【だからキミは負けるんだ】
今日は、仕事のノウハウみたいなではなくて、僕が今、一番熱を入れている映画『えんとつ町のプペル』のお話をしたいと思います。
僕は、もともと漫才師としてスタートして、漫才を書いていて、自分を育ててくれた師匠と呼べる人が「後藤ひろひと」という劇作家ですから、舞台の脚本も書いていて……
そこから絵本作家に転職して、絵を描いて、ストーリーを描いて、で、絵本の曲も作るんですね。
あの「♪ハロハロハロハロウィン」って曲を作った人です。
https://youtu.be/Rihe2JOyLQA
劇場の楽屋に小道具のギターがあるもんですから、空き時間に触っているうちに、ギターが弾けるようになりました。
ちなみに、次々回作の絵本『夢幻鉄道』のテーマソングもいいのが作れたので、YouTubeで検索してみてください。
https://youtu.be/PkoCXybjrrw
そんな感じで仕事をしているので、映画『えんとつ町のプペル』における僕の役割は、「原作・脚本・製作総指揮・宣伝・作詞作曲」という忙しいことになっています。
このことを受けて、時々、「ゴーストライターがいるんでしょ!」と時々言われるんです(笑)
これに関しては、「西野がこんなに素晴らしいものを作れるハズがない」という意味なので、褒め言葉でしかないのですが、残念ながら、僕、ゴーストライターなんていないんです。
分業している場合は、「分業しています」と公表しています。
その方がいいんですよ。
いろんなクリエイターさんに「西野の仕事に参加したい」と思ってもらった方が得なので、絶対に、その人の名前を出す。
出さない場合もありますが、それは出すべきではない場合です。
たとえば、三日前にYouTubeチャンネルにアップした『えんとつ町のプペル』の動画の備考欄には、歌詞の他に、「歌、作詞作曲、編曲、振付」のスタッフの名前しか入っていません。
照明さんや美術さんや衣装さんの名前は入っていないんですね。
あくまで、あそこは音楽に関する情報を載せる場所として位置付けているので。
関わったスタッフの名前を全員書いてしまったら、80人ぐらいになっちゃう。
ああいった、いわば「CM」の場合は、基本、スタッフの名前は載せません。
テレビCMの最後に「ディレクター=○○」と出ないのと同じです。
ただ、ストーリーを書いたり、音楽を作ったりする場合、僕には「ゴーストライター」と呼ばれる人はいません。
珍しいパターンだと思いますが、こと「ビジネス書」においても、僕はライターを雇っていません。
自分で書いた方が圧倒的に早くて、自分の仕事が減るからです。
パフォーマンスでも何でもなくて、5万部売れるビジネス書でよければ、5〜6時間で書けます。
すでに自分の中にある体験と考察を文字起こしするだけなので。
「キー!」となるかもしれませんが、「ゴーストライターだろ!」と言っちゃたり、思っちゃったりする人が、コンパしたり、ナンパしたり、家族旅行に行ったり、ワイドショーを観てタレントの不倫にとやかく言ったり、何も考えずにボケーっと受験勉強している間、僕は、一つでも踏み誤ると死んでしまう戦場でずっと戦ってきました。
かれこれ20年ほど、平均労働時間は19時間です。
でもって、この20年というのは、「勝ちパターンを捨て続けた20年」で、コツを掴んだ職は、どんどん捨てて、新しい領域に挑戦し続けた20年です。
なもんで、能力と知識量に圧倒的な差が生まれるのは当たり前の話で、僕は「努力は報われる」ということを言っていきたいので、ここは隠したくありません。
反則技を使っているわけでも何でもなくて、「キミの1000倍努力してるから、キミの1000倍の結果を出しているんだよ」というだけの話だと思っています。
そして、この現実を受け入れず、「いやいや、ドーピング的な…何か特別な力が働いているに違いない」という思ってしまっているうちは、一生始まらないまま人生が終わっちゃうので、それが嫌なら受け入れてください。
「僕、こんな努力をしてますよ」と自分から言う奴、なかなかいないと思うのですが、いい機会なので言っておきます。
今日も映画『えんとつ町のプペル』のアフレコがあるわけですが、そこでは、声優さんから質問があったり、「ここは、こんな感じでお願いします」と指示を出さなきゃいけない。
なので、家で「指示を出す練習」をしていくんです。
自分も、実際にやれるようにしておく。
たとえば…
「えんとつ町は煙突だらけ。
そこかしこから煙が上がり、頭の上はモックモク、黒い煙でモックモク。
朝から晩までモックモク。
えんとつ町に住む人は黒い煙に閉じ込められて、青い空を知りやしない。輝く星を知りやしない。
見上げることを捨てた街で、一人の男が上を見た。
町を覆った黒い煙に、男が想いを馳せたのは、酒場で出会ったお喋りモグラが聞かせてくれた夢物語。
煙の向こうの世界の話。光り輝く世界の話。
ありやしないと思ったが、全くないとも言い切れない。
なぜなら誰も行っていない。答えは誰も持っていない。
それから男は日ごと夜ごと、煙の向こうの世界の話を、何度も何度も叫んだが、バカだバカだと囃されて、ホラ吹きものだと切り捨てられた。
男が一体、何をした。
男が誰を傷つけた?
