碳布擺攤資訊限期公開!
就在今明兩天!
更多碳布貼紙、明信片、卡貼、束口袋、紙膠帶
外加現場客製化Q版人物繪圖都在這裡~
碳布攤位將於2/10-2/11 10:00-18:00
擺於屏東市漢口街與民生路交叉的中華電信人行道,
推廣屏東當地藝文,
有現場表演、市集、環保,流浪動物議題。
攤位10%收入會給表演者,支持屏東藝文表演
--------詳細資訊-------
▶表演者 Performers:
Vai樂團(屏東霧台鄉) Vai (Band)
歐長紘 吉他表演 O Zhang-Hong (Guitar Performance)
T-Rex 嘻哈歌手 T-Rex (Rapper)
廖伯朗 饒舌歌手 Mr, Brown (Rapper)
南來北往 嘻哈樂團 South going North (Hip hop Group)
林俞妏 屏女民謠吉他社(吉他自彈自唱) Ling Ur Wun (Acoustic Folk Guitar)
簡嘉佑(古典吉他)Jia Yo (Classical Guitar)
志甫一成(日本三味線) Issei Shiho (Japanese Shamisen)
羽菁 表演藝術 Yu Ching (Performance Art)
我的寶貝 夢山林 (樂團表演) Mon Cheri (Band)
紅巾比利(藍調自彈自唱) Billy Walshaw (Singer-Songwriter)
肉包(吉他自彈自唱) Babao (Singer-Songwriter)
黃智勇 (藍調自彈自唱) Blues Guitar
▶講座者 Speakers:
魏俊豪(環保議題與回收重要性講座)+(動物保護講座 Ah-How lecture on [Recycling/Protecting the Environment and Animal Welfare]
潘翰聲(蔬食抗暖化)+(TPP與糧食主權) Tree Party Pan Han-Shen lecture on [ Plant-based diet to stop Global Warming + Introduction to the TPP act- support of Taiwan's Food Sovereignty and rejection of imported GMOs ]
潘翰疆(樹黨就是動物黨)+(動保與環保的交會) Tree Party Pan Han-Jiang lecture on [ Tree Party as an Animal Welfare Party+ Animal rights and Environmental Protection.]
▶語言交流區 Language Exchange:
住在屏東的教師讓你認識新語言. 文化交流
1.) Esperanto [世界語] with instructors 教師 莊迎華 Ingrid Zuang, 雷薩‧凱哈爾 Reza Kheirkhah (伊朗籍世界語教師) 和助理 and Li-ru Chen.
▶攤位介紹 Art Market Vendors:
1.[Vivian 手作毛線編織小物] Vivian's Handmade
利用毛線作為材料,勾織出各式特別又可愛的作品,包括娃娃、吊飾、鑰匙圈、髮飾、小包包等等。
2.[夢想薑屋] Dream Ginger House (Ginger Candy and snacks)
薑母糖片/薑母糖磚/薑母粉
3.[ 田田先生] 屏東手工寵物零食 Mr. Tientien's pet snacks
寵物肉乾,不添加防腐劑人工調味,忠於食物的原汁原味!!連挑食的狗狗都很愛吃
4.[Sonia’s 手工點心] Sonia's Handmade Treats
各式口味手工餅乾
5.[熊手作] Bear Hands (Handmade bags)
手工布包
6.[賴媽媽小農園] Mother Lan's Little Garden (Healthy Fruits and Vegs, Natural homemade jam)
健康蔬果,天然手作果醬
7.[Vivian's手創店] Vivian's Creative Stand (Handmade accessories)
拼布生活小物(髮飾、環保筷套、証件扣、零錢包、布作紅包袋等手作生活小物)
8.[益昌包包] Yi Chang Bags
各式包包配件
9.[花嬉皮] Hippie Chic (Tie dyed clothes, hippie accessories)
屏東當地嬉皮酷炫手染服飾,手工編織飾品
10.[瘋編織小物]
天然材質的環保編織手作品 Ah May's handmade recycled products
11.[友友] Yoyo the Hairdresser
街頭義剪
12.[Shine's Garden] Natural soap and products
全天然保養品,保濕皂,家事皂及有機香草
13.[插畫家碳布文創小物] Handmade postcards, stickers, other products
紙膠帶、束口袋、明信片、貼紙、Q版現場客製畫
14.[罔市] Second-hand clothes and antique's
二手寶物與古著
15.[KAWAKA 塔羅新天地] Tarot and fortune reading.
