stage background的八卦，PINTEREST、YOUTUBE和Yahoo名人娛樂都在討論

星音符剧团即将为您💥震撼上演——中国古代四大名著之首《红楼梦》话剧。
Symphony Theatre proudly presents the stage play “The Dream of Red Mansions”, an adaptation of the most celebrated classical Chinese novel! 💥💥

❤古代长篇巨作《红楼梦》，即将在大马首度以话剧形式呈现，星音符剧团将根据史实与原著改编。为您演绎一场刻骨铭心、至真至爱、荡气回肠的爱情故事。

❤此次，星音符剧团力邀锺洁希演出话剧女主角——出淤泥而不染的林黛玉。男主角为全球万里挑一，犹如贾宝玉再现的——林霆坚。<别说爱错>的领衔主演——美籍导演浪漫王子李安田，与<音乐盒>话剧的领衔主演——魅力型男马杰飞也会重磅加盟！

💥必看8大重点💥
✨《红楼梦》在大马首度以话剧演出
✨《红楼梦》根据史实和原著改编
✨国际艺人锺洁希与多位资深演员同台演出
✨最新3D科技绝美LED背景视觉影像
✨特邀美国音乐人为《红楼梦》打造主题曲与插曲
✨逼真的音效与专业背景音乐配搭
✨精致的古风道具布置
✨精美雅致大气有诚意的古代服装

❤锺洁希曾演出《七步诗》、《月光》、《音乐盒》、《别说爱错》话剧等…精湛的演技受到媒体与观众的肯定，演出的话剧更是场场爆满，大受观众的欢迎与认可。 李安田自小在美国和台湾两地成长，属于性格派演员，并且曾在美国受过名师指导拍摄及导演。马杰飞曾经演出《音乐盒》话剧与《别说爱错》话剧，他也是多部电影、短片和MV男主角，深受大众喜爱。马杰飞也是一名导演，他将要推出的力作是与李安田导演携手执导的一部话剧名为《没有泪的天空》。马杰飞、李安田、林霆坚都是在大学主修戏剧及音乐表演系。

❤ “四大名著” 之一《红楼梦》描绘了人生百态, 是一部能够体现中华民族文化与智慧的经典完美结合著作。《红楼梦》话剧根据史实与原著改编，以荣国府为背景，情节以贾宝玉和林黛玉之间的故事贯穿全剧。

❤ 值得一提的是，许多人提到红楼梦中的林黛玉，都会觉得她就是柔弱的化身。事实上，林黛玉是一个勇敢聪慧的女子，她比任何红楼梦中的女子更加敢于挑战世俗。 很多人把林黛玉比喻为水芙蓉，只因这种植物有 “出淤泥而不染” 的赞誉。贾宝玉与林黛玉纯真又刻骨铭心的爱情，更是红楼最凄美动人的故事。至于林黛玉的眼泪，绝不能简单地理解为眼泪代表柔弱，就像王熙凤用银子来修炼自己在世俗中的能力一样，或许林黛玉她是用一生的眼泪来修炼爱情。

❤ 《红楼梦》话剧首次搬上大马舞台，带观众走进《红楼梦》的世界，体会《红楼梦》的深刻内涵，享受红楼作品的美学呈现，让观众深刻体验古典名著的艺术魅力。同时，透过根据史实与原著改编的《红楼梦》话剧，想带大家更深一层的认识出淤泥而不染的贾宝玉与林黛玉。❤🧡💛💚💙💜

❤《红楼梦》话剧24/07星音符剧场首演，星音符为您诚意打造《红楼梦》话剧，让您深刻体验古典名著的艺术魅力。敬请期待！

📅🗓️《红楼梦》话剧演出6场，演出日期如下🏹🏹🏹
[第一场] 24/07/2020（五）
[第二场] 25/07/2020（六）
[第三场] 26/07/2020（日）
[第四场] 31/07/2020（五）
[第五场] 01/08/2020（六）
[第六场] 02/08/2020（日）
【地点】星音符剧场
【时间】晚上8点钟⏳
【联络号码】012-642 0336（负责人梁小姐）
【中文对白，附有英文字幕】

