又係時候突破人體嘅極限啦～
各位考生加油呀！
[#MAS漫畫]
大家應該收到准考證了，知道自己距離考試還有多少時日。
希望學生們加緊練習，唔好學似漫畫中人般臨急抱佛腳。
#以為自己是天才
#天才都需要練習
#總認為自己考試前會練好
#可是一直拖拖拖拖
#錯覺認為Scale可一星期內練熟
一個人
mas scale 在 一個人 Facebook 八卦
同時也有3部Youtube影片，追蹤數超過2萬的網紅rios circle / ミニチュアチャンネル - Miniature Channel，也在其Youtube影片中提到，無料ダウンロード : http://rios.in/2hAM1OS 解凍パスワード : rioscircle クリスマス特別企画!! お台場ヴィーナスフォートにAqoursのスペシャルクリスマスツリーが重現！ 詳細については : http://www.pokemum.com/figures/l...
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- 關於mas scale 在 喜劇演員 Facebook
- 關於mas scale 在 rios circle / ミニチュアチャンネル - Miniature Channel Youtube
- 關於mas scale 在 大人的玩具 Youtube
- 關於mas scale 在 大人的玩具 Youtube
- 關於mas scale 在 Review the MAS and original Ashworth Scale with me. 的評價
- 關於mas scale 在 MAS scale的問題包括PTT、Dcard、Mobile01，我們都能挖掘 ... 的評價
- 關於mas scale 在 MAS scale的問題包括PTT、Dcard、Mobile01，我們都能挖掘 ... 的評價
- 關於mas scale 在 MAS scale的問題包括PTT、Dcard、Mobile01，我們都能挖掘 ... 的評價
mas scale 在 喜劇演員 Facebook 八卦
Join the crew https://www.facebook.com/groups/2366734596727746/?ref=share
The Fifth Element(1997)
Director:Luc Besson
Cinematographer:Thierry Arbogast
2nd unit DOP:Nick Tebbet
Production Designer:Dan Weil
Key grip:Joe Celeste
Camera grip:Jean Pierre Mas
Stunt coordinator:Marc Boyle
Costume Designer:Jean-Paul Gaultier
Visual Effects supervisor:Mark Stetson
Creature Effects supervisor:Nick Dudman
Miniature Effects supervisor:Niels Nielsen
Visual Effects DOP:Bill Neil
Special Effects supervisor:Neil Corbould
Pyrotechnics supervisor:Thaine Morris
Luc Besson said he started writing the screenplay when he was 16, creating the vivid fantasy universes to combat the boredom he experienced living in rural France. But it didn't reach the screen until he was 38 years old; by that time, he felt he was old enough to actually have something to say about life.
According to costume designer Jean Paul Gaultier, the enfant terrible of the fashion world who once gave Madonna conical breasts, designed the futuristic costumes for The Fifth Element—more than 1000 of them. He didn't just design them, either For crowd scenes, where there might be hundreds of extras wearing his costume designs, he'd go around making adjustments to ensure everyone looked right before the cameras rolled.
According to Gaultier, Besson had lined up Mel Gibson, Julia Roberts, and Prince to play the leads in 1992, before financial problems delayed the project. (It's not clear whether any of them had officially signed on or were merely considering it.) Besson arranged for Gaultier to meet with Prince when the singer was in Paris so he could show him sketches of his designs. The meeting proved awkward (as one assumes many meetings with Prince are), and The Purple One later told Besson that he found the costumes "a bit too effeminate." It's entirely possible that the production delays would have prevented Prince from committing anyway, but it's fun to think about what Ruby Rhod would have been like in different hands. Gaultier had also unwittingly offended Prince with his description of one proposed outfit, a mesh suit with a padded, fringe-bedecked rear. Gaultier kept referring to this part of the suit as a "faux cul" ("fake ass"), but because of his thick accent, he said Prince misheard him as saying, "F-\-\- you!" Tucker has said he took inspiration from both Prince and Michael Jackson in crafting his performance as Ruby Rhod.
