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【玳瑚師父客人見證】 《不過八月十五的預言》
The Prophecy: Not Beyond Mid-Autumn (English version below)

文 / 李季謙 女士 Written by Ms. Lee Ji Qian

撥電給玳瑚師父的那一天下午，我乘坐的德士，正駕駛在中央快速公路上。那是2006年中秋節的前兩個星期，記憶猶新。眼看我外婆的病情每況愈下，我迫切地想知道外婆還能活多久。那時的我從事空服員的工作，我擔心萬一外婆過世，我在國外無法第一時間趕回來看她最後一面，怎麽辦?

在車上，我不斷祈求玳瑚師父告訴我外婆的壽命還有多久。他不肯，他說做師父的其中一個避忌就是不算壽命，因爲很多人嘴巴說無所謂，知道答案後，心裡卻會七上八下，家人甚至會責怪師父嚇人。那時，外婆已皈依在蓮生活佛門下，我告訴師父家裡只有我和外婆是皈依的佛教徒，我很希望外婆過世時，我能夠為她做臨終關懷八小時，引導她往投極樂。

在電話的另一端，師父沉默許久，一句話也不說。我想慘了，如果師父不肯告訴我，我該如何是好？如何向公司請假？

「不過八月十五。」

什麽，師父，你說什麽？中秋節八月十五？師父，我都還沒告訴你外婆的生辰，你只知道她的名字和生肖，就能斷定嗎？

師父重覆說了一遍，並溫馨地告訴我到時遇到任何問題時，儘管撥電給他。就這樣，我們的通話結束了。

農曆八月十四的早上，在中央醫院復診時，醫生說外婆的血壓忽然降低，需要入院輸血。我便為外婆辦理入院手續，和照料外婆的女傭一直陪伴在外婆左右。幾個星期來，飛行穿梭與五大洲之間，熬夜時差，加上多次帶外婆來往醫院，每一次都花好幾個鐘頭在醫院等待，身心已疲憊不堪。我看著在病床上的外婆，輸血後她氣色開始好轉，醫生說一切穩定。外婆知道我很累，屢勸我回家休息。但師父的預言一直懸挂在我心中，本想留下來陪外婆一晚，但那天的入院來的突然，我沒準備任何衣物。那時的我住在兀蘭，離新加坡中央醫院很遠。我先生在一旁也勸我回家好好休息，才有更好的精神繼續和外婆說佛法及一同唸佛。

我猶豫著。師父為我做的預言從來沒有錯過。但外婆氣色之佳，是近幾個月從未曾有的。我這幾個月，也一直都有修法回向給外婆，可能奇跡出現了吧！

于是，農曆八月十五的淩晨一點二十分左右，我回家了。

早上十點二十分，女傭打了通電話給我。她不大會說英文，只是很情急地說外婆想見我，要我快點來醫院。我天真地以爲是外婆睡醒後，想見我。

早上十點四十五分，表姐打電話給我，哭著說外婆已過世了。那時的我，腦海裡立刻浮現師父所說的「不過八月十五。」 連半天都過不了。我的心一直往下沉。爲什麽我問了師父卻又不淨信他的話？爲什麽我沒有把師父的預言告訴我的家人？爲什麽我就不能在醫院熬多一天？生死皆天定，我怎麽不自量力地以爲自己那點修法回響就能改寫外婆的生死呢？原來人說死前的迴光返照是這麽一回事！天啊！我竟然那麽不孝，讓外婆過世時，身邊只有一個女傭，一個親人都沒有！

在醫院撥打電話給師父時，他很快就接聽了。第一句話一說完，我已泣不成聲了。師父說他一早起床，就不斷地有我外婆和我的影子，他知道事情不出他預料中，因此一直在等待我的電話。師父不但沒有怪我不夠相信他，還提醒我要為外婆做的佛事，也開導我說八月十五是月圓圓滿之日，外婆在這日離去也象徵她的一生已圓滿，她十多年的病業終于還清了，從病苦中解脫了，我應該為她高興。師父知道我性格衝動，再三叮嚀我在外婆停柩期間，勿和家人起衝突。

這也是我第二件遺憾的事。我那時學佛尚淺，包容、平等對待和處事圓融的道理，我無法實踐。我不但在外婆的遺體前爲了她的生後事，向家人耍狠，在喪禮上，因爲不苟同他們的做法，脾氣更是一「發」不可收拾。說什麽佛教徒，真是貽笑大方！我怎麽就沒有好好學師父那般的度量呢？

