陳雲:美國自由派政治及文化雜誌《大西洋雜誌》報導陳雲,說我是特朗普在香港的最忠實支持者,撰寫《特朗普厚黑學》(2017)支持特朗普,主張舉美國旗向美國示好及締結友誼,並且分析特朗普的務實政治及保護世界免收共產主義危害。文章的首三段、中段及結尾壓卷一段都是引述陳雲對特朗普的見解。
//To speak to Wan Chin, the host of a YouTube politics show, is to hear echoes of American conservative radio: An “invasion” of immigrants is crossing the border, filling public housing and sapping up limited government resources, he told me; the coronavirus is a “Frankenstein” superbug weaponized in a Chinese lab; and President Donald Trump’s “Rambo way” of leadership has finally called out China for its hostilities. When Trump was diagnosed with COVID-19, Chin took to Facebook to wish him “a speedy recovery from the mild flu,” parroting the president’s own downplaying of the virus’s severity.
Chin isn’t an American shock jock, though. In fact, he doesn’t even live in the United States. He is, instead, an early and prominent advocate of Hong Kong’s prodemocracy movement: His 2011 book, On the Hong Kong City-State, was a formative text for the localist movement, which seeks to promote and protect Hong Kong’s identity and way of life, separate from that of mainland China. Chin, a former professor, peppered his opinions with historical references to ancient Chinese dynasties and arcane tidbits from folk tales. The walls of his office are lined with Chinese and Buddhist shrines, ornately carved out of dark wood. As he spoke, a woman entered and lit a small bunch of incense, the fragrant smoke twisting upward toward a red “Make Hong Kong Great Again” T-shirt hanging near the door.
Chin is also an unapologetic cheerleader for Trump, whom he calls a “hero,” and he is far from alone. This city lies at the forefront of the global fight for democracy, a place where protesters have for more than a year stood against Beijing’s attack on Hong Kong’s autonomy, free press, and liberal institutions. Yet support for the president—whose own assault on democratic norms, gushing over the Tiananmen Square massacre, on-again, off-again praise of Chinese President Xi Jinping, initial lukewarm support of Hong Kong’s protest movement, and self-admitted slow-rolling of sanctions over Xinjiang’s mass-detention camps in favor of a trade deal—remains stronger in some quarters than for his Democratic rival, Joe Biden.
Following Trump’s election in 2016, Chin published The Trump Strategy, a book that analyzed the president’s dealings with China. Last year, when enormous protests erupted in Hong Kong, Chin urged his supporters to carry Trump flags and wear Trump gear to protests as punitive legislation targeting Hong Kong was making its way through Washington, playing to the president’s oversize ego and hoping to “catch his eye.” Chin told me he was drawn to Trump’s rhetoric on the economic risk China poses to the world, and used Hong Kong as an example of what he saw as state capture accomplished through Chinese state-owned enterprises—snatching up newspapers and swathes of real estate since the city returned to Chinese rule in 1997—as the type of threat Trump was sounding the alarm against...
Chin, the political commentator, said Trump had created irreversible momentum against China, but he nevertheless acknowledged the president’s contradictions. He is “a good leader, but not a democratic leader,” he told me. During his time in office, Trump had been “violating a lot of good practice of democracy,” he added, but, in exchange for taking on China, this was a “necessary evil.”//
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#CityMonster【去美之買衣服的人】
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他是一個只去美之買衣服的人。
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「死人衫?哪有這麼多死人衫。」他說。
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每當他從美之帶著一大堆衣服回家,母親總是嫌棄那些可能來自死人的二手衣服。每次他總語重深長地解釋,世上哪有這麼多死人衫呢?如果是近代的衣服,有可能有這麼多死人嗎?如果是年代久遠的古著,普通人未必買得起,就算有錢也未必買得到,怎可能在美之找到?
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事實上,在美之出現的衣服,不少都是沒有穿著痕跡的新服裝,很大機會是工廠倒閉、服裝店結業,或是在貨架上和倉庫中無人問津多年的 Deadstock;當然,有些衣服本來是有主人的,但也許只被穿了三數次,甚至從來都沒有被穿的機會,某天心血來潮就被主人賣到美之。
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「你不覺很可憐嗎?有些衣服在生產的那一刻,就注定要來到美之。」他說。
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他覺得,在這個快時尚盛行的世界,有太多未經思考就被設計和生產出來的衣服,這些衣服未經思考就被人買下,又未經思考被人賣走甚至扔掉⋯⋯當然,有些衣服之所以會流落到美之,可能有它的故事。
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村上春樹的短篇小說《東尼瀧谷》,起源是一件他在夏威夷買到的二手衣服。衣服上寫著「TONY TAKITANI」也就是東尼瀧谷的拼音。每當村上春樹穿上那件 T Shirt 時,他都有種奇妙的感覺,覺得這個叫做東尼瀧谷的人希望被村上寫成故事。於是,村上春樹在不知道東尼瀧谷是誰的情況下,憑空創作了短篇小說《東尼瀧谷》⋯⋯
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對他來說,美之最重要的,就是衣服背後可能擁有的故事。每當他看到那些來自世界各地的服飾,他都會不禁猜想它們流落到美之的原因,然後為它們精心配襯造型,憑空想像、創作屬於那些衣服背後的故事。
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有時,他會穿上一身 Oversize 的「阿伯西裝」,配上過時的關刀領和闊領呔,模仿八十年代的香港男子;有時是花花綠綠的夏威花夷恤衫襯上風馬牛不相及的反光地盤工人褲;有時則是誇張的九十年代的原宿系男子⋯⋯他的「美之時尚」總是不按章法,胡亂出牌,別人看不懂,他自有他的世界。
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他笑說,美之就是他的衣櫥。
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「終有一天,我會開一家古著店,專門賣我在美之發掘的好東西。」
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他和其他文藝青年一樣,擁有一個創業夢。如今,他正孜孜不倦地繼續收集他的美之古著。
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illustration by Jan Curious
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〖關於 #都市怪獸 系列及插畫家Jan Curious〗
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怪,從來不是缺憾,而是值得驕傲的事!插畫家Jan Curious以不同怪獸型態來呈現那些隱身於都市之中,一直在日常生活中有所堅持的人的有趣故事。即使是無聊事或是別人眼中的怪事,只要有所堅持,你也將會是一位有故事的「 #CityMonster」。:)
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阿水的音樂你可能熟悉,但插畫家Jan Curious的作品你又看過嗎?請期待接下來Jan Curious的怪獸故事。
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我們每天走訪不同角落去尋找故事、有故事的人、不同創作人,還有以不同媒介創作不同類型的原創故事,為圖畫配上故事,為故事配上插畫,讓更多創作人和有故事的人曝光在這平台。大家可以到以下網址跟我們分享你的故事或作品,我們會盡快跟進:https://bit.ly/2FwN6G3
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#沒有你的故事也是你的故事
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