【だからキミは負けるんだ】
今日は、仕事のノウハウみたいなではなくて、僕が今、一番熱を入れている映画『えんとつ町のプペル』のお話をしたいと思います。
僕は、もともと漫才師としてスタートして、漫才を書いていて、自分を育ててくれた師匠と呼べる人が「後藤ひろひと」という劇作家ですから、舞台の脚本も書いていて……
そこから絵本作家に転職して、絵を描いて、ストーリーを描いて、で、絵本の曲も作るんですね。
あの「♪ハロハロハロハロウィン」って曲を作った人です。
https://youtu.be/Rihe2JOyLQA
劇場の楽屋に小道具のギターがあるもんですから、空き時間に触っているうちに、ギターが弾けるようになりました。
ちなみに、次々回作の絵本『夢幻鉄道』のテーマソングもいいのが作れたので、YouTubeで検索してみてください。
https://youtu.be/PkoCXybjrrw
そんな感じで仕事をしているので、映画『えんとつ町のプペル』における僕の役割は、「原作・脚本・製作総指揮・宣伝・作詞作曲」という忙しいことになっています。
このことを受けて、時々、「ゴーストライターがいるんでしょ!」と時々言われるんです(笑)
これに関しては、「西野がこんなに素晴らしいものを作れるハズがない」という意味なので、褒め言葉でしかないのですが、残念ながら、僕、ゴーストライターなんていないんです。
分業している場合は、「分業しています」と公表しています。
その方がいいんですよ。
いろんなクリエイターさんに「西野の仕事に参加したい」と思ってもらった方が得なので、絶対に、その人の名前を出す。
出さない場合もありますが、それは出すべきではない場合です。
たとえば、三日前にYouTubeチャンネルにアップした『えんとつ町のプペル』の動画の備考欄には、歌詞の他に、「歌、作詞作曲、編曲、振付」のスタッフの名前しか入っていません。
照明さんや美術さんや衣装さんの名前は入っていないんですね。
あくまで、あそこは音楽に関する情報を載せる場所として位置付けているので。
関わったスタッフの名前を全員書いてしまったら、80人ぐらいになっちゃう。
ああいった、いわば「CM」の場合は、基本、スタッフの名前は載せません。
テレビCMの最後に「ディレクター=○○」と出ないのと同じです。
ただ、ストーリーを書いたり、音楽を作ったりする場合、僕には「ゴーストライター」と呼ばれる人はいません。
珍しいパターンだと思いますが、こと「ビジネス書」においても、僕はライターを雇っていません。
自分で書いた方が圧倒的に早くて、自分の仕事が減るからです。
パフォーマンスでも何でもなくて、5万部売れるビジネス書でよければ、5〜6時間で書けます。
すでに自分の中にある体験と考察を文字起こしするだけなので。
「キー!」となるかもしれませんが、「ゴーストライターだろ!」と言っちゃたり、思っちゃったりする人が、コンパしたり、ナンパしたり、家族旅行に行ったり、ワイドショーを観てタレントの不倫にとやかく言ったり、何も考えずにボケーっと受験勉強している間、僕は、一つでも踏み誤ると死んでしまう戦場でずっと戦ってきました。
かれこれ20年ほど、平均労働時間は19時間です。
でもって、この20年というのは、「勝ちパターンを捨て続けた20年」で、コツを掴んだ職は、どんどん捨てて、新しい領域に挑戦し続けた20年です。
なもんで、能力と知識量に圧倒的な差が生まれるのは当たり前の話で、僕は「努力は報われる」ということを言っていきたいので、ここは隠したくありません。
反則技を使っているわけでも何でもなくて、「キミの1000倍努力してるから、キミの1000倍の結果を出しているんだよ」というだけの話だと思っています。
そして、この現実を受け入れず、「いやいや、ドーピング的な…何か特別な力が働いているに違いない」という思ってしまっているうちは、一生始まらないまま人生が終わっちゃうので、それが嫌なら受け入れてください。
「僕、こんな努力をしてますよ」と自分から言う奴、なかなかいないと思うのですが、いい機会なので言っておきます。
今日も映画『えんとつ町のプペル』のアフレコがあるわけですが、そこでは、声優さんから質問があったり、「ここは、こんな感じでお願いします」と指示を出さなきゃいけない。
なので、家で「指示を出す練習」をしていくんです。
自分も、実際にやれるようにしておく。
たとえば…
「えんとつ町は煙突だらけ。
そこかしこから煙が上がり、頭の上はモックモク、黒い煙でモックモク。
朝から晩までモックモク。
えんとつ町に住む人は黒い煙に閉じ込められて、青い空を知りやしない。輝く星を知りやしない。
見上げることを捨てた街で、一人の男が上を見た。
町を覆った黒い煙に、男が想いを馳せたのは、酒場で出会ったお喋りモグラが聞かせてくれた夢物語。
煙の向こうの世界の話。光り輝く世界の話。
ありやしないと思ったが、全くないとも言い切れない。
なぜなら誰も行っていない。答えは誰も持っていない。
それから男は日ごと夜ごと、煙の向こうの世界の話を、何度も何度も叫んだが、バカだバカだと囃されて、ホラ吹きものだと切り捨てられた。
男が一体、何をした。
男が誰を傷つけた?
