ancient chinese ink的八卦，Yahoo名人娛樂都在討論

筆墨見真章—故宮書法導賞（現正展出中）
書法是漢文化圈特有的藝術，和前面的宋代不同，元代繼起轉而提倡復古，於是晉唐書法傳統得以延續。今天看的這一件是當時的領導人物「趙孟頫」的作品。
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【元 趙孟頫 柔毛帖】趙孟頫（1254-1322）是元代文人畫書的領導人物，其藝術復古理論影響深遠。
　　〈柔毛帖〉原是一通隨禮品附上的尺牘。「#柔毛」指羊，「#牟粉」泛指麥粉。通篇行書，摻雜章草。字體大小、線條粗細有豐富的變化，行氣端莊，章法錯落有致。書風源自王羲之（303-361），但常用果斷重壓、鋒芒畢露的筆法，讓線條中的銳角和圓轉、輕快的牽絲映帶互相襯托，更增流利嫵媚之感。
【Roumao Modelbook】Zhao Mengfu, Yuan dynasty
Zhao Mengfu (1254-1322) was a leader in Yuan dynasty literati painting and calligraphy. The artistic principles he espoused, which called for a return to ancient ways, had a far-reaching influence.
The contents "Roumao Modelbook" were originally a formal letter included along with a gift. "Roumao" is a reference to sheep. The letter was written in running script (xingshu), with the occasional appearance of draft cursive (zhangcao). There are rich permutations in the sizes of the characters and the thicknesses of the lines. The columns of writing present dignified straightness, while the overall composition is one of delightfully elegant disorder. This calligraphy is Wang Xizhi's (303-361) stylistic descendant, but it includes frequent use of decisive, heavy downward pressure on the brush and full exposure of the brush's tip. These techniques set off the interactions between the angular and rounded turns in the characters' lines, as well as the quick traces of the brush's movements and the relationship between dots and lines, increasing the work's charming sense of fluency.
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筆墨見真章—故宮書法導賞（展期：2020/12/26~03/29）
陳列室：北部院區 第一展覽區 204,206
https://theme.npm.edu.tw/exh109/calligraphy10912/index.html
The Expressive Significance of Brush and Ink: A Guided Journey Through the History of Chinese Calligraphy (Dates: 26 DEC 2020~29 MAR 2021)
https://www.npm.gov.tw/en/Article.aspx?sNo=04011536
Gallery: 204, 206 (Northern Branch) Exhibition Area I
日本語：https://theme.npm.edu.tw/exh109/calligraphy10912/jp/page-1.html

#在地消息 這個月的 vMaker 其實也想跟大家聊聊「藝術」。

裡面的人物角色，逐格動作變換，是用雷射切割切出來的。真實模型場景大多是用 CNC （車床）技術製作，包括木作。這樣的過程，不也都是 maker 每天會經歷的研發創造呢？

逐格動畫所有的一切，都從手工藝誕生。
It's all handmade: hand-draw, sculpturing, coloring, texturing, and patience.
動畫連結Animation link: https://vimeo.com/221351889

(閱讀更多）

故宮2017“筆墨行旅”故事敘述一個現代男子進入畫中世界展開旅程，在旅程中形變成動物或植物，與自然合而為一。動畫中的四個場景分別為四幅歷史上重要的中國山水畫，畫中景色被製作成真實模型場景，人物和動植物在其中全是逐格拍攝。

四幅畫分別為唐代〈明皇幸蜀圖〉、北宋〈谿山行旅圖〉、南宋〈巖關古寺〉及元代〈鵲華秋色圖〉，呈現中國山水畫講求可行、可望、可遊、可居之意境，為中國山水畫的歷代風格演變的代表。本動畫是台灣國立故宮博物院2016年度典藏展的開幕片。

**2017休士頓國際影展動畫獎得主**

**Winner of Worldfest Huston International Film Festival 2017**
"Travelling Through Brush and Ink" is a stop-motion animation of a little modern man traveling through four significant ancient Chinese paintings, transforming himself into animals and plants, and becomes part of the nature. Each painting represents four important stages of landscape art in Chinese history. Based on the original paintings, we built the sets and animated little character inside- all frame by frame. The animation is the opening film of 2016 annual exhibition National Palace Museum Taiwan.

