iron heart台灣的八卦，MOBILE01、PTT、YOUTUBE、PINTEREST和Yahoo名人娛樂都在討論

Kuo Wan-Rou 要1500分享,我們來給她2000個好啦
肉感少女-Neneko

Anime - KABANERI OF THE IRON FORTRESS -
movie posters ? haha ! NENEKO NEW COSPLAY !
very cool ! Then support by Liking this and share : )
「死んでも生きろ」即使面對死亡也要活下去
太神了!肉肉感動快哭…等待照片是有價值的 超像電影宣傳照!!
支持+喜歡甲鐵城的卡巴內里就分享出去~
這是我們團隊努力完成的作品!
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COSPLAYER CN ►
IKOMA生駒 : 白洛兒
http://www.facebook.com/y287631ms22
MUMEI無名 : NENEKO
http://www.facebook.com/neneko.page
KABANE卡巴內(女) : KAKURU(阿布)
http://www.facebook.com/KakuruBu
KABANE卡巴內(男) : MARS
Staff幕後人員 ►
PHOTO攝影師/後期 : 吉田舜
http://www.facebook.com/WKPHOTO/
THANKS特別感謝 : Joe (打醬油探班XD)
道具製作感謝►白洛兒
生駒真是好丈夫(淚)
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甲鐵城感謝白白花12小時畫出來,完成我的夢想畫面!!
感謝生駒與2位卡巴內和肉一起大熱天下完成創作,
感謝屌爆俠小舜拍攝出讓我如此感動畫面QQ
這次自己抱病拍攝太拼命有一種用生命在燃燒體驗COSPLAY感覺…
(現在身體恢復了很健康囉!不用擔心!)
雖然有許多各式各樣突發狀況,對我來說是很棒的回憶和經驗提升!
我們都非常喜歡甲鐵城作品今天才集結相聚在一起
肉對無名更是花很多時間研究 雖然我不會說自己做到100%還原
我對這部的情感與精神絕對要傳達給大家 : 貫け、鋼の心を (O)
當初自己接觸這部作品馬上就被震撼與感動 滿腔熱血 就決心努力做好
接下來也會陸續為所愛拍攝 我扮演多少回也不會膩 無名最高!! (握拳)
上面有列表COSER與幕後人員,他們都是台灣很棒的COSER與攝影師^^
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甲鉄城のカバネリ《甲鐵城的卡巴內里》
Anime - KABANERI OF THE IRON FORTRESS -
A mysterious virus appears during the industrial revolution, infecting humans into Kabane (カバネ) and rapidly spreads. Kabane are aggressive, undead creatures that cannot be defeated unless the glowing heart, which is protected by a layer of iron, is pierced. Unfortunately, most melee weapons and the steam pressure guns used by the Bushi are not very effective against them. On the island country Hinomoto, people have built fortress-like stations to shelter themselves from these creatures. People access the stations and transport wares between them with the help of armored steam locomotives called Hayajiro. One day a Hayajiro hijacked by the Kabane crashes into Aragane station and they overrun the city.
A young engineer called Ikoma uses the opportunity to test with success his anti-Kabane weapon, the piercing gun (ツラヌキ筒 tsuranuki zutsu), but is infected in the process, although he manages to resist the virus and become a Kabaneri (カバネリ), a human-Kabane hybrid. Assisted by Mumei, another Kabaneri who appears to help them, Ikoma and the other survivors of the station board the Hayajiro Kotetsujo (甲鉄城 Iron Fortress) and depart to seek shelter elsewhere, fighting the hordes of Kabane along the way.

「地獄空」攝影集即將在八月中元節前出版，由知名設計師與攝影家黃子欽設計，內附在下二位高徒精美繪製符咒、心經版畫書籤、愣嚴咒牌、尊勝咒語...等，感恩十方大德助印，希望疫情退散，平安喜樂，後記如下：

野放台灣五十餘年，貪狼獨坐，三方四正殺破狼格局，少年多舛，白手起家，隨展覽雲遊四海，如閒雲野鶴常持各類底片機流連廢墟、山川、宮廟忘返，遂設幻影堂自詡堂主，一日三省「凡所有相皆是虛妄」，常宅於暗房沖片放大通宵、鍾情黑白世界之單純，彩色照片俗世繽紛花俏做作甜美甚至比現實更現實故少拍也。知天命之年有餘，了悟人生一瞬、眨眼即逝，雖非仙人，亦無道骨，初聞離垢地生清淨心，但離華嚴「不動地」尚遠，待修持也。
2017年盛暑拍畢《巨神連線》，心律不整差點心肌梗塞向閻羅王報到，意識死神隨伺在側，人生苦短，如何了生脫死、盡斷煩惱、無所罣礙、遠離顛倒……總不得解，蒙釋迦摩尼佛開示飆淚三晝夜，聞佛法數載始知自我渺如塵埃，甚感慚愧。閒暇乃參訪名寺古剎，禮敬焚香佛陀菩薩羅漢諸神天仙王爺媽娘，台灣宮廟千奇百怪、宗派錯綜複雜（佛教、道教、一貫道、天主教、基督教、齋教、回教＆大同教、儒教鑾堂、天帝教＆天德教、慈惠堂＆勝安宮、軒轅教、道院、理教、萬國道德會、會靈山……）、神棍橫行（依人不依法、偶像崇拜、斂財、邪淫），因歷史變遷、社會動盪、政治鬥爭、意識形態等因素導致佛道混雜，但地獄造景稀少，後專注拍攝各殿閻王、判官、陰司、獄卒、七爺、八爺乃至一切罪人，各寺造景巧妙、耐人尋味，意境乖張溢於言表，造型扭曲非常人所能塑也，然匠心獨運、自成一格，專研西方藝術數十載方知真誠樸拙最美，絲毫不輸喬托（Giotto di Bondone，1267～1337）乃至米開朗基羅（Michelangelo Di lodovico Buonarroti Simoni 1475 ~ 1564）矣。