外婆過世後的那七天裡，家人陸續都夢到她回來和他們敍舊。唯獨我沒有。我很納悶。外婆臨終前，唯一想見的人是我，爲何卻沒托夢給我？她不是有話跟我說嗎？（其實是我多想在外婆面前跟她說萬萬個對不起。）想著，想著，我想到師父常教我在睡前的結界法，保護自己在睡夢中不被鬼魅魍魎干擾盜氣，出國在外也能平安。我睡前也必定會結界，這法非常實用也有真實的法力！

那晚，在紐約的酒店裡，我冒了一個險，沒行結界法。當晚，我就夢到自己在兒時住家附近（也是外婆的舊家）的停車場。我不知不覺走到一輛米色的「馬賽地」旁邊，低頭一看，咦，是外婆，穿著那熟悉的衣裳，坐在駕駛座位上。我叫她，以廣東話問：「婆婆，妳會駕車啊？」（外婆生前沒有駕駛執照）　她轉頭，跟我說：「幫公公皈依吧！」 我答：「皈依啊？好啊！」

我就猛然醒來了，趕緊看時間，是清晨五點多。師父曾說在早上五點至七點之間做的夢是真實的。我梳洗後，即刻撥長途電話給在新加坡的師父。外公已過世十多年，在夢裡，外婆要我為外公皈依時，我已知道他尚未投胎，生前沒聽聞過佛法，更別説往生極樂了。而當外婆提到皈依時，我心裡的直覺說她指的是皈依我們的根本上師，蓮生活佛，絕非他人。最神的是，夢裡外婆的車和家人在喪禮中焚化給她的，是一模一樣的！

師父在電話中花了一個鐘頭的時間，耐心地教導我。他說我得先回到外婆生前的居所，向那裡的祖先牌位請示外公是否真的想皈依蓮生活佛。除了攜帶外公生前愛吃的食物，我也得先上香供養家門外供奉的天公、土地神和門神，祈求祂們允許我外公的魂魄入屋。

回囯後的隔天，我和兩位表姪女一起到外婆家，一一跟著師父的指示照做。我們三人上了香，跪在祖先牌位前，呼叫外公時，不可思議的事情發生了！刹那間，我們三人同時感覺到有股強烈的陰氣從我們背後的大門進來，再看到一個黑影從我們身旁快速地飃過，到祖先牌位的供桌上，頓時，我們全身都起了雞皮疙瘩。卜杯請示外公是否要皈依蓮生活佛時，連續得了三個聖杯！我的夢是真實的！師父教的真管用！

當下，我既讚嘆又感恩玳瑚師父，是他引我皈依蓮生活佛。在他之前，我根本沒聼過蓮生活佛的盛名。因爲我的皈依，我好幾個家人也皈依。師父常說死人的眼睛是雪亮的。外公生前非常疼愛我，沒想到，我和外婆的皈依也會讓他想向佛了！我是多麽的雀躍啊！我讚嘆師父那麽好眼光，有福份，一生只皈依一個上師，而且是一位已開悟成佛的上師，怪不得師父的本領那麽了得。我更感恩他不辭辛勞地廣揚佛法，讓我們這些門外漢能學到人生最大的一件事到底是什麽。

我是一個差勁的弟子，脾氣又不好，兩次被師父「停學」，每一次長達半年，更曾被沒收所有的筆記和課本。但在「停學」期間，師父仍慈悲教導我如何處理外婆的生後事。可能你覺得他是修行人，是玄學師父，不給他錢，他仍然應該幫你消災解厄，給他錢，他更要幫你逢凶化吉。我的看法卻是，自己的問題本來就應該自己解決。沒有人是「應該」幫你的，師父也不是一個你能用錢買的人，更不可以因爲師父沒有幫你這一次或看法不一，便因「愛」成「恨」，來個「秦始王燒書」 般地把過去師父幫過自己的恩都忘得一乾二淨，再來個翻臉不認「師」。這般無情無義的人我看的實在太多了。

這兩天趕緊將這篇個人見證寫完，並翻譯，已此供養玳瑚師父為他的「生日」禮物。農曆八月十五是玳瑚師父皈依真佛之日。他常說這一天才是他真正的生日，皈依學佛前的日子懵懂無意，虛度光陰，貴為佛子後，自己才真正「活」起來，成爲有智慧有貢獻的能人。兒子的事業這麽有意義，我想師父的父母一定會以他為榮。