塔羅
16.珠中奇源
拼豆手工藝品
主辦單位:屏東市藝文樓 Organizers: Pingtung Place of the Arts
協辦單位:花嬉皮 Co organizer: Hippie Chic
同時也有6部Youtube影片,追蹤數超過15萬的網紅pennyccw,也在其Youtube影片中提到,For those who were there at McDonough Gymnasium on August 4, 1994, few will forget the arrival of a 6-0 freshman guard who needed no introduction. The...
「hip-hop introduction」的推薦目錄:
hip-hop introduction 在 B.C.W - B.€.W Facebook 八卦
TGMF 🇹🇼 x Just Music 🇰🇷
最新合作單曲
Nightmare 惡夢 👿⛪️😈 預告
🔥🔥🔥🔥🔥🔥🔥
TGMF 台灣 x Just Music 韓國
最新跨國合作單曲 預告
[MV Trailer] Nightmare 惡夢 - TGMF x Just Music
Coming soon...
【NGN 新世紀演唱會】
地點Place:華山 Legacy
活動期間Date:2015/12/16 18:30-22:00
售票資訊如下 -
indieVox : https://www.indievox.com/tgmfmusic/event-post/17620
ibon : http://ticket.ibon.com.tw/Web/ActivityInfo/Details/19389
【韓國陣容 介紹】
關於韓國文化這幾年對台彎的影響
(it is about the Korean culture that affects Taiwan these year)
甚至超越了過去跟我們交流最密切的日本
(and it is more than Japan where has strongly connected to Taiwan)
舉凡時尚 音樂 戲劇 甚至生活用品 都可以在所有地方發現蹤跡
(we can find the influences from fashion, music, drama or even the daily essentials)
我們也對韓國的文化越來越熟悉
(we have been more familiar to korean culture)
回歸到嘻哈饒舌音樂的領域
(back to the Hip Hop Music industry)
韓國近年開啟的饒舌選秀節目 Show me the money
(Korean has operated a Rapper TV Show. Show me the money)
也在亞州各國開啟了旋風
(and it was a huge punch to the countries in Asia)
其人才輩出以及硬底的饒舌實力到節目製作硬軟體的規格
(Lots of potential rappers with fantastic hip hop talent has the opportunity to get involved with the TV producing industry)
在亞州各國實屬少見
(it is rarely seen in Asia)
而在第三季 隸屬於 Just Music 廠牌的 VASCO 的參戰
(VASCO who belongs to Just Music has participated in Season 3)
更是造成了轟動 雖然到節目尾聲最終取得於第二名的成績
(it has caused a sensation although he only get the first runner up at the end of the show)
但完全無損於他個人的形象 反而有推波助燃之勢 VASCO
(it is not harmful for his personal image but the other way round)
在韓國饒舌文化的歷史中 屬於傳奇人物
(VASCO is considered as a legend in Korean Hip Hop Culture History)
超過十五年以上的資歷 更是讓人肅然起敬
(he has been in the industry for more than 15 years and he is the mensch)
而此次參與的另外一員 也同是隸屬於 Just Music 廠牌的Cjamm
(and Cjamm belong to Just Music has also participated in this show)
也在 Show me the money 節目中 參賽演出
(and he also performed in the show)
他呈現出的音樂天分完全能扛住未來
(the music talent he has performed has proved that he is the core person in the industry for the future)
JM 的大旗 就整個 JM 廠牌
(under the company of JM)
饒舌實力這一部份來說 完全是重量級的層級
(The way he rap is totally some next level shit)
不管是曲目上橋段的安排到饒舌技巧乃至MV呈現手法
( from the verses arrangement to technique of rapping till the appearance of those music videos)
完全是世界級的水準
(it has reached the advanced world standard)
而如果一個團體要將腳步迎向光明的未來
(if a group wanna step on to the brighter future)
停止其進化的腳步正是最大最深最恐懼的惡夢
(stopping to improve is the most scary nightmare ever)
而這次透過雙方陣營共同好友的牽線 TGMF受邀至韓國Secret Society演出
(TGMF has been invited to perform in Korea Secret Society through the introduction from the common connection)
而後也被邀請至 Just Music 廠牌 Studio
(and after that, we also be invited to the studio of Just Music)
才完成這一次跨國的合作
(then we finished the cooperation)
最有趣的地方是在這次合作之前雙方都不清楚彼此
(the most interesting part is we don’t know each other before the copartnership)
但在引薦互相瞭解之後 雙方立刻明白瞭解到這次的合作是絕對勢在必行
(we noticed that this is the best cooperation after we get to know each other)
而這次TGMF與韓國Just Music陣線的結盟 將是整個亞州勢力佈局 最強勁的彈藥庫
(and it is gonna be the best collaboration in Asia when TGMF and JUST Music allied)
所以 什麼是你最深的惡夢?