そこに理由はありゃしない。
見上げることを捨てた町では、『目立たぬように』の大合唱。
見上げることを捨てた町では、夢を語れば笑われて、行動すれば叩かれる。
黒い煙は町を飲み込み、一縷の光も許さない。
黒い煙は人を飲み込み、あらゆる勇気を認めない。
それでも男は声をあげ、震える膝をひた隠し、船に乗り込み海にでた。
暗くて怖い海にでた。
誰もいない海にでた」
これは主人公の少年の父親が、自作の紙芝居を披露するシーンのセリフなのですが、今、僕は何かを見ながら書いたわけではなくて、これぐらいは暗記してるんです。
指示を出す人間として、これぐらいは。
これって、「何回もやっているうちに覚えた」という類のものなので、才能とかセンスじゃないじゃないですか。
これがプロです。
もし良かったら、一度、僕の会社のインターン生にでもなって、僕の近くで、僕の仕事を見てみてください。
たぶん、絶望すると思います(笑)
先ほども申し上げましたが、「努力がモノを言う」というところを伝えていきたいので、今後も、この部分は包み隠さず、積極的に頑張ったアピールをしていきたいと思います。
そうそう。
映画公開は12月25日なのですが、12月25日の夜に、YouTubeの生配信をして、映画をご覧になられた方に向けて、「あそこのシーン、実は○○なんだよ」という話をしたいので、映画は初日に観に行ってください。
今のうちに、12月25日のスケジュールに印を入れておいてね。
それでは、映画『えんとつ町のプペル』のアフレコに行ってきます。
▼西野亮廣の最新のエンタメビジネスに関する記事(1記事=2000~3000文字)が毎朝読めるのはオンラインサロン(ほぼメルマガ)はコチラ↓
https://salon.jp/nishino
That's why you lose.
Today, it's not like work know-how, but I would like to talk about the movie ′′ a in the town ′′ that I'm in the middle of the day, and I'm going to have a good time.
I was originally a manzai teacher, writing a manzai, and a master who raised me is a playwright called ′′ goto hiroto...... so I also wrote the script of the stage......
I'm going to change my job to a picture book writer, draw a picture, draw a story, and make a picture book song too.
This is the one who made the song. Hallo Halloween ′′
https://youtu.be/Rihe2JOyLQA
There's a prop guitar in the theater dressing room, so I can play guitar while I'm touching the free time.
By the way, I was able to make a theme song for the picture book ′′ Phantom Railway ′′ which was made one after another, so please search for it on Youtube.
https://youtu.be/PkoCXybjrrw
I'm working like that, so my role in the movie ′′ a in the town ′′ is going to be busy called ′′ Original Script Production General command promotion lyrics,"
Sometimes it's said that sometimes," there's a ghost writer!" lol
As for this, it means ′′ Nishino can't make such a wonderful thing," so it's only a compliment, but unfortunately, I don't have a ghost writer.
If you are in the middle of labor, you are publishing ′′ division of labor,"
It's better to be.