そこに理由はありゃしない。
見上げることを捨てた町では、『目立たぬように』の大合唱。
見上げることを捨てた町では、夢を語れば笑われて、行動すれば叩かれる。
黒い煙は町を飲み込み、一縷の光も許さない。
黒い煙は人を飲み込み、あらゆる勇気を認めない。
それでも男は声をあげ、震える膝をひた隠し、船に乗り込み海にでた。
暗くて怖い海にでた。
誰もいない海にでた」
これは主人公の少年の父親が、自作の紙芝居を披露するシーンのセリフなのですが、今、僕は何かを見ながら書いたわけではなくて、これぐらいは暗記してるんです。
指示を出す人間として、これぐらいは。
これって、「何回もやっているうちに覚えた」という類のものなので、才能とかセンスじゃないじゃないですか。
これがプロです。
もし良かったら、一度、僕の会社のインターン生にでもなって、僕の近くで、僕の仕事を見てみてください。
たぶん、絶望すると思います(笑)
先ほども申し上げましたが、「努力がモノを言う」というところを伝えていきたいので、今後も、この部分は包み隠さず、積極的に頑張ったアピールをしていきたいと思います。
そうそう。
映画公開は12月25日なのですが、12月25日の夜に、YouTubeの生配信をして、映画をご覧になられた方に向けて、「あそこのシーン、実は○○なんだよ」という話をしたいので、映画は初日に観に行ってください。
今のうちに、12月25日のスケジュールに印を入れておいてね。
それでは、映画『えんとつ町のプペル』のアフレコに行ってきます。
▼西野亮廣の最新のエンタメビジネスに関する記事(1記事=2000~3000文字)が毎朝読めるのはオンラインサロン(ほぼメルマガ)はコチラ↓
https://salon.jp/nishino
That's why you lose.
Today, it's not like work know-how, but I would like to talk about the movie ′′ a in the town ′′ that I'm in the middle of the day, and I'm going to have a good time.
I was originally a manzai teacher, writing a manzai, and a master who raised me is a playwright called ′′ goto hiroto...... so I also wrote the script of the stage......
I'm going to change my job to a picture book writer, draw a picture, draw a story, and make a picture book song too.
This is the one who made the song. Hallo Halloween ′′
https://youtu.be/Rihe2JOyLQA
There's a prop guitar in the theater dressing room, so I can play guitar while I'm touching the free time.
By the way, I was able to make a theme song for the picture book ′′ Phantom Railway ′′ which was made one after another, so please search for it on Youtube.
https://youtu.be/PkoCXybjrrw
I'm working like that, so my role in the movie ′′ a in the town ′′ is going to be busy called ′′ Original Script Production General command promotion lyrics,"
Sometimes it's said that sometimes," there's a ghost writer!" lol
As for this, it means ′′ Nishino can't make such a wonderful thing," so it's only a compliment, but unfortunately, I don't have a ghost writer.
If you are in the middle of labor, you are publishing ′′ division of labor,"
It's better to be.
It's better to have a lot of creators think ′′ I want to participate in nishino's work so I'll definitely name the person.
Sometimes you don't put it out, but it's if you shouldn't put it out.
For example, in the notes section of the video of ′′ a no-′′ that I uploaded to the youtube channel three days ago, besides the lyrics, there is only the name of the staff of ′′ songs, lyrics, arrangement, choreography ′′ I'm sorry.
There is no name of lighting, art, or costumes.
It's just that it's a place to put information on music.
If you write all the names of the staff involved, it will be about 80 people.
Oh well, so in case of ′′ cm I don't put the name of the basic, staff.
At the end of the tv commercial, ′′ it's the same as not going out with director.
It's just that if you write a story or make music, I don't have anyone called ′′ Ghost writer
I think it's a rare pattern, but even in the ′′ business book I don't hire a writer.
It's more overwhelming to write yourself, because my work is reduced.
If you don't have a performance or anything, you can write it in 5 TO 6 hours if you don't mind a business book that sells 5 million
I'm just going to make a character of my experience and thoughts already in my own.
It may be ′′ key!" but," it's a ghost writer, and people who think about it, are compound, flirting, family trip, and watch the shows. I've been fighting for a battlefield where I'm going to die when I'm talking about talent adultery, and I'm studying the exam without thinking about anything.
It's been about 20 years, average working time is 19 hours.
So, this 20 is," 20 years that I've been throwing away the winning pattern," and the job that grabbed the trick is more and more throwing away, and it's been 20 years since I've been trying to challenge the new area I'm sorry.
So, it's obvious that the overwhelming difference in the ability and knowledge is born, and I want to say that ′′ effort is rewarded so I don't want to hide it here.
I'm not using a foul trick, but I'm just saying that I'm trying twice as hard as you, so I'm going to have 1000 times the results of you," I'm sorry.
