Such a beautiful day! Sun is shining. I remember my guru said always be happy when things are bad. Why? Because you know things are gonna get good very soon! Take each day step by step. Never give up! Ignore the haters. See the advantage! Keep going forward!
Filmed in IPOH! lovely little city! find the advantage in every situation. enjoy yourself! Always start from zero. never take things for granted! Have FUN! everyday! smile! take it easy :)
Composed by: Alex Lam
Arranged & Produced by: Alex Lam, Jordie Guzman
Lyrics by: Alex Lam
Guitar: Andrew Cheung, Esan Kongo
Bass: Jordie Guzman
Drums: Tobejazz Kushiator
Keyboard:Chris Polanco
Chorus: Kendy Suen, Alex Lam
Recorded at: Studio B
Video filmed edited by Henry Leung
Step by step day by day
I'm getting closer I'm making my way
Back into love back into your heart
I know just what it’ll take
Step by step day by day
I'm getting closer
Oh I'm making my way come on baby!
And love like this
Is such a wonderful feeling yeah
And baby love like this
You keep me coming forever baby baby yeah
Working all night sweating all day
Trying to make my hard earned pay
Breaking my back working my mind
Until i hear my sweet love say
To take me outside take me all night
And show me them big fat stars
And baby i might just to show you that i can raise the bar
And when you touch me my heart starts to tremble and i can't think or speak
Your love is like a river you take me downstream into the oceans deep
And oooh baby oh i love you and
And ooh baby you can save me
And ooh baby you know i can't help but scream yeah
Step by step day by day
I’m getting closer oh I'm making my way
Come on baby!
同時也有16部Youtube影片,追蹤數超過195萬的網紅EHPMusicChannel,也在其Youtube影片中提到,❖訂閱頻道收聽更多好聽的歌: https://www.youtube.com/c/EHPMusicChannelII ❖Facebook臉書專頁:https://www.facebook.com/EHPMC/ ❖IG:ehpmusicchannel ** 喜歡的朋友記得要分享出去喔~ 超級需要你們的...
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you raise me up lyrics 在 人山人海 PMPS Music Facebook 八卦
剛剛的北美之行,在演出之餘,當然也勾結了不少的當地的媒體。
#lgbtqInHongKong #CensorshipInChina #FreedomOfSpeech #LiberateHongKong #StandWithHongKong #CantoPop
//Anthony Wong’s Forbidden Colors
Out Hong Kong Canto-pop star brings his activism to US during his home’s protest crisis
BY MICHAEL LUONGO
From 1988’s “Forbidden Colors,” named for a 1953 novel by gay Japanese writer Yukio Mishima to this year’s “Is It A Crime?,” commemorating the 30th anniversary of the Tiananmen Square Massacre, Hong Kong Canto-pop star Anthony Wong Yiu-ming has combined music and activism over his long career. As Hong Kong explodes in revolt against Beijing’s tightening grip with the One Country, Two Systems policy ticking to its halfway point, Wong arrived stateside for a tour that included ’s Gramercy Theatre.
Gay City News caught up with 57-year-old Wong in the Upper West Side apartment of Hong Kong film director Evans Chan, a collaborator on several films. The director was hosting a gathering for Hong Kong diaspora fans, many from the New York For Hong Kong (NY4HK) solidarity movement.
The conversation covered Wong’s friendship with out actress, model, and singer Denise Ho Wan-see who co-founded the LGBTQ group Big Love Alliance with Wong and recently spoke to the US Congress; the late Leslie Cheung, perhaps Asia’s most famous LGBTQ celebrity; the threat of China’s rise in the global order; and the ongoing relationship among Canto-pop, the Cantonese language, and Hong Kong identity.
Wong felt it was important to point out that Hong Kong’s current struggle is one of many related to preserving democracy in the former British colony that was handed back to China in 1997. While not his own lyrics, Wong is known for singing “Raise the Umbrella” at public events and in Chan’s 2016 documentary “Raise the Umbrellas,” which examined the 2014 Occupy Central or Umbrella Movement, when Hong Kong citizens took over the central business district for nearly three months, paralyzing the city.
