think it out 中文的八卦，YOUTUBE、PTT和Yahoo名人娛樂都在討論

我快收集了每一個台灣綜藝節目...舊媒體負責發人的朋友請你們注意囉，我開頭都會說「What’s up internet people」 (網友們好)那不是不小心的囉～
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13年來看這些邀請外國人大聊八卦跟個人經驗的節目真的很累，完全沒變，一樣沒重點、一樣沒什麼營養。充滿製作單位的個人偏見色彩、大肆宣傳刻板印象與讓許多刻板印象與種族玩笑在節目上講得好像沒事似的。
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說實在，你想要生活在一個國家，會講那個國家的語言是基本要求，是尊重，是生存之道。
我從來沒聽過「只要你會講那個國家的語言」就能夠上那個國家的電視節目這種事情。更不用說因此變成擁有許多粉絲的明星了...
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這些上節目大講有的沒的個人經驗、八卦故事、戀愛過程等，卻只有聳動的”哪國人最怎樣”、”哪國女生最怎樣”、”各國人神邏輯”、”哪國人都怎麼樣”這類標題但內容完全沒有深入真正討論到重點、也沒正確讓大家明白不是在場”幾個人”的意見和經驗就可以代表了一整個國家或種族的觀念的”外國型男”們，這樣真的有幫助到觀眾去了解到你們所代表自己的國家的文化或任何事情嗎？還是只是無形加強了「刻板印象」與「正向歧視」而已？
更不用說光是這些"型男"的稱呼已經非常膚淺，非常以貌取人。
.
而且，在台灣的外國人人口佔最多數的是東南亞人，但很糟糕的是，我似乎從來沒有看過東南亞男生被稱為”型男”在這些節目上。有人看過嗎？
這些東南亞國家的人明明多數中文很好，甚至台語也會講，我也遇過台語講得很好的菲律賓人。但，他們有被邀請嗎？
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假如一個台灣人在你的國家要上節目，至少要有個專業專長，甚至是才藝表演、特別的經驗才可能會請到他們來做分享。不是只要會講那個國家的語言就好了......
#鬧劇
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“外國型男”們，當製作單位在和各位確定每集所要說的內容時，請你們想一下，假若這些有你們國家的翻譯字幕，你們會願意分享給你的家人、朋友們看嗎？如果你不敢，就不要說那些話吧...
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世界只會有越來越多人懂中文，會說中文的外國人只會增加不會變少。有一天會平衡的，和會講英文的華人一樣多。到時候人們回頭看這些被崇拜的”外國型男”電視節目，更多樣多元的社會會怎麼看待這一段歷史應該大家心裡很明白。
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「每個人都該是一個被尊重的個體，而非被崇拜。」— 愛因斯坦
Everyone should be respected as an individual, but no one idolized. — Albert Einstein
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如果你一直餵鴨子白吐司吃，牠們會很高興的一直吃，跟著你、崇拜你，把你當神。但最後牠們會死，因為沒有獲得該有的營養，變得抵抗力很差，一點小小的問題就會造成死亡。

I think I have collected a request from every Taiwanese TV show that I know of, all of which I have refused. I don’t know why none of you haven’t noticed, I’m not going to be one of your muppets perpetuating racial stereotypes for you. There is a reason I always start my videos with “what’s up internet people”. These TV shows never change, the topics never become more intellectual and I NEVER see any South East Asian men in these shows, why? Most of the foreigners here are actually from South East Asia. Where are they? Or is it that they do they not fit the aesthetic of your shows?

I will not be a part of this farce.

To all the regular foreigners on these shows who have played along so far. I know you have reservations, I can see it on all your faces. You know it is a farce, you know it wouldn’t work the other way around in your own countries.
Before you step on that set ask yourself one question:
If this was translated into your language would you show your friends and family back home?
If the answer is “no” then don’t say it and don’t do what they tell you to. These shows need you. You have the chance to raise the level of conversation. I invite you to stop perpetuating racial or national stereotypes, stop bickering between yourselves on set over these petty differences and make that change before you become a relic that people look back on with distaste.

Do you know what happens if you feed ducks white bread? I’ll tell you. They follow you around, they come back to you for more, you become god to them. While you rob them of the nutrition they should be getting else where. But white-bread cheap and the ducks love it, you tell yourself... Then out of nowhere a disease comes they get sick and suddenly they die. The ducks don’t have the immune system to fight off the virus.