想要购买话剧入门票🤩？请点击这里 ：
📲📲📲https://wa.link/1zlg05 (012-642 0336)
此活动由马来西亚自然医学公会（MNA）主办，为癌症病患筹募基金。以获取更多最新资讯，请守住洁希脸书！

Symphony Theatre proudly presents the stage play “The Dream of Red Mansions”, an adaptation of the most celebrated classical Chinese novel! 💥💥

❤ “The Dream of Red Mansions”, an early, lengthy masterpiece, is about to be performed in Malaysia for the first time in drama form. With the play based on the original historical novel of the same name, Symphony Theatre is bound to portray for you an unforgettable, passionate, and heart-rending love story.

❤This time, Symphony Theatre invited Jessie Chung to take the stage as lead actress, portraying the pure and unadulterated Lin Daiyu. The lead actor, Terry Lim, was chosen out of a ton of applicants from around the world. Joining the ranks is lead actor of “Meant to Be”, the romantic, princelike American director Paul Lee and lead actor of “Music Box”, the charismatic heartthrob Jeffrey Beh!

💥 8 Reasons Why You Should Watch 💥
✨ This marks the first public performance of the stage play “The Dream of Red Mansions” in Malaysia
✨ “The Dream of Red Mansions” is based on the original historical novel
✨ International artist Jessie Chung takes the stage with many experienced actors
✨ Stage backdrops created through the latest 3D technology for stunning, lifelike environments
✨ American musician brought on board to compose the theme song and soundtrack
✨ Accompanied by realistic sound effects and professional background music
✨ Stage design incorporates exquisite ancient Chinese elements and props
✨Actors wear elegant, refined, majestic and authentic period costumes

❤Jessie Chung has performed in stage plays including “The Quatrain of Seven Steps”, “Moonlight”, “Music Box”, “Meant to Be” and more. Her superb acting skills caught the attention of the media and audience alike. She is known for her sold-out performances that are popular with and praised by theatregoers. Paul Lee, who was raised between the U.S. and Taiwan grew to be a character actor and has learned the craft of cinematography and directing under a few renowned in instructors in the U.S. Jeffrey Beh, who has starred in the stage plays “Music Box” and “Meant to Be”, has also starred in several films, short films and music videos that are well-received. Jeffrey Beh is also a director, and he will be directing alongside Paul Lee in an upcoming masterpiece of his, the stage play “Tearless Sky”. Jeffrey Beh, Paul Lee, and Terry Lim all majored in performing arts and music.

❤One of the Four Great Classical Novels, “The Dream of Red Mansions” depicts various aspects of life and is a comprehensive, literary work that embodies the culture and wisdom of the Chinese. “The Dream of Red Mansions” was adapted from true historical events and traces the bittersweet tragedy at the Rong Mansion between Jia Baoyu and Lin Daiyu.

❤It is worth mentioning that many people believe for Lin Daiyu of “The Dream of Red Mansions” to be the epitome of frailty. That couldn’t be further from the truth. Lin Daiyu was a brave and intelligent woman who dared—more than any woman in “The Dream of Red Mansions”—to challenge the worldliness around her. Many liken Lin Daiyu to a lotus, because the flower is known to grow out of the mud unsoiled. The pure and unforgettable love between Jia Baoyu and Lin Daiyu is the most poignant and moving story in “The Dream of Red Mansions”. As for Lin Daiyu’s tears, they should not be simply understood as symbols of weakness. Just as Wang Xifeng used money to perfect her materialistic ways, perhaps Lin Daiyu used a lifetime of tears to perfect her love.

❤ “The Dream of Red Mansions” is set to be staged in Malaysia for the first time, and will transport the audience into the world of the original novel so they can feel its profound literary treasures, enjoy its aesthetical presentation, and experience intensely the artistic charms of this classical masterpiece. Moreover, through the stage adaptation of the original historical novel—“The Dream of Red Mansions”—we hope that everyone will have a deeper understanding of Jia Baoyu and Lin Daiyu, who kept their purity even in a filthy world.

❤ “The Dream of Red Mansions” debuts on July 24 at Symphony Theatre. This stage play presented by Symphony Theatre will allow you to intensely experience the artistic charms of this classical masterpiece. Don’t miss it!