It's better to have a lot of creators think ′′ I want to participate in nishino's work so I'll definitely name the person.
Sometimes you don't put it out, but it's if you shouldn't put it out.
For example, in the notes section of the video of ′′ a no-′′ that I uploaded to the youtube channel three days ago, besides the lyrics, there is only the name of the staff of ′′ songs, lyrics, arrangement, choreography ′′ I'm sorry.
There is no name of lighting, art, or costumes.
It's just that it's a place to put information on music.
If you write all the names of the staff involved, it will be about 80 people.
Oh well, so in case of ′′ cm I don't put the name of the basic, staff.
At the end of the tv commercial, ′′ it's the same as not going out with director.
It's just that if you write a story or make music, I don't have anyone called ′′ Ghost writer
I think it's a rare pattern, but even in the ′′ business book I don't hire a writer.
It's more overwhelming to write yourself, because my work is reduced.
If you don't have a performance or anything, you can write it in 5 TO 6 hours if you don't mind a business book that sells 5 million
I'm just going to make a character of my experience and thoughts already in my own.
It may be ′′ key!" but," it's a ghost writer, and people who think about it, are compound, flirting, family trip, and watch the shows. I've been fighting for a battlefield where I'm going to die when I'm talking about talent adultery, and I'm studying the exam without thinking about anything.
It's been about 20 years, average working time is 19 hours.
So, this 20 is," 20 years that I've been throwing away the winning pattern," and the job that grabbed the trick is more and more throwing away, and it's been 20 years since I've been trying to challenge the new area I'm sorry.
So, it's obvious that the overwhelming difference in the ability and knowledge is born, and I want to say that ′′ effort is rewarded so I don't want to hide it here.
I'm not using a foul trick, but I'm just saying that I'm trying twice as hard as you, so I'm going to have 1000 times the results of you," I'm sorry.
And I don't accept this reality," no no, it's doping... I think something special is working... my life is over without starting for a lifetime. So accept it if you don't like it.
I don't think there's a person who says ′′ I'm doing this kind of effort but I'm going to say it because it's a good opportunity.
There is also a recording of the movie ′′ a in the town ′′ today, but there is a question from the voice actor, and I have to give instructions that ′′ I'm going to have a good time here,"
So I'm going to do ′′ practice to instruct ′′ at home.
I will actually be able to do it.
For example...
′′ A town is full of chimney.
Smoke from there, moc mok on my head, black smoke and moc mok.
Moc. from morning to night.
People who live in a town are trapped in black smoke and don't know the blue sky. I don't know the shining stars.
In a city that abandoned looking up, one man looked up.
The Black smoke that covered the town, the man made his thoughts on the dream that the heyyy mole I met at the bar told me.
The story of the world across the smoke. The story of the shining world.
I thought it wouldn't be, but I can't say it at all.
Because no one has gone. No one has the answer.
Then the man shouted over and over again, day and night, the story of the world across the smoke, but he was told that he was stupid, and he was cut off as a hola.
What the hell did a man do?
Who did the man hurt?
There is no reason there.
In the town that abandoned looking up, a big choir of ′′ conspicuous,"
In a town that abandoned looking up, if you speak your dreams, you will be laughed, and if you act, you will be slapped.
Black smoke swallows the town and doesn't allow the light of all times.
Black smoke swallows people and doesn't acknowledge every courage.
And yet the man gave a voice, trembling his knees, and he got into the ship and went to the sea.
It was in a dark and scary sea.
I was in the sea with no one ′′
This is the line of the scene of the protagonist boy's father showing off his own kamishibai, but now I didn't write it while watching something, and I'm memorizing this much.
As a person who gives instructions, this is so much.
This is the kind of thing that ′′ I remembered while I've been doing it many times," so it's not talent or sense.
This is the professional.
If you'd like, once you'd like to be my company intern student, near me, take a look at my work.
I think I'm probably going to despair lol
I said it earlier, but I want to tell you that ′′ effort is saying things," and in the future, I would like to make an appeal that I have been actively working hard.
That's right.
The movie is on December 25th, but on the night of December 25th, I'm going to have a live broadcast on Youtube, and I'm going to have a good time with the movie," the scene over there, actually ○○ I want to talk about ′′ what is it so go see the movie on the first day.