When filming began, the production decided to dye Milla Jovovich's hair from its natural brown color to her character's signature orange color. However, due to the fact that her hair had to be re-dyed regularly to maintain the bright color, Milla's hair quickly became too damaged and broken to withstand the dye. Eventually a wig was created to match the color and style of Leeloo's hair, and was used for the remainder of the production.
Luc Besson, an admitted comic book fan, had two famous French comic book artists in mind for this movie's visual style when he started writing the movie in high school, Jean Giraud (Moebius) and Jean-Claude Mézières. Both artists have long-standing comic book series in France. Moebius is best known for "Blueberry" and the (French) Magazine and (U.S.) movie Heavy Metal (1981). Mézières is best known for the "Valerian" series. Both series are still in production today. Moebius and Mezieres, who attended art school together but had never collaborated on a project until this movie, started renderings for this movie in the early 1990s and are responsible for the majority of the overall look of the movie, including the vehicles, spacecrafts, buildings, human characters, and aliens. However, only Giraud is credited, and even then, he wasn't even granted a premium when the movie was eventually produced.
Some of the most memorable moments from the film are views of a future New York, complete with flying cars and a mass of new and old skyscrapers. The film was one of Digital Domain’s huge miniature shows released that year – the others being Dante’s Peak and Titanic – while also heralding the fast-moving world of CGI in the movies. The New York scenes were created using a combination of CGI (for the flying cars), live action (the people), and scale models (the buildings). A crew of 80 on the production design team spent five months building dozens of city blocks at 1/24th scale.The visual effects for The Fifth Element were realized with a masterful combination of motion control miniatures, CG, digital compositing and effects simulations by Digital Domain. The flying traffic created by the visual Effects team allowed artists to create personalized license plates. Though never visible in the movie, the state slogan printed on all license plates reads "New York, The F***-You State."The people populating the roofs, decks, and windows during the visual effects sequences in New York City are the artists and employees at Digital Domain.
The text scrolling across a Times Square theater marquee as Korben dives down through traffic is actually an excerpt from an e-mail dispute between several artists at Digital Domain. Other signs on digital and practical, miniature buildings contain similar in-jokes and references and the large cylindrical tanker truck that Korben's cab almost hits at the end of his descent is decorated with the logo of a Venice, California, pizza parlor that was a favorite of Digital Domain artists.
‘You know, Mark, I don’t want to do these ‘fancy panning around and seeing the whole world shots’. I’d much rather set a camera looking down a street, having a cab rush towards me, and cut as it passes by, and then cut to a reverse of it passing by, and construct my film that way.’ – The Fifth Element visual effects supervisor Mark Stetson relates what director Luc Besson said to him about staging the film’s New York City shots.
This was Mark Stetson’s first visual effects supervisor role, this is what he had to say about it in a VFX blog article
Mark Stetson: I wasn’t afraid of the size of it. I didn’t think it was huge at the time. I mean, it was sort of standard tent pole-ish at the time and I was confident that I could do that, but it was my first one and there was a ton I had to learn, especially about digital visual effects. And I was very supported by Digital Domain. It was Digital Domain 1.0 back then, and they really gave me a great team. It was a great experience all around.
During the prep period, cinematographer Thierry Arbogast worked extensively with production designer Dan Weil to integrate various lighting units — primarily fluorescent and occasionally ultraviolet fixtures — within the sets themselves. More often than not, the futuristic spaces dictated the types of fixtures that could be used.
Arbogast had some challenges on the film he said this about the opera scene.
“Most of the lights you see in the opera house were already there. The difficulty was in lighting the people in the audience without illuminating the white facades of the balcony. Therefore, we used a lot of flags to focus our lighting precisely on the people.”
Gary Oldman played Zorg as a cross between then-Presidential candidate Ross Perot and Bugs Bunny.
In most shots of Gary Oldman, there is a circle around his head. In fact, a circle in the middle of the frame is a nearly constant motif in this movie. Bruce Willis, on the other hand, is more often framed by a rectangle or doorway behind him.