(so what is your worst nightmare)
TGMF廠牌的壯大正是那些當初不看好的人最不想面對的惡夢
(TGMF is getting bigger and it is the biggest nightmare for the haters)
HATER 們要習慣 因為這一切只是即將要開始而已
(Haters need to get used to it because it is just the start)
hip-hop introduction 在 Sonic Deadhorse Facebook 八卦
【Non-Confined Space 非/密閉空間】首張專輯《Flow, Gesture, and Spaces》Bandcamp已經上架,附上英文版的介紹。
Between the spheres of free improvisation, jazz, trap, and musique concrète, lies Non-Confined Space. The name of this Taipei-based duo – saxophone polyglot Minyen Hsieh and audiovisual electronica experimentalist Ge-Chun Cheng (aka Sonic Deadhorse) – aptly describes their approach to exploring the fertile space they find themselves in. Drawing inspiration from their differing musical approaches and worlds, plus energy from the lively Taiwanese music scene, Non-Confined Space is a bold and future-facing hybrid. Cheng deploys piles of samples alongside Hsieh’s versatile saxophone, resculpting the results into a sublime and boldly experimental debut album of beats and processed improvisations unlike anything you’ve heard before.
Taking its title from a philosophical textbook about free-jazz, Flow, Gesture, and Spaces is a revelatory introduction to the duo, mixing the utterly free improvisations of their live shows (exemplified with spontaneous straight-to-tape takes on two of the album’s ten tracks) with an approach to studio composition inspired by the philosophy of improvisation. Basic outlines – often borrowing chord movements from the likes of Coltrane and Wayne Shorter, or pulling beats from Cheng’s huge library – would be cut loose in studio sessions, later augmented by psychedelic post-production. Utilizing methodology from the eponymous book, Flow, Gesture, and Spaces is nonetheless based on “simple elements” as the duo put it, “rhythm, intervals, timbre, and energy.
As a pairing, Non-Confined Space seem to come from polar opposite ends of the spectrum, musically. Performing professionally since the age of 19, Minyen Hsieh first picked up the saxophone back in high school, going on to study with local jazz musicians, and eventually studying the instrument at Koninklijk Conservatorium in Brussels. He’s since made a vast array of music, from traditional swing to the loosened bop of his debut solo album Firry Path, and collaborations with pianist Shih-Yang Lee and legendary Japanese free-drummer Sabu Toyozumi. Non-Confined Space is Hsieh’s first deep foray into the art of electronic processing.
Ge-Chun Cheng’s primary solo project since 2007 has been Sonic Deadhorse. A sample-hungry outfit blending the “indulgence of the 70s, melancholy of the 80s, nihilism of the 90s, and isolation of the new century”, the project has produced a wide-range of sounds from post-Flying Lotus fusion beats to wild live performances of a club-influenced mix of post-rock, dubstep, and chiptune (documented on a 2016 live set for Boiler Room). Working as something of a one-man band has left autodidact Cheng well prepared to not only match the classically trained Hsieh, but to push his partner into wild new directions. “I can always get organic feedback and responses from Minyen,” explains Cheng. “It makes me want to put more elements and processing into the music, and to change style more often.”
Since first meeting at a jam session in Taipei City, Non-Confined Spaces have evolved into an improv outfit for the 21st century, as indebted to Aphex Twin and Squarepusher as they are to Archie Shepp and Sun Ra. The road to Flow, Gesture, and Spaces has seen the duo play for dance performances, visual exhibitions, and even live-painting. Their own live shows also include various interactive and audiovisual elements, consistently focusing in on those three core elements checked in the album’s title. Non-Confined Spaces is a project far from tied down, flirting with bass-heavy tropicalia on ‘Serotonin Cell’, psychedelic post-Madlib hip-hop on ‘Melodic Gesture’, and noisy electrified free jazz on ‘Entropy’. The latter is one of two live takes featuring drummer Weichung Lin and keyboardist YuYing Hsu – allies from the Taiwan scene – capturing the explosive spontaneity and uncannily wonky sounds of this unique duo reconstructing samples live on the spot. Flow, Gesture, and Spaces is a true journey into the heart of the unknown.