Wong told Gay City News, “I wanted to sing it on this tour because it was the fifth anniversary of the Umbrella Movement last week.”
He added, “For a long time after, nobody wanted to sing that song, because we all thought the Umbrella Movement was a failure. We all thought we were defeated.”
Still, he said, without previous movements “we wouldn’t have reached today,” adding, “Even more so than the Umbrella Movement, I still feel we feel more empowered than before.”
Hong Kong’s current protests came days after the 30th anniversary commemorations of the Tiananmen Square Massacre, known in China as the June 4th Incident. Hong Kong is the only place on Chinese soil where the Massacre can be publicly discussed and commemorated. Working with Tats Lau of his band Tat Ming Pair, Wong wrote the song “Is It A Crime?” to perform at Hong Kong’s annual Tiananmen commemoration. The song emphasizes how the right to remember the Massacre is increasingly fraught.
“I wanted our group to put out that song to commemorate that because to me Tiananmen Square was a big enlightenment,” a warning of what the Beijing government will do to those who challenge it, he said, adding that during the June 4 Victoria Park vigil, “I really felt the energy and the power was coming back to the people. I really felt it, so when I was onstage to sing that song I really felt the energy. I knew that people would go onto the street in the following days.”
As the genre Canto-pop suggests, most of Wong’s work is in Cantonese, also known as Guangdonghua, the language of Guangdong province and Hong Kong. Mandarin, or Putonghua, is China’s national language. Wong feels Beijing’s goal is to eliminate Cantonese, even in Hong Kong.
“When you want to destroy a people, you destroy the language first, and the culture will disappear,” he said, adding that despite Cantonese being spoken by tens of millions of people, “we are being marginalized.”
Canto-pop and the Cantonese language are integral to Hong Kong’s identity; losing it is among the fears driving the protests.
“Our culture is being marginalized, more than five years ago I think I could feel it coming, I could see it coming,” Wong said. “That’s why in my music and in my concerts, I kept addressing this issue of Hong Kong being marginalized.”
This fight against the marginalization of identity has pervaded Wong’s work since his earliest days.
“People would find our music and our words, our lyrical content very apocalyptic,” he explained. “Most of our songs were about the last days of Hong Kong, because in 1984, they signed over the Sino-British declaration and that was the first time I realized I was going to lose Hong Kong.”
Clarifying identity is why Wong officially came out in 2012, after years of hints. He said his fans always knew but journalists hounded him to be direct.
“I sang a lot of songs about free love, about ambiguity and sexuality — even in the ‘80s,” he said, referring to 1988’s “Forbidden Colors.” “When we released that song as a single, people kept asking me questions.”
In 1989, he released the gender-fluid ballad “Forget He is She,” but with homosexuality still criminalized until 1991, he did not state his sexuality directly.
That changed in 2012, a politically active year that brought Hong Kongers out against a now-defunct plan to give Beijing tighter control over grade school curriculum. Raymond Chan Chi-chuen was elected to the Legislative Council, becoming the city’s first out gay legislator. In a concert, Wong used a play on the Chinese word “tongzhi,” which has an official meaning of comrade in the communist sense, but also homosexual in modern slang. By flashing the word about himself and simultaneously about an unpopular Hong Kong leader considered loyal to the Chinese Communist Party, he came out.
“The [2012] show is about identity about Hong Kong, because the whole city is losing its identity,” he said. “So I think I should be honest about it. It is not that I had been very dishonest about it, I thought I was honest enough.”
That same year he founded Big Love Alliance with Denise Ho, who also came out that year. The LGBTQ rights group organizes Hong Kong’s queer festival Pink Dot, which has its roots in Singapore’s LGBTQ movement. Given the current unrest, however, Pink Dot will not be held this year in Hong Kong.
