be a better you中文意思的八卦，PTT、YOUTUBE、DCARD和Yahoo名人娛樂都在討論

一翻譯，意思就失落了。讀許多世界文學的英文譯本，許多譯者在前言都會解釋：例如，普希金的詩，在俄文中，原來有一股俄文才體現出來的磅礡，一經英譯，原意多少就失落了。不是譯者筆拙，而是兩種語文，畢竟如兩個人的性格，要把他們匹配在一起，無論怎樣水乳交融，總有些字眼傳遞的感覺，是英文無法表達的。

Lost in Translation，是一個翻譯家無法訴說的遺憾。原文含蓄百轉千迴，話中有話，意外別有洞天，他十分清楚，但翻譯的搜索枯腸，確實找不到心心相印的字眼。此中有真意，欲說已無言，翻譯家常常有這樣的痛苦，不是不精通外文，而是翻譯時多方尋覓還是無法搭得上電線。

例如：中文一句：「捨不得啊」，怎樣英譯呢？ Cannot afford？太冰硬了。 Miss it very much？也不是這個意思。中文的「依依不捨」，一硬譯成英文，原文的那股纏綿繾綣的意思就失落了，這就叫 Lost in translation。

還有，從前的中國少女，向男人撒嬌，一跺腳，喜歡說：「我不依你」。「我不依你」，有千般的嗲氣，萬分的嫵媚，在輕罵之中，帶有像絲一樣的溫情，不可能英譯，這是語文的一種奇特的意態，再高手的大師，在外文也找不到一項言詞的配混。

還是英文和法文之間比較易溝通。大量的法語詞彙，直接入侵英文，像 Deja-vu，乾脆用法文原文入英，市場不干預 Laissez-faire，法文最先發明，今天已無國界。連開演唱會，最後一句 Encore，也必定由千萬歌迷狂呼高喊才有地動山搖的震撼，用英語叫 Again，或者 Once more，不行，這就叫 Lost in Translation。

人世間的溝通，常有百詞莫辯的時候。一個詞彙的精緻，一碟小菜的美味，還有一個女人的溫柔，該怎樣來傳遞而表達呢？花能解語，但語不可詮花，一切的美感都凝聚在舌尖， Lost in Translation，是一種酥在骨子裡的痛苦。惟有經歷過這樣的折磨，才明白這世界，不止翻譯是徒勞，有時溝通也是白費，真情幻意的妙諦，盡在意會之中。

【誠徵翻譯評論】

clip #39 的主題為翻譯文學，以下摘錄自海明威作品《老人與海》的原文選段，並引張愛玲、藍婷和楊照的譯本，希望收集讀者對各譯本的評語，由編輯部整理後刊於專題。

讀者可於留言欄發表評論，字數不限。

----------------------------------------------------

Original text by Ernest Hemingway:
“You better be fearless and confident yourself, old man,” he said. “You’re holding him again but you cannot get line. But soon he has to circle.”
The old man held him with his left hand and his shoulders now and stooped down and scooped up water in his right hand to get the crushed dolphin flesh off of his face. He was afraid that it might nauseate him and he would vomit and lose his strength. When his face was cleaned he washed his right hand in the water over the side and then let it stay in the salt water while he watched the first light come before the sunrise. He’s headed almost east, he thought. That means he is tired and going with the current. Soon he will have to circle. Then our true work begins.
After he judged that his right hand had been in the water long enough he took it out and looked at it.
“It is not bad,” he said. “And pain does not matter to a man.”
He took hold of the line carefully so that it did not fit into any of the fresh line cuts and shifted his weight so that he could put his left hand into the sea on the other side of the skiff.
“You did not do so badly for something worthless,” he said to his left hand. “But there was a moment when I could not find you.”