While you're in the middle of the day, mark your schedule for December 25th.
Well, I'm going to go to the recording of the movie ′′ a in town ′′
▼ an article about the latest entertainment business of ryo nishino (1 articles = 2000 to 3000 characters) can be read every morning online salon (almost mail magazine) is here ↓
https://salon.jp/nishinoTranslated
同時也有4部Youtube影片,追蹤數超過6萬的網紅Serrini,也在其Youtube影片中提到,《放棄治療》You Go Gurl Serrini 《放棄治療》 iTunes/Apple Music: http://apple.co/2r7TU3p Spotify: http://spoti.fi/2r63EdR KKBOX: http://kkbox.fm/iA1flC MOOV: ht...
no more dream 歌詞 意味 在 Serrini Youtube 的評價
《放棄治療》You Go Gurl
Serrini 《放棄治療》
iTunes/Apple Music: http://apple.co/2r7TU3p
Spotify: http://spoti.fi/2r63EdR
KKBOX: http://kkbox.fm/iA1flC
MOOV: http://bit.ly/2r7Lqcp
myMusic: http://bit.ly/2pqi7oe
Omusic: TBA
Amazon: http://amzn.to/2r7UoXh
Napster: http://bit.ly/2r7QU70
Yandex: http://bit.ly/2q7ug0I
拒絕乖巧,拒絕被世俗磨滅稜角:[放棄治療]是個活在壓抑生活下的女孩最張狂、最美好的自由宣言。
學生時期女孩沒有學會如何做自己,營營役役隨著他人的意思而活,但建制規訓讓女孩覺得迷失又窒息。終於一天,承受巨大壓力的女孩在學校廁所內偷偷地哭。女孩抬頭好好看清自己,對鏡子內的自己說:「我要放棄治療,離開世俗」下了決定、握緊拳頭,指甲陷入掌心之痛喚醒沈睡的靈魂巨獸,從此再不回頭,醉心追求知識、閱讀、藝術、音樂一作者已死,自己創造更美好世界去。
拒絕廉價的勵志、討厭膚淺的口號,女孩學會擁抱自己,才能成就自愛;了解痛苦,才能找到真正快樂。You go gurl, you go gurl。《放棄治療》,獻給所有受過壓逼、欺凌,或曾經悲傷不已的學生或前學生們。
歌曲背景:
《放棄治療》是歌者Serrini對於中學壓抑生活的反思。Serrini當時的教會中學崇尚高壓規訓學生,旨在讓學生乖乖聽話,「標奇立異」是罪惡、「特立獨行」是異道。青春並不一定美好,殘酷的價值觀訓練和種種鼓勵罪咎感和不安的自我形象建立讓Serrini沒有特別找到自己、欣賞自己。在一切自責、痛苦、失落、迷茫中,終日流連圖書館的Serrini似乎煉成了複雜的自我。中學起自聽蘇打錄學會要用音樂溫柔地抵抗世界,大學時期竟真的因為喜歡盧廣仲開始就寫作音樂了。Serrini有時候會想,如果有曾經歌告訴他You Go Gurl,青春時代會不會比較快樂?[放棄治療]的創作背景就是Serrini幻想和中學的自己對話,用歌曲好好安慰一下受傷又無助的自己,並說:「終有一天快樂會來到的!」
MV 及歌詞翻譯:
Serrini和兩位好朋友探入某學校廢墟,欣賞一下塗鴉、隨意地拍幾個鏡頭、笑笑說說就完成拍攝,輕輕地來、輕輕地走,特別享受荒廢空間裡彷彿靜止的空氣。MV字幕附有Serrini對於歌詞的詩意翻譯,為歌詞添上更深層意味。跳脫的廣東話口語表述下,英文翻譯顯得更鏗鏘、深邃和鋒利;可愛的節奏和唱腔下盡是歌者對昔日痛苦的溫柔反擊和為自由吶喊。
歌詞:
《放棄治療》
詞曲:Serrini
監製/編曲: Tomii Chan
混音:Wena Ho
還是?妹的時光過得太快
還未學壞已經長大
年幼時青春一點點嘥哂
卻不覺得很愉快
沒有試過約會別人
電影通通沒有變真
從來不接受思想軟禁
但breakthrough也沒有發生
沒有學會特立獨行
跟著大隊我又至憎
每日都在分身變怪物
卻不想乖乖死心
指甲陷入掌心的一刻我知道了
生活極憂鬱也不會叫我變渺小
現在我要放棄治療不要逼我笑
就當眾人皆醒我獨醉吧再也不緊要
曾在廁所躲起來偷偷哭過嗎
廁格內眼角雨水超載
離去時彷彿心肝少一塊
但這種進化不能買
沒有甚麼風光本領
樣子也未見標青
還未懂欣賞天生的個性
像大夢未瞓醒
當「標奇立異」是個罪名
叫我這怪人離棄本性
長期分裂但什麼是注定
受夠了就瞓醒
指甲陷入掌心的一刻我知道了
生活極憂鬱也不會叫我變渺小
現在我要放棄治療 不要逼我笑
就當我消散大氣吧寂寞融掉
離開世俗以後快樂每一分秒
投進書海暢泳時日流轉
指甲陷入掌心的一刻我知道了
那些年憂鬱也不會叫我有破損
世界讓你自信動搖 但作者已死了
活出你想要的未來不要再等了
(Run like a girl
Fight like a girl
Laugh like a girl
Bite like a girl
Challenge the world like a girl
