dare me中文的八卦，PTT、DCARD、YOUTUBE和Yahoo名人娛樂都在討論

捷克就派！
不虧是我當年蜜月旅行首選！
#下次再去
#下次蜜月再去（喂）

而且搭配閱讀四月份江峰漫談的影片
https://youtu.be/5MnOaYwsO10
更認識了布拉格的了不起
當時地武漢肺炎正讓世界水深火熱時
有一位勇敢支持台灣的捷克官員要在小英當選後出訪台灣
卻意外猝死（在接受完中國大使晚宴後三天）
更可知道今天這些來台支持我們的國際友人
背負著的是什麼（俄或中？）暗殺的壓力！

要知道布拉格就得知道這兩個關鍵歷史名詞！
#布拉格之春
#天鵝絨革命

［轉］

對付流氓，就是比他更流氓。
對付霸凌，就是把自己練得更強，結合其他力量徹底把對方擊倒。

謝謝捷克， 我們都最了解被共產黨威脅壓迫的心聲!!!!!

# 台捷友好 🤜🤛

📝📝📝📝📝📝📝

收件人：王毅，中華人民共和國的外交部長之類的...

主旨：要求立即為威脅捷克道歉

閣下，

這是你最後一次亂開口討論捷克！你的行為已嚴重越界，超出了外交可接受範圍。你居然膽敢威脅我們的議長說會讓我們付出沉重的代價，你這個無禮魯莽的小丑！

現在你給我聽好了，部長同志，中華人民共和國要為了這個無恥的威脅儘快跟我們道歉，當我說儘快，我指的就是現在立刻馬上！我給你二十四小時去把道歉信寫好放到捷克外交部長的桌上。順道一提，因為“某些政治理由”我們的外交部長必須閉嘴，但這不代表你可以霸凌我們。

你要為自己感到丟臉，而且你要知道，在未來你說話時讓我聽到有任何語氣威脅到我們國家的主權代表，我會讓你付出一個很慘痛的代價，而我保證你不會喜歡這個代價。

我們不會屈服在你的淫威之下的，而且我警告你，就算你在捷克的投資比我們從台灣來的朋友多了十四倍，我方的回應仍是相同的。

醒醒吧！我們不會讓你得逞的 (原文意思是：You won't fuck us like that)
。不要再讓我看到你又做一樣的事。

那封道歉信也用電子郵件寄一個副本給我，我會把它存起來歸檔，然後忘記你剛闖下的外交大禍。不要惹我。

隨信附上我虛假的關心，

帕維爾·諾沃提尼
布拉格 Řeporyje 區的區長

在 Reddit 看到火爆浪子布拉格 Řeporyje 區的區長寫了一封公開信給中國外交部長王毅。

開頭收件人「etc... 之類的...」就把我笑翻，結尾 with pretending regards 假裝關心一下又把我翻回來（所以讀完信我是正的）。

下面留言有人翻譯成英文，我試著把它翻成中文，但還是抓不到留言裡一個捷克人說的，這封信像是一群深夜醉漢們會用的語言，而不像區長會說的話...

✍ 後來用 google 翻譯讀捷克文原信，找不到英文翻譯裡寫的「 etc.. 之類的... 」。翻譯不周之處請見諒。

📝📝📝📝📝📝📝

收件人：王毅同志，中華人民共和國的外交部長之類的...

主旨：要求立即為威脅捷克道歉

閣下，

這是你最後一次亂開口討論捷克！你的行為已嚴重越界，超出了外交可接受範圍。你居然膽敢威脅我們的議長說會讓我們付出沉重的代價，你這個無禮魯莽的小丑！

現在你給我聽好了，部長同志，中華人民共和國要為了這個無恥的威脅儘快跟我們道歉，當我說儘快，我指的就是現在、立刻、馬上！我給你二十四小時去把道歉信寫好放到捷克外交部長的桌上。順道一提，他同意我說的，但因為我們外長跟腦子不清楚的貪財總統澤曼還有他的同謀者巴比斯總理有協議，所以必須保持沉默，但這不代表你可以霸凌我們。

✍ 捷克總統跟總理是親中派

你要為自己感到丟臉，而且你要知道，在未來你說話時讓我聽到有任何語氣威脅到我們國家的主權代表，我會讓你付出一個很慘痛的代價，而我保證你不會喜歡這個代價。

我們不會屈服在你的淫威之下的，而且我警告你，就算你在捷克的投資比我們從台灣來的朋友多了十四倍，我方的回應仍是相同的。

醒醒吧！我們不會讓你得逞的 (原文意思是：You won't fuck us like that)
。不要再讓我看到你又做一樣的事。

那封道歉信也用電子郵件寄一個副本給我，我會把它存起來歸檔，然後忘記你剛闖下的外交大禍。不要惹我。

隨信附上我虛假的關心，

帕維爾·諾沃提尼
布拉格 Řeporyje 區的區長

✍ 捷克外交部已召見中國大使表達不滿並發布聲明

Addressed to: Comrade Wang, minister of foreign affairs People's Republic China etc..