Tristan Bath
hip-hop introduction 在 pennyccw Youtube 的評價
For those who were there at McDonough Gymnasium on August 4, 1994, few will forget the arrival of a 6-0 freshman guard who needed no introduction. The rumors of Allen Iverson's arrival to the Kenner Summer League were true, and by game's end, Iverson had scored 40 points. By the Sunday afternoon final, before an overflow crowd inside the gym and a crowd of those outside who could not get in, Iverson finished a combined 99 point effort in three days against some of the best collegiate talent in the city. This, of course, from a player that had not played organized basketball in over a year.
The Allen Iverson years had begun.
A brief profile can't do justice to tell the story of one of the greatest pure athletes ever to attend Georgetown, a man without peer in his talent over two years at the collegiate level. Just a year before his Kenner debut, few would have imagined Allen Iverson ever playing college basketball.
Iverson was not only a 31 point a game guard for Bethel HS, but a football player of tremendous skill. As a quarterback and defensive back his sophomore season, he produced nearly 1,600 yards offense and 13 INT's. By his junior year, he accounted for 2,204 yards, 21 touchdowns by rush or interception, and 14 touchdown passes. In a region which has produced NFL quarterbacks such as Michael Vick and Aaron Brooks, there are those who will still say "Bubbachuck" Iverson was better than both of them. Schools such as Arkansas, Kentucky, Duke, and three dozen other top programs across two sports were vying for perhaps the greatest two-sport star the Tidewater had ever produced.
When he led Bethel to the state title, someone asked what it was like to win the title. "I'm going to get one in basketball now," which he did. In late February, 1993, en route to the state title he had promised, Iverson was one of a large group of Bethel teammates at a Hampton bowling alley when a fight broke out between students from rival schools trading racial insults. Three people were hurt in the aftermath. Despite conflicting testimony from eyewitnesses and no clear evidence linking him to the crime, Iverson was one of four black students arrested.
Racial tensions were heightened when the prosecutors passed on a misdemeanor assault charge and charged Iverson with three counts of felony "maiming by mob", which carried a 20 year prison sentence. Despite video evidence which did not place Iverson in the crowd at the time of the fight, he was convicted in a racially charged case.
The 20 year sentence was later reduced to five, and Iverson was granted clemency by Gov. Douglas Wilder three months later, sending Iverson to a detention program at an alternative high school. (The original charges were thrown out by the Virginia court of appeals in 1995.)
In the spring of 1994, with Iverson still in detention, his mother approached John Thompson with a plea to help her son get to college and start a new chapter of his life. Though Thompson had passed on a number of troubled players in the past, he offered Iverson a scholarship in April of that season, contingent upon his completion of high school and his legal release, which was granted 48 hours before his Kenner debut.
By his debut in a Georgetown uniform in November 1994, Iverson had been the subject of intense national media attention. In the Hoyas' annual exhibition with Fort Hood, Iverson scored 36 points, five assists, and three steals in 23 minutes. Local columnists were in awe.
"Hang his number up in the rafters," wrote Tom Knott of the Washington Times. "He's better than most of the point guards in the NBA right now."
"I saw Lew Alcindor, Austin Carr, Moses Malone, Alonzo Mourning, Albert King, Ralph Sampson and Patrick Ewing play in high school," said the Post's Thomas Boswell. "Now, I have two memories on my first impression top shelf. The man who became Kareem Abdul-Jabbar, and Allen Iverson."
Iverson opened the 1994-95 season in Memphis, TN in a 97-79 loss to defending NCAA champion Arkansas, scoring 19 points. Six days later, he scored 31 in a nationally televised game with DePaul, followed by 30 four days later against Providence, leading the team in scoring 22 times that season. His only game under double figures for the season (and his career) was a game where he played only ten minutes in a loss at Villanova, a game Georgetown coach John Thompson threatened to forfeit when a group of Villanova students paraded through the Spectrum in black and white-striped prison garb, with a sign comparing Iverson to O.J. Simpson.