📅🗓️ Six shows have been scheduled; the performance dates are as follows: 🏹🏹🏹
First show: Friday, July 24, 2020
Second show: Saturday, July 25, 2020
Third show: Sunday, July 26, 2020
Fourth show: Friday, July 31, 2020
Fifth show: Saturday August 1, 2020
Sixth show: Sunday, August 2, 2020
Venue: Symphony Theatre
Showtime: 8 p.m. ⏳
Contact number: 012-642 0336 (Representative Ms. Leong)
Performed in Mandarin with English surtitles

Want to purchase tickets? 🤩 Visit the following link:
📲📲📲 https://wa.link/lck748 (012-642 0336)

The show is a fundraiser organized by the Malaysia Naturopathic Association (MNA) to help cancer patients in need. Stay tuned on Jessie’s Facebook for more updates and information!

🇩🇰 這是一篇深度報導，來自歐洲現存最古老的報紙：丹麥Weekendavisen，題目是從香港抗爭運動、香港聯繫加泰羅尼亞的集會，前瞻全球大城市的「永久革命」。一篇報導訪問了世界各地大量學者，我也在其中，雖然只是每人一句，加在一起，卻有了很完整的圖像。

以下為英譯：

Protest! The demonstrations in Hong Kong were just the beginning. Now there are unrest in big cities from Baghdad to Barcelona. Perhaps the stage is set for something that could look like a permanent revolution in the world's big cities.

A world on the barricades

At the end of October, an hour after dark, a group of young protesters gathered at the Chater Garden Park in Hong Kong. Some of them wore large red and yellow flags. The talk began and the applause filled the warm evening air. There were slogans of independence, and demands of self-determination - from Spain. For the protest was in sympathy with the Catalan independence movement.

At the same time, a group of Catalan protesters staged a protest in front of the Chinese Consulate in Barcelona in favor of Hong Kong's hope for more democracy. The message was not to be mistaken: We are in the same boat. Or, as Joshua Wong, one of the leading members of the Hong Kong protest movement, told the Catalan news agency: "The people of Hong Kong and Catalonia both deserve the right to decide their own destiny."

For much of 2019, Hong Kong's streets have been ravaged by fierce protests and a growing desperation on both sides, with escalating violence and vandalism ensuing. But what, do observers ask, if Hong Kong is not just a Chinese crisis, but a warning of anger that is about to break out globally?

Each week brings new turmoil from an unexpected edge. In recent days, attention has focused on Chile. Here, more than 20 people have lost their lives in unrest, which has mainly been about unequal distribution of economic goods. Before then, the unrest has hit places as diverse as Lebanon and the Czech Republic, Bolivia and Algeria, Russia and Sudan.

With such a geographical spread, it is difficult to bring the protests to any sort of common denominator, but they all reflect a form of powerlessness so acute that traditional ways of speaking do not seem adequate.

Hardy Merriman, head of research at the International Center for Nonviolent Conflict in Washington, is not in doubt that it is a real wave of protest and that we have not seen the ending yet.

"I have been researching non-violent resistance for 17 years, and to me it is obvious that there are far more popular protest movements now than before. Often the protests have roots in the way political systems work. Elsewhere, it is about welfare and economic inequality or both. The two sets of factors are often related, ”he says.

Economic powerlessness

Hong Kong is a good example of this. The desire among the majority of Hong Kong's seven million residents to maintain an independent political identity vis-à-vis the People's Republic of China is well known, but the resentment of the streets is also fueled by a sense of economic powerlessness. Hong Kong is one of the most unequal communities in the world, and especially the uneven access to the real estate market is causing a stir.

According to Lee Chun-wing, a sociologist at Hong Kong Polytechnic University, the turmoil in the city is not just facing Beijing, but also expressing a daunting showdown with the neoliberal economy, which should diminish the state's role and give the market more influence, but in its real form often ends with the brutal arbitrariness of jungle law.

'The many protests show that neoliberalism is unable to instill hope in many. And as one of the world's most neoliberal cities, Hong Kong is no exception. While the protests here are, of course, primarily political, there is no doubt that social polarization and economic inequality make many young people not afraid to participate in more radical protests and do not care whether they are accused of damage economic growth, 'he says.

