เมื่อทะเลเรียกหา แต่เวลาไม่เป็นใจ ลาพักร้อนไว้ แล้วไปลุยกับ ‘8 เกาะระยอง’ #SneakOut
🌊เมื่อทะเลเรียกหา แต่เวลาไม่เป็นใจ ลาพักร้อนไว้ แล้วไปลุยกับ ‘8 เกาะระยอง’ 🌊
✌วันที่เหนื่อยล้า ทะเลยังบอกว่า ซู่ซู่ว !! ปล่อยสมองให้โล่ง พร้อมกระโดดน้ำใส เติมพลังชีวิตกันหน่อยเร็ว
⏱หากใครมีเวลาน้อย อยากหนีเที่ยวหน้าร้อน ได้ฟีลทะเลอันดามัน แต่ไม่อยากนั่งรถไฟไปไกล พวกเรามี 8 เกาะฝั่งทะเลอ่าวไทยมาแนะนำให้เพื่อนๆ รู้จักกัน หรือใครที่อยากไปแต่ไม่รู้จะไปไหนดี ก็มาเปิดใจให้ ‘8 เกาะระยอง’ ของพวกเราก็ได้นะ
🏝🏝ไม่ต้องไปไกลถึงอันดามันก็ได้เที่ยวทะเลสวยๆ หาดทรายขาวๆ น้ำเทะเลใสๆ ที่ฝั่งอ่าวไทยก็สวยไม่แพ้กัน ใครที่ตามหาเกาะสวยน้ำใสใกล้ๆ เราขอแนะนำทะเลตะวันออกที่ฮอตฮิตสุดในช่วงนี้ กับอีกหนึ่งจังหวัด ‘ระยอง’ นั่นเองจ้า มีกิจกรรมให้ทำครบ ทั้งเล่นน้ำ ชมธรรมชาติ ชิวๆ พักผ่อนกัน ไปกับครอบครัวก็ได้ กับแฟนก็ดี หรือไปกับเพื่อนก็สนุก ห่างจากกรุงเทพฯ แค่ 160 กม. 3 ชั่วโมงนิดๆ ไม่ต้องไปไกลถึงอันดามันก็ไดฟีลที่คล้ายกันเลยทีเดียว
🌅หากให้พูดถึงเกาะที่ได้ความนิยมไม่ว่าจะเป็นชาวไทย หรือชาวต่างชาติ แถมใกล้กรุงเทพ ‘เกาะเสม็ด’ คงเป็นชื่อแรกๆ ในความคิดทุกคนอย่างแน่นอน บนเกาะไม่ได้มีแค่ทะเลอย่างเดียวที่น่าสนใจนะ มีทั้ง ถ่ายรูปสวย เล่นน้ำใสๆ ชมอ่าวปะการัง หรือจะไปดูพระอาทิตย์ตกที่ ‘อ่าวพร้าว’ จุดที่สวยที่สุดบนเกาะเสม็ดเลยก็ว่าได้ อาหารทะเลที่นี่ก็มากันแบบสดๆ อร่อยแน่นอน การเดินทางก็สะดวกงบประมาณไม่ต้องเยอะ จะไปเช้าเย็นกลับ หรือจะค้างคืนก็ได้
หนีเที่ยวได้ที่
เกาะเสม็ด, เมืองระยอง, ระยอง
📍 พิกัด https://goo.gl/maps/Ps1g7r747zC2
👌🏖เกาะต่อมาเป็นเกาะที่ถูกซ่อนในระยองมาเนินนาน ‘เกาะทะลุ’ นั่นเอง เกาะสวย น้ำใส แถมยังมีแนวปะการังให้คนที่สนใจอยากใกล้ชิดปะการังก็มีบริการให้ แต่ต้องเช่าเรือพร้อมดำน้ำมาจากฝั่งก่อนนะ ภายใต้ผิวน้ำมีดอกไม้ทะเลที่สมบูรณ์ ปลาสีสันสวยงามพร้อมให้ทุกคนได้ชมกัน ความใสทะลุกล้องเลยก็ว่าได้ แถมยังมีหาดทรายสีขาวสะอาดตา เหมาะสำหรับคนอยากดำน้ำแต่ขี้เกียจนั่งเรือหรือขับรถไกล มาแค่ระยองนั่งเรือไม่กี่นาทีก็ได้เจอทะเลสวยๆแบบนี้แล้วจ้า ที่นี่ถือเป็นแหล่งดำน้ำชมประการังที่สวยที่สุดในจังหวัดระยองเลยทีเดียว แถมยังสามารถดำน้ำลอดโพรงได้ด้วย อ้อ! มาที่นี่ห้ามพลายเลยกับการแชะภาพกับ ‘ช่องเขาทะลุ’ ซึ่งเป็นที่มาของชื่อ ‘เกาะทะลุ’ นั่นเอง