Calling for immediate apology for threats against Czech Republic.

Esteemed,

this was the last time you opened your mouth about CR! Your behavior have substantially crossed the lines of what is diplomatically acceptable. You dare to threaten senate chairman with pay heavy price, you unmannered rude clowns!

Now listen to me, comrade minister. PRC will apologize asap for the shameless threat. And when I say asap, I mean right now! I want to have it in 24 hours on the table of Czech foreign minister. Btw, he agrees with me, but has to keep his mouth shut because of pact of not very sane mercenary Miloš Zeman with our premier, co-conspirator Babiš. But that doesn't mean you will bully us like this.

Be ashamed and acknowledge that in future even a tone which would implicate threat towards representatives of our sovereign country I will make you pay a heavy price for bullying, and you won't like it. You will not train us from position of strength and I warn you that reaction from our side will be same even if you had invested 14x more than our friends from Taiwan instead of 14x less.

Wake up. You will not shit on us. Do not let this to be repeated.

Send me the copy of the apology on email, so I can put it in archives and forget your pathetic diplomatic fuck up you have just made. Don't piss me off.

With pretending regards.

Pavel Novotný, mayor of Prague-Řeporyje
Pavel Novotný Oficiální

原帖：https://amp.reddit.com/…/letter_from_mayor_of_prague_distr…/

我哥之前因為陪朋友去考街頭藝人證照看到一些評審對街頭藝人的態度發聲 而上了新聞。我覺得他很勇敢的去做了一件對的事。

希望政府不會時間過了就不關心這些事情。希望我們都可以更客觀的去看藝術，尊重不一樣藝術和藝術家。我覺得以下我哥說的非常好，想跟大家分享。

想知道之前的事可看新聞連結：
http://www.storm.mg/article/270611

親愛的大家：


我想感謝所有支持我、以及給予我鼓勵意見的每個人；同時也要感謝熱情關注此事、協助揭露街頭表演者們應試處境問題的許多媒體與記者們。我很抱歉這些日子我保持著沉默—僅有一個原因：我並不希望這件事情，在台北市文化局正式給予溝通管道之前就發展到無法控制的程度；我很抱歉遲至今日我才發表這篇文章，但我確實需要一些時間來沉澱彙整我心中的感受和想法，而我也需要時間及一些協助使這篇文章能夠以中文來呈現。

在我採取更進一步的行動之前，我其實未曾預料到這件事情在媒體與社交媒體上的感染力如此龐大；我受寵若驚的感動能夠聽見發自你們每個人內心的聲音，而我也著實感到抱歉，面對著如潮水般湧來的各種訊息，似乎超過我所能負荷。請原諒我未能夠逐ㄧ去回應每個人的訊息，但我真的想讓你們知道，你們每ㄧ個人都讓我感到不可思議、帶給我深深的感動及感謝。

我不認為自己是一個勇敢的人，我也自知自己並非街頭藝人的代表或者發言人。但我是一個藝術創作者，一個表演藝術家，一個教育者，而最重要的，我身為一個 "人"。我的家人、朋友及師長們，總是教導我應該為正確的事情挺身而出。

我明白事情有時候總是不像我們所期待的永遠是非分明。但發生在5月21日星期天的街頭藝人評審事件，是對藝術群體的一種「極不尊重」。不論反面評論者所提出的藉口、理由或是文化差異等緣由，這些應試的表演者們，很顯然是被視為次等公民，或者（經驗與技能不夠成熟？）的學生等級。而與此同時，同樣非常清晰的是，街頭藝人評審制度或許是立意良善，但其審查過程的執行層面，卻是嚴重缺失連連。

藝術並非一種特權的這件事情如今已完全被遺忘。台北市文化局本應提倡所有具有文化及藝術可能性的事情，但它並未做到這ㄧ點。很顯然的，一個「對表演者的基本尊重」並不存在 — 許多表演者都如此感覺，有些人則深感受傷。

就算是得到全世界所有理應被如此對待的原因及理由，他們仍然感受到自己的不被尊重；因為這就是事實。

再一次的我想強調我並不是認定台北市文化局與該評審是一個「壞人」，我想強調的只是這個評審街頭藝人表演的執行環節，究竟有多麼的不妥當與糟糕。

我試著回應一個反面評論者所提到的觀點：若街頭藝人證照是ㄧ場「考試」、考試就會有考試的規則。評審無需與應試者惺惺相惜，掉頭就走是因為模擬街頭現場環境以及時間到了。再一次的，在我描述現場狀況的前ㄧ篇文章中，大家或許還記憶猶新：許多表演者根本沒有完整的短至一分半鐘的時間可以好好表演，遑論是超過2-5分鐘的時間限制了。

