筆墨見真章—故宮書法導賞（現正展出中）
書法是漢文化圈特有的藝術，宋人為保存前賢書法並長遠流傳，於是刻帖日漸盛行，不過宋代的人們並不以繼承傳統為滿足，書法取向表現也偏向個人情性與趣味。今天看的這件是 蘇軾的【楚頌帖】。
🟢【宋 蘇軾 楚頌帖】Chusong Modelbook
🔼 1084年，蘇軾出遊陽羨（今天的江蘇省宜興市），他在船上寫下〈楚頌帖〉，說自己想在此地種橘、築亭的心情。不過原蹟已佚，僅刻本傳世。此帖由譚伯羽、譚季甫先生捐贈。
🔼策展人說：「通篇行書，線條圓轉處豐厚而內斂，方折處剛斷而勁健。字體大小錯落，又逐漸加大，再嘎然而止。章法一任自然，毫不造作，正是乘興而書的佳作。」
🟢釋文：請點進附圖觀看
Chusong Modelbook
Su Shi, Song dynasty
Su Shi (1037-1101), whose style name was Zizhan and whose sobriquet was Dongpo ("Eastern Slope"), was one of the four masters of Northern Song dynasty calligraphy.
In 1084, while Su Shi was traveling overwater to Yangxian (Yixing in present day Jiangsu province), he wrote the contents of the "Chusong Modelbook," which express his desire to plant mandarin oranges and build a pavilion in this region. Su's original inscription is lost, and only block-printed editions remain. This modelbook, written entirely in running script (xingshu), was donated to the NPM by Mr. Tan Boyu and Mr. Tan Jifu. It is distinguished by lines that show generous thickness as well as discretion where they make rounded turns, but are decisive and forceful where they make angular turns. The characters fluctuate in size, given rein to gradually grow until brought to sudden stops. The overall composition is unrestrainedly natural and utterly unaffected—this is clearly a work of excellence written in a flourish of inspiration.
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筆墨見真章—故宮書法導賞（展期：2020/12/26~2021/03/29）
陳列室：北部院區 第一展覽區 204,206
https://theme.npm.edu.tw/exh109/calligraphy10912/index.html
The Expressive Significance of Brush and Ink: A Guided Journey Through the History of Chinese Calligraphy (Dates: 26 DEC 2020~29 MAR 2021)
Gallery: 204, 206 (Northern Branch) Exhibition Area I
https://www.npm.gov.tw/en/Article.aspx?sNo=04011536