หนีเที่ยวได้ที่
เกาะทะลุ, แกลง, ระยอง
📍 พิกัด : https://goo.gl/maps/c6hQwRcc5fo
🐠🐡ต่อกันที่เกาะที่เหมาะสำหรับการพักผ่อนหย่อนกายใจ อย่าง ‘เกาะมันนอก’ อีกเกาะที่สวยงามไม่แพ้เกาะอื่นๆ มีกิจกรรมให้ทำหลากหลายอย่าง ทั้งเดินเล่นริมหาด พายเรือคายัด ยังไม่หมดเพียงเท่านี้ที่เกาะมันนอก ยังมีแนวปะการังบริเวณรอบเกาะ ให้เราลงไปดำน้ำดูปะการัง และปลาสีสวยๆ ได้ รับรองว่าสนุกตื่นเต้นอย่างแน่นอน
🏖 ในแต่ละมุมของหาดจะมีที่นั่งไว้ให้นักท่องเที่ยวนั่งผักผ่อนกินลมสูดบรรยากาศของเกาะแห่งนี้อย่างเต็มที่ ‘เกาะมันนอก’ เป็นเกาะเล็กๆ ที่มีรีสอร์ทซ่อนอยู่ที่เดียวคือ ‘Mun-Nok Island Resort’ ซึ่งเงียบสงบเป็นส่วนตัวสุดๆ ชมพระอาทิตย์บรรยากาศที่พระอาทิตย์กำลังจะลับขอบฟ้า มันดีต่อใจมากๆ เลย 🐟
หนีเที่ยวได้ที่
เกาะมันนอก, แกลง, ระยอง
📍 พิกัด : https://goo.gl/maps/cRaZRraVVdH2
🌈ไปต่อกันที่ ‘เกาะมันกลาง’ เกาะที่มีทะเลแหวกสวยงามไม่แพ้ทะเลใต้เลยก็ว่าได้ ในช่วงหน้าร้อนปลายเดือนเมษายนจะเห็นทะเลแหวกบริเวณเกาะนี้ ลักษณะของน้ำทะเลรอบๆ บริเวณเกาะจะใสมาก เห็นเป็นสีเขียวอ่อนๆ มองเห็นหิน และปะการังใต้ทะเลจากเรือได้เลย ที่นี่มีดำน้ำชมปะการังน้ำตื้นได้ด้วยนะ 🏖
หนีเที่ยวได้ที่
เกาะมันกลาง, แกลง, ระยอง
📍 พิกัด : https://goo.gl/maps/L2jLh72JmK52
🐢เกาะต่อไป คงเป็นสวรรค์ของคนรักเต่าเอามากแน่ๆ ‘เกาะมันใน’ เกาะแห่งนี้มี ‘ศูนย์อนุรักษ์พันธุ์เต่าทะเล’ มีเต่าทะเลมากมาย แถมยังมีเต่าตัวใหญ่ที่มีอายุกว่า 70 ปี ทางพิพิธภัณฑ์เต่าทะเล ได้นำเต่าต่างๆ มาฟื้นฟูและรักษา เพื่ออนุรักษ์เต่าทะเลไว้ไม่ให้ศูนย์พันธุ์ นอกจากจะมีความรู้แล้ว ทะเลบริเวณเกาะที่นี่น้ำใสไม่แพ้เกาะอื่นๆ เลยทีเดียว 🐢
หนีเที่ยวได้ที่
เกาะมันใน, แกลง ระยอง
📍 พิกัด : https://goo.gl/maps/XRQAw2wPJGt
🏊🏻♂ ‘เกาะกุฎี’ เกาะที่มีจุดดำน้ำลึกมากกว่า 5 เมตร น้ำใสสีฟ้าคราม เห็นปะการังหลากหลายชนิดอย่างชัดแจ๋ว มีกลุ่มปลาน้อยมากมายที่พบได้ระหว่างดำน้ำ เช่น ปลานกแก้ว ที่มากันเป็นฝูง ใกล้ชิดอย่างกับเคยเป็นเพื่อนกันมาก่อน จุดพักผ่อนกับจุดดำน้ำอยู่กันคนละที่ แต่อยู่ในเกาะกุฎีเหมือนกัน บนเกาะมีทางเดินขึ้นไปยัง ‘จุดชมวิวผานินมังกร’ ที่สามารถมองเห็นเกาะต่างๆ ได้ สวยมากๆ ถ้ามาเที่ยวเกาะที่ระยองต้องห้ามพลาดที่จะมาดำน้ำที่นี่เลยเด็ดขาดนะ 👍🏻