如果你也像我一樣，曾經請示過師父，卻在信與不信之間進退兩難，希望我這篇文章能給你一點啓發，更盼你不會有我這般的遺憾。

祝大家中秋節快樂。

我在此也誠心地祝玳瑚師父「生日」快樂。謝謝您在無止境的萬難中，仍堅持帶給我們光明。我祈禱，願您的一生有如今晚的月輪一樣地美麗、圓滿、吉祥，願您早日修成正果，速登彼岸。阿彌陀佛。

-----------------------------

It was one afternoon in the year 2006, 2 weeks from the Mid-Autumn Festival. I was travelling along the Central Expressway in a cab when I made a call to Master Dai Hu. The memory was still fresh. My grandmother's health was deteriorating by the day, and I desperately wanted to know how much longer she could hold on. I was working as a flight attendant at that time, and the fear was that I might be overseas and not able to see her the final time when she breathed her last.

During the taxi ride, I pleaded incessantly for Master Dai Hu to answer my burning question. He refused. He said that as a Master, it was a taboo to predict one's life span because the answer would drive many towards anxiety and hysteria, even when they seemed nonchalant initially. At that time, my grandmother had already taken refuge under Living Buddha Lian-Sheng, and I told Master Dai Hu that since my grandmother and myself were the only Buddhists who had taken refuge in the family, I really hoped to provide some form of hospice care, and perform the proper rites during the crucial 8-hour time window after her passing to guide her towards rebirth into the Pure Land.

There was total silence on the other end of the line for a long time. Master Dai Hu did not utter a single sound. I was doomed, I thought to myself, if Master refused to tell me, what should I do? How could I apply for leave of absence from my employer?

"It would not be beyond the fifteenth day of the Eighth Lunar Month". Finally the silence was broken.

What, Master, what did you just? You meant the Mid-Autumn Festival? But I had not even tell you the birth date and time of my grandmother. You only knew her name and Chinese Zodiac Sign, how could you be so sure?

Master Dai Hu repeated his prediction again, and told me warmly that I could call him anytime if I encountered any problem. With that, our conversation ended.

This was the fourteenth day of the Eighth Lunar Month. The doctor told me that Grandma's blood count suffered a drastic drop, and had to be admitted to hospital for a blood transfusion. After I had done the paper works for the admittance, I stayed with her, together with her maid. I was totally physically and mentally exhausted. Flying around the world had taken its toll on me, with the late nights and jet lags, not to mention the many hospital trips I made with Grandmother over the past few weeks and every hospital visit spanned over a few hours. I looked at Grandma who was lying on her hospital bed. She looked much better after the blood transfusion and the doctor said all was well. Grandma knew I was washed out and kept asking me to go home and rest. Master Dai Hu's prediction was constantly on my mind. I had wanted to stay for one more night to accompany Grandma but the hospital admission that day was unexpected and I did not prepare any overnight bag. I was staying at Woodlands at that time and it was far from SGH. My husband who was by my side advised me to go home to rest too as he felt that I needed to be in a better condition to continue sharing the Dharma and reciting the Buddha's name with Grandma.

I hesitated. Master's predictions for me always rang true. But my Grandma looked quite good, something which I have not seen in months. Furthermore, I have been doing spiritual practices and dedicating the merits to her. Perhaps a miracle had happened!

At about 120am on the fifteenth day of the Eighth Lunar Month, I went home.

My phone rang at 1020am. It was the maid. She was not really conversant in English but told me anxiously that Grandma wanted to see me, and asked if I was on the way. I naively shrugged it off, thinking it might just be Grandma wanting to see me after her sleep.

Another phone call came in at 1045am, the sobbing and muffled voice of my cousin on the other end, telling me that Grandma had passed away. At that very moment, the words of Master "Not beyond the fifteenth day of the Eighth Lunar Month" reverberated through me. My heart sank to the rock bottom. Why did I ask Master for his prediction when I was not prepared to have complete faith in him? Why had I not told this prediction to my family members? Why could I not just stay in hospital with Grandma for that one more night? Life and death are both predestined. How could I think so highly of myself and believe that meagre merits from my spiritual practice was sufficient to rewrite her fate? Now I realized the truth in the saying that a person before his or her imminent death would look as if he or she is well. Goodness gracious! I was so unfilial to had left Grandma alone, on her death bed with no family member but only the maid beside her!