And I don't accept this reality," no no, it's doping... I think something special is working... my life is over without starting for a lifetime. So accept it if you don't like it.
I don't think there's a person who says ′′ I'm doing this kind of effort but I'm going to say it because it's a good opportunity.
There is also a recording of the movie ′′ a in the town ′′ today, but there is a question from the voice actor, and I have to give instructions that ′′ I'm going to have a good time here,"
So I'm going to do ′′ practice to instruct ′′ at home.
I will actually be able to do it.
For example...
′′ A town is full of chimney.
Smoke from there, moc mok on my head, black smoke and moc mok.
Moc. from morning to night.
People who live in a town are trapped in black smoke and don't know the blue sky. I don't know the shining stars.
In a city that abandoned looking up, one man looked up.
The Black smoke that covered the town, the man made his thoughts on the dream that the heyyy mole I met at the bar told me.
The story of the world across the smoke. The story of the shining world.
I thought it wouldn't be, but I can't say it at all.
Because no one has gone. No one has the answer.
Then the man shouted over and over again, day and night, the story of the world across the smoke, but he was told that he was stupid, and he was cut off as a hola.
What the hell did a man do?
Who did the man hurt?
There is no reason there.
In the town that abandoned looking up, a big choir of ′′ conspicuous,"
In a town that abandoned looking up, if you speak your dreams, you will be laughed, and if you act, you will be slapped.
Black smoke swallows the town and doesn't allow the light of all times.
Black smoke swallows people and doesn't acknowledge every courage.
And yet the man gave a voice, trembling his knees, and he got into the ship and went to the sea.
It was in a dark and scary sea.
I was in the sea with no one ′′
This is the line of the scene of the protagonist boy's father showing off his own kamishibai, but now I didn't write it while watching something, and I'm memorizing this much.
As a person who gives instructions, this is so much.
This is the kind of thing that ′′ I remembered while I've been doing it many times," so it's not talent or sense.
This is the professional.
If you'd like, once you'd like to be my company intern student, near me, take a look at my work.
I think I'm probably going to despair lol
I said it earlier, but I want to tell you that ′′ effort is saying things," and in the future, I would like to make an appeal that I have been actively working hard.
That's right.
The movie is on December 25th, but on the night of December 25th, I'm going to have a live broadcast on Youtube, and I'm going to have a good time with the movie," the scene over there, actually ○○ I want to talk about ′′ what is it so go see the movie on the first day.
While you're in the middle of the day, mark your schedule for December 25th.
Well, I'm going to go to the recording of the movie ′′ a in town ′′
▼ an article about the latest entertainment business of ryo nishino (1 articles = 2000 to 3000 characters) can be read every morning online salon (almost mail magazine) is here ↓
https://salon.jp/nishinoTranslated