หนีเที่ยวได้ที่
เกาะกุฎี, เมืองระยอง, ระยอง
📍 พิกัด https://goo.gl/maps/sqEhsKs7uVP2
🌅ขาดไม่ได้เลย ‘เกาะขาม’ แวะมานั่งดูพระอาทิตย์ตกที่บริเวณหาด พร้อมซึมซับบรรยากาศของทะเลยามเย็น เมื่อยามน้ำทะเลลดลงจะพบทางเชื่อมไปยัง ‘เกาะกรวย’ มีโขดหินก้อนใหญ่ตั้งอยู่กลางทะเล เป็นที่โพสท่าถ่ายรูปสุดเก๋ไว้ให้ถ่ายรูปกันด้วยนะ จะถ่ายเดี่ยวหรือถ่ายเป็นแก๊งก็โคตรจะดีย์ 👬📸
หนีเที่ยวได้ที่
เกาะขาม, ระยอง
📍 พิกัด : https://goo.gl/maps/TjxQR61VbcD2
👬 ปิดท้ายด้วยเกาะคู่พี่คู่น้องของที่นี่เลยถ้าไปถึงเกาะขามจะต้องไปแวะไปเดินเล่นถ่ายรูปที่ ‘เกาะกรวย’ อย่างแน่นอน เพราะมีจุดไฮไลค์เป็น ‘ทะเลแหวกระยอง’ ที่สามารถเดินข้ามไปยังเกาะขามได้สบายอย่าง ที่เราได้บอกไปในเกาะขาม ถือว่าห้ามพลาดเลยทีเดียว
หนีเที่ยวได้ที่
เกาะกรวย, ระยอง
📍 พิกัด : https://goo.gl/maps/r2bPK5N97us
สามารถติดตามพวกเราผ่านช่องทาง ‘หนีเที่ยว’ ต่อไปนี้
👍🏻 Facebook : https://bit.ly/2SFis0R
📺 YouTube : https://bit.ly/2RIPTmk
📱 LINE@ : https://bit.ly/2Qv5ml3
📸 Instagram : https://bit.ly/2VxlEh0
👥 FB Group ‘กลุ่มคนหนีเที่ยว’ : https://bit.ly/2FjnTPj
👥 FB Group ‘กลุ่มตลาดนัดคนหนีเที่ยว’ : https://bit.ly/2Fhn09U
#SneakOut #หนีเที่ยว #SneakOutThailand #หนีเที่ยวไทย #ระยอง #ดำน้ำระยอง #เกาะดำน้ำระยอง #เกาะดำน้ำ #ทะเล #ทะเลระยอง #เกาะเสม็ด #เกาะทะลุ #เกาะมันนอก #เกาะมันใน #เกาะมันกลาง #เกาะกุฎี #เกาะขามระยอง #เกาะขาม #เกาะกรวย #ทะเลแหวกระยอง #ทะเลแหวก #เที่ยวไทย #อ่าวไทย
When the sea calls, but it's not the time. Take a vacation and go to fight with ' 8 Ko Rayong ' 🌊
✌ The day I'm tired. The sea still says that it's so cool!! Let your brain clear and jump in the water. Let's recharge your life.
⏱ If anyone has a little time, want to escape the summer, I have an Andaman Sea, but don't want to take a train to go far. We have 8 islands, Gulf of Thailand. Let's introduce each other or anyone who wants to go but don't If you are good, you can open your mind to our '8 Rayong Island'.