I phoned Master Dai Hu at the hospital and he answered very quickly. Once the first words were spoken, I had already broken down in sobs. Master said that he woke up early that morning with a premonition. He kept "seeing" images of my Grandma and myself, and knew in an instant that his prediction had prevailed and had been waiting for my call. Not only did Master not reprimand me for not having enough faith in him, he even reminded me on the list of things to do for Grandma's funeral. He counseled me, saying that for Grandma to bade this world farewell on the fifteenth day of the Eighth Lunar Month, it signified that she had lived a full and complete life, and that her karmic debt of suffering from illnesses the past 10 over years had finally been repaid. He said I should be glad that Grandma had been released from her pains and sufferings. Master was well aware of my rash temperament, and reminded me many times not to squabble with the family members during the funeral wake.

This has to be the other regrettable thing in this episode. My understanding of the Dharma was shallow then, and I did not practice the ways of endurance, equality, and did not consider the feelings of others in handling things. Not only did I pressurize my family members over the arrangements of Grandma's funeral, my bad temper flared uncontrollably during the funeral as I was not in agreement with the rest of the family members. All this talk about being a Buddhist turned me into a laughing stock! Why could I not learn from Master, who was and still is always so magnanimous and gracious?

During the seven-day period after Grandma's passing, many family members dreamed of her continually. I was the only one not to have seen her in my dreams. This was very puzzling for me. At the time of her passing, Grandma was calling out for me. Why did she not appear in my dreams? Did she not have anything to say to me? (Truthfully, I wanted very much to say a million sorry to her in person). As I was pondering over this matter, I remembered a demarcation method taught to me by Master, to protect myself against spirits stealing my life essence and disrupting my sleep, and to stay safe while I was overseas. This demarcation was something I always did before going to bed, and it really proved itself as a useful and powerful Dharma practice.

That night, in my hotel room in New York, I took a risk and forgo the demarcation procedure before I slept. That very night, I dreamed of Grandma! I was at the car park, near my childhood residence (also near Grandma's previous residence). I was walking along a pavement and ended up beside a cream-coloured Mercedes Benz. I looked down, and there she was! My Grandma was wearing her usual clothing and seated in the driver's seat. I called out to her and asked in Cantonese, "Grandma, you know how to drive?" Grandma did not have a driving license when she was alive. She turned to speak to me, "Help your Grandfather to take refuge!" I answered, "Take refuge? Ok!"

I jolted out from sleep, and hurriedly looked at the clock. It was five plus in the morning. Master once said that dreams occurring between 5am - 7am were real. I washed up, and called Master who was in Singapore immediately. My Grandfather has been dead for more than 10 years. In my dream, when Grandma wanted me to take refuge for Grandfather, I knew then that Grandfather had yet to go through reincarnation. He did not hear the Dharma during his lifetime, so he could not have been reborn into the Pure Land. When Grandma spoke of taking refuge, my intuition told me that she was referring to our Root Guru, Living Buddha Lian-Sheng, whom we took refuge in, and no one else. The next amazing thing was that the car in which Grandma was seated in the dream looked exactly the same as the one the family members burnt as an offering to her during the funeral!

Master spent an hour on the phone with me, patiently guiding me. He said I needed to return to my Grandma's house and seek answers from the ancestors at the ancestral tablet if my Grandfather really wanted to take refuge in Living Buddha Lian-Sheng. Other than preparing my Grandfather's favorite snacks, I had to offer incense and other offerings to the Jade Emperor, the Earth Deity as well as the Door Guardians, who were enshrined outside my Grandma's home, and request for smooth entry of my Grandfather's spirit into the house.

A few days upon my return to Singapore, I went to my Grandma's house, together with my two nieces. I followed Master's instruction to the tee. The three of us offered incense, knelt down in front of the ancestral tablet and called for my Grandfather. Something extraordinary happened next! In the flash of an eye, the 3 of us felt a strong Yin energy coming in from the main door, and witnessed a black shadowy figure slid past us in speed, and onto the ancestral tablet. Momentarily, our hair stood on end and all of us felt goosebumps on our skins. When I threw the divination blocks and asked if it was Grandfather's wish to take refuge in Living Buddha Lian-Sheng, the answer was positive with three consecutive yes! My dream was real after all! The method which Master taught really worked well!