"You accept certain ribbing, but there is a line," Thompson said after the game. "I can condone any Christian university sitting and watching that happen...If that happens [again], I going to walk. It that simple." Such fan behavior was not seen thereafter.
Later in the season, with President Bill Clinton in attendance, Iverson scored 26 as the Hoyas routed Villanova, 77-52. He followed it up with 21 to beat Syracuse, 28 versus St. John's, 31 in a Big East tournament opener with Miami (a game that saw Iverson outscore the entire Hurricane team at the end of the first half), and 27 versus Connecticut in the semis. In the NCAA regional, he scored 24 in the loss, but held Jeff McInnis to 1 for 8 shooting. By season's end, Allen Iverson had been named Big East Player of the Week nine times, Rookie of the Year, a second team all-conference selection, and honorable mention All-America recipient. Having led the Hoyas in points and steals en route to the school's first NCAA regional appearance since 1989, Iverson was already a star. By 1996, he would become nothing less than a sensation.
The leaser of a talented team that featured four future NBA stars, Allen Iverson dominated the 1995-96 season as no Hoya has done before or since. Adept at the crossover dribble that became his NBA trademark, lightning quick to the basket, and able to score on opponents at will, Iverson was largely unstoppable. Even more impressive was an effort to improve his shooting touch, for despite averaging 20.4 points as a freshman in 1994-95 (2nd all time for a Georgetown rookie), Iverson only shot 39 percent from the field, 23 percent from three, and 19 percent from three in Big East play. For his sophomore season, his field shooting increased to 48 percent, his three point mark to 36 percent. The results were striking.
In the pre-season NIT versus Temple, Iverson shot 50 percent for 24 points and a career high 10 rebounds. After a 23 point effort against Georgia Tech, he scored a career high 40 against Arizona, one of two 40+ point games that season. In Big East play, Iverson could ring up points with ease, such as the game where he scored 21 points in only 20 minutes against Rutgers.
In the final three months of the season, Iverson led the team in 21 of the team's 25 games: 40 against Seton Hall, 39 against St. John's, 34 against Providence. He scored 30 in a wild win over Memphis, and followed it up two nights later with 26 in an upset of #3 Connecticut. For the game, Iverson totalled 26 points, 8 steals, and 6 assists, including a soaring dunk past Ray Allen and the Huskies. It was the highest ranked team any Georgetown team had defeated since 1988. His best performance of the season might have been a 37 point, 8 rebound, and three steal effort against #6 ranked Villanova, playing only 27 minutes. The 106-68 win represents the sixth largest margin of victory and the largest margin ever by a Georgetown team against a top 10 opponent.
Iverson was capable of an off game; unfortunately, two came at particularly inopportune times for the Hoyas' hopes for a national title. Entering the 1996 Big East Final with a #1 seed on the line, Iverson shot 4 for 15 and the Hoyas lost by one, 76-75. As a result of the loss, Georgetown was seeded #2 behind top ranked UMass, and in the regional final between the two teams Iverson struggled with a 6 for 21 effort in the loss. For the season, though, his statistics were astonishing: his 926 points broke the then-record by 124 points. He set new single season marks in field goals, field goal attempts, three pointers, three point attempts, steals, minutes, and scoring average (25.0), the latter of which ranked 7th in the nation that season. The Big East's defensive player of the year, he was named a consensus All-American amidst numerous other awards.
If he could somehow have stayed four years, Iverson undoubtedly would have shredded the Georgetown record books. But whatever hopes existed for Iverson to resist the lure of the NBA were short lived, particularly with the news that one of his sisters had fallen ill. Seeing the opportunity to take care of his family's medical needs, Iverson announced for the NBA draft soon after the end of his sophomore season, becoming the first Georgetown player in the Thompson era to do so. The compact that had bound so many great Hoya players to a four year commitment--from Ewing to Williams, Mourning to Mutombo--had now been broken.
The first pick in the 1996 NBA draft, Iverson signed a $3.9 million contract with the Philadelphia 76ers and a ten year, $50 million deal with Reebok. His effort on the court is well known and respected, but for all the media portrayals of Iverson as the anti-hero, an icon of a "Hip Hop Nation" that ran counter to the NBA's carefully constructed marketing image, or as a symbol of all that is allegedly wrong in professional basketball, he remains remarkably well-grounded.
