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《家族盒子：陳順築》
「家是歸屬，是生死的集合，家也是我所有的回憶。」─ 陳順築
「盒子」，是陳順築採用來指稱「家」的隱喻，也是他對「家」的再現。在晦暗不明的舊木盒空間裡頭，盡是生與死的秘密。
出生於澎湖的藝術家陳順築（1963-2014） ，在1990年代發表其代表作《家族黑盒子》，以照片為主體創造出其獨有的影像思考和語彙，進而發展出介入空間與地景的複合媒材與影像裝置；他翻攪、擾動那些棲息在影像之中的溫活記憶，以冷凝的視線將它們從影像中剝離開來，而成為屍骸的影像則重新形構出進入另一個時空的入口，產生另一種意義結構。「人們揣測我正在回憶，或者，他們認為我以某種方式在重新編排過去。但我是這樣想的，回憶的真實性有多少？回憶真的可以再現過去嗎？回憶真的等同人一生嗎？回憶真的等同於歷史嗎？」 陳順築說。
本書是對於一位藝術家的生命、思想與藝術創作的尋訪與追憶。
This publication results from a research and exhibition project initiated by Taipei Fine Arts Museum on Taiwanese artist Chen Shun-Chu(1963-2014). Basing his works on photographic imagery related to his own family, Chen often combines these images into installations that give a sense of gloominess. These works, in addition to discussing family and family members, touch on other notions such as land, memory, and space. In order to understand Chen's development, the publication is divided into two parts, the first of which is a biography based on interviews with the artist that look into how his relations with his family become inspirations of his works. The second part consists of essays by art critics that focus on the different media Chen has deployed and hence what aesthetic meanings these works elicit.
購書 Order : https://goo.gl/2SB024
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Voices of Photography 攝影之聲
www.vopmagazine.com
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