🏝🏝 Don't have to go far to Andame. cuddle, you can visit the beautiful sea, white sand beach, clear sea on the gulf of Thailand is beautiful and not allergic. Anyone who is looking for a beautiful island. We recommend you to you to the hot east sea. This is the best with another province of 'Rayong'. There is an activity to do, play water, watch nature. Relax with family with your boyfriend or go with friends. Just 160 km away from Bangkok. [CLAUGHS] 3 hours. No need to go far. Andaman is similar.
If you talk about the popular island, whether it's Thai or foreigners, and near Bangkok, Koh Samet ' would be the first name in the idea. There is not only one sea. There are only one interesting. There are beautiful photos and play clear water. Or you want to see the sunset at ' Ao Phrao ', the most beautiful spot on Koh Samet. We think it's a fresh seafood here. It's delicious. It's convenient to travel. No need to go to go back in the morning and evening or spend the night.
Escaping at
Koh Samet, Mueang Rayong, Rayong
📍 Location https://goo.gl/maps/Ps1g7r747zC2
👌🏖 Later island is a hidden island in Rayong. 'Nan island through' beautiful island, clear water, and there is a coral reef for those who are interested in close to be a service, but we need to rent a boat and diving from the side first. There is a perfect sea flower, beautiful fish, ready for everyone to see the brightness through the camera. There is a white sand. It's perfect for those who want to diving, but a boat ride or a long way to ride in Rayong. I have found this beautiful sea in a few minutes. It is the cuddle most beautiful diving area in Rayong province. It can also be able to dive through the hollow! Come here, no playa with the photo shoot with ' Khao through ' which is the source of the name of '
Escaping at
Island through, Kae Lang, Rayong.
📍 Location: https://goo.gl/maps/c6hQwRcc5fo
🐠🐡 The island is perfect for relaxing like ' outside island '. There are many activities to do. There are many activities to do by the beach. It's not sold out. Just like this at the island. There are still coral reefs around the island. Let us go down to snorkeling and beautiful fish. Guarantee that it will be fun and exciting.
🏖 In each corner of the beach, there will be a seat for tourists to sit in the breeze, take the wind. The atmosphere of this island. The island is a small island is a small island that has only one place. It is 'Mun-Nok Island Resort'. Very quiet, private, watching the sun, the sun is about to go back to the horizon. It's very good
Escaping at
Outside Island, Kae Lang, Rayong
📍 Location: https://goo.gl/maps/cRaZRraVVdH2
🌈 Let's go to ' Koh Manklang ', an island with unconventional sea. It's not allergic to the south sea. In the summer. In the end of April, we will see the unconventional sea around the island. The appearance of the island will be very clear. It's You can see the rocks and coral under the sea from the boat. There is a snorkeling here too. 🏖
Escaping at
Klang Island, Kae Lang, Rayong
📍 Location: https://goo.gl/maps/L2jLh72JmK52
The next island will be a lot of turtle lovers. ' Koh Man in this island has a ' sea turtle conservation center '. There are many sea turtles. There are many big turtles over 70 years old. The sea turtle museum has brought Let's restore and keep the sea turtles. Not to have knowledge. In addition to the sea is clear water here. Not allergic to other island. 🐢
Escaping at
Koh man in Rayong
📍 Location: https://goo.gl/maps/XRQAw2wPJGt
🏊🏻 ♂ ' Kuti Island with more than 5 meters deep diving spots. Clear blue. See many types of coral. There are many types of fish groups that can be found during diving such as parrot fish. We are close as friends before. The diving spots are in different places. There are in the island. There is a path to 'cuddle overs of the cuddle overs' that can see the island. It's very beautiful. If you visit Rayong island, you don't miss to dive here. 👍🏻
Escaping at
Kuti Island, Mueang Rayong, Rayong
📍 Location https://goo.gl/maps/sqEhsKs7uVP2
I can't miss ' Ko Koh Kham ' stopped by to watch the beach area. Ready to absorb the atmosphere of the sea in the evening. When the sea water is reduced, there will be found a way to ' Koh Koh Khao Khao '. There is a The reason I pose to take a chic photo for you to take photos. Whether it's a single photo or a gang. It's very good. 👬📸
Escaping at
Koh Kham, Rayong
📍 Location: https://goo.gl/maps/TjxQR61VbcD2
👬 Ending with a couple island. If you get to Koh Koh Kham, you will definitely take photos at ' Ko Kruai ' because there is a high-like spot as ' that can walk across. Go to Koh Koh Koh Koh Koh Koh Kham. Don't miss it.