Instantly, I was in awe, and at the same time, extremely grateful to Master Dai Hu. He was the one who guided me to take refuge in Living Buddha Lian-Sheng. Before that, I never hear of Him. Because of my taking refuge, a few of my family members followed suit. Master often said that the dead had the brightest eyes. Grandfather doted on me very much when he was alive, and never did I expect Grandfather to follow my Grandma and I in taking refuge and seek the Dharma. I was totally elated! I praised Master for his foresight, and his great fortune of taking refuge in a one and only one Guru Master, one who had attained perfect Enlightenment. It is no wonder that Master Dai Hu has such great skills too. I am also grateful for his relentless pursuits to propagate the Dharma, enabling layman like us to learn, understand and prepare for the biggest event of our life.

I am a lousy disciple with bad temperament. Twice, I was booted out by Master and not allowed to learn from him for as long as 6 months. My notes and books were confiscated. However, even when I did not see Master during those periods, he showed compassion and guided me through the ordeal of my Grandma's passing. Perhaps you might think that it is his duty as a spiritual practitioner and Chinese metaphysicist to show compassion and help others in need even if no money is paid to him, and if money is paid, all the more he should help the clients out of their troubles.

My take on this: We must take responsibility for our own problems. No one owe us any form of help or assistance. And Master Dai Hu is definitely not someone you can buy with money. If he does not render his help to you or both of you have a different opinion on certain issues, you cannot go from having admiration to bearing resentment towards him over that. I have seen too many ungrateful people who erase all the memories of the good that Master had once done for them, pretty much like how Emperor Qin burnt the books, with no trace left and turned their backs on Master, like they had never known him.

Over the last two days, I rushed to complete this testimonial as a present to Master Dai Hu on his "birthday". It was this auspicious day, the fifteenth day of the Eighth Lunar Month, that Master Dai Hu took refuge in True Buddha and became a Buddhist. He often said that this day felt more like his real birthday. Before learning the Dharma and taking refuge, he led a life of meaningless existence, squandering away youth and time. Only when he became a Buddhist did he truly come to life, begin to live in wisdom and gain great ability, while making useful and meaningful contributions to the society. With such a noble career, I guess his parents must be very proud of having a son like him.

If you are to be in my shoes one day, having asked Master for advice but still teetering on the border and unsure if you should believe him, I hope my story will inspire you and not let you suffer the same regrets as I did.

Wishing everyone a Happy Mid-Autumn Festival.

And I genuinely wish Master Dai Hu a "Happy Birthday". Thank you for bringing the Light to us, despite the endless obstacles you constantly battle. I pray that your life will be as beautiful, complete and auspicious as the full moon tonight. May you soon attain the fruit of perfect and complete Enlightenment. Amituofo.