張愛玲譯：
「老頭子，你還是顧你自己吧，你也得勇敢，有自信心，」他說。「你沒讓他掙脫，但是你收不回釣絲來。但是他不久就得要轉圈子了。」
老人現在用他的左手和肩膀來拉住他，他彎下腰來用右手掬起水來，洗掉他臉上糊著的稀爛的鯕鰍肉。他怕那腥氣會使他作嘔，他一嘔吐，就沒力氣了。他臉洗乾淨了，又把右手伸在船邊的水裏洗了洗，然後就讓它泡在那鹽水裏，同時他注視著日出前天剛剛亮起來的情景。他是差不多朝東走，他想。可見魚是疲倦了，跟著潮流走。不久他就得轉圈子了。然後我們真正的工作就開始了。
他認為他的右手泡在水裏時間夠長了，就把它拿出來，朝它看看。
「不壞，」他說。「疼痛是不礙事的，並不傷人。」
他小心地握住那釣絲，使它不至於嵌進新割破的地方，他向另一邊倚著，使他可以在船那一邊把左手插到水裏去。
「你這無用的東西，這次成績倒還不錯，」他對他的左手說。「但是起初有那麼一會子我找不到你。」

藍婷譯：
「你還是自己勇敢一些，對自己要充滿信心才是、老頭。」他對自己說：「你現在只能握住繩子，可是你還不能收回繩子。相信他很快就會繞圈子了。」
老人現在用左手和肩膀撐住繩子，彎下腰用右手掬起水來，洗掉臉上糊成一團的肉渣，他很怕那腥味會使自己作嘔，只要一嘔吐，就會沒力氣了。他把臉洗乾淨，又把右手伸到船邊的水裏洗一洗，然後就讓他泡在鹽水裏，並注視著太陽升起之前的第一道曙光，魚幾乎是朝東方前進，他想，這表示牠已經很疲倦了，所以只好順著海流前進。相信等一會牠就會開始轉圈子，到那時候我們便要一決勝負了。
他認為他的右手在水裡泡得夠久了，於是便把他拿回來瞧一瞧。
「還不算壞嘛！」他說：「疼痛並不礙事，也算不了甚麼。」
他小心地握住繩子，使它不致於又磨擦新割破的地方，然後，把繩子向另一邊轉移一下，以便左手可以在船的另一邊放進海水裏面。
「你這沒用的傢伙，你還不算太差勁！」他對著自己的左手說：「不過有一陣子我差點找不到你。」

楊照譯：
「你自己最好甚麼都不怕，充滿自信，老傢伙，」他說：「你又掌握住他了，不過你沒辦法把線拉回來。不過很快地，他得繞圈圈。」
老人用左手和肩膀掌握那魚，彎下身舀水在右手，把臉上黏著的海豚魚肉洗掉。他擔心魚肉讓他噁心，一旦吐了會失去力量。臉乾淨了，他將右手伸出船沿進到水裡，然後讓手留在鹹水裡，看著太陽升起前最早的光線出現。他幾乎是朝東了，他想。這意味著他累了，所以順著洋流游。很快地他就得繞圈圈了。那樣真正的活兒就開始了。
他判斷右手在水中夠久了，他把手拿出來，盯著手看。
「還不壞，」他說：「疼痛對一個男人來說不算一回事。」
他小心地握住釣線，避免碰到新割的傷口，然後移動重心，以便能夠將左手從小船的另一邊放進海中。
「你這次還算蠻有用的，」他對左手說：「但有一陣子我找不到你。」

這篇文章精闢描繪了現今台北市政府乃至於整個台灣對表演藝術的態度，卡勒看了既氣憤又無奈，在此翻譯分享給各位粉絲。希望我們都能盡微薄之力，慢慢改變台灣對藝術的看法。只有當我們能夠尊重一項專業時，它才能蓬勃發展，讓台灣發光。