Fight oppressors like a girl
Shine like a girl
Speak up like a girl
Love like a girl
Be fabulous like a girl
You go girl
You go girl)
You Go Gurl
Written and Composed by Serrini
Produced by Tomii Chan
Mixed by Wena Ho
Sweet youth, consumed in a blink,
Dilettante in vices, my girlhood doth sink.
“Youth is wasted on the young”,
Joyless squandered days.
Love was naught,
Light and shadows, vain.
Unimprisoned mind,
And yet somehow refrained.
Yet to be a maverick,
Loved not the mundane.
A schizo, a monster,
Suffered, fought on.
Fists tight, the pain shall bring Truth,
Belittle me not, mundane melancholy,
I shall leave the world unseen, unsmiling.
Drink ye up the vile world,
I shall pass.
Sobbed you not into the night?
Saddest girlhood drowned in tears.
A part of me died,
Yet a new me proliferated.
Shone not at first,
Never deemed fair.
Never knew my own worth,
Life was but a wakeful dream.
“Conform! Acquiesce!”
The odd girl hollowed her Self,
Once a hiding schizo but no more.
An awoken Power not to be stopped.
Fists tight, the pain shall bring Truth,
Belittle me not, mundane melancholy,
I shall leave the world unseen, unsmiling.
I dissipated, I transpired, I transcended.
True Happiness kissed my soul as I trumped the vile world.
Over many a quaint and curious volume of forgotten lore, Time, I lived Time.
Fists tight, the pain shall bring Truth,
Melancholy built me.
The Author is dead,
Live your story now, you go gurl.
(奔跑吧,女孩!
還擊吧,女孩!
大笑吧,女孩!
用力咬吧,女孩!
挑戰世界吧,女孩!
還擊吧,女孩!
發光吧,女孩!
發聲吧,女孩!
愛吧,女孩!
菲表勒斯吧,女孩!
去吧,女孩!
去吧,女孩!)
![post-title](https://i.ytimg.com/vi/Dg-n_naw2jo/hqdefault.jpg)
no more dream 歌詞 意味 在 渡辺レベッカ ☆ Rebecca Butler Watanabe Youtube 的評價
This is an English cover of "Sekai ni Hitotsu Dake no Hana" (The Only Flower in the World), a well-known song performed by Japanese boy band SMAP (founded in 1988 and disbanded just last year in 2016), with lyrics by singer-songwriter Noriyuki Makihara.
While I usually create my own translations, there was already a fantastic English version of this song by Hiromi De Young (YouTube linked below in the credits), and a great translation of the chorus by Nelson Babin-Coy (channel also linked). I used my favorite parts of each of these and made a few of my own changes.
I hope this song's message of acceptance and uniqueness reaches a larger audience through my cover.