www.masterdaihu.com/the-prophecy-not-beyond-mid-autumn/

【從《鬼滅之刃》風潮看ufotable（幽浮社）製作公司】
　　
《鬼滅之刃》電影版的票房數據在這幾天充滿著版面，到處都能看到票房的誇張數據，自之前動畫播畢的風潮過後，隨著劇場版上映，這波鬼滅潮又再度席捲而來。
　　
《鬼滅之刃》的成功可以分為兩個面向，一個是漫畫本身的題材，另一個是動畫製作公司的實力。鬼滅漫畫在前中期打的底都不錯，有良好的設定絕對可以帶一部作品有一個好的展開，直到鬼滅後期打無慘之戰變得只有一個字「拖」。
　　
而在漫畫初期，鬼滅也曾經面臨過被腰斬的命運，直到「蜘蛛山篇」開始，在雜誌上的排名才一路向上，而真正普及到ACG圈以外的群眾是在動畫開始之後的事情。
　　
動畫的成功直接讓鬼滅的銷量大幅提升到一個很可怕的程度，也就是說，動畫可以說是整個環節一個最重要的推手，而這個推手就是大名鼎鼎ufotable（台灣習慣稱「幽浮社」）
　　
幽浮社在製作鬼滅之前已經在業界中有個標竿性的定位，如果說文戲看京阿尼或PA，那武戲可以說看骨頭社、IG、幽浮社幾家獨秀。
　　
這邊就來介紹幽浮社是一家怎麼樣的公司，與至今為止它產出了多少良作。
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▌幽浮社的成長與轉機
　　
幽浮社在一開始並沒有其他公司來的有名，在累積一定資金之後開始嘗試製作原創動畫，其中一部動畫《校園烏托邦 學美向前衝！》因為剛好銷量回本，所以從此開始的動畫銷量的保本線又稱作「學美線」。
　　
這時候，幽浮社的一項決定開起了整家公司最大的轉機。
　　
在2006年幽浮社決定製作《空之境界》的系列劇場版，總共長達八部的劇場版，就這樣在三年間全數上映完畢。當時看《空之境界》時的震撼至今仍然歷歷在目，看著式姐不斷的選擇，踏上一條條艱難的道路，最為人津津樂道的則是嘆為觀止的光影特效，在當時，很少有能夠像幽浮社這樣大量用運光影並且輔以CG達到充滿爽度與絢爛特效的戰鬥場面，同時因為《空之境界》的原型是日本大名鼎鼎的怪物作家-奈須蘑菇的作品，因此不管在表現還是內容方面都上升到一個天花板的水準。
　　
憑藉著《空之境界》的成功，幽浮社開啟了一項早已定案的計畫，也就是決定製作《空之境界》同個公司的FATE系列作品，《Fate/Zero》於2011年開始連載播放，如果在ACG圈的朋友就算沒看過多少都有聽過這部的大名，在當時這部作品確實給了業界一個震撼彈，當年極少有這種大量世界觀組合而成的群像劇動畫，雖然故事原形是在FATE系列的前傳，精彩程度卻完全不輸給本傳。
　　
在《空之境界》成功之後，開始大量用運光影特效也就是大家戲稱的光污染，在這之後的作品上基本上都用上了這個技術，而原本該公司的強項就在於能夠熟練的使用CG特效，《Fate/Zero》中我們可以看到這項技術帶給觀眾多少超乎想像的體驗，不管是切嗣與神父的那段加速拼拳，還是CASTER展現出來的強大範圍特效，亦或是金閃閃吉爾加美什的碾壓性能力，每一次的遭遇戰或是混戰，都能夠看出幽浮社真的是傾盡全力在製作這個作品。
　　
也因為每個畫面都維持在高品質，《Fate/Zero》可以說是一炮而紅，直接打響了幽浮社在粉絲心中的定位，認為FATE系列都應該交給這家公司製作。
　　
很快的，在2014年《Fate/stay night UBW》播出了。一如既往的高水準畫面，流暢到看的極其舒爽的武戲，還記得Berserker與Saber的第一戰，賦予破壞力般的場面又想起了3年《Fate/Zero》帶給大家的視覺饗宴。
　　
到2019年鬼滅問世之前，幽浮社仍然保持著一年最多兩部動畫的節奏邁進，這種高品質的質量一路的保持下去，實屬難得。
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▌改變鬼滅之刃受眾群的幽浮社
　　
時間快轉到2019年，在2018年公佈了鬼滅交給幽浮社製作的消息，我想不少粉絲應該都認為十拿九穩，畢竟不同於A-1 Pictures這類的骰子型公司，幽浮社失手程度非常低，就算失手了也還是在平均線之上。
　　
果不其然，隨著鬼滅動畫播出，漫畫銷量跟著急速上升，甚至在2019年漫畫總銷售榜超越了長年霸榜的航海王（one piece）。
　　
鬼滅的動畫大成功絕不是偶然，他是在幽浮社從以前到現在累積下來的，不管是技術還是人才，亦或是最頂尖的攝影團隊，善逸的拔刀一瞬的霹靂一閃或是19話神回的火之神樂，每一場的武戲，都是前面所有作品累積下來的經驗匯聚而成的結果。
　　
《鬼滅之刃》的熱潮一路燒到了原本就有在看動畫以外的觀眾群，就如同《進擊的巨人》當時燒起來的熱度一樣，瞬間席捲了大眾，並且也在Netflix的排行榜前十屹立不搖許久。
　　
還記得當初工作的書店，每一天都有好幾批人詢問漫畫還有嗎？什麼時候進貨？甚至連日文版都賣到缺貨，這把火燒的比當時任何一部動畫都來的旺。
　　
就結論來看，鬼滅的成功一來是因為原作品質可以維持並且設定良好，而那份讓這大火持續已久的助燃劑不外乎是幽浮社這家公司撒下的那一桶油。
　　
在日本《鬼滅之刃劇場版 無限列車篇》上映的可怕風潮，我想在台灣10/30日上映那天也會開始吹起來吧。寫這篇的目的是希望大家了解改變一個動畫受眾群的公司-幽浮社的可怕實力，這家公司的過往作品，特別是fate系列也極度推薦看完鬼滅需要光影特效的戒斷症群眾。
　　
＃鬼滅之刃