而這樣的回應是否也指出了另一個值得我們去思考的問題： 為什麼我們會將它視為一種「考試」，而不是ㄧ個表演者的「試鏡」呢？

首先，這些表演者們並不是學生。事實上，許多人更可能是一個專業的音樂家、舞者、或者正從事著表演藝術的人。當然，我不否認也可能會有些正在學習中的族群。但，最重要的是，當他們「在屬於他們應得的演出時間與機會裡 (而且還是付費才有的），他們就是ㄧ個真正的表演者。」

他們不應該被看待成一個不成熟的學生或者次等的公民。而就算一個人擁有著學生的身分，這個身分也不應該影響或侷限他或她，作為一個藝術創作者的身分及所有可能性。「藝術家」並非是透過一個人的職業身分或者社會地位來定義的。

所謂「考試」的這個字眼指涉著ㄧ個學術教育機構，而我們都知道台北市文化局所應該扮演的角色與作用，並非一個學術性的教育機構，也並非是用來教育藝術創作者們該知道些什麼？該怎麼表現？藝術教育及審美的養成也從來不是在追求填鴨式教育裡的ㄧ個標準答案。將街頭藝人的徵選視為「考試」的視角，或許本身就有待商榷。

評審的場所是在一個公共場合，許多居民與遊客都會圍觀欣賞著表演，其中有些人或許不了解藝術；因而這些人也許會將在場的評審們，視做為某種藝術的衡量標準；試問，當這些人看到評審對待表演藝術家的行為與態度，當他們看到評審總是任意打斷演出，並且掉頭就走不帶ㄧ句回應時，人們日後還能懂得尊重街頭表演藝術家嗎？

沒錯，我們都知道這是一場「考試」，我們也很清楚這些手上拿著計分表的人們就是評審；因此，事實上評審們根本無需「模擬」街頭現場那些會隨時走掉的陌生人們。

這些評審以及相關單位的人員，理應提倡藝術，並且作為ㄧ種示範與典範，讓普羅大眾都能夠看到該如何去欣賞ㄧ場演出。一個表演者並不會因為他選擇在街頭表演，就因此比不上一個在大舞台演出的藝術家。我自己就曾在世界各地超過百個不同的絢麗舞台演出過，但我仍然汗顏自己可能也不比這些街頭藝術家們來的優秀。

我曾擔任過ㄧ些國際比賽的評審，我也曾舉辦過專業的試鏡；我從來沒有聽過關於尊敬一個人的這件簡單事情，會需要在時間充裕的前提下才能夠發生。

如果一點表情會洩漏出評審成績的好惡，其實也真的可以不用笑或是無需在表演結束時說一聲謝謝。而評審也真的「不需要」與考證照的街頭藝人感覺惺惺相惜，因為這些都不是我想討論的重點。

我在意的是，表演者所需要的，只不過就是一個對人與對一個演出者的「基本尊重」而已。這樣的尊重存在與否，如人飲水冷暖自知，在人與人的接觸中就能直接感受的到，著實無需仰賴規則或語言的贅述。

我作為一個藝術創作者和教育者，穿梭各地工作超過15年的職業生涯經驗，或許會因此被視為一個外國人，但我的身分就是一個台灣公民。身為一個39歲的成年人，我可以分辨何謂尊重，而表達尊重甚至不需要浪費到任何一秒鐘。如果一個人會需要至少五分鐘以上的充足時間才有可能表達出對另外一個個體的尊重的話，那他可能需要重新再思考一下，尊重對他而言意謂著什麼？


再度回應一位也曾擔任過街頭藝人評審的老師所提出來「中途要求更換曲目或要求表演者改唱另ㄧ種語言的歌」的理由，是因為評審們不會希望一個街頭藝人一整年下來只會唱同一種語言、甚至是只唱同ㄧ首歌。

我所思考的是當一個街頭藝人遵守規定，付費且努力準備去應試時，他ㄧ定會準備了符合完整時間長度的、同時也是自己最擅長、最喜歡或者是最期待能被看見的那些內容；表演一首歌曲或者ㄧ種風格並不代表他就只會唱那ㄧ首歌；而且就算是當做他只會唱ㄧ種語言、ㄧ首歌，如果他能把這首歌反覆演繹的淋漓盡致時, 又有什麼不好呢？

難道我們不曾注意到百老匯的音樂劇就是同樣的那幾部，而獅子王也已經在舞台上展演了20年了嗎？許多同樣內容重複的音樂劇票房始終歷久不衰，持續帶給觀眾們心靈的滿足。而人氣歌手愛黛兒從頭到尾也只會用英文唱歌，而且幾乎都是類似的曲風，我們可曾在乎過她有沒有能力去唱中文歌呢？