Married for six years and the father of two, Iverson is fiercely loyal to his teammates and to his childhood friends. He considered it an honor to play for the U.S. Olympic team in 2004 when other NBA stars passed on the offer, and maintains a number of charity events to benefit his local community. In comparison to his NBA career, his years at Georgetown were largely free of the intense media and personal scrutiny, providing at least two years where he could grow as a person as well as a basketball player.
His arrival and exit at Georgetown is still a source of debate in some circles, but his performance on the court is not. Allen Iverson found a home, even briefly, at the Hilltop, and remains one of its brightest stars. "In my heart, I know I'm a basketball player," Iverson said following his 2006 NBA trade, "being that I know I can play with the best of them."
From that first Kenner League game on 1994, no one has doubted it since.
hip-hop introduction 在 pennyccw Youtube 的評價
For those who were there at McDonough Gymnasium on August 4, 1994, few will forget the arrival of a 6-0 freshman guard who needed no introduction. The rumors of Allen Iverson's arrival to the Kenner Summer League were true, and by game's end, Iverson had scored 40 points. By the Sunday afternoon final, before an overflow crowd inside the gym and a crowd of those outside who could not get in, Iverson finished a combined 99 point effort in three days against some of the best collegiate talent in the city. This, of course, from a player that had not played organized basketball in over a year.
The Allen Iverson years had begun.
A brief profile can't do justice to tell the story of one of the greatest pure athletes ever to attend Georgetown, a man without peer in his talent over two years at the collegiate level. Just a year before his Kenner debut, few would have imagined Allen Iverson ever playing college basketball.
Iverson was not only a 31 point a game guard for Bethel HS, but a football player of tremendous skill. As a quarterback and defensive back his sophomore season, he produced nearly 1,600 yards offense and 13 INT's. By his junior year, he accounted for 2,204 yards, 21 touchdowns by rush or interception, and 14 touchdown passes. In a region which has produced NFL quarterbacks such as Michael Vick and Aaron Brooks, there are those who will still say "Bubbachuck" Iverson was better than both of them. Schools such as Arkansas, Kentucky, Duke, and three dozen other top programs across two sports were vying for perhaps the greatest two-sport star the Tidewater had ever produced.
When he led Bethel to the state title, someone asked what it was like to win the title. "I'm going to get one in basketball now," which he did. In late February, 1993, en route to the state title he had promised, Iverson was one of a large group of Bethel teammates at a Hampton bowling alley when a fight broke out between students from rival schools trading racial insults. Three people were hurt in the aftermath. Despite conflicting testimony from eyewitnesses and no clear evidence linking him to the crime, Iverson was one of four black students arrested.
Racial tensions were heightened when the prosecutors passed on a misdemeanor assault charge and charged Iverson with three counts of felony "maiming by mob", which carried a 20 year prison sentence. Despite video evidence which did not place Iverson in the crowd at the time of the fight, he was convicted in a racially charged case.
The 20 year sentence was later reduced to five, and Iverson was granted clemency by Gov. Douglas Wilder three months later, sending Iverson to a detention program at an alternative high school. (The original charges were thrown out by the Virginia court of appeals in 1995.)
In the spring of 1994, with Iverson still in detention, his mother approached John Thompson with a plea to help her son get to college and start a new chapter of his life. Though Thompson had passed on a number of troubled players in the past, he offered Iverson a scholarship in April of that season, contingent upon his completion of high school and his legal release, which was granted 48 hours before his Kenner debut.
By his debut in a Georgetown uniform in November 1994, Iverson had been the subject of intense national media attention. In the Hoyas' annual exhibition with Fort Hood, Iverson scored 36 points, five assists, and three steals in 23 minutes. Local columnists were in awe.
"Hang his number up in the rafters," wrote Tom Knott of the Washington Times. "He's better than most of the point guards in the NBA right now."
"I saw Lew Alcindor, Austin Carr, Moses Malone, Alonzo Mourning, Albert King, Ralph Sampson and Patrick Ewing play in high school," said the Post's Thomas Boswell. "Now, I have two memories on my first impression top shelf. The man who became Kareem Abdul-Jabbar, and Allen Iverson."