The turmoil is now so extensive that it can no longer be dismissed as a coincidence. Something special and significant is happening. As UN Secretary General António Guterres put it last week, it would be wrong to stare blindly at the superficial differences between the factors that get people on the streets.
“There are also common features that are recurring across the continents and should force us to reflect and respond. It is clear that there is growing distrust between the people and the political elites and growing threats to the social contract. The world is struggling with the negative consequences of globalization and the new technologies that have led to growing inequality in individual societies, "he told reporters in New York.

Triggered by trifles

In many cases, the riots have been triggered by questions that may appear almost trivial on the surface. In Chile, there was an increase in the price of the capital's subway equivalent to 30 Danish cents, while in Lebanon there were reports of a tax on certain services on the Internet. In both places, it was just the reason why the people have been able to express a far more fundamental dissatisfaction.

In a broad sense, there are two situations where a population is rebelling, says Paul Almeida, who teaches sociology at the University of California, Merced. The first is when more opportunities suddenly open up and conditions get better. People are getting hungry for more and trying to pressure their politicians to give even more concessions.

“But then there is also the mobilization that takes place when people get worse. That seems to be the overall theme of the current protests, even in Hong Kong. People are concerned about various kinds of threats they face. It may be the threat of inferior economic conditions, or it may be a more political threat of erosion of rights. But the question is why it is happening right now. That's the 10,000-kroner issue, ”says Almeida.

Almeida, who has just published the book Social Movements: The Structure of Social Mobilization, even gives a possible answer. A growing authoritarian, anti-democratic flow has spread across the continents and united rulers in all countries, and among others it is the one that has now triggered a reaction in the peoples.

“There is a tendency for more use of force by the state power. If we look at the death toll in Latin America, they are high considering that the countries are democracies. This kind of violence is not usually expected in democratic regimes in connection with protests. It is an interesting trend and may be related to the authoritarian flow that is underway worldwide. It's worth watching, 'he says.

The authoritarian wave

Politologists Anna Lürhmann and Staffan Lindberg from the University of Gothenburg describe in a paper published earlier this year a "third autocratic wave." Unlike previous waves, for example, in the years before World War II, when democracy was beaten under great external drama , the new wave is characterized by creeping. It happens little by little - in countries like Turkey, Nicaragua, Venezuela, Hungary and Russia - at such a slow pace that you barely notice it.

Even old-fashioned autocrats nowadays understand the language of democracy - the only acceptable lingua franca in politics - and so the popular reaction does not happen very often when it becomes clear at once that the electoral process itself is not sufficient to secure democratic conditions. Against this backdrop, Kenneth Chan, a politician at Hong Kong Baptist University, sees the recent worldwide wave of unrest as an expression of the legitimacy crisis of the democratic regimes.

“People have become more likely to take the initiative and take part in direct actions because they feel that they have not made the changes they had hoped for through the elections. In fact, the leaders elected by the peoples are perceived as undermining the institutional guarantees of citizens' security, freedom, welfare and rights. As a result, over the past decade, we have seen more democracies reduced to semi-democracies, hybrid regimes and authoritarian regimes, ”he says.

"Therefore, we should also not be surprised by the new wave of resistance from the people. On the surface, the spark may be a relatively innocent or inconsiderate decision by the leadership, but people's anger quickly turns to what they see as the cause of the democratic deroute, that is, an arrogant and selfish leadership, a weakened democratic control, a dysfunctional civil society. who are no longer able to speak on behalf of the people. ”The world is changing. Anthony Ince, a cardiff at Cardiff University who has researched urban urban unrest, sees the uprisings as the culmination of long-term nagging discontent and an almost revolutionary situation where new can arise.

"The wider context is that the dominant world order - the global neoliberalism that has dominated since the 1980s - is under pressure from a number of sides, creating both uncertainty and at the same time the possibility of change. People may feel that we are in a period of uncertainty, confusion, anxiety, but perhaps also hope, ”he says.
Learning from each other.

Apart from mutual assurances of solidarity the protest movements in between, there does not appear to be any kind of coordination. But it may not be necessary either. In a time of social media, learning from each other's practices is easy, says Simon Shen, a University of Hong Kong political scientist.