ㄧ部舞蹈作品光在荷蘭本土就能有至少五十場大大小小的演出機會。但在台灣，ㄧ部作品如果能有五個場次的演出，可能已經算是很長壽了。這樣的環境迫使藝術創作者們必須不斷快速的「生產新作」，而將舊有積累的作品與經驗拋在腦後。就所有對於藝術的挹注與投資（不僅僅是金錢）來說，這樣的情況對藝術的生產是ㄧ種過度消耗與浪費，也並未真正教育到民眾如何去看待藝術的價值。

而最終，這樣的評審過程與態度並不僅僅是對街頭表演藝術者的不尊重，同時也是對於藝術的不尊重。

台北市文化局星期ㄧ曾經聯絡過我，親切向我表示將與我進一步聯絡並討論這件事情；他們要求我先將評審的照片拿掉—我答應取下照片，但前提是他們必須確實誠意的允諾一個面對面的溝通。這幾天我也暫時迴避了一些報導媒體的詢問（還請大家見諒）只因我衷心希望能先與台北市文化局及該評審當面談一談。我ㄧ直等待，但我也持續的看到了相關機構或人員回應給媒體的諸多理由與藉口； 自從將照片從網路上取下之後，直到今日都沒有人再跟我連繫過。慢慢的我突然明白星期一的那通電話，或許純粹只是ㄧ個希望我能將照片取下的操作手法，而並非真的試圖去了解整個經過以及解決問題。我對這個本應提倡藝術與文化的機構感到無比失望。

我知道我並非一個公眾人物，而我也不能代表所有想要考取街頭藝人執照的表演者們；自從我的臉書網頁訊息爆炸之後，我就不斷的在思考這件事情，我反覆思考自己是否該繼續爭執此事，這似乎並非與我切身相關的事情，然而，身為一個藝術教育者，我卻又感受到深切的責任。

經過反覆的思考以及與朋友們的討論，我意識到不論我們的展演形式如何不同，我們同樣都是表演藝術群體中的一分子。台北市文化局最後很可能將持續充耳不聞，而這位被我所抱怨的評審也可能繼續做他這些年來ㄧ直在做的事—用他ㄧ貫的態度。除非他們願意傾聽與改變，否則我無法改變任何人。

我真心相信有些事情值得改善，也可以改善。我必須強調我並不是想要攻擊或羞辱任何人。我只希望能有機會去討論如何讓審查的過程變的更適當。我看到台灣有許多優秀的藝術家，但環境對藝術和藝術家的不尊重不但打擊同時也限制了他們的發展；更遺憾的是，這一切可能是在許多疏忽之中造就出來的環境。

許多評審過程如果能夠在尊重藝術的前提之下思考和進行，事情或許會截然不同。
只要有一點點可能去拋開面子的問題，或許也就有機會明嘹我們所期待的結果其實是一樣的。

事實上我之所以說了這麼冗長的話語，並非是要不尊敬所謂的評審或師長，而正是因為我對藝術的尊敬，使我更深切的關注身為一個教育者所代表的意義。今天我看到了街頭表演藝術家是如何被不當的對待，而很顯然的我也不會是唯一的目擊者。某個程度上我的聲音似乎被放大了，但我也知道我的聲音並不是唯一的一個，我是許許多多的聲音中的ㄧ份子。

William

---------

Dear All,

I would like to thank you for all the encouraging messages and supportive comments. I would also like to thank all the journalists and reporters who are passionate about this issue and are so willing to expose the problem that was faced by these street performers. I am sorry that I have been quiet but with a reason: I don’t want it to get much bigger than it already was until I talked to the Taipei Cultural Affair. I apologize that it took me a while, but I needed some time to gather my thoughts and help to translate my writing into Chinese.

Before I go on any further, I never expected my story would go viral on the media and the social media. I am humbled and touched to hear from many of you. All the messages I’ve received have been overwhelming. I am not able to reply to all of them, but I’d like you to know that I am honored, thankful, and touched by every single one of them.

I do not consider myself as a brave person, nor do I consider myself a representative for the street performers. BUT I am an artist, a performer, educator, and most of all I am a human being.I have always been taught to stand for what’s right by my family, friends and mentors.

I understand things are not as black and white as we all wish sometimes. However, what happened on Sunday 21st of May was a disgrace to the art community. Regardless of all the excuses that were given or cultural differences, it was very obvious these performers were treated like lower-class citizens; if not, students. It was also very clear that the intention might be well, but the execution of the busker’s exam was done horribly.

Somehow the idea that ART is NOT a privilege had been forgotten. Taipei Cultural Affair is supposed to be advocating for all things cultural and artistic but it was not conveyed that day. It was very clear the respect was not there. Many felt it and some got their feelings hurt. Even with all the excuses there are in the world, many experienced the disrespect. That was the truth. Again I have to emphasize that I believe Taipei Department of Cultural Affair and its adjudicators are good people, but the execution of the exam was poor.