我快收集了每一個台灣綜藝節目...舊媒體負責發人的朋友請你們注意囉，我開頭都會說「What’s up internet people」 (網友們好)那不是不小心的囉～
.
13年來看這些邀請外國人大聊八卦跟個人經驗的節目真的很累，完全沒變，一樣沒重點、一樣沒什麼營養。充滿製作單位的個人偏見色彩、大肆宣傳刻板印象與讓許多刻板印象與種族玩笑在節目上講得好像沒事似的。
.
說實在，你想要生活在一個國家，會講那個國家的語言是基本要求，是尊重，是生存之道。
我從來沒聽過「只要你會講那個國家的語言」就能夠上那個國家的電視節目這種事情。更不用說因此變成擁有許多粉絲的明星了...
.
這些上節目大講有的沒的個人經驗、八卦故事、戀愛過程等，卻只有聳動的”哪國人最怎樣”、”哪國女生最怎樣”、”各國人神邏輯”、”哪國人都怎麼樣”這類標題但內容完全沒有深入真正討論到重點、也沒正確讓大家明白不是在場”幾個人”的意見和經驗就可以代表了一整個國家或種族的觀念的”外國型男”們，這樣真的有幫助到觀眾去了解到你們所代表自己的國家的文化或任何事情嗎？還是只是無形加強了「刻板印象」與「正向歧視」而已？
更不用說光是這些"型男"的稱呼已經非常膚淺，非常以貌取人。
.
而且，在台灣的外國人人口佔最多數的是東南亞人，但很糟糕的是，我似乎從來沒有看過東南亞男生被稱為”型男”在這些節目上。有人看過嗎？
這些東南亞國家的人明明多數中文很好，甚至台語也會講，我也遇過台語講得很好的菲律賓人。但，他們有被邀請嗎？
.
假如一個台灣人在你的國家要上節目，至少要有個專業專長，甚至是才藝表演、特別的經驗才可能會請到他們來做分享。不是只要會講那個國家的語言就好了......
#鬧劇
.
.
“外國型男”們，當製作單位在和各位確定每集所要說的內容時，請你們想一下，假若這些有你們國家的翻譯字幕，你們會願意分享給你的家人、朋友們看嗎？如果你不敢，就不要說那些話吧...
.
世界只會有越來越多人懂中文，會說中文的外國人只會增加不會變少。有一天會平衡的，和會講英文的華人一樣多。到時候人們回頭看這些被崇拜的”外國型男”電視節目，更多樣多元的社會會怎麼看待這一段歷史應該大家心裡很明白。
.
「每個人都該是一個被尊重的個體，而非被崇拜。」— 愛因斯坦
Everyone should be respected as an individual, but no one idolized. — Albert Einstein
.
.
如果你一直餵鴨子白吐司吃，牠們會很高興的一直吃，跟著你、崇拜你，把你當神。但最後牠們會死，因為沒有獲得該有的營養，變得抵抗力很差，一點小小的問題就會造成死亡。

I think I have collected a request from every Taiwanese TV show that I know of, all of which I have refused. I don’t know why none of you haven’t noticed, I’m not going to be one of your muppets perpetuating racial stereotypes for you. There is a reason I always start my videos with “what’s up internet people”. These TV shows never change, the topics never become more intellectual and I NEVER see any South East Asian men in these shows, why? Most of the foreigners here are actually from South East Asia. Where are they? Or is it that they do they not fit the aesthetic of your shows?

I will not be a part of this farce.

To all the regular foreigners on these shows who have played along so far. I know you have reservations, I can see it on all your faces. You know it is a farce, you know it wouldn’t work the other way around in your own countries.
Before you step on that set ask yourself one question:
If this was translated into your language would you show your friends and family back home?
If the answer is “no” then don’t say it and don’t do what they tell you to. These shows need you. You have the chance to raise the level of conversation. I invite you to stop perpetuating racial or national stereotypes, stop bickering between yourselves on set over these petty differences and make that change before you become a relic that people look back on with distaste.

Do you know what happens if you feed ducks white bread? I’ll tell you. They follow you around, they come back to you for more, you become god to them. While you rob them of the nutrition they should be getting else where. But white-bread cheap and the ducks love it, you tell yourself... Then out of nowhere a disease comes they get sick and suddenly they die. The ducks don’t have the immune system to fight off the virus.

