✨歡迎歡迎!蘇戴娜就任美國在台協會文化新聞組組長✨
蘇戴娜(Diane Sovereign)就任美國在台協會文化新聞組組長。蘇戴娜於2002年加入美國國務院,並先後擔任美國駐亞洲、歐洲和美洲的外交官。她曾擔任位於布魯塞爾的美國駐北大西洋公約組織使團政治官、美國駐伊拉克摩蘇爾文化新聞組組長、美國駐中國北京舊大使館領事官和政治官、美國駐中國北京新大使館副發言人、美國駐武漢總領事館總領事、美國駐渥太華大使館文化官、美國駐布宜諾斯艾利斯大使館發言人。在進入政府部門之前,她曾在洛杉磯和舊金山的國內法律師事務所擔任7年的公司法律師。
蘇戴娜出生於日本,在加州接受教育,並取得波莫納學院國際關係學士學位,以及加州大學哈斯汀法學院的法律博士學位,2019年蘇組長取得美國國防大學艾森豪學院之國家戰爭學院的碩士學位。蘇戴娜通曉中文、西班牙文和法文,她和她的女兒在2020年夏天從華盛頓特區抵達台北。
✨Diane Sovereign Assumes Duties as AIT’s Public Affairs Officer✨
Diane Sovereign is currently head of Public Affairs at the American Institute in Taiwan (AIT). She joined the United States Department of State in 2002, and has served as a diplomat in Asia, Europe and the Americas. Prior positions include: USNATO in Brussels as a Political Officer; in Mosul, Iraq as the Public Affairs Officer; at the “old” Embassy in Beijing, China as a Consular and Political Officer; at the “new” Embassy in Beijing as the Deputy Spokesperson; at the U.S. Consulate in Wuhan, China as the Consul General; at Embassy Ottawa as the Cultural Affairs Officer, and at Embassy Buenos Aires as the Press Attaché. Prior to government service, she spent 7 years as a corporate lawyer in the Los Angeles and San Francisco offices of a national law firm, practicing labor and employment law.
Born in Japan, she was educated in California, receiving her B.A. in International Relations from Pomona College and her J.D. from UC Hastings College of the Law. In 2019, Diane obtained a Master’s Degree in National Security from the U.S. National War College, Eisenhower School. Diane speaks Chinese, Spanish, and French. She and her daughter arrived in Taipei from Washington D.C. in the summer of 2020.
同時也有21部Youtube影片,追蹤數超過37萬的網紅Professor PowPow,也在其Youtube影片中提到,都市傳說:這個有名的都市傳說發生在80年代的美國,有關當局接獲報告,於是調查了一個由倉庫改建的據點,在那裏發現的機密,連CIA都爲之震驚。 ☛訂閱PowPow都市傳說、暗網、冷知識的頻道:https://www.youtube.com/channel/UCTiPpo3GYFgLq0WrvwyLVY...
department中文 在 美國在台協會 AIT Facebook 八卦
「愛台灣,我的選擇」系列第三發💞
💟「我在大學選修華語時,有一本課本就叫做「今日台灣」,但我第一次真正到台灣是來上美國國務院的華語課程。大家都喜歡來台灣學華語,但我想要看得更多,做得更多,所以我後來選擇派駐台灣,擔任經濟組的副組長。經濟組的工作著重於建立美台的經濟關係,這個經濟關係涵蓋各種正在改變世界未來樣貌的領域。我們致力於公衛、資安、數位經濟等議題,並探究如何在印太區域及更廣泛的區域,確保安全的技術,並建立安全的供應鏈。台灣人才輩出,讓我深受啟發,台灣人民就是台灣最大的財富;人才對經濟也非常重要,經濟要能蓬勃發展需要有才華、有創意的人才,而台灣就有這樣的人力資源。我曾經在投資銀行、國際開發和財金等產業工作過,所以我很希望能以我對金融業發展的觀察,協助台灣和美國的新創公司獲得創投資金,進而改變後代與數位科技互動的模式。除了專業上的興趣之外,我也熱愛大自然,我認為人類應該要與大自然有所連結,而台灣就有這樣的自然環境。我一直以來都很想觀察野鳥,但我早上常常爬不起來,可是在台灣就不必早起了,因為每天都有各式各樣美麗的鳥兒飛到我陽明山上家裡的後院!」
⭐️邵藹帝女士是名資深美國外交官,目前擔任美國在台協會經濟組副組長。在此之前,邵藹帝女士曾於美國駐上海總領事館負責推動美國經濟政策,並曾於華府任職於美國國務院的南亞及中亞事務局,以及美國駐科威特大使館。在擔任外交官之前,邵藹帝女士曾於香港及紐約的投資銀行任職,她也曾於世界銀行在印度的國際金融公司擔任顧問。邵藹帝女士先後於美國約翰霍普金斯大學取得學士學位及高級國際研究學院碩士學位。她來自伊利諾州,通曉中文、阿拉伯語及印度語。
Why I Chose Taiwan #3