It brings to the question…. why is it called an exam? Shouldn’t it be an audition?

These performers were not students when they took the exam. Some of them were actually professional musicians, dancers, or performers. Just because one is a student, it doesn’t make him or her less of an artist. Artists are not defined by their social status or occupation.

The term exam suggests an educational institution, but we know Taipei Department of Cultural Affair is not an educational institution. They do not decide what these artists need to know. These performers were not given any materials to study, thus the term exam is very misleading.

The exam took place in a public space. Many tourists and residents were there to enjoy the event. Many do not understand arts. So they may look up to these adjudicators as role models who are experienced in the arts. When they saw how this exam was being done, do you think they would have any respect for these performers afterwards? They saw these adjudicators interrupting the performers and left without saying a “thank you.” We all knew it was an exam, we all knew these people were adjudicators. They did not need to pretend to be street spectators who just walk away. They all carried their score boards in their hands.

Just because a performer performs on the street, it doesn’t make that performer any less of a performer than someone who is performing on big stages. I myself have performed over hundreds of stages around the world and I do not dare to think myself better than these performers.

I have judged a handful of international competitions. I have also held professional auditions. I have never heard an excuse that respect can’t be shown when time is limited. You do not need to smile to simply say “thank you.” Since when, a smile means “I favor you.” What a performer need is respect. Over the 15 year span of my professional career as an educator and artist, and 39 years of being a human being, I know what respect looks like. It doesn’t take more than a second to show it. If it takes longer than 5 minutes to show what respect is, I think you may need to rethink what respect means to you.

Another excuse that was presented was that they don’t want a street artist performs only one kind of songs or genre throughout the year. Don’t they know broadway musicals? Lion King has been performed over 20 years. They’ve been doing the same musical numbers for years to sold out audiences. Adele has been singing the same genre of music and always in English. Does it matter that she doesn’t sing in other genre or sing in Chinese?

One dance production in the Netherlands can be performed up to 50 performances within the Netherlands itself. In Taiwan, a dance work only performed 5 times the most. They are forced to constantly create new works and leave the old works behind. That is a waste of arts funding and it doesn’t educate the public on the value of the arts. These performers is old enough to decide what they want to show these judges with their limited time.

In the end it wasn’t just disrespectful to the performers, but also to the arts.

I was contacted by the Taipei Cultural Affair on Monday, the representative spoke nicely promising that they would discuss further with me. He asked me to take the adjudicator’s picture down, I agreed with the condition of meeting in person to further discuss what could be done better. I have refused to talk to reporters for the last few days. I have been waiting but I then heard the excuses given to the media. Since I’ve taken down the picture of the head adjudicator, they haven’t made any attempt to contact me. I came into a realization that when they made the call, it wasn’t to address the problem but simply to manipulate me to take down his picture. I’m disappointed at this institution that was supposed to promote the arts and culture.

I realized I am not a public figure, nor am I responsible for the well being of all artists who want to get a busker license. After my Facebook post went viral, I’ve been thinking so much about this issue. I kept going back and forth questioning whether I should keep fighting for this. It doesn’t feel like my fight, but at the same time I feel responsible as an art educator.

I truly believe this can be fixed. I need to emphasize, I am not attacking anyone. And I don’t want to shame anyone. I want to start a discussion how to make it better. Taipei has some of the best performers I’ve seen, yet the lack of respect for the arts and artists has suppressed their ability to excel. And ironically, it’s often done unintentionally.

If the exam is done based on respect for the arts itself, things might have come out differently. And just maybe if we all let go the “face” culture, we could possibly see further to realize that we are all wanting the same thing.

I saw mistreatments towards performers that day. It was very obvious I wasn’t the only one witnessing it. It was not that I don’t respect these adjudicators/teachers, but because I respect the arts and the meaning of a teacher that is why I had to speak up. Somehow my voice had been amplified this week. But my voice wasn’t and isn’t singular. I am simply a voice amongst many.

Sincerely,
William Lü

Taipei National University of the Arts 國立台北藝術大學
寶藏巖國際藝術村 Treasure Hill Artist Village
Taipei National University of the Arts
臺北表演藝術中心 Taipei Performing Arts Center
National Theater and Concert Hall, Taipei
中正紀念堂 Chiang Kai-shek Memorial Hall
National Taiwan University of Arts
Department of Cultural Affairs, Taipei City Government

捷克布拉格市一位區長撿到槍：

收件人：王同志（王毅），中華人民共和國的外交部長之類的...

