By now, you have probably heard about my father’s red box. Minister Heng Swee Keat posted about it last week. The red box was a fixture of my father’s work routine. It is now on display at the National Museum of Singapore in his memorial exhibition.
Some of my father’s other personal items are there too. His barrister’s wig (of horsehair) from when he was admitted to the Bar. And a Rolex Oyster Perpetual watch given to him by the Singapore Union of Postal and Telecommunications Workers after he represented them in the famous postmen’s strike in 1952.
I enjoyed my visit to the exhibition a few days ago. Was happy to hear that many of you went yesterday. The exhibition will be on until 26 April. – LHL
MR LEE'S RED BOX
Mr Lee Kuan Yew had a red box. When I worked as Mr Lee’s Principal Private Secretary, or PPS, a good part of my daily life revolved around the red box. Before Mr Lee came in to work each day, the locked red box would arrive first, at about 9 am.
As far as the various officers who have worked with Mr Lee can remember, he had it for many, many years. It is a large, boxy briefcase, about fourteen centimetres wide. Red boxes came from the British government, whose Ministers used them for transporting documents between government offices. Our early Ministers had red boxes, but Mr Lee is the only one I know who used his consistently through the years. When I started working for Mr Lee in 1997, it was the first time I saw a red box in use. It is called the red box but is more a deep wine colour, like the seats in the chamber in Parliament House.
This red box held what Mr Lee was working on at any one time. Through the years, it held his papers, speech drafts, letters, readings, and a whole range of questions, reflections, and observations. For example, in the years that Mr Lee was working on his memoirs, the red box carried the multiple early drafts back and forth between his home and the office, scribbled over with his and Mrs Lee’s notes.
For a long time, other regular items in Mr Lee’s red box were the cassette tapes that held his dictated instructions and thoughts for later transcription. Some years back, he changed to using a digital recorder.
The red box carried a wide range of items. It could be communications with foreign leaders, observations about the financial crisis, instructions for the Istana grounds staff, or even questions about some trees he had seen on the expressway. Mr Lee was well-known for keeping extremely alert to everything he saw and heard around him – when he noticed something wrong, like an ailing raintree, a note in the red box would follow.
We could never anticipate what Mr Lee would raise – it could be anything that was happening in Singapore or the world. But we could be sure of this: it would always be about how events could affect Singapore and Singaporeans, and how we had to stay a step ahead. Inside the red box was always something about how we could create a better life for all.
We would get to work right away. Mr Lee’s secretaries would transcribe his dictated notes, while I followed up on instructions that required coordination across multiple government agencies. Our aim was to do as much as we could by the time Mr Lee came into the office later.
While we did this, Mr Lee would be working from home. For example, during the time that I worked with him (1997-2000), the Asian Financial Crisis ravaged many economies in our region and unleashed political changes. It was a tense period as no one could tell how events would unfold. Often, I would get a call from him to check certain facts or arrange meetings with financial experts.
In the years that I worked for him, Mr Lee’s daily breakfast was a bowl of dou hua (soft bean curd), with no syrup. It was picked up and brought home in a tiffin carrier every morning, from a food centre near Mr Lee’s home. He washed it down with room-temperature water. Mr Lee did not take coffee or tea at breakfast.
When Mr Lee came into the office, the work that had come earlier in the red box would be ready for his review, and he would have a further set of instructions for our action.
From that point on, the work day would run its normal course. Mr Lee read the documents and papers, cleared his emails, and received official calls by visitors. I was privileged to sit in for every meeting he conducted. He would later ask me what I thought of the meetings – it made me very attentive to every word that was said, and I learnt much from Mr Lee.
Evening was Mr Lee’s exercise time. Mr Lee has described his extensive and disciplined exercise regime elsewhere. It included the treadmill, rowing, swimming and walking – with his ears peeled to the evening news or his Mandarin practice tapes. He would sometimes take phone calls while exercising.
He was in his 70s then. In more recent years, being less stable on his feet, Mr Lee had a simpler exercise regime. But he continued to exercise. Since retiring from the Minister Mentor position in 2011, Mr Lee was more relaxed during his exercises. Instead of listening intently to the news or taking phone calls, he shared his personal stories and joked with his staff.