創立於1986年的石門金剛宮風景優美可眺望北濱，雖主祀四面佛，儒釋道眾神尊也不含糊，可過七星橋解厄、繞行五百黝黑羅漢敲鑼印心、跪拜亞洲最大臥佛涅槃像，安太歲自不在話下，甲子太歲爺雙眼長出手掌印象甚深，1994年經閻羅王指示廟公建造一條肚內設極樂世界及陰曹地府之神龍，行走暗黑通道觸動感應機關，只見面容猙獰受刑者呼天搶地喊冤、身邊盡是血肉糢糊殘肢敗屍腦漿塗地，十殿閻羅各司其職、威儀攝人。新北市林口區青嶺湖北文紫祥宮包公廟則以壁面彩塑地獄浮雕獨步全台，粉嫩色彩搭配卡漫風格，尤為造型簡直恐怖到可愛透頂，該廟主祀森羅殿閻羅天子包拯（包青天），陽世冤屈者可至此參拜祭解，求破懸案者眾，逢中元普渡皆以紙紮船渡亡魂至彼岸，全台唯一閻羅天子巨像籌備中，四周環繞墓地，適合修不淨觀也。台灣首尊彰化八卦山大佛旁南天宮（1971）地府則是首座電動地府，規模精小但驚嚇度破表，略顯破敗但五光十色仍蠻凶悍，出自已故台南大道長金登富之作，而電動神明起始可追溯至1960年代北港朝天宮。倒是嘉義水上鄉白人牙膏觀光工廠「戴相府」、「將軍府」設置十殿地府出乎意料之外，乾淨亮麗、ㄧ殿ㄧ間、簡單樸實。由高雄蓮潭龍虎塔龍口入內可見全臺唯一交趾陶地獄牆面，尊尊栩栩如生，續入龍身乃進聞聲救苦白衣觀音大士三十三化身浮雕隧道，造型設色甚為古錐。高雄大岡山超峰寺入口處「西方三聖蓮池海會」（阿彌陀佛、觀世音菩薩、大勢至菩薩巨像）旁設靜態十殿閻羅（1970年代初），雖略為陳舊然韻味猶存，續往上行可抵「證菩提道－釋迦如來應化事迹」雕塑園區，一攬世尊畢生精華。如來年邁時，琉璃國王為報長期被釋迦族輕蔑之傲慢心，世尊雖三次單獨伽跌坐 阻擋大軍進攻之路，但因緣果報無法逆轉，昔日婢女所生王子瞋恨無以復加，還是滅了祖國。自持神通第一目犍連不忍無辜百姓慘遭屠殺，遂以缽盛救度五百族人，最終卻化為血水，佛言神通廣大仍不敵千百劫業力，因緣果報屢試不爽。其母死後墜入餓鬼道飢餓難耐，目犍連遂展神通救渡，但所食尚未入口皆化為赤火，佛陀囑咐農曆七月十五日僧眾解安居自恣日，於盆中設甘露美食供養十方僧眾，因此超度亡母。後世「盂蘭盆法會」乃至「水懺法會」、「瑜珈焰口法會 」皆為消業障、斷塵垢之超渡儀軌，既渡亡魂也自懺悔。

台南麻豆代天府規模宏大、造型豔麗，不但可遊十八層地獄尚可逛天堂（1979年興建，1983年開放)，燈光絢爛、聲響駭人，獨自漫步宛如觀落陰、地獄走一回。先過「心頭山」、入「清心池」、進「陰陽界」、抵「交簿廳」、達「鬼門關」、遊「補經所」、探「枉死城」、行「奈何橋」，至ㄧ殿泰廣王照「孽鏡台」現造惡原形，睹抱柱、火床等小地獄。二殿楚江王開「陰查簿 」判案定奪，觀糞尿泥、餓鬼、舞池、寒冰、膿血、鞭韃、舌犁、劍葉、戟腹拋接、砧截……等小地獄。三殿宋帝王刑罰為倒吊、銅鐵刮臉、挖眼、搗樁、倒烤、吸血、穿肋、抽筋、蛆蛀等小地獄……兼遊「四生（胎、卵、濕、化）回魂府」。四殿五官王掌管腰斬、拔舌、沸湯、刺嘴、剝皮、箭樹、車崩、射眼……等十六小地獄。隨五殿森羅王豋「望鄉臺」回眸親人最終眼後觀擊膝、誅心、刀山、飛刀火石……小地獄。六殿卞城王別稱「大叫喚大地獄」，轄火牛、虎啖、噬腎、鉗嘴含鍼、釘喉、磨摧、砍頭……等小地獄。七殿泰山王為「熱惱大地獄」，窺烙手指、抽腸、頂石蹲身、油釜滾烹、割舌穿腮……等十六小地獄。八殿都市王掌管「大熱惱大地獄」兼火狗、鐵汁、鐵蛇、鋸劈斷肢、釘板、灸脊、鐵丸、磅秤……等小地獄。九殿平等王直轄十八層「阿鼻大地獄」，直透地心、內中陰森、不見五指、滿溢地漿，皆為極犯，另轄紫赤毒蛇鑽孔、夾頂、鐵鴉、針雨、蜂蠍……等小地獄。至十殿輪轉王上「觀生臺」、「轉劫所八司」（查驗司 、稽善司 、考過司 、恩怨司 、壽命司 、支配司、掌劫司 、授生司）後至「孟婆亭」飲「醧忘湯」忘盡前塵往事，依前世功德過金、銀、玉、石、木、竹六種橋樑至「轉輪臺（紫河車）」入六道輪迴轉生投胎。據《十八泥犁經》記載，人過世後七七四十九天為「中陰生」，經閻羅王審判善惡業力判定去留或懲罰百千萬劫，犯五逆重罪則墮入「無間地獄（阿鼻地獄）」永劫不復。地藏王乃幽冥教主，統轄十殿閻羅，逢三曹普渡便在各殿設「講道所」超度尚存善根之鬼魂。