💕「愛台灣，我的選擇」系列第16發：熱愛台灣詩的美國學者白瑞梅(Amie Parry)

「我在加州內陸地區一個叫做聖伯納迪諾的小城市長大，隨後在聖地牙哥念大學和研究所，並獲得文學博士學位。求學期間我們必須至少選修一門外語，所以我就選了中文。1987年我大學畢業之後，跟朋友來了台灣一趟，在台灣教英文和學中文六個月，接著就自己一個人當起背包客在亞洲四處旅遊。

我本來想要研究中國古典詩詞，後來因為獲得傅爾布萊特獎學金，便又再度回到台灣。當時我在討論詩詞的聚會上認識了幾位現代派詩人，所以我就將研究主題轉而聚焦在台灣60、70和80年代的現代詩。我的博士論文探討的就是，以現代主義來理解現有政治語言中難以理解的現代性。我認為歷史形塑而來的經驗，往往比語言本身還要複雜。

我研究的那些詩作沒有明確的政治性，反而是有很強的實驗性質，並帶著詭譎的神秘感。當時我認識的現代派詩人大多是跟著國民黨飄洋過海來台的外省人，他們經歷過戰爭和顛沛流離，也經歷過劇烈且痛苦的歷史創傷。每個人的經驗都不同，在那個年代，也很難說出口。後來，我寫了一本關於詩的書，並聚焦在一兩位我覺得特別有趣的詩人。我在書中問了一些類似的問題：這些詩作如何幫你思考艱難的議題？

當時的現代詩已經頗有制度，許多詩人都有投稿《現代詩》這份重要的詩刊，有些詩人則是將詩作與戲劇結合。整體而言，台灣的現代詩、表演藝術和文學都發展地如火如荼，也深深吸引了我，但我還未全盤了解。當我完成博士論文時，我便獲得交通大學的教職，讓我對台灣的學術圈感到非常驚艷。而當我出版第一本著作時，我也很訝異能在美國獲獎；我根本不知道自己獲得提名，當時我問授獎單位：「為什麼選擇我的書？」他們表示：「因為書中其中一個章節是以跨國的架構來進行整體論述，妳不是單用西方的理論和東方的詩詞，而是從東西方共同錘煉出嶄新的知識。」

我目前任教於中央大學英美語文學系，除了擔任系主任之外，我也有教授寫作課、文學課和文學文化理論課程。從我1987年第一次來台灣到現在，我覺得台灣人愈來愈能自在地與來自不同地方的人交談，就個人經驗來說，我認為台灣社會愈來愈開放。我第一次來台灣時，經歷了許多台灣社會有趣的發展，也結交了許多朋友，並認識了許多學術圈的同好。我想，這些珍貴的回憶就是呼喚我再度回台的動力；就像是，如果你覺得這個社會充滿生氣和活力，而你也能夠參與其中、做出貢獻，我想這就是像家一樣的感覺吧！」

✨白瑞梅 Amie Parry 現為中央大學英美語文學系 專任教授

💕Why I chose Taiwan #16 – Amie Parry

“I grew up in a small city in inland California called San Bernardino. I went to college and graduate school in San Diego. I got my PhD in literature. We were all expected to learn at least one language, so I did Chinese. I traveled to Taiwan with a friend right after I graduated from college in 1987. We came here to teach English and study Chinese for six months, then I traveled around Asia by myself with a backpack.

I originally wanted to study classical Chinese poetry. I got a Fulbright grant and I came back here. I started going to the poetry nights that were happening at that time. I met some of the modernist poets, and I switched my focus to the modernist poetry of the 60s, 70s, and 80s in Taiwan. I wrote my dissertation on modernism as a way of understanding the parts of modernity that are hard to know in the existing political language that we inherit. I think that experience in historical formation is always more complicated than the language.

These poems are not explicitly political; they're very experimental and strange. At the time, the modernist poets I met were mostly 外省, men who had been drafted and come over with the KMT, so they had experienced war and displacement, and a very intense and traumatic historical moment. People experienced it differently, and at that time, it was a hard thing to talk about. Later, I wrote a book about poetry, but I just focused on one or two poets I find really, really fascinating. And I was asking some of the same kinds of questions: how can these poems help you think about certain topics that are hard to think about?