＿＿
〈今天在公共場合發飆了〉
譯／卡勒

這是我第一次當眾情緒失控，氣到不行。

今天本來過得開開心心的，想說去參觀一下台北市街頭藝人考試，應該會更加愉快。到了國父紀念館，看見表演者都在各自的表演區準備就緒，感覺滿不錯的。直到我看到評審團的主審如何對待那些表演者，我就再也無法閉口不語。

我先說明一下這個考試：每位表演者都必須報名繳費，才能參加街頭藝人證照考試。他們有三分鐘的表演時間，希望能藉此獲得證照，就能靠自己的興趣來賺點小錢。但這位帶隊的評審（如照片所示）似乎很沒耐心。還不到一分鐘，他就硬生生打斷一個歌手的表演，說：「很多人都會唱不同語言的歌捏，像是英文歌啊什麼的。你唱一首來聽聽！」於是這個歌手開始唱台語歌。但才唱沒兩句，那位主審就和旁邊的評審交頭接耳，根本沒注意聽，接著他直接轉身離開，揮手示意其他評審跟上。

那個歌手根本唱不到一分半的時間（說好的三分鐘呢，不但沒有，還一直被這個評審打斷）。要記得：這個評審可是有領薪水的，是這些滿懷希望的表演者付錢請他來這邊看他們一展長才的。他基本上一再用同樣態度對待每個表演者，默視他們的用心與努力。連一句感謝的話也沒有說。他一副自己是大老闆的樣子，高高在上，俯視這些可悲的表演者。想聊天就聊天，想離開就離開，一聲「謝謝」、一個讚賞的手勢都沒有。一個鼓手在表演的時候一直被他打斷，說要「換點別的」。換了三次，他就頭也不回的走了。其他評審只是跟在他後頭，什麼也沒說。

於是，我走向前去，彬彬有禮的詢問他的大名和名片，告訴他希望未來能私下跟他一對一聊聊。他出言不遜，問我是什麼人。我能看出在他眼中，我這個年輕人不過就是個區區大學生。但我不是。我是個四十歲的舞蹈家、製片人，還是指導過全球各大名校與藝術節的教育家。

他不想給我他的名片。他似乎不太爽，而且很驚訝竟然有人會出聲。於是我說我可以留下自己的聯絡資訊，但我們需要好好討論一下剛剛的考核情形。

今天台北市政府審核表演者的方式，不僅不尊重，而且還嚴重侮辱了整個表演藝術圈。我不想把話說那麼白，但他讓我別無選擇。

我告訴他：第一，他對表演者的態度很不尊重。身為一個教育家，看到這種狀況，我是沒辦法保持緘默的。第二，這樣的審核流程對表演藝術社群很不公平。如果他不能把表演藝術者當作人看待，那他對藝術的看法又有何可取之處。我可以看出他氣炸了。但老話一句，他讓我別無選擇。他對待這些表演者的態度非常低劣。身為一個藝術家與藝術推動者，我必須有所行動。

承辦單位向我道歉，說考核必須繼續進行。我說我沒有要他們停下來的意思，只是想知道可以如何跟他們聯絡，討論這件事。跟我熟識的人，就會知道我是什麼個性。我這個人隨遇而安，幾乎不在公共場合發脾氣。但我今天所目睹的，對所有的表演藝術者來說都是天大的侮辱與蔑視。

這位高傲的評審完全不在乎我的意見。從他的眼神看得出來。基本上，他就是他自己所處世界的主宰，他說一，沒有人能說二。那就是他一貫的作風。在場的所有年輕員工都怕他。他今天表現這麼輕慢、無理、高傲，我真的很想知道他為什麼要這樣。

事後有幾個人走過來，感謝我勇於出聲抗議。他們其實也覺得很不滿，卻沒有勇氣對那個評審、或是對核發證照的單位表達意見。一名來自新北市的承辦人員說，看到表演者被如此對待，就連她自己也感到很不好受。