人類居於五趣（阿修羅、人、傍生、餓鬼、地獄）雜居地五濁惡世之堪忍世界，犯十惡業（殺生、偷盜、邪淫、妄語、兩舌、惡口、綺語、貪慾、嗔恚、愚痴）者必墮三趣惡道。如何出「三界」（欲界、色界、無色界）二十八天？凡人無此意識，別說能破「十二因緣」（無明、行、識、名色、六入、觸、受、愛、取、有、生、老死）還滅門，更別想斷除「四聖諦」（苦、集、滅、道）集地八十一品見惑與八十八使思惑（五利使-身見、邊見、邪見、見取見、戒禁取見、五鈍使-貪、瞋、癡、慢、疑），了悟「五蘊」（色、受、想、行、識）本空、「十二入」（眼、耳、鼻、舌、意、色、聲、香、味、觸、法）空、「十八界」空，破俱生我執與分別我執、法執甚至空執，生十一處「善心所」（信、精進、慚、愧、無貪、無瞋、無痴、輕安、不放逸、行捨、不害），降二十六處「惡心所」（貪、瞋、癡、慢、疑、惡見、忿、恨、覆、惱、嫉、慳、誑、諂、害、憍、無慚、無愧、掉舉、惛沉、不信、懈怠、放逸、失念、散亂、不正知），須知善根斷盡則陷永劫輪迴、無垠轉世之苦。

地獄可能空滅嗎？若地獄空乏人間多鬼怪，地獄淨空世間何嘗非淨土？若能證空性何處現地獄？

地獄曠古來便廣泛流傳各部族間，老死生滅為自然運行之基礎、宇宙意識之核心，然今文明昌盛如咱城邦並非慾望消弭之所，惡性所及實無可根除，礙於憲法國家法律社會軍隊企業公司學校家庭團體之層層束縛不亞於十八層，乃遁於壓抑、束己情懷，暗埋心底、日久貪嗔痴慢疑怨噌會疊穢。而六塵未熄，心多妄念，妖魔鬼怪魑魅魍魎孤魂閃靈出沒於荒郊乃至人間，會靈於曠野密林以增性靈乃出世高人修煉之舉，我等凡人擅闖宛如迪士尼般之人造地獄，三魂七魄尚不足以出竅，驚邪恐怖淒厲猙獰倒滿足了自以為是的慚愧，豈不謬哉？

病毒肆虐年半有餘，全球確診者逼近一億八千萬，枉死者近四百萬，堪比戰爭規模，望眾生發慈悲心、令往生者安息、善待其他物種、平等有情眾生。地獄本空，唯妄念生起一切羨慕嫉妒恨而地獄現前。盡以此書作為世界新冷戰獨裁者、超限戰者、暗網駭客、陰險狡猾冷嘲熱諷落井下石者之良知備忘錄矣。

姚瑞中寫於2021年端午節

Postscript

I have been living recklessly in Taiwan for more than fifty years. According to Zi Wei Dou Shu (Purple Star Astrology), Tan Lang is the sole star in my house of Self. This star, which represents xxx, forms an equilateral triangle with that star Qi Sha and Po Jun on the square chart and constitutes a Sha Po Lang pattern. The pattern indicates a kind of turbulence and change, a life of wandering with ups and downs and it tells a lot about my life. After my ill-fated youth, I started from scratch and traveled around the world with exhibitions that I participated. Like a flaneur, I wandered around ruins, nature, and temples with every type of film camera obliviously. Thus, I founded the Hall of Illusion and claimed to be the master of the hall. Several times a day, I pondered a quote from the Diamond Sutra, “Everything with form is unreal.” In addition, I usually stayed in the darkroom developing film and enlarging those negatives overnight. However, I treasured the simplicity of the black and white world. The earthly, gaudy, garish, phony and pleasing qualities within colored photos make the images even more realistic than the real world. It is not my cup of tea, so I seldom took colored photos. In Confucian thought, the age of fifty marks the stage knowing the mandate of Heaven. I am now at my fifties and realize how ephemeral human life is. However, I am not an immortal, nor having sagelike characteristics. I just learned that the stage of stainless (the second bhūmi) and develop a pure mind that is free from doubt and defilement. However, I’m still far from the immovable state and need to practice.