同時也有2部Youtube影片,追蹤數超過30萬的網紅Micaela ミカエラ,也在其Youtube影片中提到,My mom told me to make a video. I always do what Mommy tells me to. http://ciaela.wordpress.com -- Blog (Updated!) http://www.facebook.com/ciaela -- ...
i'll make a man out of you歌詞 在 熊仔 Facebook 八卦
好文推 #學院派
【台大嘻研知識專欄 - 嘻哈與女性】
嘻哈文化長久以來,往往被視為陽剛的、雄性氣概濃厚的,而此形成原因牽扯甚廣,從美國黑人自身文化中觀之,政治、經濟等社會因素的相對弱勢,整體社會的財富分配不公,亦者殖民壓迫經驗的積累,這都可作為黑人婦女在其社會群體中地位低落的成因。筆者始終相信嘻哈文化在萌芽階段,很大程度地即是黑人文化的縮影投射。那若我們欲了解女性在嘻哈社群的角色定位,那勢必得先理解後殖民女性主義的一支派─黑人女性主義(black femnism)。
黑人女性主義同時承繼了後民權運動以及第二波女性主義浪潮的影響,關注於理解黑人女性其公領域的社經地位和私領域的家庭關係所受之侵犯和壓迫。並倡議黑人女性所面臨的困境與白人女性之女權主張有著結構性的差異。讓我們回憶一下,十八世紀末至十九世紀初興起,以Mary Wollstonecraft和Margaret Fuller為代表的第一波女權運動,追求的是女性之婚姻自由、經濟獨立、以及之後的投票權力等等。但對於第三世界或是各國少數族裔的女性來說,前者所遺留下的平權追求,早為更高層次的父權資本主義體系收編,已然成了白人壓迫另一形式的轉換。白人(或者該說第一世界)女性主義往往側重於性/別分析的理論探究,並以性別抗爭為思考主軸,而忽略當地特定的殖民政治經濟脈絡。這也意味著,第三世界的女性主義者思考的不單純只是性別資源分配上的不均或是各體制中男女間的不平等,而更在意跨國權力結構中種族、殖民、資本主義等強弱關係對女性所造成的衝擊。而我們所在意的黑人女性主義在美國之歷史發展脈絡,即根源自黑人民權運動學生組織SNCC(Student Nonviolent Coordinating Committee)裡頭性別間的壓迫以及因草根對抗立場的分化而生。
回到黑人社群中的婦女壓迫,有一說為黑人普遍知識水平低落造成對女性的輕視(ˊ_>ˋ)但若真是如此,那為何直至今日如白人女星Emma Waltson仍在倡導女性培力?另一更具說服力的說法,則是長期的被奴役歷史之下,為對殖民壓迫的反抗亦者說是建構自身更為堅實的文化,需要更多英勇的水牛戰士(Buffalo Soliders)[1]因此變得極度崇陽。且同時完成其強大的社群(家庭)想像,故也同樣地極度反同,排斥一切會破壞群體強大的可能性存在。以上說法當然見仁見智,但我們必須理解的是,壓迫的主要系統事實上即是環環相扣的,種族平等和性別平等之間的交叉性,往往有很多我們所忽視,得以綜合分析和實踐的發展可能。而從早年的Beverly Smith、Barbara Smith、Anne Moody,或是到今日仍舊活躍的Angela Davis等黑人女權運動的要角,自七零年代短暫籌組「全國黑人女權組織」(National Black Feminist Organization)起,仍舊不斷對黑人女性在社經困境、墮胎權爭議、以及家庭支援等各方議題投以關注。而她們的高聲疾呼,也影響了八零嘻哈世代興起時眾家女性歌手的思想形塑。
而當我們把注意力移到黑人女性在演藝事業上的展演,我們也必須很審慎地認知到,在螢幕上或是大眾傳播所製造的黑人女性形象,是整個主流社會階層(白人男性群體)為鞏固其優勢地位,並維繫其權力實踐空間,所塑造的特定刻板形象,並加諸於黑人婦女之上。這些控制性質的圖象,多會建立起性別歧視、種族歧視、和貧困形象,使人們將此類不正義視為理所當然、普通、無法避免且合乎道德的日常生活現象。支配往往也包含著定義其從屬團體,創造出一種被社會廣泛認定的既定印象,不僅是優勢群體接受這套想法,而更重要的是,使弱勢從屬團體也同樣地將此認知內化,投射於己身並貶抑自我的主體性。但撇開諸多大眾傳播有意識地性化黑人女性個體,在嘻哈音樂之中,仍有為數不少的黑人女性饒舌歌手,用自身的文字、歌唱技巧、以及舞台魅力成功奪回為男性所把持的麥克風,以及消音已久的話語權。
南佛羅里達大學教授Aisha Durham將這些女性饒舌歌手的作為定義為:「一根基於後民權運動的黑人女性情境知識,並認知其(嘻哈)可作為文化干預、對抗並動員挑戰體制的社會文化、思想、政治行動。」[2]說來饒口,直白而言,即是以流行文化挑戰舊有政治權力空間,並且同時建立一多層次文化的邊緣空間,一個以黑人女性為主體而不為侵犯的空間想像。某種程度上來講,這樣的文化挑戰反倒坐實了人們對於嘻哈文化厭女、或是性化女性的想像,換言之,此類遊走大眾尺度邊緣(白人父權體制對於女性主義反撲的容忍)也更加有效且充滿力量。
以下將介紹幾位著名的女性饒舌歌手及其經典代表作品。
Queen Latifah - U.N.I.T.Y.
https://www.youtube.com/watch?v=f8cHxydDb7o
說到經典的女權饒舌歌曲,當然首推Queen Latifah於1993年推出的〈U.N.I.T.Y.〉!唱而優則演,現在也是好萊塢一線巨星的Queen Latifah曾以此首單曲獲得1995年葛萊美最佳饒舌獨唱。而近日筆者印象最深的一次演出,則是其於2014年諾貝爾和平獎頒獎典禮也因馬拉拉的獲獎,而重新演繹此曲。[3]歌詞中出現:
“Every time I hear a brother call a girl a bitch or a ho
Trying to make a sister feel low
You know all of that gots to go”
“A man don't really love you if he hits ya
This is my notice to the door, I'm not taking it no more
I'm not your personal whore, that's not what I'm here for
And nothing good gonna come to ya til you do right by me
Brother you wait and see (Who you calling a bitch?)”
歌詞淺顯易懂就不多做翻譯,鼓勵女性同胞擺脫男人的貶抑,並藉著副歌中不斷吟詠的「U.N.I.T.Y~ U.N.I.T.Y~ that's a unity」呼籲女人們應當團結自主。
Lauryn Hill - Doo-Wop (That Thing)
https://www.youtube.com/watch?v=T6QKqFPRZSA
嘻哈女神!傳奇黑人樂團The Fugees的主唱,但最為臺灣人知應是其於1993年參與演出的《修女也瘋狂2》。本身即相當關心黑人社會議題的Lauryn Hill,於其1998年首張個人專輯中,也是目前唯一的一張專輯中(悶啊!)推出了〈Doo-Wop (That Thing)〉,並在此之中點出不論男性或女性自身,也都受社會文化影響,而貶抑女性。並替被男性傷害而失去自我的女性發聲。此曲也讓她獲得1999年葛萊美最佳節奏藍調女歌手,以及最佳節奏藍調歌曲。
"Babygirl, respect is just a minimum
Niggas fucked up and you still defending them
Now Lauryn is only human
Don't think I haven't been through the same predicament
Let it sit inside your head like a million women in Philly, Penn.