Escaping at
Kruai Island, Rayong
📍 Location: https://goo.gl/maps/r2bPK5N97us
You can follow us through the following 'escape' channels.
👍🏻 Facebook: https://bit.ly/2SFis0R
📺 YouTube : https://bit.ly/2RIPTmk
📱 LINE@ : https://bit.ly/2Qv5ml3
📸 Instagram: https://bit.ly/2VxlEh0
👥 FB Group 'Escaping Group': https://bit.ly/2FjnTPj
👥 FB Group 'flea market group': https://bit.ly/2Fhn09U
#SneakOut #หนีเที่ยว #SneakOutThailand #หนีเที่ยวไทย #ระยอง #ดำน้ำระยอง #เกาะดำน้ำระยอง #เกาะดำน้ำ #ทะเล #ทะเลระยอง #เกาะเสม็ด #เกาะทะลุ #เกาะมันนอก #เกาะมันใน #เกาะมันกลาง #เกาะกุฎี #เกาะขามระยอง #เกาะขาม #เกาะกรวย #ทะเลแหวกระยอง #ทะเลแหวก #เที่ยวไทย #อ่าวไทยTranslated
同時也有10000部Youtube影片,追蹤數超過62萬的網紅Bryan Wee,也在其Youtube影片中提到,...
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【水世界】的前製設定與現場劇照
WATERWORLD (1995)
In celebration of today’s anniversary of this wet mess/epic. Let’s celebrate the hard work this crew put into bringing this world to life. Water movies are never easy but when it comes to this movie anytime you bring it up and a crew member from it is in earshot, the stories pour out. Not always bad, I know a AC that said he had a blast, he loved the boat rides out and all the camaraderie the crew had to have to get thru it. To all the crew that helped bring WATERWORLD to life, We salute you and thanks for the memories. I personally enjoy this hot mess of a movie, it’s one of the last ones of its kind...done practically...in a way.
let’s take a deepest of dives into WATERWORLD
The director, Kevin Reynolds, knew there would be problems before production had even started, “During pre-production. Because having never shot on water to that extent before, I didn’t really realise what I was in for. I talked to Spielberg about it because he’d gone to do Jaws, and I remember, he said to me, “Oh, I would never shoot another picture on water”.
“When we were doing the budget for the picture, and the head of the studio, Sid Sheinberg, we were talking about it and I said, “Steven told me that on Jaws the schedule for the picture was 55 days, and they ended up shooting a 155 days”. Because of the water. And he sat there for a moment and he said, “You know, I’m not sure about the days, but I do know they went a hundred percent over budget”. And so, Universal knew the potential problems of shooting on water. It’s monstrous.”
The film began with a projected budget of $100 million which had reportedly increased to $175 million by the end of production. The principle photography had overrun for at least thirty days more than originally planned due to one major decision.
Whereas today they would film in water tanks with partially built sets, employing green screens to fake the locations, back in 1995 they decided to build everything full size and shoot out on the ocean.
This causes extra logistical problems on top of those that already come with making a major action blockbuster. Cast and crew have to be transported to sets. The camera boats and sets float out of position and will have to be reset between takes taking up valuable production time.
The first draft of Waterworld was written by Peter Radar, a Harvard graduate who wanted to break into the film business. His contact in the film industry was Brad Kevoy, an assistant to the legendary director Roger Corman.
Roger Corman is best known for making films very quickly on a small budget. He also liked to give young talent a chance to direct and write their own films. Brad informed Peter that if he could write a Mad Max rip off, he would arrange to finance and let him direct the picture.
Radar came back and pitched the idea for what would become Waterworld. Kevoy took one look at him and said,
“Are you out of your mind? This would cost us three million dollars to make this movie!”
So Radar kept hold of the idea and decided to re-write the script but, this time, going wild. He wrote what he wanted to see on-screen, limited only by his imagination, not a real world production budget.