In the summer of 2017, after filming the work Incarnation, I experienced a severe heart rhythm problem which almost triggered myocardial infarction and could have killed me. Consequently, I realized that death was waiting for me and the life is too short to figure out how I can liberate myself from the cycle of Birth and Death. I couldn’t comprehend how to be free from all afflictions and worries and how to avoid delusive ideas. I wept for three days and nights after being enlightened by Shakyamuni Buddha. Up to the moment, I felt ashamed that I failed to realize that the self is as insignificant as dust after these years learning and practicing Buddhism. Since then, I have visited famous temples and monasteries in my spare time, worshiping Buddha, Bodhisattvas, arhats, and all the deities and immortals. Taiwan’s temples are myriad with a enormous number of sects, including Buddhism, Taoism, Yiguandao, Catholicism, Christianity, Chinese religions of fasting, Islam& Baháʼí Faith, Confucianism, Tiandiism& Tian-De Teachings, Xiwangmu cult, Yellow Emperor Sect, Precosmic Salvationism, Liism, World Wide Ethical Society, séance cult, etc. Some people even claim that they can mediate communication between the deities or spirits of the dead with human beings, having their believer rely on themselves instead of the orthodox dharma or dogma and pay excessive respect and admiration for the mediums or objects, accumulating wealth through such an unfair means or even harassing their believer sexually. Due to Taiwan’s historical changes, social turbulence, political struggles, and ideological issues, Buddhism and Taoism are somehow mixed. However, there are few emphases on the concept of the hell. As I took photographs of Yama of each court, judges, wardens of the underworld, jailers, General Fan and Hsieh (the ghost escorts) and all sinners, I found few temples cleverly created hellish scenes that are intriguing, exaggerating, and extraordinary. However, the creations are unparalleled unique. I have been studying Western arts for decades and then I came to realize that simplicity makes the most beautiful works of art. These hellish scenes can even compete with works of Giotto di Bondone (1267-1337) and Michelangelo Di lodovico Buonarroti Simoni (1475-1564).

Jingang Temple Shimen District, founded in 1986, overlooks the beautiful North shore. Although the temple is mainly dedicated to Phra Phrom (the Thai representation of Mahabrahma), spirits of Confucianism, Buddhism, and Taoism can also be founded in the temple. The worshipper can go cross the Seven Star bridge to relieve bad luck, walk along the five hundred arhat statues and knock on the gong to affirm one’s Buddha nature. Furthermore, the worshipper can also prostrate themself before Asia’s largest statue of Buddha in Nirvana (the Reclining Buddha statue) and pacify the Taoist Tai Sui deity of the year. I was impressed by the Jia-Zi Tai Sui General that a pair of palms grow out of his eyes. In 1994, the biō-kong (the person taking charge of the temporal affairs of a temple) received a divine inspiration from Yama (the King of Hell) that he had to build a sacred hall in the shape of a divine dragon, with the interior designed according to the World of Ultimate Bliss and the Underworld. When the visitor walks in the dark hallway, they will see the tortured people (dioramas, of course) scrunching their faces and crying bitterly and loudly in excessive grief as the visitor triggers the mechanism. One will even find them in the midst of flesh, body liquid and blood, mutilated limbs, and rotten corpses. While each of the ten Yamas are focusing on their own duties, showing their sacred dignity that collect visitors’ attention. The Baogong Temple in Linkou District, New Taipei City exclusively features colorful depiction of hellish scenes in relief in Taiwan. With its pastel shades and cartoon-like style, the relief is both grotesque and adorable at the same time. This temple is dedicated to Bao Zhen (also known as Justice Bao) representing the incarnation of Yama. Living people who have been treated unjustly can come worshipping Bao Gong and receive exorcism. Therefore, many people come here for seeking to solve unsolved cases. In Zhongyuan Festival (the ghost festival), the temple will burn the Zhizha (paper craft) boat to ferry the ghosts to the other shore, which is the shore of enlightenment. The only giant statue of Yama in Taiwan is still in the making. The temple is surrounded by a cemetery, suitable for meditating on the loathsomeness and impurity. Nantian Temple (1971), located next to the Eight Trigram Mountains Buddha in Changhua, features the first animatronic underworld. Despite the small size, the animatronic underworld is intensely shocking. Though it’s slightly worn, the colorful dioramas are still brutally ferocious. The creator was the late venerable Dao Zhang (Taoist priest) Jing Deng-fu while the origin of animatronic deities can be traced back to the 1960s Beigang Chaotian Temple. On the contrary, the Whiteman Toothpaste Tourism Factory in Shuishang Township, Chiayi, features ten Yamas with individual booth. The place is unexpectedly clean and polished yet keeps a simple and modest tone. Then, the Dragon Pagoda of the Dragon and Tiger Pagodas at Lotus Lake in Zuoying, Kaohsiung, holds the only relief of hellish scenes made of Kochin ceramic. All the figures are vivid and life-like. If one goes further into the pagoda, they will see a relief tunnel of the thirty-three incarnations of the white-robed form of Guanyin (Avalokiteśvara) on a white lotus, with a lovely and interesting design. Another Hall of Yama is built in the 1970s next to the entrance of Dagangshan Chaofeng Temple, located in the Alian District of Kaohsiung. Visitors will also see three statues of the Three Holy Ones of the Western Pureland (Amitābha, Avalokiteśvara, Mahāsthāmaprāpta) which assemble at a lotus pond. Although the hellish scene looks somewhat antiquated, you may still find its previous charm. If one goes further, they will reach the sculptural garden of “Attaining the Bodhi Way: the Incarnation of Sakyamuni Buddha,” where the visitor can see the essence of Bhagavato’s (meaning the Blessed one, one of the common epithets for Buddha) life. When Tathāgata (another epithet for Buddha) was old, the king of Kosala wanted to avenge the arrogance of the tribe of Shakyas who had long despised him, regarding him as a son of a maiden. Although Buddha has sat in lotus position alone three times to stop the army from attacking his tribe. However, one can never reverse the cause and following karma. The prince born of a maiden was so furious that he eventually destroyed his homeland. Maudgalyāyana (one of the Buddha’s closest disciples), who is said to have had supernatural abilities that surpassed the other disciples, could not bear to see the slaughter of innocent people. Thus, he saved five hundred people of his tribe with a pātra (an eating utensil of Buddhist monks). Unfortunately, everything he did was in vain, those who were saved eventually turned into a puddle of blood. The Buddha said that the supernatural abilities cannot surpass the power of karma. The cause and effect work all the time. When Maudgalyāyana’s mother fell into the path of hungry ghost, he used his supernatural abilities to save his mother from hunger. However, all the food turned into fire before being fed to his mother. Later, the Buddha commanded the monks to put nectar and dishes in a basin on the 15th day of the seventh month in the lunar calendar for the monks from all directions to free his mother from reincarnation. In later times, the Ullambana Dharma Service, the Compassionate Samadhi Water Repentance, and the Yoga Collection for Feeding the Searing Mouths Dharma Service are rituals to eliminate karmic hindrance and to cease to worldly delusions. Through such practices, one can free the dead as well as confess their repentance.