While Mr Lee exercised, those of us in the office would use that time to focus once again on the red box, to get ready all the day’s work for Mr Lee to take home with him in the evening. Based on the day’s events and instructions, I tried to get ready the materials that Mr Lee might need. It sometimes took longer than I expected, and occasionally, I had to ask the security officer to come back for the red box later.
While Mrs Lee was still alive, she used to drop by the Istana at the end of the day, in order to catch a few minutes together with Mr Lee, just to sit and look at the Istana trees that they both loved. They chatted about what many other old couples would talk about. They discussed what they should have for dinner, or how their grandchildren were doing.
Then back home went Mr Lee, Mrs Lee and the red box. After dinner, Mr and Mrs Lee liked to take a long stroll. In his days as Prime Minister, while Mrs Lee strolled, Mr Lee liked to ride a bicycle. It was, in the words of those who saw it, “one of those old man bicycles”. None of us who have worked at the Istana can remember him ever changing his bicycle. He did not use it in his later years, as he became frail, but I believe the “old man bicycle” is still around somewhere.
After his dinner and evening stroll, Mr Lee would get back to his work. That was when he opened the red box and worked his way through what we had put into it in the office.
Mr Lee’s study is converted out of his son’s old bedroom. His work table is a simple, old wooden table with a piece of clear glass placed over it. Slipped under the glass are family memorabilia, including a picture of our current PM from his National Service days. When Mrs Lee was around, she stayed up reading while Mr Lee worked. They liked to put on classical music while they stayed up.
In his days as PM, Mr Lee’s average bedtime was three-thirty in the morning. As Senior Minister and Minister Mentor, he went to sleep after two in the morning. If he had to travel for an official visit the next day, he might go to bed at one or two in the morning.
Deep into the night, while the rest of Singapore slept, it was common for Mr Lee to be in full work mode.
Before he went to bed, Mr Lee would put everything he had completed back in the red box, with clear pointers on what he wished for us to do in the office. The last thing he did each day was to place the red box outside his study room. The next morning, the duty security team picked up the red box, brought it to us waiting in the office, and a new day would begin.
Let me share two other stories involving the red box.
In 1996, Mr Lee underwent balloon angioplasty to insert a stent. It was his second heart operation in two months, after an earlier operation to widen a coronary artery did not work. After the operation, he was put in the Intensive Care Unit for observation. When he regained consciousness and could sit up in bed, he asked for his security team. The security officer hurried into the room to find out what was needed. Mr Lee asked, “Can you pass me the red box?”
Even at that point, Mr Lee’s first thought was to continue working. The security officer rushed the red box in, and Mr Lee asked to be left to his work. The nurses told the security team that other patients of his age, in Mr Lee’s condition, would just rest. Mr Lee was 72 at the time.
In 2010, Mr Lee was hospitalised again, this time for a chest infection. While he was in the hospital, Mrs Lee passed away. Mr Lee has spoken about his grief at Mrs Lee’s passing. As soon as he could, he left the hospital to attend the wake at Sri Temasek.
At the end of the night, he was under doctor’s orders to return to the hospital. But he asked his security team if they could take him to the Singapore River instead. It was late in the night, and Mr Lee was in mourning. His security team hastened to give a bereaved husband a quiet moment to himself.
As Mr Lee walked slowly along the bank of the Singapore River, the way he and Mrs Lee sometimes did when she was still alive, he paused. He beckoned a security officer over. Then he pointed out some trash floating on the river, and asked, “Can you take a photo of that? I’ll tell my PPS what to do about it tomorrow.” Photo taken, he returned to the hospital.
I was no longer Mr Lee’s PPS at the time. I had moved on to the Monetary Authority of Singapore, to continue with the work to strengthen our financial regulatory system that Mr Lee had started in the late 1990s. But I can guess that Mr Lee probably had some feedback on keeping the Singapore River clean. I can also guess that the picture and the instructions were ferried in Mr Lee’s red box the next morning to the office. Even as Mr Lee lay in the hospital. Even as Mrs Lee lay in state.
The security officers with Mr Lee were deeply touched. When I heard about these moments, I was also moved.