【Fate/stay night】帶你看完歷久不衰的「亞瑟王」(2006年)
【訂閱 再見小南門 】https://www.youtube.com/channel/UCSsHvz_aCD9NMXjzWpwg9qA/featured

瞧瞧在《FATE》《stay night》中，《Saber》、《Archer》、《Berserker》、《Rider》、《Lancer》、《Caster》
七位過去的英靈們會與《衛宮士郎》、《遠坂凜》、《間桐櫻》和《伊莉雅》等人類交織出什麼樣的愛恨情仇！

【精選影片】《遊戲人生》動畫點評https://www.youtube.com/watch?v=PZekMJckxp4
【精選影片】《在地下城尋求邂逅是否搞錯了什麼？》動畫點評https://www.youtube.com/watch?v=Rme0LNUoZlA
【精選影片】10分鐘帶你看完《刀劍神域 絕劍篇》https://youtu.be/eLEI6k-jiiI
【精選影片】帶你看完萬年不敗經典巨作《攻殼機動隊》TV版第一季！https://youtu.be/ravqrbBxH-w

#FateStayNight #騎士王の誇り #二胡
Fate/stay night-騎士王的榮耀 二胡版 by 永安
Fate/stay night - Pride of the King of Knights (Erhu Cover by YungAn)
http://blog.xuite.net/wangan/njb/299462299

《Fate/stay night》（日語：フェイト/ステイナイト，中文：命運／停駐之夜、中文：命運守護夜）是由TYPE-MOON於2004年1月30日發售的PC平台冒險遊戲，也是TYPE-MOON商業化後初次亮相的作品。由於廣受歡迎，2006年1月播放動畫版，至同年6月全24集已經播放完畢。

《騎士王的榮耀》（日語：騎士王の誇り，英文：Pride of the King of Knights）是2006年TV動畫版的插曲，它是作品中的女主角阿爾托莉雅·潘多拉貢（Arturia Pendragon）的角色曲，曲中悠長的旋律，仿若她坎坷又如史詩般的過去。作曲者川井憲次，是我非常喜歡的音樂家，他1957年出生于東京，曾就讀於東海大學工學部原子能工學科，但中途退學。後又進入尚美音樂學院學習，但是半年後也退學了。一次偶然的機會，川井在競賽中的即興作曲得了最優秀獎，之後便接受一些廣告等音樂的製作，也逐漸為很多動畫、特攝等影片配樂。川井憲次長期從事對日本民樂的研究，因此他早先的曲風大多緩慢優美，帶著濃重的東洋古典風情。攻殼機動隊（兩部劇場版）、機動員警（三部劇場版及一系列OVA、TV）、紅眼鏡（紅い眼鏡）、阿瓦隆（AVALON）、逮捕令（劇場版）等影片的優秀配樂皆是川井所作。讓我們先來欣賞網路上的這首音樂：
http://youtu.be/DMrGByovndA
http://v.youku.com/v_show/id_XMjUxNDE5OTg4.html

我超愛《騎士王的榮耀》的副歌段，第一次聽到雞皮疙瘩都起來了，所以馬上決定演奏這首歌。這首是bA調，二胡演奏時，可以把內外弦定在CG，用bB調指法演奏。這首歌指法簡單、音域也在適當的高度，非常適合二胡。唯一的要注意的是內外弦都降了一個全音，張力降低了，弦變得有點軟，右手運弓的力度要稍微加強些。之前錄音都是用二十年的老紫檀二胡，最近覺得拉了兩年的新紫檀二胡聲音漸漸開了，所以這次換新琴錄看看，希望大家會喜歡它的音色。演奏上諸多不足的地方，還請各位朋友繼續給予指點囉！