主旨：要求立即為威脅捷克道歉

閣下，

這是你最後一次亂開口討論捷克！你的行為已嚴重越界，超出了外交可接受範圍。你居然膽敢威脅我們的議長說會讓我們付出沉重的代價，你這個無禮魯莽的小丑！

現在你給我聽好了，部長同志，中華人民共和國要為了這個無恥的威脅儘快跟我們道歉，當我說儘快，我指的就是現在立刻馬上！我給你二十四小時去把道歉信寫好放到捷克外交部長的桌上。順道一提，因為“某些政治理由”我們的外交部長必須閉嘴，但這不代表你可以霸凌我們。

你要為自己感到丟臉，而且你要知道，在未來你說話時讓我聽到有任何語氣威脅到我們國家的主權代表，我會讓你付出一個很慘痛的代價，而我保證你不會喜歡這個代價。

我們不會屈服在你的淫威之下的，而且我警告你，就算你在捷克的投資比我們從台灣來的朋友多了十四倍，我方的回應仍是相同的。

醒醒吧！我們不會讓你得逞的 (原文意思是：You won't fuck us like that)
。不要再讓我看到你又做一樣的事。

那封道歉信也用電子郵件寄一個副本給我，我會把它存起來歸檔，然後忘記你剛闖下的外交大禍。不要惹我。

隨信附上我虛假的關心，

帕維爾·諾沃提尼
布拉格 Řeporyje 區的區長

在 Reddit 看到火爆浪子布拉格 Řeporyje 區的區長寫了一封公開信給中國外交部長王毅。

開頭收件人「etc... 之類的...」就把我笑翻，結尾 with pretending regards 假裝關心一下又把我翻回來（所以讀完信我是正的）。

下面留言有人翻譯成英文，我試著把它翻成中文，但還是抓不到留言裡一個捷克人說的，這封信像是一群深夜醉漢們會用的語言，而不像區長會說的話...

✍ 後來用 google 翻譯讀捷克文原信，找不到英文翻譯裡寫的「 etc.. 之類的... 」。翻譯不周之處請見諒。

📝📝📝📝📝📝📝

收件人：王毅同志，中華人民共和國的外交部長之類的...

主旨：要求立即為威脅捷克道歉

閣下，

這是你最後一次亂開口討論捷克！你的行為已嚴重越界，超出了外交可接受範圍。你居然膽敢威脅我們的議長說會讓我們付出沉重的代價，你這個無禮魯莽的小丑！

現在你給我聽好了，部長同志，中華人民共和國要為了這個無恥的威脅儘快跟我們道歉，當我說儘快，我指的就是現在、立刻、馬上！我給你二十四小時去把道歉信寫好放到捷克外交部長的桌上。順道一提，他同意我說的，但因為我們外長跟腦子不清楚的貪財總統澤曼還有他的同謀者巴比斯總理有協議，所以必須保持沉默，但這不代表你可以霸凌我們。

✍ 捷克總統跟總理是親中派

你要為自己感到丟臉，而且你要知道，在未來你說話時讓我聽到有任何語氣威脅到我們國家的主權代表，我會讓你付出一個很慘痛的代價，而我保證你不會喜歡這個代價。

我們不會屈服在你的淫威之下的，而且我警告你，就算你在捷克的投資比我們從台灣來的朋友多了十四倍，我方的回應仍是相同的。

醒醒吧！我們不會讓你得逞的 (原文意思是：You won't fuck us like that)
。不要再讓我看到你又做一樣的事。

那封道歉信也用電子郵件寄一個副本給我，我會把它存起來歸檔，然後忘記你剛闖下的外交大禍。不要惹我。

隨信附上我虛假的關心，

帕維爾·諾沃提尼
布拉格 Řeporyje 區的區長

✍ 捷克外交部已召見中國大使表達不滿並發布聲明

Addressed to: Comrade Wang, minister of foreign affairs People's Republic China etc..

Calling for immediate apology for threats against Czech Republic.

Esteemed,

this was the last time you opened your mouth about CR! Your behavior have substantially crossed the lines of what is diplomatically acceptable. You dare to threaten senate chairman with pay heavy price, you unmannered rude clowns!

Now listen to me, comrade minister. PRC will apologize asap for the shameless threat. And when I say asap, I mean right now! I want to have it in 24 hours on the table of Czech foreign minister. Btw, he agrees with me, but has to keep his mouth shut because of pact of not very sane mercenary Miloš Zeman with our premier, co-conspirator Babiš. But that doesn't mean you will bully us like this.

Be ashamed and acknowledge that in future even a tone which would implicate threat towards representatives of our sovereign country I will make you pay a heavy price for bullying, and you won't like it. You will not train us from position of strength and I warn you that reaction from our side will be same even if you had invested 14x more than our friends from Taiwan instead of 14x less.

Wake up. You will not shit on us. Do not let this to be repeated.

Send me the copy of the apology on email, so I can put it in archives and forget your pathetic diplomatic fuck up you have just made. Don't piss me off.

With pretending regards.