I have taken some time to describe Mr Lee’s red box. The reason is that, for me, it symbolises Mr Lee’s unwavering dedication to Singapore so well. The diverse contents it held tell us much about the breadth of Mr Lee’s concerns – from the very big to the very small; the daily routine of the red box tells us how Mr Lee’s life revolved around making Singapore better, in ways big and small.
By the time I served Mr Lee, he was the Senior Minister. Yet he continued to devote all his time to thinking about the future of Singapore. I could only imagine what he was like as Prime Minister. In policy and strategy terms, he was always driving himself, me, and all our colleagues to think about what each trend and development meant for Singapore, and how we should respond to it in order to secure Singapore’s wellbeing and success.
As his PPS, I saw the punishing pace of work that Mr Lee set himself. I had a boss whose every thought and every action was for Singapore.
But it takes private moments like these to bring home just how entirely Mr Lee devoted his life to Singapore.
In fact, I think the best description comes from the security officer who was with Mr Lee both of those times. He was on Mr Lee’s team for almost 30 years. He said of Mr Lee: “Mr Lee is always country, country, country. And country.”
This year, Singapore turns 50. Mr Lee would have turned 92 this September. Mr Lee entered the hospital on 5 February 2015. He continued to use his red box every day until 4 February 2015.
(Photo: MCI)
同時也有5部Youtube影片,追蹤數超過1萬的網紅Koe Yeet,也在其Youtube影片中提到,I love unboxing new purchase and putting it back all together again. Why? Erm I'm not sure, maybe I'm weird, but I'm pretty sure I'm not alone. Bough...
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bring it on again review 在 Roundfinger Facebook 八卦
กับบางสถานการณ์
วิธีเรียกคุณค่าของตัวเองกลับคืนมา
จากคนที่ไม่เห็นคุณค่าของเรา
คือการลดความสำคัญของเขาที่มีต่อเรา
แน่นอน ไม่ใช่เรื่องง่าย
อาจต้องทบทวนเพื่อตระหนักว่า
ยิ่งมองเห็นว่าคนนั้นมีค่ามากเท่าไหร่
ยิ่งดูเหมือนคุณค่าในตัวเองจะลดน้อยลงเท่านั้น
ระยะห่างเป็นจุดเริ่มของการลดความสำคัญ
ระยะห่างจากคนที่ไม่สนใจเรา
ทำให้เรากลับมาให้ความสำคัญตัวเองอีกครั้ง
ให้เวลา ให้ความสำคัญ ให้คุณค่าตัวเอง
ถอยออกมาจนเกิดระยะห่างที่เหมาะสม
จนเรามีพลัง เต็มอิ่มในตัวเอง
ความสำคัญของเขาย่อมมีน้อยลง
เราอาจรู้สึกดีกับเขาเหมือนเดิม
แต่ไม่ได้มอบคุณค่าตัวเองไว้กับเขาอีกต่อไป
และไม่ได้มองคนนั้นมีค่า...กว่าที่เป็นจริง
With some situations
How to reclaim your own worth
From those who don't see our value
Is to reduce his importance to us
Definitely not easy
May have to review to realize that
The more I see that person is worth.
The more it looks like your self worth is reduced.
Distance is the beginning of reducing importance.
Distance from people who don't care about us
Bring us back to focus on ourselves again
Give time to focus on self value
Step back to the right distance
Until we have full power in ourselves.
There are less of his priorities.
We may feel good about him as usual
But no longer give his self worth
And not looking at that person is more valuable... than it is.Translated
bring it on again review 在 Yao&Alma TW Cosplayer Facebook 八卦
[Leisure talk]
Nothing in particular, just felt like sharing some of my thought… just take it as a mumbling session from me……
Being in ACG circle for almost 19 years, there’s by fits and starts (Yao did portrait shooting in the middle of time). I came back 6 years ago, start it all over again and giving full force into cosplay. All this while, I position cosplay as my hobby. However, hardly to take a hobby as a permanent job. FYI, it will no longer a pure hobby when it slowly went into a business pathway. It will slowly be depressing yourself, will started to force yourself to do some character that you don’t like, slowly forget who you’re, and you’ll started to doubt your life. “How if I’m no longer famous, can I still get a job now?” Started to fight with others, comparing among your friends, there’s also someone who starting to take advantages from someone to ensure self to be on top, bad mouth others and so on……
Yao met with similar kind of people before, and started to slowly keep distance with them. So, sometimes people come and ask me “Hey Yao, why don’t you work with who in particular…? Maybe, just maybe he or she is that kind of person that I’m don’t appreciate. Anyways, we are speaking different languages. I just want to happily stay in my cosplay life. I don’t want to waste time on someone who has a different mindset as mine. It will just spoil my mood.