“They learn from each other at the tactical level. Protesters in Hong Kong have seen what happened in Ukraine through YouTube, and now protesters in Catalonia and Lebanon are taking lessons from Hong Kong. It's reminiscent of 1968, when baby boomers around the globe were inspired by an alternative ideology to break down rigid hierarchies, 'he says.
But just as the protest movements can learn from each other, the same goes for their opponents. According to Harvard political scientist Erica Chenoweth, Russia has been particularly active in trying to establish cooperation with other authoritarian regimes, which feel threatened by riots in the style of the "color revolutions" on the periphery of the old Soviet empire at the turn of the century.

"It has resulted in joint efforts between Russian, Chinese, Iranian, Venezuelan, Belarusian, Syrian and other national authorities to develop, systematize and report on techniques and practices that have proved useful in trying to contain such threats," writes Chenoweth in an article in the journal Global Responsibility to Protect.

Max Fisher and Amanda Taub, commentators at the New York Times, point to the social media as a double-edged sword. Not only are Twitter and Facebook powerful weapons in the hands of tech-savvy autocrats. They are also of questionable value to the protesting grass roots. With WhatsApp and other new technologies, it is possible to mobilize large numbers of interested and almost-interested participants in collective action. But they quickly fall apart again.

The volatile affiliation is one of the reasons why, according to a recent survey, politically motivated protests today only succeed in reaching their targets in 30 percent of cases. A generation ago, the success rate was 70 percent. Therefore, unrest often recurs every few years, and they last longer, as Hong Kong is an example of. Perhaps the scene is set for something that might resemble a permanent revolution in the world's big cities - a kind of background noise that other residents will eventually just get used to.

"Since there is still no obvious alternative to neoliberalism, the polarization that led to the protests initially will probably continue to apply," says Lee of Hong Kong Polytechnic University. "At the same time, this means that the anger and frustration will continue to rumble in society."

0 舞蹈底子的我.....盡力了！好玩！😛
我們第一天學會整首歌的舞蹈。
第二天穿高跟鞋排練。
第三天就上台錄影了～
我發現......我真的蠻喜歡跳舞的....是不是該去學學🙈
.
So with zero dance background, I tried my best! This was so fun!
Day 1, we learned the full dance.
Day 2, we rehearsed with heels.
Day 3, we performed on stage and recorded it for TV~
I realise I really like dancing......maybe I should start taking lessons?

MV กลับมา (Please Come Back)
Retrospect
Rise
Overall meaning of the song " Klub Maa " or " Please come back " in our second MV of " Rise " album express the waiting for love one to come back, and try to send message of still always waiting across to that one, where ever that one is ..... and also ask for kindness to just listen to the loud voice from the heart which seriously waiting and waiting just only for that one.
the latest news of Retrospect is .... Genie Records is proudly present their second grand concert in life called " Retrospect Rise now " , you will definitely see the Rock Concert in style that you have never seen before, with their own art design of stage background and environment, together with the creation of various cool gimmicks.

Top level of entertainment and great fun as well as unforgettable impression will be waiting for you, and it is the phenomenon you can never miss.

The concert will burst out on Saturday 25th, October 2008 at Moon Star Studio 8 (more details will be announced here in the near future).

::: For High Quality Visualize, please click HQ button on the Menu Bar :::

▷ 更多生活妙招◁
https://goo.gl/ZTLG18

我不喜歡說什麼正確吃法 錯誤吃法
其實只是大家吃法不一樣而已
不過我也想分享一下
個人覺得很實用的9種常見食物的吃法推薦
希望能對大家有啟發~

---------------------------------------------------------------
▷ 背景音樂資訊 BGM (Background Music) Info. ◁

1 @ beginning
Kirby Nightmare in Dreamland (GBA) Music - Forest Stage

2 @ 0:50
Duck Tales (NES) Music - Himalaya Stage
3 @ 2:51
Antarctic Adventure (NES) Music - Stage Theme
4 @ 3:36
Circus Charlie (NES) Music - Stage 2
5 @ 4:12
Duck Tales (NES) Music - Amazon Stage