Pavel Novotný, mayor of Prague-Řeporyje
Pavel Novotný Oficiální

原帖：https://amp.reddit.com/…/letter_from_mayor_of_prague_distr…/

【I Dare U To】the leading song for this album, is also the commercial theme song for the latest range of products, Töush, inspired by the well-established electrical brand, Pensonic. The song was written especially for Natalia by renowned music producer Percy Phang inspired by the Western Pop genre that was made to suit her style and personality.

The MV is lively, visually rich and fashion forward with hints of futurism, which set designs and themes were largely inspired by the epic science fiction film, 2001: A Space Odyssey, Directed by Stanley Kubrick. This MV’s aim was to take a playful twist on how the advance Töush technology is as good as 5 strong men completing household chores, every housewife’s dream. The cast that boasts international allurement introduces five talented and stunningly good looking models including Andy Oshima (ex-national volleyball player turned model of Belgian and Japanese descent), Henrique Fukuoka (supermodel of Japanese and Brazilian descent), Mason Roberts (Australian model turned artistic painter), Benjamin Hori (supermodel of Japanese and Canadian descent), and Sampei Okuno (Japanese model and musician). The cast flew in from cities across the globe; Shanghai, Australia, Taiwan, Canada, and Japan, for the filming of this music video.

On a deeper lyrical note, Percy and Natalia wrote this song with the idea that due to Natalia’s ambitious and confident demeanor, she tends to appear intimidating. The song was to encourage future prospects to dare to step up to the plate, break down her walls and fight for her, because behind all that strong exterior, she’s really just an easy-going goofball.

【I Dare U To】 是一首由知名音乐人彭学斌根据Natalia的风格量身打造的Western Pop 风格歌曲，是本次专辑的主打歌，也是Pensonic主推的新系列产品Töush的代言歌曲。

【I Dare U To】 MV可说是充满着满满的视觉享受，时尚感及未来感，因为场景及服装设计的主要灵感就是来自电影大师Stanley Cubrick的作品《太空漫游》。MV中一共五名壮男，以展示在Töush科技下的家电就如壮男般帅气且智能地完成家务，实现每一位家庭主妇的梦想。这无名壮男分别由五名名模所扮演，其中包括Andy Oshima（前排球选手，现为模特，日本比利时混血）；Henrique Fukuoka （名模，日本巴西混血）；Mason Roberts （澳洲名模，现为艺术画家）；Benjamin Hori（日本加拿大混血名模）；Sampei Okuno（日本模特，音乐家）。他们分别从上海、澳洲、台湾、加拿大及日本到来进行本次拍摄。在这强大的演员卡司下，可是大大提升了本MV的视觉享受。

在歌词方面，可看到Natalia希望未来的对方可勇敢地踏出那一步，打动她的心房并且为她战斗，因为在一切坚强的外表下，她也拥有一颗少女心。

【I Dare U To】 is available for stream or download 可在此下载:
1.iTunes / Apple Music: https://music.apple.com/my/album/i-dare-u-to-ep/1475467463
2.Spotify: https://open.spotify.com/album/5gcr43Mi3ABi3LTjax6ZiL?si=eju4QA4OSWikEyNXvssZPA
3.KKBOX : https://kkbox.fm/3U4TRz
4.JOOX: https://www.joox.com/my-zh_cn/album/pGVLequCylK0gWLYWsG29A==
5.MOOV: https://moov.hk/#/album/VATH00501125A
6.Friday音乐 : https://omusic.friday.tw/albumpage.php?album_id=1704880 (Taiwan platform)
7.QQ音乐：https://y.qq.com/n/yqq/album/002yCVIk1oWNPI.html#stat=y_new.singer.index.album_name (China platform)
8.千千音乐：http://music.taihe.com/album/664196818 (China platform)
9.网易云音乐：https://music.163.com/#/album?id=80831543 (China platform)
10. 酷我音乐：http://www.kuwo.cn/album_detail/10493891 (China platform)
11.微博音乐: https://weibo.com/p/10151501_65196845 (China platform)

更多Natalia Ng 黄彩菱相关资讯：
Connect further with Natalia 黄彩菱:
Website: http://www.nataliangofficial.com/
Facebook: https://www.facebook.com/nataliangoff...
Instagram: https://www.instagram.com/natalia__ng/
微博: https://weibo.com/u/5744128666
抖音: http://v.douyin.com/RFR5rS/


I Dare U To
词 : （中文词）彭学斌 / （英文词）Natalia
曲 / 制作：彭学斌 @ 口袋音乐 Percy Phang
编曲：帼航 Hanzz / 陈韦汐@口袋音乐