By the way, Yao is someone who doesn’t like to stay in the same style forever. It will eventually reflect on out photos! No matter is cosplay or some style of photograph. I wish to try my best to try on different things. Maybe some people might say, we’re walking towards sexy-lusty pathway. Let me guess, the one who say so is someone that never be with us since the very beginning right? And never know us well too. Our portfolio involving many different kind of style. Since we have our own fans page, we’re still doing the same style as now. And there’s many different kinds of photography style and in between of sexy-lusty and artistic everyone has their own definition too. If you don’t like it you can choose to leave. Because of this matter occur the dropping of fans amount, ignoring our others signature portfolio… All I can said was you don’t know us; you don’t understand us at all.
My profession is from Art stream and current job relates to art too (we’re not professional cosplayer). Most of the time, I will view it in an artistic way. Therefore, it is hard to determine the differences between those two. There’s something called Art in Lust, which more towards western style; western culture. Where more open-minded and higher acceptance level from them. I stayed in portrait shooting quite some time, so I slowly adapted into the culture and try on different culture of shooting too. However, I think maybe this is what’s happening in Asia , most of them is in a conservative mindset. Where most of the cosplayer is in the younger generation too. Be frank, I’m not surprise on the number of peoples reporting our Facebook page. Because of this issue, we decided to place most of our sexier portfolio in e-magazine. Where you will need to meet certain requirement to view the photos. I would like to take this opportunity to apologize to the one who supporting us but can’t meet the requirement to view the photos.
Regarding on the attitude toward cosplay…
With the interest of creating a better creative idea,
I personally think that cosplayer and illustrator do work the same, other than originality there’s other possibility too. It is free to create, self-serving, full with imagination…
I love to take storyline-based photos which is more originally relates to the project. It actually can let us portrait the character though acting, act the characteristic of the chosen character, figure out a different emotional feeling… It felt so good! I believe this is the best part of cosplay, and I personally like this part the most too. But I like to take some self-serving portfolio too. I like to try some different direction like CP,BL, GL, Transgender, Funny, Playful and OOC too. I love having the freedom of creativity within my world. That allows me to have all kind of thinking and direction for the character.
In the meanwhile, let’s say im in a cosplay working condition I will be in a different emotional and attitude too. I’m someone who very strict (to my partner too!) when it comes to work. I will make sure that I’m fully into situation, into the character. I’ll make sure is the character who lead the way, bring in the character emotional and feeling, just like be possessed by the character. This is my working attitude during my cosplay working time.
Of course, this is my situation. Everyone has their own way and principle to portrait their character. We should respect each other’s.
My personal thought:
Cosplay is you’re happy to be in that character
Cosplay is the challenges on the character originality
Cosplay is you bring out something from the virtual world and your mind
Cosplay is something that you can input your creativity and thinking
Cosplay is found someone who has the same passionate as you do
Cosplay is respect other’s even different thought
Cosplay is can create new spark even with different type of thought or different type of presenting
Cosplay is love, where comes with friendship, hard work and memories
No matter you are professional cosplayer part-timer cosplayer, originality team, full with self-serving OOC team, ps, or illustrator…
As long as you felt happy, never force yourself to do something that you dislike, never bad mouth or bully anyone… why not?