Madou Daitian Temple is a magnificent and colorful temple in Tainan. Not only can the worshippers visit the eighteen levels of Hell but also the Heaven (it was built in 1979 and inaugurated in 1983) here. The lighting and sound effects are stunning and frightening. When walking alone in the space, one may feel like taking a Guan Luo Yin trip (a Taoist necromancy which leads people’s spirits to hell and communicate with the dead ones) to visit the underworld prison. Before arriving the first court of the underworld, the visitor will walk through the Mountain of Heart Summit, the Pure Heart Pond, the Frontier between the Living and the Dead Realms, the Soul Registry Hall, the Portico of Demons, the Center for Complementary Teaching of Canonical Books, the Citadel of Premature Death, and the Bridge of Vanity. When one arrives at the first court, they will see King Chin-guang, who is in charge of the court, using the Mirror of Retribution to show the earthly form of evil creatures and also witness the sub-hell of Pillar-Holding and Fire Bed, etc. At the second court, King Chu-jiang collates the register of sins the souls of the dead have committed to impose the punishments. Here, you will see the sub-hell of Excrement and Urine, Hungry Ghost, Burning Dance Floor, Ice, Pus and Blood, Whipping, Tongue-Raking, Sword Blade, Stomach-Piercing, Chopping, etc. Next, the dead at the third court, ruled by King Song-di, will receive the punishments including inversion tortures, face-skinning with steel and copper knife, eye-wrenching, pounding, blood-sucking, rib-piercing, roasting, tendon-taking, being eaten by maggots. The visitor can pay a visit to the Palace of Soul-Resuscitation for the Four Forms of Creatures (birth from an egg, birth from a womb, birth from moisture, and birth by transformation). King Wu-guan is in charge of the fourth court. There are sixteen sub-hells at the fourth court including Waist Chop, Tongue Removal, Boiling Pond, Mouth-stabbing, Skin-peeling, Sword Tree, Burning Wheels and Cart, Eye-shooting, etc. Next, at the fifth court, sinful souls are allowed to ascend the Tower of Hometown-Viewing to take a final look of their family. The visitor will witness sub-hells of Knee-striking, Heart-slicing, Blade Mountain, Flying Swords and Burning Stones, etc. The King of Bian City takes charge of the sixth court, which is also known as the “Great Hell of Screaming,” with sub-hells including Fire Cattle, Tiger-Biting, Kidney-Eating, Mouth-Poking, Throat-Nailing, Iron Mill, Decapitation, etc. The King of Tai-shan is in charge of the seventh court, the “Great Hell of Heat and Fire.” The sixteen sub-hells at this court include Finger-Searing, Bowel-Hauling, Stone-Bearing, Boiling Oil, Tongue-Removal and Cheek-Piercing, etc. Next, the King Du-shi is in charge of the eighth court, the “Great Hell of Intense Fire and Heat,” and the sub-hells including Fire Dogs, Molten Iron, Iron Snakes, Dismemberment, Steel Spikes, Burning-Marrow, Iron Ball, Scale, etc. The ninth court is ruled by the King Ping-deng. It is known as the biggest court, Avici Hell (the Hell of Incessant Suffering), which if the lowest level of the hell realm and the interior is gloomily and terrifyingly dark. Those who committed the most serious evil deed will be sent to the Avici Hell. Sub-hells such as Poisonous Snake, Brain-Removal, Crow-Gnawing, Raining Needles, Wasps and Scorpions are included at this court. After arriving the tenth court, ruled by the Great King of the Reincarnation Palace, one can visit the “Observatory of Life on earth” and the “eight bureaus of the Reincarnation Palace” (including the Bureau of Judicial Control, the Bureau of Good-Actions, the Bureau of Bad-Actions, the Bureau of Debts, Gratitude, and Vengeance, the Bureau of Longevity and Destiny, the Bureau of Familial Ties, the Bureau of the Reincarnated, and the Bureau of Birth). The sinful one will be sent to the Pavilion of Mengpo and made to drink the Soup of Forgetfulness to forget all past affairs. According to the sinful one’s merits of previous life, they will go across one of the six bridges (gold, silver, jade, stone, wood, bamboo) to the “Reincarnation-Wheel (Wheel on the Crimson River).” Finally, one is able to reborn in the six realms. According to the Aṣṭadaśa nāraka sutra ( the Eighteen Hells Sutra), after one passes away, they will enter an intermediate and transitional state between death and rebirth, known as antarābhava in Sanskrit, for forty-nine days. The being will be evaluated by Yama, who will decide if one should get reborn or get punished at the hell. Those who committed the Five Grave Offenses (killing one’s father, killing one’s mother, killing an Arhat, shedding the blood of a Buddha, and creating a schism within the community of Buddhist monks and nun who practice for attaining enlightenment.) will be sent to the Avici Hell and stay there eternally. Kṣitigarbha is the Lord of the Nether World, ruling the ten court of Hell. The lord will set up the “Hall of Teaching” at each court to salvage those sinful ones who still obtain few merits at the offering rituals.