💟"When I started studying Chinese as an undergrad, we had a whole book on Taiwan Today. The first time I actually came to Taiwan was studying Chinese with the State Department. Everybody loves coming here for language, but I wanted to see and do more. That’s what brought me back this time around, as the Deputy Director of the Economic Section. We focus on building up the U.S.-Taiwan economic relationship, which spans across so many different areas that I think are changing the future shape of the world. We are focused on health, cyber issues, digital economy, how do we ensure that technologies are secure, how do we build secure supply chains throughout the Indo-Pacific, and more. Taiwan has such talented people, and so that really inspires me. Taiwan’s people are its greatest asset. For the economy, you really need talented, creative people, and they are here in Taiwan. I have a very eclectic background in investment banking, international development, finance, and so how do I tap into the way I’ve seen financial industries develop to help Taiwan and the U.S. now get venture capital funding for future startups that are really going to change the way that our kids interact with the digital world? Aside from my professional interest in Taiwan, I love nature, I think it’s really important that humans have a connection with nature, and Taiwan provides that. I’ve always wanted to be a bird-watcher but I’m not good at waking up early in the morning to go out looking for birds. But here I don’t need to, because there are always all different kinds of beautiful birds that come to my own back yard in Yangmingshan!"
⭐️Arati Shroff is a career U.S. diplomat and is currently the Deputy Economic Chief at the American Institute in Taiwan (AIT) in Taipei. In her previous overseas assignment, Arati advanced U.S. economic policy at U.S. Consulate Shanghai. She has also served in the U.S. State Department’s Bureau of South and Central Asia in Washington D.C., at U.S. Embassy Kuwait. Prior to her diplomatic career, Arati worked in investment banking in Hong Kong and New York. She was previously a consultant with the World Bank’s International Finance Corporation in India. Arati earned a B.A. from the Johns Hopkins University and an M.A. from the Johns Hopkins School of Advanced International Studies (SAIS). Originally from the state of Illinois, Arati speaks Chinese, Arabic, and Hindi.
department中文 在 美國在台協會 AIT Facebook 八卦
💕「愛台灣,我的選擇」系列第16發:熱愛台灣詩的美國學者白瑞梅(Amie Parry)
「我在加州內陸地區一個叫做聖伯納迪諾的小城市長大,隨後在聖地牙哥念大學和研究所,並獲得文學博士學位。求學期間我們必須至少選修一門外語,所以我就選了中文。1987年我大學畢業之後,跟朋友來了台灣一趟,在台灣教英文和學中文六個月,接著就自己一個人當起背包客在亞洲四處旅遊。
我本來想要研究中國古典詩詞,後來因為獲得傅爾布萊特獎學金,便又再度回到台灣。當時我在討論詩詞的聚會上認識了幾位現代派詩人,所以我就將研究主題轉而聚焦在台灣60、70和80年代的現代詩。我的博士論文探討的就是,以現代主義來理解現有政治語言中難以理解的現代性。我認為歷史形塑而來的經驗,往往比語言本身還要複雜。
我研究的那些詩作沒有明確的政治性,反而是有很強的實驗性質,並帶著詭譎的神秘感。當時我認識的現代派詩人大多是跟著國民黨飄洋過海來台的外省人,他們經歷過戰爭和顛沛流離,也經歷過劇烈且痛苦的歷史創傷。每個人的經驗都不同,在那個年代,也很難說出口。後來,我寫了一本關於詩的書,並聚焦在一兩位我覺得特別有趣的詩人。我在書中問了一些類似的問題:這些詩作如何幫你思考艱難的議題?