At that time, Modernist poetry was a kind of an institution already. There was a journal called 現代詩, “Modern Poetry,” a really important journal that most of these poets were published in. Some of them combined poetry and theater. There's just so much going on in Taiwan in terms of poetry and performance and literature. It's just amazing. And I'm very interested in it at all, but I haven't kept up. After I finished my dissertation, I got a job offer at 交大. I thought, wow, there's something really amazing happening intellectually here. When my first book came out, it actually got an award in the U.S., and I was so surprised. I didn't even know it had been nominated. I asked them, ‘Why did you choose my book?’ And they said, because one of the chapters has a transnational of framework for the whole argument, so it wasn't like you used Western theories and Eastern texts, it's like the whole knowledge part is coming out of both places.

I currently teach in the English department at National Central University. I'm the chair and I teach writing classes, literature classes, and literary and cultural theory classes. Since my first visit to Taiwan in 1987, I think people are a little more comfortable talking to people from different places. In my personal interactions, I feel a difference, like a greater openness. Back then, there were so many interesting things happening here, all at one time, and that's the time that I happened to be here. And I made good friends in my personal life and in my intellectual life. And I think those are the things that made me come back: like if you feel that there's something interesting happening and there's some way that you can support it. I guess that's a way of feeling at home.” — Amie Parry

✨Amie Parry is professor of the Department of English at the National Central University

《Midnight Sun》
AM03:00
作詞：aimerrhythm
作曲：give me wallets
編曲：玉井健二、内山肇
歌：Aimer
翻譯：夏德爾
English Translation: Thaerin

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背景 / Background - 练习 - 业桉 :
https://www.pixiv.net/artworks/70323854

中文翻譯 / Chinese Translation :
https://home.gamer.com.tw/creationDetail.php?sn=2606455

英文翻譯 / English Translation :
https://www.lyrical-nonsense.com/lyrics/aimer/am0300/

日文歌詞 / Japanese Lyrics :
鮮やかに流れ出すヘッドライト
気持ちはまだ”帰りたくない”と
寂しげに遠ざかるテールランプ
気まぐれで不器用なダンス踊る

駆け下りるスロープ まるで真夜中バレリーナ
A floating step 月明かりに
A flowing step 浮かぶ横顔

君に伝えたかったのは 単純で 些細なこと
少し鼓動 加速してる 今更で きっと笑うよね

覚めない夢を夢見てる
消えない声を聞いている
明けない夜を開けてみる
Who can tell why I miss you, really?

足早に流れてくヘッドライト
今夜もまたSleepless Night
寂しげに遠ざかるテールランプ
縮まらない君とのDistanceだけが

とめられないループ また思い出す 帰り道
A floating step 少しだけど
A flowing step 触れた指先

AM00:00 想いを綴るだけ
期待だけして浮かぶ様なAM01:00
AM02:00 まだ眠れずに
真夜中も越える様なAM03:00

君に伝えたかったのは 単純で 些細なこと
少し鼓動 加速してる 今更で きっと笑うよね

覚めない夢を夢見てる
消えない声を聞いている
溶けない夜を解いてみる
Who can tell why I miss you, really?

君のこと想うほど わからなくなる気持ち
今は夢の手前だと 静かに願う
君に伝えたかったのは 単純で 些細なこと
少し鼓動 加速してる 今更で きっと笑うよね

覚めない夢を夢見てる
消えない声を聞いている
明けない夜を開けてみる
Who can tell why I miss you, really?

中文歌詞 / Chinese Lyrics :
頭燈，於車水馬龍間繽紛
於心底吶喊著「還不想回家」的情緒
但車尾燈卻不識空氣的遠去，只留下了寂寞
於是我只好隨機應變的，跳起了生疏的舞

宛若午夜中的芭蕾舞者，我滑下一條斜坡
朝著月光，在月光中跳著懸空的舞步
伴著浮現在腦海中的側臉，跳著月光流水般的步伐

想要告訴你的，不過是一些單純而平凡的事情
然而這卻也足夠加速我的心跳，事到如今，你肯定會嘲笑我的稚嫩吧？

我夢著，夢自己能沉浸在永遠不會醒來的夢中
我聽著，傾聽那永遠不會從我耳邊逝去的聲音
我嘗試著，嘗試開始這段沒有天亮的長夜
到底，誰能告訴我，為什麼我會如此思念你？