It's silly when girls sell their soul because it's in"
Salt-N-Pepa - None Of Your Business
https://www.youtube.com/watch?v=_Q96-e042bk
再來是筆者私心很欣賞於九零初相當活躍的女子饒舌團體─Salt-N-Pepa,她們推出過許多具有前衛女權思想的作品。像是這首〈None Of Your Buisness〉即挑明針對那些對女性自主性行為的批判:「如果我周末想帶一個男人回家,那不關你的事!」為女性的情慾自主做最強力的辯護。
"If I wanna take a guy home with me tonight
It's none of your business
And she wanna be a freak and sell it on the weekend
It's none of your business
Now you shouldn't even get into who I'm givin' skins to
It's none of your business
So don't try to change my mind, I'll tell you one more time
It's none of your business"
除此之外,Salt-N-Pepa於1991年的單曲〈Let’s Talk About Sex〉,正如歌名,在歌詞中大方討論性話題。並主張性不應該是個大眾話題的禁忌,人們必須正視它的存在、它的美好。但更重要的是,在歌詞的最後一段中,她們更是提到了安全性行為─保險套的必要。你能夠想像二十五年前竟然有如此思想前進的女子饒舌團體嗎?
https://www.youtube.com/watch?v=ydrtF45-y-g
“Let's talk about sex for now
To the people at home or in the crowd
It keeps coming up anyhow
Don't decoy, avoid, or make void the topic
Cause that ain't gonna stop it”
“As a matter of fact, sometimes it’s like that
But anyway, ready or not, here he cums
And like a dumb son-of-a-gun, oops, he forgot the condoms
“Oh well,” you say, “what the hell, it’s chill
I won’t get got, I’m on the pill"
Until the sores start to puff and spore
He gave it to you, and now it’s yours”
上述只舉了幾名相對早期,但也極具代表性的女性饒舌歌手及其作品。當然還有許多像是Missy Elliott、MC Lyte、TLC、還有Eve等舉足輕重黑人女性饒舌的先驅。到了今日二十一世紀的第二個十年,女性的聲音無論是在嘻哈,還是各個領域之中皆日益更被重視。近代女性饒舌歌手更是輩出,而關注女權議題的亦不在少數。譬如:
Azealia Banks的〈212〉
https://www.youtube.com/watch?v=i3Jv9fNPjgk
Angel Haze的〈Cleaning Out My Closet〉https://www.youtube.com/watch?v=olBOFLqEREI
Nicki Minaj與Beyoncé合作的〈Feelin' Myself〉
https://www.youtube.com/watch?v=0Kg9xRooTVk
而這批新生代的女性饒舌歌手因隨著資訊爆炸的年代躍上全球視野,而所關注的議題也與上段的前輩們有所差異。更多的LGBT議題,或是更赤裸更真實的情慾表現,嘻哈圈也同樣反映了女性主義理論流派的演進。
綜合上述,黑人女性在其生活經驗中遭遇到的挫折與困境,可謂種族與性別的交疊。而嘻哈作為一文化政治介入的倡議利器,許多女性歌手抓住倏忽即逝的麥克風並且緊握不放,疾呼出女性內心世界的憤怒和情感。對她們而言,這些機會是得來不易的,但對整個嘻哈社群來說亦然。我們受夠了大量雄性氣概的展現;我們也聽盡、厭煩了貶抑婦女的歌曲。我們滿足了大眾對於嘻哈文化的陽剛想像,也同樣滿足了自身慾望的延伸。如果你真誠地在意嘻哈、喜歡嘻哈,亦者希望它的好能為更多人所見。我想你首先該做的,當是謙卑地認知到,嘻哈的過去、嘻哈的真實、以及嘻哈的醜惡。
Peace out!
[1] Buffalo Soldiers為美國原住民給予美國陸軍第十騎兵團中的黑人騎兵暱稱,美國國會後來亦成立全黑人編制的軍團,因此此稱號成了所有黑人編制軍隊的同義詞。1983年Bob Marley的〈Buffalo Soldier〉,將此稱呼引申比喻為剛毅堅勇、具高尚人格、對抗不義的黑人鬥士。
[2]” a socio-cultural, intellectual and political movement grounded in the situated knowledge of women of color from the post civil rights generation who recognize culture as a pivotal site for political intervention to challenge, resist, and mobilize collectives to dismantle systems of exploitation."