In keeping with the hands-on approach Besson established on Le Dernier Combat and has practiced on all of his successive films — Subway (1985), The Big Blue (1988), Atlantis (1990), La Femme Nikita (1991) and The Professional (1994) — the filmmaker operated the camera himself throughout the entire shoot. While such a working situation is rare for directors working within the Hollywood system, Besson prefers it because he can maintain better control of the onscreen action. "I create the frame and the movement within it," he explains. "Why lose time explaining everything to someone else? He's going to be slightly off, and then I'm going to freak out and say, 'No, this is not what we discussed. I want the camera here!' So it's better for everyone involved if I just do it myself.
"I write each action scene as if it is a ballet; the movements fit with the music. Generally, I'll shoot a fight sequence for 10 days using just one or two cameras and a very small crew. I've already written out the fight scene in my head, shot by shot. I do this for each and every sequence so that we can just shoot it, and then put the scene together in the editing room. At the same time, when you're on the set, you can have an idea at the last moment; you realize that from a different angle the light might be better, so you change the perspective [of the shot]. But I'll always write down and block out this [new] progression."
The explosion in the Fhloston main hall was the largest indoor explosion ever filmed. The resulting fire almost went beyond control. It took twenty-five minutes to put out.
At the time, it was the most expensive movie ever produced outside of Hollywood, most expensive French production history, and at $80 million USD, the visual effects budget of the movie was the highest of its time.
The wonder on Bruce Willis' face when the Diva sings is real. That was the first time he'd heard it and seen the actress in full make-up.
Bruce Willis, Milla Jovovich, Chris Tucker and Gary Oldman are all left-handed.
The director had been married to Maïwenn Le Besco, who plays the Diva Plavalaguna, since 1992 (when she was 16 and he was 33, but that's another story). She didn't want to be in the film, adhering to the old adage that married people shouldn't work together and co-workers shouldn't marry each other. But when the actress Besson had cast as the Diva dropped out, Le Besco took the part got painted blue and gave a memorable performance. Alas, Besson didn't share his wife's policy of not mixing work with relationships. He left her during the production for Milla Jovovich, whom he married at the end of 1997 and divorced two years later... then that happened
From Mental floss,vfx blog,ASCmag article,IMDb,YouTube visual element doc.
mas scale 在 rios circle / ミニチュアチャンネル - Miniature Channel Youtube 的評價