車頭燈的光，快步接近
今晚又是個失眠的夜晚
不識氣氛的車尾燈又只留下了寂寞遠去
只有與你之間的距離無法縮短

於是我不斷跳著相同的舞步，又想起了那返家的路途
就算只能接近一點點也好，我在半空中舞著
於路途中徘徊旋轉，是否就能在夢中，用指尖輕觸到你？

於午夜十二點的正中央，編織思念
好像只要抱持期待，凌晨一點時就會有所改變一樣
於是凌晨兩點時也遲遲無法入睡
迎接了好像已經穿越了整個長夜的深夜三點

想要告訴你的，不過是些單純瑣碎的事情
卻無法壓抑這份鼓動，都到了這種時候，你肯定會嘲笑我的後知後覺吧？

我想要夢見，一個永遠不會醒來的夢境
我正聽著，一個不曾消逝的聲音
於是我試著把自己溶解在夜晚中，卻只是飄泊
到底，誰來告訴我，為何我會錯失了你？

越是思索你的存在，就越是模糊的這份情感
於是在墜入夢鄉的前一秒悄悄期望
是的，我想告訴你的不過是件簡單而渺小的事情
然而我卻無法壓抑自己的心跳，我總是如此，你肯定會嘲笑我的愚蠢吧？

是的，我夢著那個不會甦醒的長夢
在那之中聽著你不曾消逝的聲音
試著開始這場沒有破曉的長夜
拜託誰來告訴我，告訴我為何如此思念你？

英文歌詞 / English Lyrics :
Headlights stream out vividly,
My feelings sayin’, “I don’t wanna go home just yet”.
Tail lamps grow distant in a sad little way,
Dancing a capricious, clumsy dance.

I dash down the slope, just like a midnight ballerina;
A floating step, in the moonlight.
A flowing step – a rising face in profile,

What I wanted to tell you was something pure and ever so slight –
My heartbeat is accelerating just a bit… though I’m sure you’d laugh that I’m still not over it.

I’m dreamily having an unending dream…
Listening to a voice that won’t fade…
I try to break an unbreaking night –
Who can tell why I miss you, really?

Headlights hastily flow away –
Tonight’s gonna be another Sleepless Night!
Tail lamps grow distant in a sad little way,
And only the unclosing distance between us…

… it’s an unending loop. I remember that way home once again.
A floating step: it’s only the slightest bit,
A flowing step: but our fingers grazed one another.

AM00:00, Only by expressing emotion, having expectations, do we get this surfacing
AM01:00.
AM02:00, still unable to sleep, we cross over midnight with this kinda
AM03:00.

What I wanted to tell you was something pure and ever so slight –
My heartbeat is accelerating just a bit… though I’m sure you’d laugh that I’m still not over it.

I’m dreamily having an unending dream…
Listening to a voice that won’t fade…
I try to dissolve an insolvent night –
Who can tell why I miss you, really?

It’s a feeling I understand less the more I think of you…
I silently wish that I’m right on the edge of a dream.

What I wanted to tell you was something pure and ever so slight –
My heartbeat is accelerating just a bit… though I’m sure you’d laugh that I’m still not over it.

I’m dreamily having an unending dream…
Listening to a voice that won’t fade…
I try to break an unbreaking night –
Who can tell why I miss you, really?

Japanese house and apartment tour of a new quality way of living in Tokyo for an affordable price.
People think living in Japan, especially Tokyo is very expensive. However, I want to show you through this Japanese house tour of a social apartment in Tokyo that you don't have to pay a lot to live and enjoy your life in Japan.

The house I went to:
World Neighbors Kiyosumi-shirakawa
https://social-apartment.com/builds/view/49

More social apartments:
https://social-apartment.com

Thank you to my friends for helping out with this video! ☺️

Social apartments is a new way of living in Japan, it's different to a share house because you actually have your own apartment and the chores/cleaning of the house are taken care of.

I've also lived at places similar to this and I really recommend it for people who are new and moving into Tokyo because it's super hassle free and foreign friendly! Buying furniture, setting up the electricity, internet etc is all done for you too so you can really just enjoy your time and settle in :D
You can also move out to an apartment after you are more settled in to your new life but the apartments here also give you the privacy you want which I really liked!

But biggest thing I like about social apartments is that you can make new friends to help you enjoy and start your life here in Tokyo!

