Do you remember the Neuchâtel International Fantastic Film Festival held in Switzerland this June? This was the very time that Taiwan was officially featured in the festival. The NIFFF launched “Formosa Fantastica” and set up a category for immersive content. Huang’s latest work “Samsara” has also taken part in the festival.
According to Verizon Media’s analysis data for the first quarter of this year, Taiwan’s interest in accepting immersive performances is higher than the global average. Also, the contents and forms of Taiwanese immersive experiences are highly diverse. Perhaps that was the reason for the NIFFF to choose Taiwan as their featured country this year.
And how does Taiwan develop the field of immersive experience? Check out the article below!
還記得今年六月時在瑞士舉辦的紐沙特奇幻影展嗎（Neuchâtel International Fantastic Film Festival, NIFFF)？這是首次官方以臺灣為主題國，推出「奇幻福爾摩沙」單元並設立「沉浸式內容」類別。黃心健則以最新作品《輪迴》參與展出。
根據Verizon Media針對今年第一季調查數據分析可得知，台灣沉浸式體驗接受度高於全球平均！且臺灣的沈浸式體驗內容與形式發展多元，由此或許可理解今年NIFFF為何以臺灣為主題國了！
(來源：https://udn.com/news/story/7241/5601072)
而台灣這座小島是如何發展沉浸式領域呢，
更多內容請見文章《 不僅是代工大國——臺灣，你的下一步是沉浸式「內容大國」》🔗 https://taicca.tw/article/7bf306cf?fbclid=IwAR3wlQwL2OghQd4QEtqBVcH-2c8zhY7RrZ21idxZnEMHkvXUA71c6uS-YBY
圖為今年NIFFF 論壇「SAUVAGE展覽之延伸座談一：臺灣沉浸式內容作品」邀請《Oil邊境》製片François Klein、《輪迴》導演黃心健、《蘚的歌唱》導演蘇柏維、《星際大騙局之登月計劃》導演徐漢強與主持人Laetitia Bochud進行線上對談 。