我不明白為什麼大家不站出來聲援彼此。台北市政府辜負了自己的市民，更是辜負了自己的表演藝術社群。

作為一個理應提倡藝術、文化與誠信的政府單位，他們今日的表現可說是慘不忍睹。這就像是叫貓、狗、鳥、猴來參加考試，然後告訴牠們考試內容是爬樹一樣。荒謬至極。

我留下聯絡資訊，他們說之後會跟我聯繫。如果他們沒這麼做，這就會成為我下一部製片計畫的主題，肯定很有意思。就拍一部紀錄片吧，拍攝一群滿懷希望與抱負的表演者受到何等對待的紀實。

我很抓狂，我很氣憤。真心希望他們能改變這般膚淺看待藝術的方式。

謝謝大家關注這個議題，我剛剛把評審的照片拿掉了，原因是我希望大家不要將這位評審當成壞人，而也我們把焦點專注在這個事件上，而不是人身上，我們才能真正長期的改善這個問題．因為我不會中文，所以我會和我的夥伴們一起再產出一篇更詳盡完整的中文文章，屆時也煩請大家一同關注，讓台灣的藝術環境更好，最好也謝謝幫我翻譯以下文章的朋友，我非常訝異這篇造成的影響力，感謝你們！

I CAUSED A SCENE TODAY IN THE PUBLIC

Today I got very angry and upset for the first time in public in front of a crowd.

What started out as a nice day, I thought it would only get better by attending the street performance artist's exam in Taipei. Everything seemed nice when I saw the performers were all prepared in their provided locations around the Sun Yat Sen Memorial Hall. But after I saw the head of the judge panel treated the street performers while performing, I couldn't keep my mouth shut.

Let me explained: each performer had to pay to register for the license exam. They were given 3 minutes to present their work(s) hoping they'd get a lisence so they can earn some sort of living from their passion. This one particular judge (pictured) leading the group seems impatiently listen and watch the street performers. It barely hit the one minute mark, he aggressively cut into the song of a singer and told the performer "many singers sing in different languages like English etc, sing in another language!"(I paraphrased with my bad Chinese translation). Then the singer started singing in Taiwanese language. But barely two sentences, he talked to another judge barely paying attention to the performer this head judge basically just left and gestured to the rest of the group to follow him.

The singer sang barely a minute and a half (they were promised 3 mins and they kept being interrupted by this judge). Bare in mind, this judge is earning a wage while these hopeful performers were paying him to be there. He basically did the same thing over and over again disregarding the artist's intent and hard work. Not a single word of appreciation. He just acted as he was a big boss looking down on these petty performers. He chatted as he wished and walked away without saying a "thank you" or a gesture of acknowledgement. A percussionist kept being interrupted asking him to do something different. Then he just left after the third time. The rest of the judges just followed.

So, i approached him politely asking for his name and his business card. I told him I wanted to talk to him one on one in the future. Degradingly he asked me who I was. I could see in his eyes that he saw a young man who looked like a student to him. But I was not and am not. I am a 40 year old dance artist, filmmaker and educator that have taught around the globe and in many prestigious colleges and festivals.

He didn't want to give me his business card. He seemed annoyed and surprised that someone spoke up. So I said I can give him my contact info but we needed to talk on how the exam went.

The way Taipei city exams the performers today was both disrespectful and insulting to the arts community in general. I didn't want to say this all out. But he left me with no choice.

I told him, for one, the way he treated the performers was disrespectful. As an educator I could not be quiet when I see something like that. Second, the process of the exam is not doing the art community any justice. If he cannot see the artists as a human being first, then what does it say about his view on the Arts. I could see him pissed off. But again he left me with no choice. He was very degrading towards these performers. As an artist myself and an art advocate I had to do something.

The organizer apologized to me said the process needed to go on. I told him I wasn't trying to stop them. I merely want to know how I could get in touch with them to discuss this. If you know me well enough, you should know my temperament. I am a happy go lucky person. I almost never get angry in the public. But it was genuinely insulting and degrading to every artists based on what I saw today.