Human beings live the Sahā world (sahāloka in Sanskrit, meaning “endurance of suffering,” a concept of mundane world in Mahāyāna Buddhism) where they share with other reincarnations (including beings of the hells, of the preta, and of malevolent nature spirits) with five turbidities (the Kalpa turbidity, the view turbidity, the affliction turbidity, the living beings turbidity, and the life turbidity). Those who commit the ten evil deeds (killing, stealing, adultery, lying, using immoral language, slandering, equivocating, coveting, anger, and false views) must fall into the three evil paths (animals, preta, and hell). However, how can one escape from the three realms/ twenty-eight heavens (including the six heavens of the desire realm, the eighteen heavens of the form realm, and the four heavens of the formless realm)? Worldly people who don’t have such an awareness cannot leave the cycle of the twelve nidanas (meaning causes or motivations), let alone eliminate the eighty-one afflictions (that have been produced due to misunderstanding regarding reality) and the eighty-eight illusions (including five afflictions of advanced practitioners, also known as five views: view of self, extreme view, evil view, view of attachment to views, and view of morality; and five unintelligent temptations: desire, anger, stupidity, arrogance, and doubt) of thought within the three realms and four Arya satyas (noble truths, including suffering, arising, ending, and path). They cannot realize that the essence of the five skandhas (referring to aggregates of clinging, including the matter of form, sensation, recognition, mental formation, and consciousness) , the twelve ayatana (meaning sense base, including six internal bases: eye, ear, nose, tongue, body, and mind and six external bases: visible objects, sound, odor, taste, touch, and mental objects), and the eighteen dhātavah (meaning compositional elements of human existence, including six consciousness, six faculties, and their objects) are the emptiness and the void. Furthermore, they cannot dispel the two reasons for clinging to the idea of the self and the attachment to elemental constructs and even believe in the two (false) tenets that that karma and nirvana are not real and that the ego and phenomena are real. As a consequence, they fail to develop the eleven wholesome mental factors (faith, energy, conscience, being ashamed, non-attachment, non-aggression, non-delusion, calmness, equanimity, conscientiousness, and non-injuriousness) and cease the sixteen unwholesome mental factors (desire, greed, anger, delusion, arrogance, doubt, wrong view, wrath, enmity, hypocrisy, vexation, jealousy, parsimony, deceit, flattery, harming, ambitiousness, stupidity, lacking of faith, idleness, being unrestrained, forgetting, distraction, non-discernment, ). One must bear in mind that once all our virtuous roots are discontinued, they will be trapped in the never-ending reincarnation and the suffering of infinite continuity.
Is it possible that the hell will be empty one day? If the beings in hell will become extinct while evil spirits inhabit the mundane world, the world could be considered as a pure land. If we could witness the nature of the void, then hell will exist no more.
Since ancient times, the concept of hell has been widely spread among all tribes. Aging, death, beginning, and end are the basis of nature and the core of cosmic consciousness. However, the prosperous civilization as our island is not a place where desire can be eliminated. It’s impossible to eradicate evil nature. Since fetters brought by the constitution, the state, the law, society, the military, corporations, schools, families, and groups are not less than the eighteen levels of hell, the mortals repress themselves, bury their feelings. Day after day, greed, anger, stupidity, arrogance, doubt, and resentment are stacking. However, since the six dust (visible objects, sound, odor, taste, touch, and mental objects) has not yet been extinguished, people in the mundane world are still full of delusions. The demons, devils, evil spirits, and the wondering dead exist in the wilderness, while only advanced practitioners with transcendent would attempt to make contact with the dead in the wasteland and forest. Worldly people like us trespass in Disneyland-like man-made hell. It is absurd and ridiculous that the hellish scenes cannot stop us from perpetrating evil deeds, but the horrific and cruel scenes yet satisfy our self-righteous shame.

The pandemic has been boiling over for more than a year and a half. The number of infected patients worldwide is nearly a hundred and eighty million, and the death toll has risen to four million, which is equivalent to a war crisis. I hope that we can all be compassionate, give peace to the dead, treat all sentient beings well and equally. The hell is innately empty; however, deluded and misleading thoughts would give rise to all jealousy and hatred and then manifest the hell before us. This book merely serves as a memorandum of conscience for dictators of the world’s new cold war, supporters of unrestrained warfare, dark web hackers, and those who are cunning and contemptuous and maltreat others when knowing they have problems.

June 2021,

Yao Jui-chung

跟大家說個好消息
這是第一次參加音樂祭
入選 無限自由音樂節 Unlimited Freedom FESTIVAL

原本覺得不會入選的
所以連團名都亂取一通...
當時在看魔戒 覺得很可愛就取了Hobbits的團名
結果往往出乎意料阿...

日期時間還未定 只知道是在10/9~10/11中的某天
確認了會盡快告訴大家
第一次耶 你們要來吧!
來來來
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最近很忙碌
接了一個伴奏的委託
組了兩個團
都是最近才開始的
恩...還有很多婚禮的委託歌單要練

在音樂的路上 朋友真的是很重要的阿!
謝謝每個被我強迫跟我組團的朋友XD

無限自由音樂藝術節'15 第十九波名單

THE 東京MONTANA（日本）
來自東京,三人配置鄉村搖滾的樂團 以swing為音樂中心,融合老搖滾民謠的元素。 在結合日本古怪原創歌曲, 肯定會讓台下充滿歡笑～ 因為愛上台灣的美食, 是這次首次帶團演出最大的目的, 歡迎大家多多介紹全台灣的美食給THE 東京MONTANA, 除了音樂我們還能用台灣美食做好國際交流！
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黃子軒＆山平快樂團
金曲獎最佳客語專輯得主。黃子軒以客家閩南血液為芯，敞開雙手接納多元文化的巨浪，在城市裡對於夢想的追求、對於生活的牢騷、對於家鄉的思念，都一一裝載在平快車中。