Cosplay is something that’s make you feel happy. If you felt stressful, perhaps you can try to adjust your feeling toward cosplay and review the current situation? With this I believe will slowly found the satisfaction and happiness in it
Still the same advice from me – never forget the reason, have fun-
Thank you for supporting the capricious me! Thanks for not only like our work but me too. I truly love every one of you ^_^
【閒聊】
其實也沒什麼,只是想把一些想對自己與你們說的話說出來,就當是我個人的碎碎念吧⋯⋯
玩cos玩了19年,中間一度斷斷續續的(教主跑去拍人像),從六年前重新回來認真玩cos,一直以來都把cos的定位放在興趣,因為所謂的興趣當飯吃,那就不會是那麼單純的興趣了,它可能會變得有壓力,會逼自己出不喜歡的角色,會得失心很重,會擔心不紅之後還能做什麼工作。會整天想與人競爭,跟自己的朋友比較來比較去,有人甚至會想利用別人或踩著他人往上爬,黑別人等等等。
教主自己遇過這樣的人,所以自然保持距離,所以有時候有人問我,你怎麼沒跟誰誰誰合作了⋯⋯,那可能就是他就是那樣的人囉,所謂道不同不相為謀,我想只純粹的玩cosplay,不想跟理念不一樣的人浪費時間而已,因為那樣一點也不開心。
然後教主是一個不喜歡一成不變的人,這會反應在我的作品上,不管是cos或是拍攝的攝影作品風格,我都想儘量嘗試。也許有人會說,我現在都喜歡拍肉的,尺度大怎樣的,那我想你一定是沒有從頭關注我們,沒有認真看我們的粉專,我們的作品五花八門,各種風格都有;況且,我一開始創立粉專的時候,尺度就不小,再說,肉跟藝術這種界定本來就見仁見智,不喜歡你可以不要看,慢走不送,你因為這樣就脫粉,選擇忽略我們拍攝的其他東西,那我只能說,你真的很不了解我們。
教主本身是學藝術出身,現在的正職工作也是(我們不是職業coser ),我看很多東西都會先以藝術眼光去看,很難評斷是否色情,因為還有一種東西叫做情慾藝術,歐美風氣也都比較開放大方,教主之前又一陣子待在人像圈,漸而習慣不以為意,但我想因為我們是東方人,cos界平均年齡又偏小的關係,大部分人觀念保守的情況下,粉專被檢舉也是層出不窮,因此,我們現在只要有關肉或性感題材,一律以電子檔的方式販售,這一點,還請一直支持我們的你多多包含。
關於教主對於cos的態度.......
在興趣創作的情況下,
我認為cos跟繪師一樣,除了還原,還有著各種可能性,它是自由的,私心的,充滿妄想的。
我喜歡拍還原原作劇情的照片,因為可以演藝自己的演技,表現那個角色的個性,揣摩情緒,真的很過癮,我想這是cosplay最迷人的地方,也是我最喜歡的部分。
但我也喜歡拍私心的東西,喜歡拍喜歡的CP,bl、gl、惡搞、性轉等等ooc的東西。我喜歡在我的地盤自由發揮創作與構想。
然而如果今天是工作的狀態就完全不同了,我會對自己與搭檔非常嚴厲,工作狀態的我會完全還原角色個性中,我會角色帶入,情感帶入,就像附身一樣,這是我對於自己cos工作時的態度要求。
當然,這只是我個人狀況,每個人有自己的表現方式與原則,我們都應互相尊重包容。
我認為:
Cos是成為喜愛角色的那份興奮與滿足
Cos是還原角色的那份挑戰
Cos是將腦內妄想成為現實的轉換
Cos是表達個人理念與的藝術表現
Cos是與自己想法一致的人產生共鳴的那份感動
Cos是尊重包容與你不同觀點的人的那份體貼
Cos是不同的畫風,不同的概念下產生的新火花
Cos是愛,乘載著友情、心酸、與回憶
不管是職業coser,業餘coser,還原派、充滿個人私心的ooc派,ps繪師派⋯⋯
只要是打從心底開心,不強迫做自己不喜歡做得事,不黑不謾罵霸凌別人,有何不可?
Cos是開心的,自由的;如果你的cos讓你充滿壓力,可能要改變一下心態或是重新審視自己的現況了,才能從中得到真正的滿足與快樂。
還是那句老話:—莫忘初心,玩得開心—
謝謝一直支持喜歡如此任性多變的我,謝謝不只是喜歡我的cos作品而是喜歡「我」這個人的朋友們;我真心愛你們^_^。
bring it on again review 在 Koe Yeet Youtube 的評價
I love unboxing new purchase and putting it back all together again. Why?