[3] https://www.youtube.com/watch?v=twv4PP4QSPM
By DJ KU da Yeast
求偶中
i'll make a man out of you歌詞 在 每天為你讀一首詩 Facebook 八卦
7 years ◎Lukas Graham
Once I was seven years old, my mama told me
那年七歲,媽媽告訴我
Go make yourself some friends or you'll be lonely
去交些朋友吧,否則會很寂寞的
Once I was seven years old
那年我七歲的時候
⠀
It was a big big world, but we thought we were bigger
世界如此廣闊,我們卻認為自己更加強大
Pushing each other to the limits, we were learning quicker
把彼此推到極限的邊界,學得太快
By 11 smoking herb and drinking burning liquor
在十一歲時就吸著大麻、喝著烈酒
Never rich so we were out to make that steady figure
不曾富有,為了穩定收入在外奔走
⠀
Once I was 11 years old, my daddy told me
那年十一歲,爸爸告訴我
Go get yourself a wife or you'll be lonely
娶個老婆吧,否則會很寂寞的
Once I was 11 years old
那年我十一歲的時候
⠀
I always had that dream like my daddy before me
我一直想成為跟父親一樣的人
So I started writing songs, I started writing stories
所以我開始寫歌、寫下故事
Something about the glory, just always seemed to bore me
名譽一事,對我來說微不足道
'Cause only those I really love will ever really know me
我明白唯有我愛著的人,才真的懂我
⠀
Once I was 20 years old, my story got told
那年二十歲,換我的故事被人訴說
Before the morning sun, when life was lonely
但太陽升起之前,生命仍是如此寂寞
Once I was 20 years old
那年我二十歲的時候
⠀
I only see my goals, I don't believe in failure
我眼裡只有目標,不相信失敗
'Cause I know the smallest voices, they can make it major
我知道最微小的聲音,有一天也會響徹雲霄
I got my boys with me atleast those in favor
交了幾個志同道合的兄弟
And if we don't meet before I leave, I hope I'll see you later
若在我離開以前仍無緣份,也希望以後能夠相見
⠀
Once I was 20 years old, my story got told
那年二十歲,換我的故事被人訴說
I was writing 'bout everything, I saw before me
我寫下一切眼見所及
Once I was 20 years old
那年我二十歲的時候
⠀
Soon we'll be 30 years old, our songs have been sold
很快就要三十歲了,我們的歌曲受到青睞
We've traveled around the world and we're still roaming
環遊世界,從不停止漫遊
Soon we'll be 30 years old
在我們快要三十歲的時候
⠀
I'm still learning about life
我仍在學習面對生命
My woman brought children for me
妻子生下我們的孩子
So I can sing them all my songs and I can tell them stories
我可以唱著自己的歌,跟他們說我所有的故事
Most of my boys are with me
哥兒們大都還在我身邊
Some are still out seeking glory
有些則仍在追求名利
And some I had to leave behind
有些朋友必須被留在過去
My brother I'm still sorry
兄弟,我很遺憾
⠀
Soon I'll be 60 years old, my daddy got 61
轉眼間我就要六十歲了,但父親永遠停留在六十一
Remember life and then your life becomes a better one
要記住生活的每一刻,你才會感受到更好的人生
I made the man so happy when I wrote a letter once
我寫了一封信,就讓他展開了笑顏
I hope my children come and visit, once or twice a month
我希望我的孩子來看看我,一個月一兩次也好
⠀
Soon I'll be 60 years old, will I think the world is cold
很快我就要六十歲了,到時會不會覺得這世界很冷漠?
Or will I have a lot of children who can warm me
會有暖心的孩子陪伴在我身邊嗎?
Soon I'll be 60 years old
轉眼間我就要六十歲了
⠀
Soon I'll be 60 years old, will I think the world is cold
很快我就要六十歲了,到時會不會覺得這世界很冷酷?
Or will I have a lot of children who can hold me
會有孩子在我身邊,扶持著我嗎?
Soon I'll be 60 years old
很快我也要六十歲了
⠀
Once I was seven years old, my mama told me
那年七歲,媽媽告訴我
Go make yourself some friends or you'll be lonely
去交些朋友吧,否則會很寂寞的
Once I was seven years old
那年,我只有七歲的時候
⠀
-
◎作者簡介
⠀
盧卡斯葛拉漢樂團(Lukas Graham)是一支丹麥流行樂及靈魂樂樂團,。現時樂團成員包括主唱Lukas Forchhammer、鼓手Mark Falgren、貝斯手Magnus Larsson 。
⠀
-
◎小編品嫺賞析
⠀
這首歌從僅有七歲的童年時期開始,帶著聽眾一起體驗了主唱 Lukas 的人生。歌詞淺白易懂,甚至有些琅琅上口,讓聽覺與靈魂得以貼合著音樂,感受這首歌當中譜出的故事。
⠀
並非富裕的童年,讓 Lukas 從小就被迫長大,毒品與烈酒就是他的兒時玩伴。但他沒有因此走上歪路,父親一直是他心中的領袖,為了成為跟父親一樣的人,他開始接觸音樂、寫歌。到了二十歲, Lukas 的心境也有了成長。
⠀
二十歲的自己充滿了力量與衝勁,擁有犯錯的餘地也不畏嘗試;三十歲便開始小有名氣。而〈7 years〉的發行年份(2015)正是Lukas快要邁入三十的時期,這段歌詞可以說是對自己野心的描寫,數年後回頭來看,更是成了自傳的一部分。隨著歌曲的推進,在三十歲之後,家庭成了新的和弦,也必然要面對關係的離別,這些都是生命要持續學習的重要課題。
⠀
接著歌詞跳到了六十歲的人生,嘹亮的歌聲彷彿是在對世界吶喊。少了年輕時的那份衝動,到了六十歲,對生活有了更多的體悟:理解了要把握當下的每一刻、理解了到了老年希望有孩子在身邊陪伴的渴望。主唱不斷對世界提出疑問,在懷疑、不安的同時,也勾勒出了自己想要的模樣。時間的消逝如此之快,但往往都是等到過去了才會意識到自己的不珍惜。
⠀
至此年齡就不再推進,因為影響至深的父親只活到六十一歲,接下來就沒有藍圖可以參考。在歌曲的最後,我們又回到了原點,一切激昂的情緒恢復平靜,緩慢地重新審視經歷過的一切──那年,還只有七歲的時候。
⠀
四分鐘的歌曲就道盡了六十年的一切,同時寫給自己,也寫給父親。
⠀
-
▨ 美術設計 _ 浩瑋
#每天為你讀一首詩 #當代詞選 #Lukas_Graham #7years
https://cendalirit.blogspot.com/2021/09/20210915.html
i'll make a man out of you歌詞 在 Micaela ミカエラ Youtube 的評價
My mom told me to make a video. I always do what Mommy tells me to.