He managed to get the newly written script shown to a pair of producers with whom he had made contact with. They loved it and ironically they passed it onto Larry Gordon. He shared the enthusiasm saying it had the kind of cinematic possibilities he was looking for. A deal was signed on Christmas Eve of 1989.
As further script rewrites progressed, it became clear that Waterworld was too big for the Larry Gordon’s production company to undertake by themselves. In February 1992, a deal was signed with Universal Pictures to co-produce and co-finance the film. This was now six years after the first draft had been written.
Universal had signed director Kevin Reynolds to Waterworld. Whilst he was finishing his latest film, Rapa Nui, pre-production for Waterworld was already underway.
The decision was taken that the largest set for the film, known as the atoll, would be built full size. The atoll was the primary location for film and in the story served as the location for a small population of survivors.
The logic behind this decision was due to the high percentage of live action filming required in this location, as well as a huge action set piece. No sound stage would be big enough to incorporate this number of scenes and it was crucial that we see the mariner sail his boat into the atoll, turn around and set out again. A full-size construction was the only way to go as the use of miniature and special effects would be impractical.
The next problem was deciding where to build this huge set. After much research, Kawaihae Harbour in Hawaii was chosen as the location. The atoll could be constructed in the harbour and rotated when needed thus allowing for open sea in the background. Later towards the end of principle photography, the atoll could be towed out into the open sea for the filming of the big action sequences which would be impractical to shoot in an enclosed harbour.
Director Kevin Reynolds also discussed the possibility of using the same water tank as James Cameron’s The Abyss, which had filmed there around five years ago,
“We had even entertained the notion of shooting at that big nuclear reactor facility where they had shot The Abyss, to use it for our underwater tank. But we found it in such a state of disrepair that economically it just wasn’t feasible. We didn’t have as much underwater work as they did. Most of The Abyss is interiors and underwater and model work, ours is mostly surface exterior.”
The production company had originally envisioned building the atoll by linking approximately one hundred boats together and building upon this foundation, just like the characters in the film. The production crew set out to search Hawaii and get hold of as many boats as possible.
During this search, a unique boat in Honolulu caught their attention. Upon further investigation, they discovered it was built by Navitech, a subsidiary of the famous aircraft production company, Lockheed.
They approached Lockheed with the strange request of figuring out how they could build the foundations of the atoll. Lockheed found the request unusual but didn’t shy away from the challenging. They agreed to design the atoll foundation and Navitech would construct it.
Meanwhile, an 11ft miniature model of the atoll was sent out to a model ship testing facility in San Diego. Scaled wave tanks are used to determine the effects of the open sea on large scale miniature models of new untested ship designs. This would help determine what would happen with the unusual design of the atoll when it was out of the harbour.
The atoll, when finished, was approximately ¼ mile in circumference. It took three months to construct and is rumoured to cost around $22 million. As the atoll would be used out on the open sea, it required a seafaring license. Nothing like this had been done before and after much deliberation, it was eventually classed as an unmanned vessel. This meant that all cast and crew would have to vacate the set whilst it was towed into position. By the end of production, the atoll was towed out to sea a total of five times.
Shooting out on the open sea presented a series of logistical problem as Reynolds describes,
“We had an entire navy, basically – I mean, this atoll was positioned about a mile off-shore in Hawaii, it was anchored to the bottom of the ocean so it could rotate. What you don’t think about are things like, you’re shooting on this atoll to maintain this notion that there’s no dry land, you always have to shoot out to sea. Away from the land. So we chose a location where we had about a 180 degree view of open water. Nevertheless, any time when you’re shooting, there could be a ship appear in the background, or something like that, and you had to make a choice. Do I hold up the shot, wait for the ship to move out, or do we shoot and say we’re going to incur this additional cost in post-production of trying to remove the ship from the background.
And at that time, CGI was not at the point it is now, it was a bigger deal. And so, even though if you’re shooting across the atoll and you’re shooting out onto open water, when you turn around and do the reverses, for the action, you had to rotate the entire atoll, so that you’re still shooting out to open water. Those are the kinds of things that people don’t realise.