被稱為「未來世代的客家歌謠」創造者，原「暗黑白領階級」2015年正式更名「黃子軒與山平快」。黃子軒以客家閩南血液為芯，敞開雙手接納多元文化的巨浪，在城市裡對於夢想的追求、對於生活的牢騷、對於家鄉的思念，都一一裝載在平快車中，用我們最熟悉的母語，唱出市井小民的心聲。

創新的多元融合，不僅將客家音樂帶向前所未有的新境界，甚至被譽為『 未來世代的客家歌謠 』，黃子軒的音樂及現場實力同時也受到金曲獎、流行音樂原創音樂大獎、海洋音樂祭、原創音樂大獎等國內俱公信力音樂指標獎項一致肯定，為樂壇中頗受各界看好的明日之星。
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便當雜誌 Lunchbox Magazine

三位來自屏東家鄉的年輕人，關心環保、愛護動物、愛情無限制的腳步，踏踏實實地走在土地上。便當雜誌 曲調混合迷幻搖滾，藍調 和 民謠 寫出在台灣土地的故事 能穿越任何形式，牽動情感，帶來新的改變，讓你的身體跟著動起來，體驗現場的革命！
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nowhere樂團
「nowhere是不知該往何處去的徬徨
卻也是now here 時時刻刻 每個存在的當下」

成軍兩年的nowhere樂團來自台中，音樂以明亮女聲及木吉他為主線，和極富旋律性的電吉他SOLO、BASS與鼓交織的明快節奏組成。
首張創作EP「名為自我的那些」已於2015年發行，創作靈感以對自我的辯證與探索、社會事件的反思，清新之下帶著反叛、以柔中帶剛的搖滾精神，記錄著每個生活當下。
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山澗隊
這是三個 "溫柔的中年男人組成的樂團, 雖然歲月讓我們失去了帥氣的外型,卻留下了沉穩與內斂的情感, 我們沒有無厘頭的搞笑,只有發自內心的幽默!

3JAM傳承Blues Rock血脈精神, 悠揚與嘶吼的琴音交錯, 豐沛與華麗的節拍鋪陳,輔以大地深沉的曠野低鳴….! 傳唱不朽的”藍調”傳奇!!
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吳妮晏Nini Wu
擁有充滿故事性的溫暖嗓音，總在簡單中探尋不一樣的可能，不一味求新求變，而脫離了純粹與真實；喜歡沉浸在與自己內心的對話，藉由音樂及文字的創作來療癒自我，也透過分享創作來撫慰每個寂寞與受傷的靈魂；用簡單的編制來詮釋創作曲，傳達音樂裡最純粹與真實的情感。
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謝孟庭
木吉他，柔軟的女聲線，溫和的 bassline，還有很多很多電子音。
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傑利假期
全「勵」以赴，鐵打成「精」。
傑利Baking Holiday
組團12年首張單飛不解散
教練樂團主唱個人首張專輯
鐵打職人溫揉夢想
用天才：教學唱歌、烘焙蛋糕
用天賦：奮力追逐音樂人生的夢想
慢慢過篩 、細細調味 、靜靜烘焙。
音樂力行（型）男-鐡職人生活家
全力衝刺、認真運動、專注生活、用力成長
在美好來臨之前-
一手（首）包辦過去到現在，
傑利一個接力一個，不枉初衷的自己。