當時的現代詩已經頗有制度,許多詩人都有投稿《現代詩》這份重要的詩刊,有些詩人則是將詩作與戲劇結合。整體而言,台灣的現代詩、表演藝術和文學都發展地如火如荼,也深深吸引了我,但我還未全盤了解。當我完成博士論文時,我便獲得交通大學的教職,讓我對台灣的學術圈感到非常驚艷。而當我出版第一本著作時,我也很訝異能在美國獲獎;我根本不知道自己獲得提名,當時我問授獎單位:「為什麼選擇我的書?」他們表示:「因為書中其中一個章節是以跨國的架構來進行整體論述,妳不是單用西方的理論和東方的詩詞,而是從東西方共同錘煉出嶄新的知識。」
我目前任教於中央大學英美語文學系,除了擔任系主任之外,我也有教授寫作課、文學課和文學文化理論課程。從我1987年第一次來台灣到現在,我覺得台灣人愈來愈能自在地與來自不同地方的人交談,就個人經驗來說,我認為台灣社會愈來愈開放。我第一次來台灣時,經歷了許多台灣社會有趣的發展,也結交了許多朋友,並認識了許多學術圈的同好。我想,這些珍貴的回憶就是呼喚我再度回台的動力;就像是,如果你覺得這個社會充滿生氣和活力,而你也能夠參與其中、做出貢獻,我想這就是像家一樣的感覺吧!」
✨白瑞梅 Amie Parry 現為中央大學英美語文學系 專任教授
💕Why I chose Taiwan #16 – Amie Parry
“I grew up in a small city in inland California called San Bernardino. I went to college and graduate school in San Diego. I got my PhD in literature. We were all expected to learn at least one language, so I did Chinese. I traveled to Taiwan with a friend right after I graduated from college in 1987. We came here to teach English and study Chinese for six months, then I traveled around Asia by myself with a backpack.
I originally wanted to study classical Chinese poetry. I got a Fulbright grant and I came back here. I started going to the poetry nights that were happening at that time. I met some of the modernist poets, and I switched my focus to the modernist poetry of the 60s, 70s, and 80s in Taiwan. I wrote my dissertation on modernism as a way of understanding the parts of modernity that are hard to know in the existing political language that we inherit. I think that experience in historical formation is always more complicated than the language.
These poems are not explicitly political; they're very experimental and strange. At the time, the modernist poets I met were mostly 外省, men who had been drafted and come over with the KMT, so they had experienced war and displacement, and a very intense and traumatic historical moment. People experienced it differently, and at that time, it was a hard thing to talk about. Later, I wrote a book about poetry, but I just focused on one or two poets I find really, really fascinating. And I was asking some of the same kinds of questions: how can these poems help you think about certain topics that are hard to think about?
At that time, Modernist poetry was a kind of an institution already. There was a journal called 現代詩, “Modern Poetry,” a really important journal that most of these poets were published in. Some of them combined poetry and theater. There's just so much going on in Taiwan in terms of poetry and performance and literature. It's just amazing. And I'm very interested in it at all, but I haven't kept up. After I finished my dissertation, I got a job offer at 交大. I thought, wow, there's something really amazing happening intellectually here. When my first book came out, it actually got an award in the U.S., and I was so surprised. I didn't even know it had been nominated. I asked them, ‘Why did you choose my book?’ And they said, because one of the chapters has a transnational of framework for the whole argument, so it wasn't like you used Western theories and Eastern texts, it's like the whole knowledge part is coming out of both places.