As out celebrities using their star power to promote LGBTQ issues, Wong and Ho follow in the footsteps of fellow Hong Konger Leslie Cheung, the late actor and singer known for “Farewell My Concubine” (1993), “Happy Together” (1997), and other movies where he played gay or sexually ambiguous characters.
“He is like the biggest star in Hong Kong culture,” said Wong, adding he was not a close friend though the two collaborated on an album shortly before Cheung’s 2003 suicide.
Wong said that some might think he came to North America at an odd time, while his native city is literally burning. However, he wanted to help others connect to Hong Kong.
“My tool is still primarily my music, I still use my music to express myself, and part of my concern is about Hong Kong, about the world, and I didn’t want to cancel this tour in the midst of all this unrest,” he said. “In this trip I learned that I could encourage more people to keep an eye on what is going on in Hong Kong.”
Wong worries about the future of LGBTQ rights in Hong Kong, explaining, “We are trying to fight for the freedom for all Hong Kongers. If Hong Kongers don’t have freedom, the minorities won’t.”
That’s why he appreciates Taiwan’s marriage equality law and its leadership in Asia on LGBTQ rights.
“I am so happy that Taiwan has done that and they set a very good example in every way and not just in LGBT rights, but in democracy,” he said.
Wong was clear about his message to the US, warning “what is happening to Hong Kong won’t just happen to Hong Kongers, it will happen to the free world, the West, all those crackdowns, all those censorships, all those crackdowns on freedom of the press, all this crackdown will spread to the West.”
Wong’s music is banned in Mainland China because of his outspokenness against Beijing.
Like other recent notable Hong Kong visitors including activist Joshua Wong who testified before Congress with Ho, Wong is looking for the US to come to his city’s aid.
Wong tightened his body and his arms against himself, his most physically expressive moment throughout the hour and a half interview, and said, “Whoever wants to have a relationship with China, no matter what kind of relationship, a business relationship, an artistic relationship, or even in the academic world, they feel the pressure, they feel that they have to be quiet sometimes. So we all, we are all facing this situation, because China is so big they really want the free world to compromise.”
(These remarks came just weeks before China’s angry response to support for Hong Kong protesters voiced by the Houston Rockets’ general manager that could threaten significant investment in the National Basketball Association by that nation.)
Wong added, “America is the biggest democracy in the world, and they really have to use their influence to help Hong Kong. I hope they know this is not only a Hong Kong issue. This will become a global issue because China really wants to rule the world.”
Of that prospect, he said, “That’s very scary.”//
you raise me up lyrics 在 2Dogg Facebook 八卦
W/M
I guess it's really hard for man to think how hard to be a woman. I could feel how hard it is sometimes by the women around me from my mother to my female friends... They born to be not having stronger ability physically and to grow up in this world with sexual discrimination. They need to not only work much harder to raise themseleves, but also to learn how to take care male from 1 to 100.
Feeling wordless to describe how appreciate I'm to them, but to use 2Pac's lyrics...