Art Director: Pu Chen | 藝術指導：陳普
Director: Annlin Chao | 導演：趙安玲
Composer: Pi Chiu | 編曲：邱比
Color Design: Kuan Hung Chen | 色彩設計：陳冠宏
Film Editing: Chia-Hung Lin, Ping-Kuei Lin | 影片剪接：林珈弘，林品逵
Scene Design: Ren-Hao Cai, Jia-Jhen Syu | 場景美術設計：蔡仁豪，許家禎
Graphic Design: Chung-Yang Chen | 平面設計：陳仲揚
Special Effects: yo-cheng Zheng | 特效：詹游丞
Lighting Assist: Chang Wen Liang | 燈光輔助：梁昌文
Assistant Animation: Lu Chang, Petula Hsiao, Jamie Xuan, Cheng Leo, Hung-Xie Chia, Szu-Yu Tu, Lee Te Yi
動畫助手：張怡儒，蕭亦布，林姿萱，李宥成，謝嘉鴻，凃思羽，李得嫕
Executive producer: National Palace Museum | 執行單位：國立故宮博物院
Executive: 247Visualart | 製作公司：日目影像 247Visualart
Production: XXtralab | 執行公司：爻域互動科技

好利害

逐格動畫所有的一切，都從手工藝誕生。
It's all handmade: hand-draw, sculpturing, coloring, texturing, and patience.
動畫連結Animation link: https://vimeo.com/221351889

(閱讀更多）

故宮2017“筆墨行旅”故事敘述一個現代男子進入畫中世界展開旅程，在旅程中形變成動物或植物，與自然合而為一。動畫中的四個場景分別為四幅歷史上重要的中國山水畫，畫中景色被製作成真實模型場景，人物和動植物在其中全是逐格拍攝。

四幅畫分別為唐代〈明皇幸蜀圖〉、北宋〈谿山行旅圖〉、南宋〈巖關古寺〉及元代〈鵲華秋色圖〉，呈現中國山水畫講求可行、可望、可遊、可居之意境，為中國山水畫的歷代風格演變的代表。本動畫是台灣國立故宮博物院2016年度典藏展的開幕片。

**2017休士頓國際影展動畫獎得主**

**Winner of Worldfest Huston International Film Festival 2017**
"Travelling Through Brush and Ink" is a stop-motion animation of a little modern man traveling through four significant ancient Chinese paintings, transforming himself into animals and plants, and becomes part of the nature. Each painting represents four important stages of landscape art in Chinese history. Based on the original paintings, we built the sets and animated little character inside- all frame by frame. The animation is the opening film of 2016 annual exhibition National Palace Museum Taiwan.

Art Director: Pu Chen | 藝術指導：陳普
Director: Annlin Chao | 導演：趙安玲
Composer: Pi Chiu | 編曲：邱比
Color Design: Kuan Hung Chen | 色彩設計：陳冠宏
Film Editing: Chia-Hung Lin, Ping-Kuei Lin | 影片剪接：林珈弘，林品逵
Scene Design: Ren-Hao Cai, Jia-Jhen Syu | 場景美術設計：蔡仁豪，許家禎
Graphic Design: Chung-Yang Chen | 平面設計：陳仲揚
Special Effects: yo-cheng Zheng | 特效：詹游丞
Lighting Assist: Chang Wen Liang | 燈光輔助：梁昌文
Assistant Animation: Lu Chang, Petula Hsiao, Jamie Xuan, Cheng Leo, Hung-Xie Chia, Szu-Yu Tu, Lee Te Yi
動畫助手：張怡儒，蕭亦布，林姿萱，李宥成，謝嘉鴻，凃思羽，李得嫕
Executive producer: National Palace Museum | 執行單位：國立故宮博物院
Executive: 247Visualart | 製作公司：日目影像 247Visualart
Production: XXtralab | 執行公司：爻域互動科技

今次我們說說藝術史小知識！究竟為什麼蘇軾的《木石圖》，最近在佳士得拍賣成交4億？歷史上來說，這張圖有什麼舉足輕重的地位和價值？

下期我地分享Jupas排位同大學選科心得好無啊～留言話我知你想聽d咩啦！

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