I currently teach in the English department at National Central University. I'm the chair and I teach writing classes, literature classes, and literary and cultural theory classes. Since my first visit to Taiwan in 1987, I think people are a little more comfortable talking to people from different places. In my personal interactions, I feel a difference, like a greater openness. Back then, there were so many interesting things happening here, all at one time, and that's the time that I happened to be here. And I made good friends in my personal life and in my intellectual life. And I think those are the things that made me come back: like if you feel that there's something interesting happening and there's some way that you can support it. I guess that's a way of feeling at home.” — Amie Parry
✨Amie Parry is professor of the Department of English at the National Central University
department中文 在 Professor PowPow Youtube 的評價
都市傳說:這個有名的都市傳說發生在80年代的美國,有關當局接獲報告,於是調查了一個由倉庫改建的據點,在那裏發現的機密,連CIA都爲之震驚。
☛訂閱PowPow都市傳說、暗網、冷知識的頻道:https://www.youtube.com/channel/UCTiPpo3GYFgLq0WrvwyLVYw?sub_confirmation=1
☛PowPow的Instagram:ProfPowPow
☛PowPow的Facebook:
https://www.facebook.com/ProfPowPow/
☛都市傳說、都市傳說真相系列(中文字幕):
https://www.youtube.com/playlist?list=PLYCvmttdLR8rROmJ4EDli5gw_FEmH1LJv
☛Deep Web 暗網系列(中文字幕):https://www.youtube.com/playlist?list=PLYCvmttdLR8rINF94fqtQMAAtKNkVLjf0
☛都市傳說(Urban Legends)是在都市或互聯網中流傳的各種故事,和一般的怪談或鬼故事不同,都市傳說多有事實或證據證明其存在。都市傳說背後都存在一段有趣的歷史,爲了不令這段歷史被遺忘,爲了都市傳說不再使人飽受驚嚇,我希望可以揭露每一個都市傳說的真相。
※本影片爲報導都市傳說及都市傳說真相的紀錄片,僅供教學用途,包含的虛擬情節,可能會引致觀衆不安,請勿模仿片中任何行爲,敬請留意。
※This video is a documentary film about urban legends and the truth behind, the video is for educational purpose only, content contains fictionalized events and may be offensive or disturbing to some audiences, please do not imitate any behaviour in this video.
參考資料:
Reports written by Department of the Treasury
department中文 在 Professor PowPow Youtube 的評價
這個都市傳說發生在80年代的美國,相傳事件開始於一通電話,調查發現當地一年內竟然有多人謎一般地消失……
☛訂閱PowPow都市傳說、暗網、冷知識的頻道:https://www.youtube.com/channel/UCTiPpo3GYFgLq0WrvwyLVYw?sub_confirmation=1
☛PowPow的Instagram:ProfPowPow
☛PowPow的Facebook:
https://www.facebook.com/ProfPowPow/
☛都市傳說、都市傳說真相系列(中文字幕):
https://www.youtube.com/playlist?list=PLYCvmttdLR8rROmJ4EDli5gw_FEmH1LJv
☛Deep Web 暗網系列(中文字幕):https://www.youtube.com/playlist?list=PLYCvmttdLR8rINF94fqtQMAAtKNkVLjf0
☛都市傳說(Urban Legends)是在都市或互聯網中流傳的各種故事,和一般的怪談或鬼故事不同,都市傳說多有事實或證據證明其存在。都市傳說背後都存在一段有趣的歷史,爲了不令這段歷史被遺忘,爲了都市傳說不再使人飽受驚嚇,我希望可以揭露每一個都市傳說的真相。
※本影片爲報導都市傳說及都市傳說真相的紀錄片,僅供教學用途,包含的虛擬情節,可能會引致觀衆不安,請勿模仿片中任何行爲,敬請留意。
※This video is a documentary film about urban legends and the truth behind, the video is for educational purpose only, content contains fictionalized events and may be offensive or disturbing to some audiences, please do not imitate any behaviour in this video.
參考資料:
Reports written by Department of the Treasury
department中文 在 暗網仔 2.0 Youtube 的評價
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[恐怖影片] 5個Netflix上最恐怖的glitch | 消失的童年卡通片
(今天的五個題目)
黑白電視機的60年代, 每部靈異恐怖劇也是被經典節目Twilight Zone所影響. 原著編劇深度開埸白, 恐怖情節對社會與政治的irony.
black mirror的靈異畫面
Twilight zone新世代版Black Mirror誇大表現一個被social media扭曲的平行時空. 恐怖的是Black Mirror警告會發生的未來, 已有傳在播放他的平台Netflix可見到一些Glitch.
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還有...全球地區的Netflix也看得到.