一直以來都很喜歡川井憲次的作品，讓我們拿起二胡，一起重溫這份感動吧！ヽ(✿ﾟ▽ﾟ)ノ

========================

Fate/stay night-騎士王的榮耀 二胡版

中文：命運/停駐之夜-騎士王的榮耀
英文：Fate/stay night - Pride of the King of Knights
日文：フェイト/ステイナイト-騎士王の誇り
作曲：川井憲次
原曲發行：2006年6月28日
二胡錄製：2015年3月5日
簡譜：永安
二胡：永安
http://blog.xuite.net/wangan/njb/299462299

1=bA CG定弦 bB調指法
3633 6622
66335 #423
3633 6622
67(內一)13(二)2(二)7 (一)6(一)5(二)6
671335 #423
36176 563
23 444532
32 176662 756

3633 6622
66335 #423
3633 6622
671327 656
671335 #423
36176 563
23 444532
32 176662 756

(內三)36 7543 23
54(外二)32 (內二)23123
36 7(外一)5(一)4(一)5 176(外二)32
(內二)2(三)3(三)176

3633 6622
3633 6622
671327 656

END

#FateZero #フェイトゼロ #二胡
Fate/Zero-Grief 二胡版 by 永安 (Erhu Cover by YungAn)

■ Off Vocal: https://youtu.be/Yek2vV81OPM

《Fate/Zero》（フェイト/ゼロ、命運/零話），是一部2006年12月29日由TYPE-MOON公司發行的傳奇小說，作者為Nitro+所屬的虛淵玄，人物設計與插畫為TYPE-MOON所屬的武內崇。

本作是奈須蘑菇創作的視覺小說電腦遊戲《Fate/stay night》的前傳，故事描寫發生於《Fate/stay night》十年前的「第四次聖杯戰爭」，故事圍繞著《Fate/stay night》主角群的前一世代依次展開。在讀賣新聞社主辦的SUGOI JAPAN Award 2015「最想向海外介紹的日本流行文化」評選中獲得輕小說部門第6名。電視動畫版由ufotable製作，2011年10月播出第一季，2012年4月播出第二季。

《Fate/Zero》的配樂由日本著名作曲及編曲家－梶浦由記所寫。1965年8月6日，梶浦出生於日本東京都，現居於日本東京都西部。梶浦現以製作動畫及遊戲配樂為主，她亦活躍於電視廣告界及電影界。2001年梶浦憑藉TV動畫《NOIR》中獨具個人特色的精良配樂開始被廣大動畫迷所知曉。之後為《高達SEED》、《舞-HiME》、《翼·年代記》、《空之境界》、《潘多拉之心》、《魔法少女小圓》、《Fate Zero》、《刀劍神域》等人氣動畫譜寫的歌曲和配樂都大受好評。

《Grief》收錄在《Fate/Zero》2012年發行的原聲帶中，是主旋律《Point Zero》的鋼琴變奏版。不同於主旋律的激昂，在心情沉澱之後，輕重變化鋼琴聲，彷彿雨滴一般敲擊心靈；朦朧夢幻的襯底，使人置身於月光碎裂的湖水之上... 讓我們先來欣賞網路上的這首音樂：
https://youtu.be/Yek2vV81OPM
http://music.163.com/#/song?id=22731484

《Grief》是1=G，二胡演奏時，可以把內外弦定在B#F，用37弦指法演奏，就可以奏出最低音3。這首歌指法簡單，適合二胡演奏。演奏時心中默唱以加強情緒，右手輕撫運弓、氣息綿長而溫柔，拉出空氣感的音質。特別注意表現旋律的流暢悠長，並加強抒情意味。我的二胡演奏上還有很多不足的地方，請各位朋友繼續給予指點囉！

如釋重負般地，他慢慢闔上了眼睛。
這個一生中一事無成，沒有贏得過任何勝利的男人，在最後的時刻，帶著滿心釋然，猶如睡著了一般，停止了呼吸。
『我啊，想成為正義的夥伴。』

========================

Fate/Zero-Grief 二胡版

中文：命運/零話-悲傷
英文：Fate/Zero-Grief
日文：フェイト/ゼロ-悲しみ
作曲：梶浦由記
原曲發行：2012年3月7日
二胡錄製：2018年5月31日
簡譜：永安
二胡：永安

1=G BPM=62
3 36 71 2343
1 2343 126 175
36 71 2343
1 2343 126 75 76

716 136 711
361 217 257 523
7123 6 632 161
44561 17 6 #5

3 36 71 2343
1 2343 12 67 54 3
33 21 71753
55432 13 6175 6

END