"Lady, don't you know we love ya? (Dear Mama) Sweet lady, place no one above ya (You are appreciated) Sweet lady, don't you know we love ya?" (Dear Mama / 1995)
you raise me up lyrics 在 EHPMusicChannel Youtube 的評價
❖訂閱頻道收聽更多好聽的歌:
https://www.youtube.com/c/EHPMusicChannelII
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❖IG:ehpmusicchannel
** 喜歡的朋友記得要分享出去喔~ 超級需要你們的支持!!! **
❖歌詞在下面❖
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作詞:唐漢霄、董又霖
作曲:唐漢霄
Rap詞:董又霖
編曲:唐漢霄、Toufu
製作人:唐漢霄
混音工程師:劉俊傑
人聲錄音師:劉俊傑
母帶:Chris Gehringer
人聲錄音室:AREAR STUDIO
出品:ARE樂默凡華
怎麼刪除那些照片關於你
怎麼不看那些對話的簡訊
放不下 回不去
不如就做個決定
說不定會有意外的風景
記憶只會打擾脆弱的東西
忘記只是一場時間的旅行
沒有人會願意
丟棄最初的自己
去遺忘心裡隱藏的秘密
怎麼變成一個人去巴黎
怎麼放下兩個人的記憶
飛過了一萬公里
數著自己和你的距離
怎麼變成一個人去巴黎
找尋曾經聊過的風景
最後才發現還是我太在意
記憶只會打擾脆弱的東西
忘記只是一場時間的旅行
沒有人會願意
丟棄最初的自己
去遺忘心裡隱藏的秘密
怎麼變成一個人去巴黎
怎麼放下兩個人的記憶
飛過了一萬公里
數著自己和你的距離
怎麼變成一個人去巴黎
找尋曾經聊過的風景
最後才發現還是我太在意
還記得初次見面的法國餐廳
那開始了彼此的故事
想問是什麼樣的作者
能寫出如此夢幻劇情
當那天我滑開了手機
卻收到你道別的視頻
想到故事就要ending
真的 真的不敢相信
可是 可是你說再也回不去
想到 想到起床再也沒有蕃茄和雞蛋
當初 當初一起約定的巴黎
I didn't make it deal
But you still raise me up
不知不覺忘了走到哪裡
慢慢把從前的故事拋棄
要變得沒有目的
只有一顆放縱的心靈
找個地方慢慢把你忘記
就算尋找旅途的意義
所以我決定一個人去巴黎
至於錯過的誰都不用可惜
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❖歌手資料 About Singer
➸ 微博 | https://www.weibo.com/u/5737325620
❖此歌曲已於酷狗音樂及網易雲音樂上線,喜歡的小伙伴記得去打榜支持喔!!
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❖歌曲跟影片版權為歌手本人及其音樂公司所有,本頻道只作推廣及宣傳之用,若喜歡他們的音樂請支持正版。如版權方認為影片有侵權一事,請與我們聯絡,我們將徹底刪除影片。
❖Like, Comment, Share & Subscribe❖
❖喜歡的請分享及訂閱本頻道❖
![post-title](https://i.ytimg.com/vi/VF7DiE12wFM/hqdefault.jpg)
you raise me up lyrics 在 MIYAVI Youtube 的評價
8/31(水)発売アルバム『Fire Bird』より手塚プロダクションとのコラボレーション作品「Fire Bird」
火の鳥バージョンを期間限定公開!映像ディレクターにファンタジスタ歌磨呂氏!
▷アルバム総合チャート第3位獲得「Fire Bird」大好評発売中!http://po.st/it_miyavi_fb
MIYAVI / Fire Bird (hinotori full version) / Music Video Staff
Director : Fantasista Utamaro (KOTOBUKISUN Inc.)
Animation Director : Reina Hamane / Shota Sakamoto
Hinotori 3D Animation Director : Ryo Hirayama (caviar)
Hinotori 3D Modeling Designer : Naoko Takai
Hinotori 3D Modeling Coordinator : REALROCKDESIGN
Effect Animation Designer : Tetsuya Tatamitani (KOTOBUKISUN Inc.)