This arrogant judge didn't care of my opinion. I could see it in his eyes. He was basically the superior in his world and his way was the right way. That's how he had always done it. All the young staffers there were afraid of him. Today he was disrespectful, rude, and arrogant. I really want to know why he does what he does.

After the incident, a few people came up and thanked me for speaking up. They felt the same way but they didn't have the courage to say it to this judge or the organization that issues these licenses. One organizer from the New Taipei City said even she felt bad seeing how the performers being treated.

I don't understand why people don't stand up for each other. The Taipei City has failed their community and even more so to their arts community.

For an organization that is supposed to advocate for the arts, culture and authenticity, they did miserably today. It is like giving an exam to a dog, a cat, a bird and a monkey then telling them that their exam is climbing a tree. It's absolutely ridiculous.

I left them my contact information. They said they will contact me. If they don't, this could be an interesting subject for my next film project. A documentary on how these hopeful, aspiring performers being treated.

I am mad and I am angry. I really hope they will change their shallow way of seeing Arts.

P.S. Share or repost in Chinese. They need to change. Thanks.

台北國際藝術村－寶藏巖 Taipei Artist Village－Treasure Hill
Taipei National University of the Arts
臺北表演藝術中心 Taipei Performing Arts Center
National Theater and Concert Hall, Taipei
中正紀念堂 Chiang Kai-shek Memorial Hall
National Taiwan University of Arts

花博絮語：從不請專業口譯到官網文宣菜英文——臺中宣言

花博又「花現」問題！
（「花現GNP」是花博宣傳口號 XD）

談談臺中市府官網宣傳《臺中宣言》的英文標題，見圖。

原版：累贅、不像樣的的台式菜英文：

《Taichung Declaration》has redefined the GNP Promote and raise the proposal for Green, Nature and People

設法順著原標題想表達的意思改成及格的英文：

The Taichung Declaration has redefined the pursuit of GNP growth in a new proposal of Green, Nature, and People

英文雖然對了，但仍累贅，沒有標題的樣子。

再改，使其精簡易懂，有標題樣：

The Taichung Declaration redefines GNP as Green, Nature, and People

最後這標題比較令人滿意，簡明、有重點、有哏。

* 重點明確：臺中宣言提出GNP新定義
* 明示GNP所代表的新名，但細節賣關子
* 藉此吸引讀者閱讀內文一探究竟

原標題在文法、寫作上的問題：

* 英文不存在中文新式書名號《……》

* 亂用動詞原形raise，不合文法

* 「GNP Promote」是啥？看似想表達「GNP提升」、「提升GNP」？就算視爲一個方案名，這也是糟糕的台式英文，正如Taiwan(,) Touch Your Heart 給人的感覺，無法端上國際。
問題出在把不合文法的動詞原形 promote、touch 一路用到底，不管意思如何，這顯示英語尚在牙牙學語階段，尚無動詞變化的意識和能力。

爲何 GNP Promote 是菜英文？進一步佐證：

請上 Google 搜索 "GNP Promote" （記得加英文引號），出現百餘條結果，清一色與「臺中宣言」有關，細查其實皆出自同一則臺中政府官方英文新聞文章，即本文探討的文章標題。難道「提升GNP」這概念在全人類有英語記錄的歷史中，是臺中市府首推？當然不！更合理的推論是：

一、像樣的英文不是這樣寫。
二、不像樣的這個英文表達，在全宇宙為臺中市府獨創。

這篇文宣，判斷又是不重視翻譯專業的結果。其實，有待批評的英文書寫問題還多著，有興趣的讀者不妨一讀，親自感受一下。

正如不久前逢甲大學一位外國英語教授針對「英語列爲第二官方語言」的計畫投書賴院長，批評這做法是緣木求魚，我也認爲台灣政府各層級應該檢討是否真已準備好，有能力拿出像樣的對內、對外的英語書寫。答案好像不證自明。