Or something as simple as – if you’re shooting a scene between two boats, and you’re trying to shoot The Mariner on his craft, another boat or whatever, you’ve got a camera boat shooting his boat, and then the other boat in the background. Well, when you’re on open water things tend to drift apart. So you have to send lines down from each of those boats to the bottom, to anchor them so that they somewhat stay in frame. When you’ve got a simple shot on land, you set up the camera position, you put people in front of the camera and then you put background in there. But when you’re on water, everything’s constantly moving apart, drifting apart, so you have to try to hold things down somewhat.
And these are simple things that you don’t really realise when you’re looking at it on film. But logistically, it’s crazy. And each day you shoot on the atoll with all those extras, we had to transport those people from dry land out to the location and so you’re getting hundreds of people through wardrobe and everything, and you’re putting them on boats, transporting them out to the atoll, and trying to get everybody in position to do a shot. And then when you break for lunch, you have to put everybody on boats and take them back in to feed them.”
The final size of the atoll was determined by the size of the Mariners boat, the trimaran. The dimensions for the trimaran were finalised very early on in pre-production, allowing all other vehicles and sets to be sized accordingly.
Production required two trimarans boats which are so called because they have three hulls. The first was based on the standard trimaran blueprint and built for speed but also had to accommodate a secret crew below decks.
During wide and aerial shots it would have to look like Costner himself was piloting the boat. In reality, a trained crew could monitor and perform the real sailing of the boat utilising specially built controls and television monitors below deck.
The second trimaran was the trawler boat which could transform into the racer through the use of special practical effects rigs. Both of these boats were constructed in France by Jeanneau. Normally this type of vessel requires a year to construct but production needed two boats in five months!
Normally once the boat had been constructed, Jeammeau would deliver it on the deck of a freighter, requiring a delivery time of around a month. This delay was unacceptable and so the trimarans were dismantled into sections and taken by a 747 air freighter to the dock Hawaii. Upon arrival, a further month was required to reassemble the boat and get them prepared for filming.
sets recreating the inside of the tanker were built using forced perspective in a huge 1000ft long warehouse which had an adjoining 2000ft field. In this field, they built the set of the oil tankers deck, again constructed using forced perspective. Using the forced perspective trick, the 500ft long set could be constructed to give the impression that it was really twice as long.
There’s more to a film than just it’s sets and filming locations. Over two thousand costumes had to be created with many of the lead actors costumes being replicated many times over due to wear and tear.
This is not an uncommon practice for film production, but due to the unique look of the people and the world they inhabit, it did create some headaches. One costume was created with so many fish scales the wardrobe department had to search the entire island of Hawaii looking for anyone who could supply in the huge quantity required.
Makeup had to use waterproof cosmetics, especially on the stunt players. As everyone had a sun burnt look, a three-sided tanning booth was setup. The extras numbering in their hundreds, with ages ranging from six to sixty-five, passed through the booth like a production line to receive their spray tan. The extras then moved onto costume before finally having their hair fixed and becoming ready for the day.
In some scenes, extras were actually painted plywood cutouts to help enhance the number of extras on the set. This can easily be seen in one particular shot on board the Deez super tanker.
Filming on the water is not only a difficult and time-consuming process but also very dangerous. It’s been reported that Jeanne Tripplehorn and Tina Majorino nearly drowned on their first day of filming.
Waterworld’s star Kevin Costner reported having a near-death experience when filming a scene in which the mariner ties himself to his catamaran to survive a storm. The pounding water caused him to black out and nearly drown.
Unbeknownst to most of the crew, Kevin Costner’s stunt double was riding his jet ski across 40 miles of open ocean between his home on Maui and the film’s set on the Big Island. When he didn’t show up for work one day, the production team phoned his wife, who informed them he had already left for work. The stunt double’s jet ski had run out of gas halfway through his “commute” and a storm had swept him farther out to sea. It took a helicopter most of the day to find him. The stunt doubles name was Laird Hamilton.
As well as the logistical problems of creating a film of this scale and on water, they also had to deal with the press who seemed intent on wanting the film to fail. Director Kevin Reynolds discusses the situation,
“It was huge, we were constantly fighting – people wanted to have bad press. That was more exciting to them than the good news. I guess the most egregious example of that that I recall was that the publicist told me that one day…we’d been out the day before and we were doing a shot where we sent two cameras up on a mast of the trimaran and we wanted to do a shot where they tilled down from the horizon down to the deck below. We’re out there, we’re anchored, we’re setting the shot up and a swell comes in, and I look over and the mast is sort of bending.