我不知道你的过去 是如何伤害你
我只知道你的现在 有我在陪伴你
想得太多 会变得 容易怀疑
难道你看不出 我眼神中的确定？

你不相信永远这事 到底有多可信
你不相信因为那些 不完美的结局
时间飞快 难道我那么用力
还无法动摇你

( I Dare U To ) Open Up Your Heart, Open Wide
( I Dare U To ) Say You’ll Fight For Me, Say You’ll Try
( I Dare U To ) Don’t Let Go, Don’t Let This Slip By
Break Down My Walls And Tell Me That You’ll Stay Through The Night

( I Dare U To ) 让爱再次为我澎湃
( I Dare U To ) 把你的真心掏出来
( I Dare U To ) 紧握了手就不放开
让我的等待一直在 幸福的路口徘徊

Presented by Pensonic and JN Entertainment
由Pensonic 及 JN Entertainment 呈现
Singer歌手 & English Lyrics 英文歌词: Natalia Ng 黄彩菱
Composed作曲 & Chinese Lyrics 华文歌词: Percy Phang 彭学斌
Director of Photography 摄影师: Carmen Lee
Creative Direction 创意指导: Leslie Kee
Line Producer制片人: TK Cheng
Executive Produced 执行制片人: Nelson Chew, Jamie Ng
Assistant Line Producer制片助理: Amber Ooi, Ariel Siow, Don
Art Director美术指导: Too Wen Huei
Gaffe灯光师r: Vincent Chai
Stylist造型师: Weechee
Wardrobe Stylist Assistant服装造型师: Jill
Natalia’s Makeup Artist Natalia’s化妆师: Kevin Lee
Natalia’s Hair Stylist Natalia’s发型师: Bibian Leong
Cyborg Makeup Artist特效化妆师: Kenji Sato
Cyborg Hair Stylist特效发型师: Tatsuya Suzuki
Editor剪辑: Carmen Lee
BTS Videographer幕后影片: Ryutaro Hori, View East Creative
BTS Photographer幕后照片: Carol Leong, Rinesh Timoga
Natalia’s Assistant Natalia’s 助理: Eunice Ng, Yuki Okuno
Music Arrangement 编曲 : Hanzz 陈韦汐
Harmony Singer/ Writter 和音编写/和音 : Irene Sow, Natalia Ng
Sound Engineer 录音师 : Hanzz 陈韦汐
Mixer 混音师: Billy Ong
Recording Studio 录音/混音室: Bosh Production Studio
Op: Pocket Music Production

#NataliaIDareUTo #NataliaxTöush #IDareUToMV

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該計劃提供中文和英文兩種語言 | The program is available in both Chinese and English language. Let's achieve an amazing physique together!

SUBSCRIBE to my channel: https://youtube.com/terrenceteoifbbpro?sub_confirmation=1 Follow me on Instagram: https://www.instagram.com/terrenceteo7
___________________

背部是一个很神秘的肌肉，因为当它在慢慢长大的时候你会不察觉到，当一天你望着镜子你才知道！哗！它是如此的美丽跟性感，尤其是穿起背心。千万不要忽略了你们的背部训练，今天这一课是加强版，敢不敢挑战就看你咯??

The back is a mysterious muscle, because when you grow up slowly you won't notice it, when you look at the mirror one day you know! Hey! It is so beautiful and sexy, especially wearing a vest. Don't neglect your back training. Today's lesson is an enhanced version. If you dare to challenge, you will see you.

___________________

我叫张国华，在这里我会分享我朝向 Olympia 的脚步，分享我个人健身的方式，饮食、烹饪?、supplement 以及等等。

我是一位IFBB PRO 健体运动员。我健身已经超过15年了，在2013年已经开始了我的比职业赛的生涯，我在世界各地的比赛已经超过17次了，就如美国，印尼，新加坡，泰国，香港，马来西亚，中国，日本，菲利宾等等。我的最高荣誉就是在美国的Musclemania 获得8次冠军。

I'm an IFBB Pro Men's Physique athlete. I started training 15 years ago and began competing at a professional level from 2013. Since then I've competed in over 14 bodybuilding competitions worldwide from U.S.A. to Japan, China, Philippines, Indonesia, Singapore, Thailand, Hong Kong and Malaysia.

Some of my highlights include holding the title as a 8x World Physique Champion under the Muslemania Universe and Musclemania America as well as being the 1st Runner Up at the IFBB Japan Pro 2018.
___________________

背部超强线条训练 | Back Exercises for Definition | Terrence Teo

影片中妝容(穿紫紅色上衣)
底妝: Maybelline夢幻奇蹟無瑕粉底液
眉筆: innisfree 妝自然眉筆 #黑
妝前:Banila co cc霜
修容:kevin aucoin修容
眼妝:carli bybel bh盤
打亮:nyx illuminator
眼線: kiss me 零阻力經典復古棕眼線液筆
唇彩: kat von d #double dare
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此影片中文字幕已保留給“胡育瑄”喲大家可以上別的影片謝謝～～
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fb:weartoeatiff
email(business inquiries only):tiffchen617@gmail.com
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