©Tezuka Productions
【ライブ情報】
(全国ツアー)
MIYAVI Japan Tour 2016 “NEW BEAT, NEW FUTURE”
9月19日(月・祝) 札幌 PENNY LANE 24【SOLD OUT】
9月21日(水) 仙台 Rensa
9月22日(木・祝) 金沢 EIGHT HALL
9月24日(土) 松山 W Studio RED
9月25日(日) 広島 CLUB QUATTRO
9月27日(火) 熊本 B.9 V1
9月29日(木) 福岡 DRUM LOGOS
10月1日(土) 大阪 なんばHatch
10月2日(日) 名古屋 ダイアモンドホール
10月10日(月・祝) 東京 幕張メッセイベントホール
〈Official HP〉 http://myv382tokyo.com/
![post-title](https://i.ytimg.com/vi/etFfwA0bLWs/hqdefault.jpg)
you raise me up lyrics 在 渡辺レベッカ ☆ Rebecca Butler Watanabe Youtube 的評價
今日は西野カナさんの「トリセツ」を英語でお届けします♪
この曲は「女性の取扱証明書」という面白いコンセプトになっています。
たくさんの女性が共感できると思いますので、男性の方は勉強してくださいね(笑)
Here is an English version of female Japanese singer-songwriter Kana Nishino's "Torisetsu" (Instruction Manual). I found the lyrics quite interesting, since they read as an instruction manual for how to treat a girl. Men, please take note :)
~♪~♪~♪~♪~♪~
曲情報 / SONG INFO
~♪~♪~♪~♪~♪~
Kana Nishino / Torisetsu (Instruction Manual)
Released 2015 (single)
Lyrics: Kana Nishino
Music: DJ Mass(VIVID Neon*), Shoko Matsuyama, etsuco
English Lyrics: Rebecca Butler Watanabe
■公式MV
https://youtu.be/aPHGClLjZWk
~♪~♪~♪~♪~♪~
リンク / LINKS
~♪~♪~♪~♪~♪~
■HP⇒ http://BlueEyedUtaUtai.jimdo.com
■Facebook⇒ http://facebook.com/blueeyedutautai
■Twitter⇒ @BlueEyedUtaUtai
~♪~♪~♪~♪~♪~
歌詞 / LYRICS
~♪~♪~♪~♪~♪~
I’d like to take this opportunity
to say thank you for choosing me
to be the partner by your side.
Before we start I will read out to you
the manual for how to use
me best and how to treat me right.
First off, always treat me like you need me
with respect and warmth.
Don’t forget that I’m a one-time-offer
with no exchanges or returns.
I’ll be yours forever more.
Well, there may be times when I am broken down or raise a fuss
but when you ask me why,
don’t expect an answer, but ignoring me will make it even worse.
For this, I apologize.
So I hope that you don’t let that discourage you
‘cause I’ll be counting on your love to see me through.
I’ll have longer durability with frequent compliments,
like saying my nails look good.
And if you notice all the little changes. I will be content.
Pay attention like you should.
Honey, but there are some things you don’t need to say.
You can keep it to yourself if you think I’m gaining weight.
When I get a little older and my hair turns to gray
and the magic is starting to fade,
just close your eyes and think of how we met that day
and all of the precious memories we made.
I look forward to being with you for quite a while.
I’m a mess but please take me as I am
with forgiveness and smile.
And if you always take good care of me,
my love will last forever with a lifetime guarantee.
Well, you may be surprised to hear a single flower that I don’t expect
is sure to make my heartbeat race
and little gifts from time to time will have a positive effect
if they’re chosen in good taste.
But if you want to know the best way to my heart,
writing me a short love letter is the best way to start.
And when I am drowning in sorrow and tears cover my face,
wipe them gently ‘til they’ve gone away.
Wrap your arms around me in a tight embrace,
‘cause no one else but you can make me feel okay.
I look forward to being with you for quite a while.
I’m a mess but please take me the way I am
with a nod and a smile.
And if you always take good care of me,
my love will last forever with a lifetime guarantee.
I’d like it if sometimes you would take me traveling
And for a fancy dinner on our anniversary
Without saying it’s not our scene
Take my arm so I feel like a queen.
Open your heart up wide and love me true and deeply
Take every single part of me
これからもどうぞよろしくね。
kore kara mo douzo yoroshiku ne.
こんな私だけど笑って許してね。
konna watashi dakedo waratte yurushite ne.
ずっと大切にしてね。
zutto taisetsu ni shite ne.
永久保証の私だから。
eikyuu hoshou no watashi dakara.
![post-title](https://i.ytimg.com/vi/iDYYuQgcf9A/hqdefault.jpg)
you raise me up lyrics 在 Westlife - You Raise Me Up (Official Video) - YouTube 的八卦
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