And I turned to the boatmaster and I said, “Bruno, is this safe?”. And he looks up the mast and he goes, “No”. So I said, “Okay, well, we have to get out as I can’t have two guys fall off from 40 feet up”. So, we had to break out of the set-up, and go back in a shoot something else and we lost another half-day.
Anyway, the next day the publicist is sitting in his office and he gets this call from some journalist in the States and he goes, “Okay. Don’t lie to me – I’ve had this confirmed from two different people. I want the facts, and I want to hear about the accident yesterday, we had two cameramen fall off the mast and were killed”.
And, he goes, “What are you talking about?”. And he goes, “Don’t lie to me, don’t cover this up, we know this has happened”. It didn’t happen! People were so hungry for bad news because it was much more exciting than…they just said it, and you know, it hurt us.”
Upon release, the press seemed to be disappointed that the film wasn’t the massive failure they were hoping it to be. Universal Studios told Kevin Reynolds that one critic came out of an early screening in New York and in a disappointed tone said,
“Well, it didn’t suck.”
It is true that during principle photography the slave colony set sank and had to be retrieved. However due to bad press, the rumour became much bigger and to this day when you mention the sinking set, most people assume it was the huge atoll.
During production, press nicknamed the film “Kevin’s Gate” and “Fishtar”, referring to 1980’s box office failures Heaven’s Gate and Ishtar. Heaven’s Gate failed so badly it led to the sale of United Artists Studio and has become synonymous with failure in Hollywood.
As well as the exaggerated set problems and other various production rumours, there were also difficulties with the script. In a risky move, the film was green lit and moved into production without a finalised script.
The final total is a reportedly thirty-six rewrites. One of the writers involved was Joss Whedon. Joss had worked on many scripts before becoming a director having being at the helm of both The Avengers and the sequel Avengers: Age Of Ultron. He described his experience on Waterworld as,
“Seven weeks of hell”
Everything came to a head just three weeks before the end of principle photography. Kevin Reynolds who was an old friend of Kevin Costner allegedly walked off set or was fired. There was no official statement on what happened.
When Reynolds left the production this event caused many changes to be made. Composer Mark Isham had already composed approximately two-thirds of the film’s score by the time Reynolds left and that event ultimately caused him to leave production. As Mark describes in this interview excerpt,
“Kevin Reynolds quit the film, which left me working for Kevin Costner, who listened to what I had written and wanted a completely different point of view. He basically made a completely different film — he re-cut the entire film, and in his meeting with me he expressed that he wanted a completely different approach to the score. And I said, “oh let me demonstrate that I can give that to you”, so I presented him with a demo of my approach to his approach, and he rejected that and fired me. What I find a lot in these big films, because the production schedules are so insane, that the directors have very little time to actually concentrate on the music.”
Rumours report that Costner took control of production. He directed the last few weeks of principle photography and edited the final cut of the film that was released in cinemas.
Reynolds discusses his surprise at discovering that one of the most famous scenes from what is known as the extended version, was left on the cutting room floor,
“…it would have differed from what you saw on the screen to some extent, and one of the things I’ve always been perplexed by in the version that was released, theatrically, although subsequently the longer version included it, and the reason that I did the film, was that at the very end of the picture, at the very end of the script, there’s a scene when they finally reach dry land and The Mariner’s sailing off and he leaves the two women behind, and in the script they’re standing up on this high point and they’re watching him sail away, and the little girl stumbles on something.
And they look down and clear the grass away and that’s this plaque. And it says, “Here, near this spot, 1953, Tenzing Norgay and Edmund Hillary first set foot on the summit of Everest”. And that was in script and I was like, “Oh, of course! Wow, the highest point on the planet! That would have been dry land!”. And we got it! We shot that. And they left it out of the picture. And I’m like, “Whaaat?!”. It’s like the Statue of Liberty moment in Planet of the Apes. And I was like, “Why would you leave that out?”
Written by John Abbitt | Follow John on twitter @UKFilmNerd
If any the crew cares to share any of their experiences on it please comment.
Thanks for reading
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