Enjoy!
*Note: As usual, most of the translation is very close to the original meaning, but the second pre-chorus (the verse starting with "I saw a small flower...") is actually quite different from the original. However, I loved these lyrics so much that I kept them :)
The original meaning of the verse in Japanese is:
I didn't even know his name
But he gave me a smile that day
Just like a flower that was blooming
In a place where nobody would notice it
~♪~♪~♪~♪~♪~
今日は、昨年解散したSMAPの「世界に一つだけの花」を英語で歌ってみました♪
今回の英語詞はいつもと違って他人の訳詞を使わせていただきました。Hiromi De Youngによる素晴らしい英訳とNelson Babin-Coyによるサビ部分の素敵な英訳に、自分の変更を少し入れて歌わせていただきました。(お二人のYouTubeチャンネルへのリンクは下記のクレジットに記載しました。)
私のカバーを通じて、他人に対する寛容さと個性の大切さという、この曲のメッセージがより多くの人に伝わると嬉しいです。Enjoy!
※ちなみに、この英訳はいつものようにかなり原曲の歌詞に近いのですが、2番目のBメロ(「I saw a small flower」から始まるところ)だけが原曲の意味とかなり離れています。それでも、ここの英語詞があまりにも素敵だったのでそのままにしました(^^)/
I saw a small flower as I walked by
通り過ぎたら小さな花を見つけた
It stretched from the shadows to reach for the sky
その花は影の中から空へと伸びていた
I thought to myself, what if I was that way
そして思った 私もその花と同じように
Reaching for my own dream and saying...
自分の夢に手を伸ばして こう言おう
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曲情報 / SONG INFO
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SMAP/世界に一つだけの花
2003年リリース
作詞曲:槇原敬之
英語詞: Hiromi De Young、ネルソン・バビンコイ、渡辺レベッカ
SMAP / Sekai ni Hitotsu Dake no Hana (The Only Flower in the World)
Released 2003
Music/Lyrics: Noriyuki Makihara
English Lyrics: Hiromi De Young, Nelson Babin-Coy, Rebecca Butler Watanabe
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リンク / LINKS
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■HP⇒ http://BlueEyedUtaUtai.jimdo.com
■Facebook⇒ http://facebook.com/blueeyedutautai
■Twitter⇒ @BlueEyedUtaUtai
■Chords
(Coming soon)
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歌詞/LYRICS
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No. 1にならなくてもいい
(No. 1 ni naranakute mo ii)
もともと特別なOnly one
(moto-moto tokubetsu na "Only one")
I saw all the flowers lined up on display
The shop full of colors with their scented embrace
We all have a blossom we like more than the rest
But I think, with flowers, they all are the best
No fighting or envy, they never contend
But smile in the sunlight and sway in the wind
They all know their mission, it fills them with pride
Everyone is different yet all are alike
I wonder why people must always compare
And judge one another it seems so unfair
To place color, status, and looks to the test
For how can these show us who’s the best?
Just like these flowers
In the whole wide world, you are one of a kind
Cherish your uniqueness, no, you don't need to hide it
Each one of us holds our own special seed
So just be true to you, that's all you'll ever need
A man stood beside me and peered with a sigh
He puzzled and pondered but could not decide
With so many flowers and various hues
All were so pretty, which one should he choose?
Suddenly, a big smile broke out on his face
Flowers in all different colors and shapes
He gathered up a bouquet with one of each kind
Hugging them softly with joy in his mind
I saw a small flower as I walked by
It stretched from the shadows to reach for the sky
I thought to myself, what if I was that way
Reaching for my own dream and saying...
そうさ 僕らも世界に一つだけの花
(sou sa bokura mo sekai ni hitotsu dake no hana)
一人一人違う種を持つ
(hitori hitori chigau tane wo motsu)
その花を咲かせることだけに
(sono hana wo sakaseru koto dake ni)
一生懸命になればいい
(isshou-kenmei ni nareba ii)
Small flowers, big flowers, all kinds of flowers
You will never find one that’s just like any other
So you don’t need to struggle to be number one
Just be yourself because there’s only one
La la la la...