Other share houses:
Use my code and get ¥10,000 off your first month of rent!
日本語
http://www.oakhouse.jp/?sm_tag=37pLjTje
English
http://www.oakhouse.jp/eng/?sm_tag=37pLjTje
Français
http://www.oakhouse.jp/fra/?sm_tag=37pLjTje
中文
http://www.oakhouse.jp/cn/?sm_tag=37pLjTje
한국어
http://www.oakhouse.jp/kr/?sm_tag=37pLjTje

Hope you guys like the video!
-Angela

Join me on Patreon for bonus videos, live streams and much more! ☺
https://patreon.com/internationallyME

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■ 更多【Cover by AnViolin】：https://bit.ly/2vWVtF5

🎶樂譜連結 Sheet Music🎶
https://gumroad.com/anviolin
（台灣請用蝦皮）https://shopee.tw/anviolin

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LiSA《炎 homura》（劇場版「鬼滅之刃」主題曲）小提琴版本 | Violin【Cover by An】
 | Violin cover by Lin Tzu An of《homura》by LiSA

Hi 大家我們回來了～～
今天帶來#LiSA 演唱幾天前奪下日本單曲公信榜第一名的#炎，是#鬼滅之刃 劇場版的主題曲。
沒有看過也沒有關係，聽旋律也可以感受到其中的壯闊、悲傷和溫柔。
一首好的主題曲總是可以幫助一部作品更完整，在螢幕淡去觀眾漸漸散場時， 用旋律來傾訴劇中人物的思緒延伸，也像是傳遞給觀眾那些沒能說完的話。

在這邊就先不爆雷劇情了，但是鬼滅是一部非常有趣的作品，不管是劇情本身，或是後續的影響和討論，交織出豐富又多元的世界觀。

另外！大家有沒有覺得這次cover場地非常特別？
特別感謝臺北市政府捷運局第二區工程處贊助場地（乾爹萬歲！）
還提供#獨家好康📢 ，記得到下方連結#按讚抽獎🎁🎁
https://bit.ly/34oH7PL
最後感謝我們#市中心地底下的變形金剛👷‍♂️👷‍♂️👷‍♂️

歡迎大家在沒有下雨的週末到信義區香堤大道，聽cover歌曲的live版！詳細演出相關資訊，我都會更新在我的Instagram 限時動態！

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Hi we are back~~cover of this week goes to Homura , the theme song of Demon Slayer: Kimetsu no Yaiba the Movie: Mugen Train.
It's def okay if you haven't watched it (but strongly recommend!!!)
You can still feel the sadness even through the the melody, and I think it really completed the movie and it is what a great theme song should be like. When the lights on, the melody in the end is like saying what the characters in the movie are thinking, and like telling the unfinished words to the audience.

Special thanks to Second District Project Office(SDPO) of Department of Rapid Transit Systems, Taipei City Government for the super special cover shooting location.
Check their page out for surprise: https://bit.ly/34oH7PL

Should you have any request regarding cover songs, just comment below and let me know.
Also please share the video and subscribe to my channel https://bit.ly/2EsTGMQ.
Don't forget to click the 🔔 bell to be notified when my videos come out!
Visit me at Taipei Shin Kong Mitsukoshi Xinyi Plaza to enjoy more my live cover songs. Check it out details on my Instagram stories!

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編曲Arrange：林子安 Lin Tzu An
混音mix：林子安 Lin Tzu An
小提琴 Violin: 林子安 Lin Tzu An
攝影師剪接師 Photographer & Film editor: Santon.W
文字編輯 Social media editor/manager: Lily Wu
拍攝地點 Location：捷運萬大線植物園站工地 TRTS Wanda-Zhonghe-Shulin Line Sectional Contract CQ842 (Taipei Botanical Garden Station).

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🎻Sponsor AnViolin🎻
如果你喜歡我的影片的話，歡迎贊助我，讓我有更多資源去提升畫面與音樂。
贊助連結：
（台灣請用歐付寶）歐付寶：https://p.opay.tw/77sBF
（Via Paypal）Sponsorship：https://www.paypal.me/Anviolin

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【Cover by AnViolin】每週上傳新的小提琴cover影片，
喜歡的話請訂閱我的頻道 https://bit.ly/2EsTGMQ
也記得開啟🔔訂閱通知，按讚留言分享給你家人朋友看！

還想看子安cover什麼歌？留言跟我說 ！

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#LiSA
#梶浦由記
#炎
#Homura
#DemonSlayer
#鬼滅の刃
#AnViolin
#HomuraViolin
#Homura小提琴
#CoverSong
#ViolinCover
#CoverByAn
#林子安
#林子安小提琴