以下轉錄臺中官網全文，先是介紹何謂臺中宣言，後是臺中宣言英文版。（連結見留言）

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《Taichung Declaration》has redefined the GNP Promote and raise the proposal for Green, Nature and People

Issued by Information Bureau Date:2018-04-19

Taichung will conduct World Flora Expo in November. Green productivity proposed by the City Government was based on the Flora Expo addressed concepts of Green productivity, Nature sustainability and People with Green-ability.「Taichung Declaration」is aiming for inviting 100 cities to sign up. Taichung City Mayor, Chia-lung Lin has signed the declaration with Changwon City Mayor, Ahn Sang-soo tonight at Masan Baseball Stadium in South Korea, he also kicked off the starting game for the Taiwanese baseball pitcher, Weichung Wang, who is working currently in South Korea. It’s very meaningful to have Changwon City as the first city to sign up to the Taichung Declaration.

The theme of 2018 Taichung World Flora Expo is「Exploring GNP」 which change the old meaning of GNP as Gross National Product. Redefined GNP now means Green productivity, Nature sustainability and People with Green-ability for pursuing green productivity and facilitating the ecological eternity and embrace the nature in addition to pursuing the technological development. to make people’s living better. We wish to promote and raise the awareness of enhanced collaborations between international societies because this is the only way to connect people to help each other for sharing the goodness and prosperity for the world. (4/11*11)*Information Bureau.

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Taichung Declaration：

《Taichung Declaration》
A New Proposal for GNP

Have you ever thought about that, sound of blooming, could be heard?

Modern people are busy in earning their livings when they are pursuing the development of economics and technologies. They’ve been too busy to see things through so they’ve forgotten to listen to the hearts, realize the nature how close they are relying on the environment.

In 2018, let’s find out the balance for ourselves, let’s listen to the whispers of the nature, let’s listen to the happy sounds of the blooming, we can feel the the value of life and how great to be alive. After all, the meaning of life is to make the world better.

2018 Taichung World Flora Expo will raise a new proposal for GNP. GNP has it’s own life and means Green, Nature and People so it is no more a neutral number of Gross National Product. GNP stands for green productivity and facilitating the ecological eternity to make people’s living better.

It’s the time to move forwards, it’s the time to look back to the past. When we move forwards to develop the smart technologies in the future, we should remember to turn to embrace the nature again to facilitate the ecological eternity. We believe the prosperity and environmental protection can exist concurrently while the technologies can live with the nature.

Green Productivity

City in green and green in the city. The economical growth traded off by the environment will no more last as we know quite well how to play the role as one of the members in the global village. By applying green technologies, reducing energy consumption and create the shared resources to construct a sustainable city with green production and green economics as the backbone.

Nature Sustainability

The mountain geography left from the ice age and the recent wetland scenes formed by the waves and tides are all the low polluted ecological environment and diverse biological systems we would like to sustain. We will never pay the price of nature to pursue the technological prosperity again. We will rebuild the tight connections between people and nature to find back the harmony and balance between people and nature.

People with Green-ability

We are anticipating people will develop their green concepts and capabilities. Such trivial things as personal thought, diet, living and action or big scope as urban construction and future development, all of them will become the group energy of Green to contribute to the international society. So-called green concepts is to implement the actions, including respect the varieties and embrace diversity. No matter in the aspects of culture, race, politics, education or religion, we will maintain the old traditions and develop the innovations to share a better future with everyone. The aesthetics of living is to live with varieties and grow with the compatibilities.

We believe,
The perfect balance among production, ecology and living can be obtained.
Listen to the nature, connect with the society and link to the world.
Collaborate and facilitate the development of international non-government organizations.
Create the new model of urban management.
Because we connect with each other,
We will share the achievements and good results.

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背景音樂:影片片尾備註
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