![post-title](https://i.ytimg.com/vi/DQ7_Qgg7MVc/hqdefault.jpg)
no more dream 歌詞 意味 在 渡辺レベッカ ☆ Rebecca Butler Watanabe Youtube 的評價
English cover of "Eine Kleine" by Japanese singer-songwriter Kenshi Yonezu. The title means "A little..." in German. I think the title was taken from Mozart's "Eine kleine Nachtmusic" ("A Little Serenade").
The lyrics were a bit cryptic in places, so hopefully I got the right idea :D The theme seems to be a girl* with low self confidence who finds someone to love, but is constantly worried that it won't last.
*Although the original artist is a male, he sings from a female's
perspective.
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今日は米津玄師(よねづけんし)の「アイネクライネ」を英語で歌ってみました。
所々分かりづらい歌詞があったのですが、全般の意味を把握して訳せたと思います!あくまでも私の解釈です('◇')ゞ
Enjoy♪
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曲情報 / SONG INFO
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米津玄師 / アイネクライネ
Kenshi Yonezu / Eine Kleine (A Little)
Released 2014
Music/Lyrics: Kenshi Yonezu
English Lyrics: Rebecca Butler Watanabe
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リンク / LINKS
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■HP⇒ http://BlueEyedUtaUtai.jimdo.com
■Facebook⇒ http://facebook.com/blueeyedutautai
■Twitter⇒ @BlueEyedUtaUtai
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歌詞/LYRICS
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The day that you and I first met
Brought happiness I won’t forget
But all along I’ve had a sorrow inside
I’ve learned to take for granted
These feelings of contentment are so strong I’m filled with pain
They lay seeds of an imminent goodbye surely coming any day
And if my living means I take away
Someone else’s only special place
Then I would rather be the gravel upon the ground
And walked on any day
‘Cause then there would be no misunderstandings and no doubt
No, you wouldn’t know we well enough to pick me out of the crowd
How I wish you had a clue of everything I feel for you
How my heart is flying
But I have a secret I can’t tell anyone alive
So I always end up lying
If you only knew the truth that’s deep inside of me
You’d know I’m more cowardly than you could ever see
So why, oh why, oh why…
Even through the pain lingering and rips in the seams
When you are here beside me
I can smile and laugh them away, and say it’s okay
Oh, what a gift you gave me
It’s like everything in my view is fading but you
‘Til you are all that I see
You gave me that miracle and left me wanting more
You called out my name and nothing’s like it was before
Well if it meant you wouldn’t pay the cost
Wouldn't lose your place and wander lost
Then I would gladly sacrifice someone else
Instead of you without a thought
And time and time again, we’re bound to smile as we pretend
We’re blind to the future, living a lie so small but certain
It doesn’t matter how I pray, or how I vow
Every night I’m haunted by the same dream
Where a little twist will come, swallow you and leave me numb
Taking you so far away from me
If you only knew the truth that’s deep inside of me
You’d know that I’m more spineless than you could ever see
So why, oh why, oh why…
Darling, please, tell me we can stay forever this way
Two hands entwined with our love
As we cross uncrossable nights, into the daylight
Where you will go, I’ll follow
And I wonder how I can shine into your closed eyes
All colors of the rainbow
I don’t know if I will be enough for you to stay
But, darling, I hope you don’t mind if I call your name
From the moment I was born, I never felt that I belonged
Screaming, "Let me disappear!" - ‘cause everything felt so wrong
Ever since then I’d been searching for somewhere all along
I could someday be free, and I found you finally
消えない悲しみも綻びも あなたといれば
kienai kanashimi mo hokorobi mo anata to ireba
それでよかったねと笑えるのがどんなに嬉れしいか
sore de yokatta ne to waraeru no ga donna ni ureshii ka
目の前の全てがぼやけては溶けてゆくような
me no mae no subete ga boyakete wa tokete yuku you na
奇跡であふれて足りないや
kiseki de afurete tarinai ya
あたしの名前を呼んでくれた
atashi no namae wo yonde kureta
あなたの名前を呼んでいいかな
anata no namae wo yonde ii kana
![post-title](https://i.ytimg.com/vi/I0MjT9pWx1c/hqdefault.jpg)