傑利，本名李國瑋，大多人對他的印象應該是他擔綱教練樂團主唱身
份，渾厚的嗓音、黝黑的外表，有著陽光的笑容的他，沒有華麗的唱腔， 只有透過歌曲真實傳遞的熱情。2010年開始，以單飛不解散方式，再為 自己開創另一條創作之路，這一次創作能量不僅僅是在音樂方面，更寬 廣地走上蛋糕烘焙之路。現在的他一邊繼續唱著歌，一邊製作蛋糕，穿 上了已逝母親的豹紋圍裙，烘焙出一首首以戚風蛋糕為音符的Baking Holiday。將於2015年4月底發行個人首張創作專輯。
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Hobbits
我們是 Hobbits。
想用ㄧ把吉他，訴說一個個簡單，卻又豐富的故事。
用音樂傳達我們所體認到的生活及想法，也希望能為正在迷惘中的人們，提供一些能量。
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活動日期：2015/10/9~11
活動時間：早上10點開放進場
[ 無限自由單日預售票 ] 1000元
[ 無限自由三日預售聯票 ] 2200元
[ 無限自由四人優惠三日預售聯票 ] 8000元
購票網址：http://www.indievox.com/unlimitedfreedomfestival
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來回直達接駁車/活動專車 200元
台中火車站-->活動會場 / 活動會場-->台中火車站
＋＋乘車登記資訊近期公布＋＋
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☼小幫手的貼心提醒：
無限自由有提供免費的露營區讓大家露營。
露營區採登記制，不需額外付費。額滿為止。
無限自由提供『免費露營營位』給購買三日聯票的觀眾，
帳篷與睡袋需自備。
另有代租帳篷服務（須先付租金）。
請大家一定要跟我們一起來露營喔！
趕快來登記吧！！
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露營部落報名：https://goo.gl/7VZieT
彩虹市集報名：https://goo.gl/gln8a5
志工報名表下載：https://goo.gl/vS4ZNe
美食嘉年華募集 ：（額滿）
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㊕ 參演確認 ㊕
dustbox(日本)、Walking After U (韓國)、激膚 / My Skin Against Your Skin（台灣）、ONE BUCK TUNER (日本)、ORBit（日本）、Swimbrights(日本)、SeventeenAgain(日本)、NomoneyNohoney(台灣)、瑪麗咬凱利(台灣)、Qu (日本)、MISTY(日本)、Northern19（日本）、HAWAIIAN6（日本）、好事花生（台灣）、林煌麟 +PureTone （台灣）、都市零件派對（台灣）、南西樂團Nasyy（台灣）、DEER （墨西哥）、台客電力公司（台灣）、梁香 Fragrance Liang（台灣） 、理化兄弟 P.C.B （台灣） 、川秋沙(台灣)、Jindalrae（韓國）、JUMP (台灣)、七字輩 (台灣)、石門航空樂團 (台灣)、暗樂團 DARK (台灣)、國境之男 (台灣)、無碼寶貝 (台灣)、Vorchaos（日本）、HEAD PHONES PRESIDENT(日本)、Iron Punch鐵擊樂團（台灣）、Rosy玫瑰紅（台灣）、飛雲冰淇淋(台灣)、Sickroom☆7(台灣)、瑪啡因 Maffine（台灣）、既視感（台灣）、康士坦的變化球（台灣）、Beware the sky falling 天空樂園 (台灣)、cat in the case (台灣)、我夢見長頸鹿對我說（台灣）、Shimmer Riot（台灣）、島嶼 Islanders（台灣）、Monday Blue (台灣)、Ring (台灣)、SECRET 7 LINE （日本）、文藝復興樂團（台灣）、恆月三途 (台灣)、旋轉蝴蝶（台灣）、DOOR N’ROLL（印尼）、HEART CROSS（台灣）、MenliveN（台灣）、NajasH（台灣）、The Roadside Inn(台灣)、Fear index （香港）、The Frengers（台灣 ）、Pink Haze平克孩子(台灣) 、有激人(台灣)、神棍樂團（台灣）、紅花樂團(台灣)、福萊特 FLIGHT(台灣)、派對紳士（台灣）、江東成名(台灣)、廢結合（台灣）、THE 東京MONTANA（日本）、黃子軒＆山平快樂團(台灣)、便當雜誌 Lunchbox Magazine(台灣)、nowhere樂團(台灣)、山澗隊(台灣)、吳妮晏Nini Wu(台灣)、謝孟庭(台灣)、傑利假期(台灣)、Hobbits(台灣)、Glory Day'z-GD’z(台灣)
、Karei & ooo(台灣)、Another〃(台灣)、夜梟 ＮiｇhｔＨaｗk(台灣)、カナリア(台灣)、Medio Dos(台灣)、磐宇掌中劇團(台灣)、DJ David Jr.(台灣)、DJ Hawaii(台灣)、...and more
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活動會場：
台中外埔農會休閒農場(台農天馬牧場旁)
ＡＤＤ：台中市外埔區水美里二崁路700號
＃無限自由音樂節 ＃無限自由音樂藝術節 ＃無限自由露營
＃UnlimitedFreedomFESTIVAL ＃UnlimitedFreedomFES15
#露營 #創意市集 #Dogyball ＃迴響
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✯ 無限自由音樂藝術節Unlimited Freedom FESTIVAL官方粉絲專頁：https://www.facebook.com/UnlimitedFreedomFestival
　
✯ 贊助/合作提案：unlimitedfreedomfestival@gmail.com

Bloody Tyrant's upcoming album HAGAKURE, set to be released in 2018, has differed from the previous fast, aggressive musical direction, and has instead changed into more of a folk metal influence while exploring the mysterious sense of Japanese zen style.
The new album HAGAKURE talks about the minds of the samurai, philosophy of life and death, and subjectively ruminate and reflect upon the ways of the samurai.
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暴君2018年發行新專輯《HAGAKURE》，完全轉型新曲風，一改過往的高速、衝擊，轉變為帶有日本孤峭禪意的民謠金屬團。
新專輯《HAGAKURE》，論武士心性，論死亡哲學，也客觀寫下對武士道的反芻與省思。
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Guitar: Chi-An Lin 林祈安
Guitar: Jon Chang
Bass: Willy Tai 戴敬緯
Vocal: Kenneth Yao 饒亞哲
Drums: Chris Yeh 葉濬誠
Mixing & Mastering: QAQ Production
https://www.facebook.com/qaqproduction/
Acoustic Guitar: 林慧如(小歐)
Oboe: 盛涵
Cello：張哲瑜
Piano：KOBA 林品維
Pipa: Yu Lai 瑜子
Twitter：https://twitter.com/BloodyTyrantTW
Facebook：https://www.facebook.com/BloodyTyrantTW
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Lyric:
On the battlefield with a blunted blade,
But my servile heart is still polished by bones.
A core of iron inside the solid honed blade,
Enemies are annihilated by its flashing shade.
Like the blade, flexile yet tough,
Cast in flame, my soul of iron glows,
As with clay, temper lines surface.
Curved back, such a beautiful craft.

Armour protecting,
Blade slaughtering.
Every stance before my eyes is well prepared to fight.
Gazing up at the firmament,
Dreaming of death,
The tip of my sword points towards the future,
An enigmatic, unknown future.

Stacking, heating, forging,
The iron becomes one.
Folding, tempering, quenching,
The blade comes to life.

Draw my sword,
Radiant light.
Hamon’s shadow,
Reflects on my mind.

passionate, energy, mix a cocktail from your heart, build our guest memory, this is...bartender

Flair Iron Bartending Education Entertainment Co. LTD.

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