Easter Egg @ 5:43
6. Duck Tales (NES) Music - African Mines Stage

~~~~~~~~~~~~~~~~~~~~~~~~~~

(ﾟ∀ﾟ) ノシ
更多關於我的 More About Me

實用 Useful：
▷ 生活妙招 Life skills ◁ https://goo.gl/ZTLG18
▷ DIY教學 DIYs Guide ◁ https://goo.gl/u4ENC7

搞笑 Fun：
▷ 趣味話題系列 Funny Video ◁ https://goo.gl/SrmBPm
▷ 惡搞混音曲 Parody Remix ◁https://goo.gl/sdbRM4
▷ 挑戰系列 Challenges ◁ https://goo.gl/IGt6Kg
▷ 智障劇場 ◁ https://goo.gl/RKDPQM

實測 Practice：
▷ 開箱系列 Unboxing ◁ https://goo.gl/CE6MpC
▷ 實驗系列 Experiments ◁ https://goo.gl/MzwL7f

寵物 Pet：
▷ 我的搞笑倉鼠 My Funny Hamsters ◁ https://goo.gl/8sNzHy
▷ 倉鼠養育教學 Hamster Care Guide ◁ https://goo.gl/zZWYF7

放鬆 Relax：
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▷ Instagram ID ◁ CarlHo117

ALLEN IVERSON played with a chip on his shoulder the size of Gibraltar. It was his fuel.

Sometimes that fuel flooded the engine, but Iverson never backed off a challenge. Maybe it was because of his childhood growing up in Hampton, Va., where he was the man of the house at a too-young age. Maybe it was seeing people from the neighborhood getting killed or going to prison. Maybe it was being imprisoned - wrongly, he believed - and missing out on his senior year of basketball. Or maybe because he was usually the smallest player on the court, feeling he had to prove himself every minute, showing everyone that size doesn't matter.

Whatever the reason, whether we agree with the method, the personality or the background, it all made Allen Iverson one of the fiercest competitors ever to play the game.

On March 12, 1997, as his rookie season was reaching the finish line, Iverson and the Sixers were facing the NBA champion Chicago Bulls and Michael Jordan.

Iverson lit up the Bulls, tying a then-career high with 37 points, although the Sixers, despite a solid showing, bowed to the Bulls, 108-104.

But what defined this game was one move, Iverson's signature, the crossover.

Ever since his high school days, Iverson talked about the mastery of the move on the master, Michael Jeffrey Jordan.

"I used to always tell my friends that when I get on that stage, I'm going to try my move on the best," Iverson said.

Late in the game, Jordan found himself guarding the cocky rookie out of Georgetown and wasn't about to back down. And Iverson, like the young shooter taking on the old gunslinger, wasn't about to back down from a challenge.

"A lot of guys, when you see guys that you kinda looked up to, they kinda shy away from the challenge," Iverson said. "And I just took it on."

Iveron's hair was short and his collection of tattoos small, reminding us how young he was on this night.

He rocked Jordan once with a small crossover and then dropped the big one, moving to his right and swishing a 20-foot jumper just ahead of the flailing Jordan. The crowd at the CoreStates Center, anticipating what was about to occur, rose and erupted in joy. Our guy went one-on-one with the greatest player ever and our guy won, they were thinking. At that moment, Philly fell in love with Allen Iverson. He was ours. He was our David to the NBA's Goliath. We had a star, too.

"I don't think I planned it," said Iverson, who had faced the Bulls twice before, but the situation to try the move never materialized.

"I'll never forget coming off a screen and him switching and [coach] Phil Jackson hollering his name, telling him to switch out on me," Iverson recalled. "And I gave him the first little one, and I see that he's biting on it. And I hit him with the second one and made the shot."

Without making the shot, the move becomes an afterthought.

"I was going to put my move to the test, to see if it was real," Iverson said. "It had to be real if it worked on the greatest player to ever play the game. That made me feel good."

Watch the video carefully next time and you'll see what made Jordan such a great player.

"The craziest thing about it is, I hit him with my best move, and he still almost blocked it," Iverson said, laughing at the moment. "That's what was so crazy about it. That just let's you know how great a defensive player he was."

Two great players showing their stuff. Where have those days gone around here?