(Show black mirror glitch) 但有些畫面, 你可能不會想見到.
2019年中多名Netflix用戶據稱看Netflix時畫面閃出一格該畫面. (Show clip) 而是在跟black mirror沒有任何關係的節目出現. Netflix出來交待此事件只是system Glitch. 但陰謀論表示是一種名subliminal message的大腦控制手法. 政府, 迪士尼已被發現內容常有這種奇怪信息. 一些地區, 廣告用這手法是列為犯法. 其實這種名supraliminal message非Subliminal messages, subliminal是控制我們潛意識, 而好像這個(image) 我們意識上見到的是supraliminal message.
但這畫面真的是 ‘意外’ 嗎?
Netflix上的兒童色情
2018年6月這個電影開場導致Netflix被彙報到美國FBI部門National Centre for missing and exploited children. 戲中一起演出發現初次 ‘自摸’ 的兩位小女孩真實年齡只有7歲和9歲.
這部名 ‘Desire’ 的2017年阿根廷電影之後導演Diego Kaplan出來解釋拍攝時兩名小演員也不知道拍攝實質內容意義. “...they were just copying what they were seeing on the screen. No adults interacted with the girls... Everything was done under the careful surveillance of the girl’s mother”
但根據美國Department of justice ‘任何描述未成年人士做出性行的媒介也是非法的’
最後勝利? 如果現在上Netflix找desire該電影還在.
消失的童年卡通片
我自己英文頻道Horrorstudio1其實早於2015年已經有講關Creepypasta (網上都市傳說) Candle cove. 在討論區上曾有多名用戶聲稱小時候70年代常常在58台看一tou關於海盜的卡通片candle cove. 其中整一集節目30分鐘, 是一個女孩對著鏡頭痛哭. candle cove沒找到任何官方資料. 一名網友問到自己家長對這卡通有沒有印象時, 網友母親說他小時候會每天同一時間, 開電視對著電視機的雪花看, 然後笑.
這都市傳聞之後被破解是網上漫畫家Kris straub一個創作. 但根據一些資料Netflix曾有24小時是可以看到candle cove. 當然現在找就沒有啦.
曾經Netflix也試過Glitch整個節目庫只有black mirror一部被你選擇. 這又是不是真的呢?
武漢肺炎
2020年1月8號New York Times報導中國鑒定出武漢肺炎. 同一天Netflix推出一部名Pandemic的電視節目. “Is Netflix owned by China?...when I checked Netflix, pandemic and doomsday preppers were the top 2 trending series” 陰謀論是Netflix背後一早知道肺炎會爆發, 所以該事件絕對是人為! 但其實病毒12月中已經已被發現到. ‘Pandemic’ 本身亦不是一個針對武漢事件的一個節目. 題材其實只是講對抗病毒的前線醫護人員.
並且netflix因病毒事件推出自己相關節目又不是什麼預知未來的能力. 這樣講我 ‘武漢事件’ 期間推出相關Youtube片難道我又是知道內情的背後人物嗎?
我相信netflix這麼大的娛樂公司一定有節在. 等有討論ga jik時自然就推出.
甚至Kobe Bryant的死也被説是為jeh koy這件事. 我覺得不是.
Netflix上不該搜尋的字
有討論區表示, 如果你在Netflix搜尋打 ‘exam’ 這個字, 顯示出來會是一些挺不安的節目編目. 這個字是我們不該去搜尋的嗎? 有人指出是政府一大堆洗腦控制人類的電影. 其實這個只不過是Netflix內部測試影片能否成功傳遞給用戶的裝置. 聽說打 ‘Example short 23.976’ 特別恐怖.
Tou中找到Netflix關於Flat Earth(地平說) 紀錄片. 該紀錄片支持我們身處的地球不是一個圓形的星體, 而是一peen有盡頭的陸地. 除此之外, 有Marilyn monroe的死跟外星人有關之類一大堆的所謂 ‘陰謀’ documentary. 在美國文化當中Youtube, whatsapp已對這些未經科學證實的資訊不會lup loon廣傳. 可能netflix未掌握到這點, 因為他的影響力真的很大.
(Netflix附加Glitch)
department中文 在 YouTube 的八卦
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