無料ダウンロード : http://rios.in/2hAM1OS
解凍パスワード : rioscircle
クリスマス特別企画!! お台場ヴィーナスフォートにAqoursのスペシャルクリスマスツリーが重現！
詳細については :
http://www.pokemum.com/figures/lovelive/18200-diy-lovelive-sunshine-x-mas-tree.html
LoveLive - Jingle Bells ga Tomaranai
https://www.youtube.com/watch?v=6DmX2bSz98g
【試聴動画】Aqours スマートフォンゲーム『ラブライブ！スクールアイドルフェスティバル』コラボシングル「ジングルベルがとまらない」／「聖なる日の祈り」
https://www.youtube.com/watch?v=kNxQS1rIEwU
浦の星女学院購買部ネットショッピング Vol.1
https://www.youtube.com/watch?v=GvL5HhBHZgo
わくわくがとまらない♪♪「ジングルベルがとまらない」やってみた
https://www.youtube.com/watch?v=W7LRI9NQPkc
【タイトル】
スマートフォンゲーム『ラブライブ！スクールアイドルフェスティバル』コラボシングル「ジングルベルがとまらない」
【アーティスト】
Aqours
高海千歌(CV.伊波杏樹) , 桜内梨子(CV.逢田梨香子) , 松浦果南(CV.諏訪ななか)
黒澤ダイヤ(CV.小宮有紗) , 渡辺 曜(CV.斉藤朱夏) , 津島善子(CV.小林愛香)
国木田花丸(CV.高槻かなこ) , 小原鞠莉(CV.鈴木愛奈) , 黒澤ルビィ(CV.降幡 愛)
【発売日】
2016年11月23日(水)
【価格】
￥1,200(tax out)
【収録内容】
01.ジングルベルがとまらない
作詞：畑 亜貴 作曲：光増ハジメ 編曲：EFFY
02.聖なる日の祈り
作詞：畑 亜貴 作曲：田中俊亮 編曲：田中俊亮 , 伊藤 賢
03.ジングルベルがとまらない(Off Vocal)
[ドラマパート]
04.包丁人ルビィ
05.仁義なきデコ
06.戦場なメリークリスマス
07.ほんとのクリスマスパーティー
チャンネル登録はこちらです
https://www.youtube.com/user/riostam?sub_confirmation=1
キーワード：ラブライブ, μ's , Christmas, Figma, フィグマ, Love Live, 明星學生妹, ラブライブ!サンシャイン, Love Live Sunshine, Aqours, 無料ダウンロード , free download,ミニチュア, μ's , Figma, フィグマ, Love Live, LoveLive , 明星學生妹, DIY,1/12スケール, 1/12 Scale, Dollhouse, ラブライブ 再現, ラブライブ フィギュア, ラブライブ 手作, ラブライブ DIY, Figma DIY, miniature, Figmaの小物, ミニフィギュア, ラブライブ ミニチュア,LoveLive Miniature, LoveLive Miniature Project, ラブライブ フィギュア
mas scale 在 大人的玩具 Youtube 的評價
如果覺得我介紹的不錯,歡迎贊助我的開箱影片(Please support my video Channel) PayPal : jkc1974@gmail.com
開箱介紹:Toys Alliance Mega Action 巨大可動系列 MAS-01 柯博文~ by 大人的玩具
賣場
http://class.ruten.com.tw/user/index00.php?s=18xtoys
FB
https://www.facebook.com/18Xtoys
台灣官方建議售價5,680元新台幣
【Toys Alliance Mega Action MAS-01 Optimus Prime】
一個擁有極高可動性
而外型又比較AGGRESSIVE的OPTIMUS PRIME，
整體感覺粗獷（十八吋高），
在擺POSE方面就連『爆地』高難度動亦沒問題。
擁有七十二個可動點，
手指亦有可動關節，
眼部和原能矩陣亦有藍色LED燈，
配件亦有重量級OPTIMUS PRIME的招牌雷射槍。
mas scale 在 大人的玩具 Youtube 的評價
跪求有空的朋友
為影片加上字幕(中文即可)
萬分感謝
https://www.youtube.com/timedtext_cs_panel?tab=2&c=UC1FmA48qj1YOYQ5I6j4l6YA
如果覺得我介紹的不錯,歡迎贊助我的開箱影片(Please support my video Channel) PayPal : jkc1974@gmail.com
開箱介紹:Toys Alliance Transformers MAS-02 Megatron 變形金鋼 密卡登~ by 大人的玩具
賣場
http://class.ruten.com.tw/user/index00.php?s=18xtoys
FB
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mas scale 在 MAS scale的問題包括PTT、Dcard、Mobile01，我們都能挖掘 ... 的八卦
接下來讓我們看這些論文和書籍都說些什麼吧： · 聆聽指觸美韻套書(39歲開始彈奏的正統原聲吉他+初心者的指彈木吉他爵士入門/附2CD) · MAS scale進入發燒排行的影片 · 為了解決 ... ... <看更多>
mas scale 在 MAS scale的問題包括PTT、Dcard、Mobile01，我們都能挖掘 ... 的八卦
接下來讓我們看這些論文和書籍都說些什麼吧： · 聆聽指觸美韻套書(39歲開始彈奏的正統原聲吉他+初心者的指彈木吉他爵士入門/附2CD) · MAS scale進入發燒排行的影片 · 為了解決 ... ... <看更多>
mas scale 在 Review the MAS and original Ashworth Scale with me. 的八卦
Review the MODIFIED ASHWORTH SCALE and original Ashworth Scale with me. The Ashworth Scale is one of the most common scales used to assess ... ... <看更多>