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攝影技術有多重要？或說，攝影師的攝影技術要多好才夠？
布列松：“只要你能清楚地用照片說完你想要說的故事就夠了。”
布列松從來就不是個器材控。在《The Decisive Moment》一書中編輯提到布列松，嘗試過很多不同器材，外出拍攝時通常就是一台相機，一兩顆不常用到的不同焦段鏡頭，僅此而已。
他說他的責任從來都不是交代自己用什麼器材，或什麼相機設定去拍了某張照片。他只負責用最後的成品，也就是“照片”交代他想說的事件。這讓我想起在 Alex Webb 的工作坊裡，有位學員問他相機的型號跟鏡頭，Alex Webb 直接回他不知道。
在決定你要投入多少時間學“技術”，跟買哪台”相機“之前，先搞清楚你想要透過攝影做什麼。
"The camera is for us a tool, not a pretty mechanical toy."
- Henri-Cartier-Bresson
”相機對我們來說只是工具，不是漂亮的機械玩具。“ - 布列松
《照片：布列松在中國》
"To photograph is to put your head, eye and heart in the same line of sight." - Henri Cartier-Bresson
We celebrate today a pioneer of candid street photography and modern day photojournalism, #HenriCartierBresson.
Known for his mastery of capturing the decisive moment, Cartier-Bresson's approach to photography and resulting images continue to inspire our way of seeing.
© Henri Cartier-Bresson/Foundation Cartier-Bresson/Magnum Photos, Courtesy Peter Fetterman Gallery, Siphnos, Greece, 1961.
#LeicaCameraUSA #LeicaAkademieUSA
[share] any Ho Fan fans here? 👋🏼
【#MPlusStories #MPlus故事】何藩：決定性的瞬間 Ho Fan: On the Decisive Moment (for English please scroll down) http://bit.ly/HoFan_video_Chi
「黑白是給我一個距離，是跟現實人生有一個距離， 我覺得這個距離很重要的。」何藩
‘Photographing in black and white offers me a sense of distance: a distance from real life. I think this kind of distance is important.’ Ho Fan
屢獲殊榮的攝影大師、電影導演及演員何藩，憑藉其對光影與構圖的獨有觸感，拍下無數反映香港五、六十年代的日常生活照，而苦力、小販、在街上玩耍的孩童等尋常百姓，更是他經常捕捉的對象。M+ 收藏了不少何藩代表性的作品，包括《迷離階梯》（1959）、《放學》（1963）、《街市隊伍》（1963）等。
何藩的攝影手法體現了法國攝影大師亨利．卡地亞－布列松（Henri Cartier-Bresson）稱之為「決定性瞬間」的精神。這種等待關鍵一刻才按下快門的攝影手法，直到今時今日仍然廣受街頭攝影師和攝影記者所採用。透過這訪問片段，大家可以欣賞更多何藩的精彩作品，以及了解他對攝影的獨特看法：http://bit.ly/HoFan_video_Chi
*訪問以粵語進行。若想看到影片中的對話，您可以開啟「字幕」功能。
Award-winning photographer, film-maker, and actor Ho Fan applied his keen sense of composition and lighting to capture some of the most distinctive images of daily life in 1950s and 1960s Hong Kong. He often made the lives of ordinary people such as labourers and hawkers, and children playing in the street, the subjects of his work. A number of his photographs are part of the M+ Collections, including ‘Smokey Staircase’ (1959), ‘School is Over’ (1963), and ‘The Market Parade’ (1963).
Ho Fan’s style of photography exemplifies what the French photographer Henri Cartier-Bresson dubbed the ‘decisive moment’. This practice —of waiting for the perfect moment to click the shutter button—remains a popular way of working that is widely used by street photographers and photojournalists alike. Hear from Ho Fan himself on photography, the eye of a cinematographer, and his practice of image-making: http://bit.ly/HoFan_video_Eng
*The interview is conducted in Cantonese. For subtitles, please turn on the closed captioning function.
the decisive moment bresson 在 Book Review: The Decisive Moment by Henri Cartier-Bresson 的八卦
Jan 13, 2016 - “A bible for photographers” - Clement Cheroux Wow— where do I even begin? I would say that “The Decisive Moment” by Cartier-Bresson is one of ... ... <看更多>