http://ciaela.wordpress.com -- Blog (Updated!)
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http://www.twitter.com/ciaela -- Follow!?
レディー・ガガ(Lady Gaga)は去年9月に祖父が他界した後、『The Edge of Glory』(ジ・エッジ・オブ・グローリー)を作りあげた。「この曲はこの世の最後の瞬間、真実の瞬間、この世を去る前の瞬間についての曲なの。」とガガは語った。
初めてこの曲きいたとき、奇麗と思って、歌いたかったのです。映像は全て自作で下手ですけど、歌だけを聞いて頂いたら嬉しいです。☆ミ
When I heard the piano cover of this song I thought it was so pretty and I wanted to try singing over it. It was pretty hard to shoot this video myself so it's not very good, but I wanted to get the song up, at least.
I won't make a habit of posting music but, I wanted to get an English song up, considering the only other song I've ever really uploaded was in Japanese.
LYRICS (英語)
"The Edge of Glory"
There ain't no reason you and me should be alone
Tonight yeah baby, tonight yeah baby
But I got a reason that you-hoo should take me home tonight
I need a man that thinks it's right when it's so wrong
Tonight yeah baby, tonight yeah baby
Right on the limit's where we know we both belong tonight
It's hot to feel the rush, to brush the dangerous
I'm gonna run right to, to the edge with you
Where we can both fall far in love
I'm on the edge of glory
And I'm hangin' on a moment of truth
Out on the edge of glory
And I'm hangin' on a moment with you
I'm on the edge with you
The edge
I'm on the edge of glory
And I'm hangin' on a moment with you
I'm on the edge with you
Another shot before we kiss the other side
Tonight yeah baby, tonight yeah baby
I'm on the edge of something final we call life tonight
Alright, alright
Put on your shades 'cause I'll be dancing in the flames
Tonight yeah baby, tonight yeah baby
It isn't hell if everybody knows my name tonight
Alright, alright
It's hot to feel the rush, to bush the dangerous
I'm gonna run right to, to the edge with you
Where we can both fall far in love
I'm on the edge of glory
And I'm hangin' on a moment of truth
Out on the edge of glory
And I'm hangin' on a moment with you
I'm on the edge with you
-~-~~-~~~-~~-~-
Please watch: "How To Make Japanese Nabe | カレー鍋を作ってみた"
https://www.youtube.com/watch?v=O5rg9eM5D8I
-~-~~-~~~-~~-~-
i'll make a man out of you歌詞 在 雷御廷Martyn Lei Youtube 的評價
☞快來訂閱小雷,給你最好的音樂:https://goo.gl/88vfbn
☞合作邀約:martynleimusic@gmail.com
☞粉絲專業:https://www.facebook.com/music.martynlei/
☞樂團翻唱系列:https://goo.gl/tw4ViM
Hope that Ed will see this and give me his new signature martin guitar as present :P
ED SHEERAN的新歌太好聽了!!!! 這次用LOOP 效果器 來玩這首 向紅髮艾德致敬~~ 希望大家喜歡 :D
歌詞:
The club isn't the best place to find a lover
俱樂部不是一個找到情人的好地方
So the bar is where I go
所以我常去酒吧
Me and my friends at the table doing shots
我和我的朋友在桌前喝著一杯一杯的酒
Drinking faster and then we talk slow
拼命地喝,隨意的聊著
Come over and start up a conversation with just me
隨便的聊著,開啟一個關於我的話題
And trust me I'll give it a chance now
相信我,我會給一個機會
Take my hand, stop
牽起我的手,停止
Put Van The Man on the jukebox
投幾枚硬幣,讓自動伴唱機唱著Van The Man 的歌
And then we start to dance
然後我們開始跳著舞
And now I'm singing like
唱著歌
Girl, you know I want your love
女孩,妳知道我想要妳的愛
Your love was handmade for somebody like me
妳的愛是親手做給像我這樣的人的
Come on now, follow my lead
來吧,跟著我
I may be crazy, don't mind me
我或許瘋了,但別在意
Say, boy, let's not talk too much
說,男孩,我們別說太多
