/32LBzeg
Transcend StoreJet 25MC HDD (1TB): https://amzn.to/2KekmUd
Transcend 128GB microSD: https://amzn.to/2tCkOmw
MacBook Pro 15” - TouchBar: https://amzn.to/2p7rSsy
Asus VP28UQG 28" 4K/UHD monitor: https://amzn.to/2CE5eeI
Special thanks to STC for helping me out with filters:
STC website:https://stcoptics.com/en/
STC Facebook:https://www.facebook.com/STCOptics/
CPL:https://stcoptics.com/en/shvcpl/
VND:https://stcoptics.com/en/vnd/
ICELAVA:https://stcoptics.com/en/icelava/
E-shop:https://shop.stcoptics.com/

keep contact中文 在 I'm Jonas Youtube 的評價
為什麼我要回來台灣? | Why am I coming back to Taiwan? | Life in Taiwan #18
上個禮拜我們回來台灣. 我們都很喜歡歐洲, 可是我們都想回來台灣. 這是我第二次說中文的影片!
Time for a new movie in the series of my Life in Taiwan! Finally! Once again I wanted to make it special by doing it in Chinese! I realize that this might not be very entertaining for some people, and that my Chinese is not amazing, but for me it felt very important to keep trying to make videos in Chinese. I hope you like it!
Thank you to Charlie and Peggy for helping me with corrections of my Chinese. Thank you to Helene for some help with recording!
Charlies youtube channel:
https://www.youtube.com/watch?v=laNwzKywzqA
Thank you for watching! The more views/likes/shares the more time I can devote into making good videos. Thank you all!
Youtube: http://bit.ly/1nTklXP
Instagram: www.instagram.com/jonas.tjd
Contact: Jonas.In.Taiwan@gmail.com
Also, the background music is once again by me :).

keep contact中文 在 Just Keep Falling - Line Dance (Dance & Teach in English ... 的八卦
... <看更多>