Erm I'm not sure, maybe I'm weird, but I'm pretty sure I'm not alone.
Bought this keyboard after contemplating for 2 years. Is it worth it? Well it depends on your priorities. Pretty things make me happy. Haha
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Hi everyone, I'm Koe Yeet, a Malaysian television and film actress. Subscribe to my channel as I embark on my journey to figuring out Youtube, learn how to vlog and of course bring you to my shoots with me. Welcome to my life! I may not be perfect, but at least, i am not fake ?
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#UnRebox #KoeYeet #Keyboard
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bring it on again review 在 Luna Tasha Youtube 的評價
IM BACK !
Thank You!!! Enchanteur Malaysia So Much,
for this experience . It truly was an unforgetable experience and probably a once in a life-time opportunity too. Having given the chance to create my own scent ,with one of the world's ,biggest perfume houses, Firmenich based in Singapore , the best part was I got to bring my mum along and on board with me on this journey !
Once again , Thank you Enchanteur Malaysia !!!
love always see you guys soon x
love luna
Song Used ! ( its me singing btw)
https://soundcloud.com/juliaaamin/farfromnear
insta : iappleme
twitter : superdupertashy
email : karmachic7@yahoo.com
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bring it on again review 在 ochikeron Youtube 的評價
Kids requested me to make Nagashi Somen (Flowing Somen noodles) again, this time we used Rainbow Somen Noodles called "Miwa no Niji!", which is a popular summer gift in Japan 2020! Colorful, fun, yet delicious! They use some vegetables kids dislike but kids ate very well 😋 If you have a friend who sends you a summer gift, maybe you can request for it 😉
https://amzn.to/2OYmzFl
Crayon Somen is cute, too 🖍
https://amzn.to/3hB2hhg
Nagashi Somen (At-Home Fun Flowing Noodles Party Rainbow LED Machine)
https://www.youtube.com/watch?v=OOjnmdfA0QU
Tomato Goldfish Somen Noodles
https://www.youtube.com/watch?v=mNVW7QBVsNs
Easy and Gorgeous Deco Somen Noodles (Party Recipe) 簡単デコそうめん
https://www.youtube.com/watch?v=oVzmpEzzgi8
Bite-size Somen Noodles (Summer Treat Recipe) ひとくち素麺
https://www.youtube.com/watch?v=6tgDi2Ny3VI
---------------------------------
Seven Plant Based Summer Somen Noodles (Rainbow Noodles "Miwa no Niji") Recipe
Difficulty: Very Easy
Time: 15min
Number of servings: 4
Ingredients:
((Toppings))
grape tomato wedges
cucumber strips
Shiso leaf strips
Naganegi (long onion slices)
Aonegi (chopped green onions)
ginger strips
Arare (rice crackers)
Yukari (red Shiso leaves rice seasoning)
((Somen Dipping Sauce))
* 300ml Dashi broth (using packaged dashi powder saves time)
* 4 tbsp. Mirin (sweet Sake)
* 4 tbsp. soy sauce
((Somen Noodles))
Miwa no Niji (rainbow Somen noodles)
Directions:
((Somen Dipping Sauce))
In a pot, bring Dashi broth, Mirin, and soy sauce to a boil. You can also microwave until it comes to a boil. Cool in the fridge until ready to serve.
((Somen Noodles))
Boil water in a large pot. Add dried Somen noodles in boiling water and gently stir noodles with chopsticks. Cook Somen noodles according to your package (mine was 2 min). Drain the noodles in a strainer and rinse the noodles with hands under running water. Take bite-size portion of the noodles and roll them on your fingers (like you roll pasta on a fork), and place them on a dish. Decorate the noodles with toppings of your choice and keep in the fridge until you serve.
I love using Kayanoya Dashi. Vegan/Vegetarian people can use Kombu or Vegetable Dashi broth for the dipping sauce 👍
https://amzn.to/3ca6ypI
You can also dilute Mentsuyu to make Somen dipping sauce but make sure you dilute as instructed because the level of concentration vary from product to product.
https://amzn.to/3g5IMgH
↓レシピ(日本語)
https://cooklabo.blogspot.com/2020/07/rainbow-somen-noodles.html
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