Grab on my waist and put that body on me
抓著我的腰,將身體靠向我
Come on now, follow my lead
來吧,跟著我
Come, come on now, follow my lead
來吧,來吧,跟著我
I'm in love with the shape of you
我深深的愛上妳的姿態
We push and pull like a magnet do
我們像磁鐵彼此吸引
Although my heart is falling too
即使我的心已經在你身上
I'm in love with your body
我深深愛上的的身體
And last night you were in my room
昨晚妳在我的房間
And now my bedsheets smell like you
我現在的床單仍留著妳的香氣
Every day discovering something brand new
每一天都發現一些全新的事
I'm in love with your body
我愛上了妳的身體
Oh I oh I oh I oh I
喔喔喔
I'm in love with your body
我愛上了妳的身體
Oh I oh I oh I oh I
喔喔喔
I'm in love with your body
我愛上了妳的身體
Oh I oh I oh I oh I
喔喔喔
I'm in love with your body
我愛上了妳的身體
Every day discovering something brand new
每天都發現一些全新的事
I'm in love with the shape of you
我愛上了妳的姿態
One week in we let the story begin
我們的故事在一個禮拜前開始
We're going out on our first date
我們約了第一次的會
You and me are thrifty
你和我都是富足的
So go all you can eat
所以儘可能地吃
Fill up your bag and I fill up a plate
裝滿妳的包包而我裝滿我的盤子
We talk for hours and hours about the sweet and the sour
我們不間斷的聊著心酸苦辣、甜蜜趣事
And how your family is doing okay
聊著妳的家人
Leave and get in a taxi, then kiss in the backseat
坐上計程車離開,在後座親吻著
Tell the driver make the radio play
請司機大開收音機
And I'm singing like
而我唱著
Girl, you know I want your love
女孩,妳知道我想要妳的愛
Your love was handmade for somebody like me
妳的愛是親手做給像我這樣的人的
Come on now, follow my lead
來吧,跟著我
I may be crazy, don't mind me
我或許瘋了,但別在意
Say, boy, let's not talk too much
說,男孩,我們別說太多
Grab on my waist and put that body on me
抓著我的腰,將身體靠向我
Come on now, follow my lead
來吧,跟著我
Come, come on now, follow my lead
來吧,來吧,跟著我
I'm in love with the shape of you
我深深的愛上妳的姿態
We push and pull like a magnet do
我們像磁鐵彼此吸引
Although my heart is falling too
即使我的心已經在你身上
I'm in love with your body
我深深愛上的的身體
And last night you were in my room
昨晚妳在我的房間
And now my bedsheets smell like you
我現在的床單仍留著妳的香氣
Every day discovering something brand new
每一天都發現一些全新的事
I'm in love with your body
我愛上了妳的身體
Oh I oh I oh I oh I
喔喔喔
I'm in love with your body
我愛上了妳的身體
Oh I oh I oh I oh I
喔喔喔
I'm in love with your body
我愛上了妳的身體
Oh I oh I oh I oh I
喔喔喔
I'm in love with your body
我愛上了妳的身體
Every day discovering something brand new
每天都發現一些全新的事
I'm in love with the shape of you
我愛上了妳的姿態
Come on, be my baby, come on
來吧,當我的寶貝,來吧
Come on, be my baby, come on
來吧,當我的寶貝,來吧
Come on, be my baby, come on
來吧,當我的寶貝,來吧
Come on, be my baby, come on
來吧,當我的寶貝,來吧
Come on, be my baby, come on
來吧,當我的寶貝,來吧
Come on, be my baby, come on
來吧,當我的寶貝,來吧
Come on, be my baby, come on
來吧,當我的寶貝,來吧
Come on, be my baby, come on
來吧,當我的寶貝,來吧
I'm in love with the shape of you
我深深的愛上妳的姿態
We push and pull like a magnet do
我們像磁鐵彼此吸引
Although my heart is falling too
即使我的心已經在你身上
I'm in love with your body
我深深愛上的的身體
And last night you were in my room
昨晚妳在我的房間
And now my bedsheets smell like you
我現在的床單仍留著妳的香氣
Every day discovering something brand new
每一天都發現一些全新的事
I'm in love with your body
我愛上了妳的身體
Oh I oh I oh I oh I
喔喔喔
I'm in love with your body
我愛上了妳的身體
Oh I oh I oh I oh I
喔喔喔
I'm in love with your body
我愛上了妳的身體
Oh I oh I oh I oh I
喔喔喔
I'm in love with your body
我愛上了妳的身體
Every day discovering something brand new
每天都發現一些全新的事
I'm in love with the shape of you
我愛上了妳的姿態