Iverson opened the 1994-95 season in Memphis, TN in a 97-79 loss to defending NCAA champion Arkansas, scoring 19 points. Six days later, he scored 31 in a nationally televised game with DePaul, followed by 30 four days later against Providence, leading the team in scoring 22 times that season. His only game under double figures for the season (and his career) was a game where he played only ten minutes in a loss at Villanova, a game Georgetown coach John Thompson threatened to forfeit when a group of Villanova students paraded through the Spectrum in black and white-striped prison garb, with a sign comparing Iverson to O.J. Simpson.
"You accept certain ribbing, but there is a line," Thompson said after the game. "I can condone any Christian university sitting and watching that happen...If that happens [again], I going to walk. It that simple." Such fan behavior was not seen thereafter.
Later in the season, with President Bill Clinton in attendance, Iverson scored 26 as the Hoyas routed Villanova, 77-52. He followed it up with 21 to beat Syracuse, 28 versus St. John's, 31 in a Big East tournament opener with Miami (a game that saw Iverson outscore the entire Hurricane team at the end of the first half), and 27 versus Connecticut in the semis. In the NCAA regional, he scored 24 in the loss, but held Jeff McInnis to 1 for 8 shooting. By season's end, Allen Iverson had been named Big East Player of the Week nine times, Rookie of the Year, a second team all-conference selection, and honorable mention All-America recipient. Having led the Hoyas in points and steals en route to the school's first NCAA regional appearance since 1989, Iverson was already a star. By 1996, he would become nothing less than a sensation.
The leaser of a talented team that featured four future NBA stars, Allen Iverson dominated the 1995-96 season as no Hoya has done before or since. Adept at the crossover dribble that became his NBA trademark, lightning quick to the basket, and able to score on opponents at will, Iverson was largely unstoppable. Even more impressive was an effort to improve his shooting touch, for despite averaging 20.4 points as a freshman in 1994-95 (2nd all time for a Georgetown rookie), Iverson only shot 39 percent from the field, 23 percent from three, and 19 percent from three in Big East play. For his sophomore season, his field shooting increased to 48 percent, his three point mark to 36 percent. The results were striking.
In the pre-season NIT versus Temple, Iverson shot 50 percent for 24 points and a career high 10 rebounds. After a 23 point effort against Georgia Tech, he scored a career high 40 against Arizona, one of two 40+ point games that season. In Big East play, Iverson could ring up points with ease, such as the game where he scored 21 points in only 20 minutes against Rutgers.
In the final three months of the season, Iverson led the team in 21 of the team's 25 games: 40 against Seton Hall, 39 against St. John's, 34 against Providence. He scored 30 in a wild win over Memphis, and followed it up two nights later with 26 in an upset of #3 Connecticut. For the game, Iverson totalled 26 points, 8 steals, and 6 assists, including a soaring dunk past Ray Allen and the Huskies. It was the highest ranked team any Georgetown team had defeated since 1988. His best performance of the season might have been a 37 point, 8 rebound, and three steal effort against #6 ranked Villanova, playing only 27 minutes. The 106-68 win represents the sixth largest margin of victory and the largest margin ever by a Georgetown team against a top 10 opponent.
Iverson was capable of an off game; unfortunately, two came at particularly inopportune times for the Hoyas' hopes for a national title. Entering the 1996 Big East Final with a #1 seed on the line, Iverson shot 4 for 15 and the Hoyas lost by one, 76-75. As a result of the loss, Georgetown was seeded #2 behind top ranked UMass, and in the regional final between the two teams Iverson struggled with a 6 for 21 effort in the loss. For the season, though, his statistics were astonishing: his 926 points broke the then-record by 124 points. He set new single season marks in field goals, field goal attempts, three pointers, three point attempts, steals, minutes, and scoring average (25.0), the latter of which ranked 7th in the nation that season. The Big East's defensive player of the year, he was named a consensus All-American amidst numerous other awards.
If he could somehow have stayed four years, Iverson undoubtedly would have shredded the Georgetown record books. But whatever hopes existed for Iverson to resist the lure of the NBA were short lived, particularly with the news that one of his sisters had fallen ill. Seeing the opportunity to take care of his family's medical needs, Iverson announced for the NBA draft soon after the end of his sophomore season, becoming the first Georgetown player in the Thompson era to do so. The compact that had bound so many great Hoya players to a four year commitment--from Ewing to Williams, Mourning to Mutombo--had now been broken.
The first pick in the 1996 NBA draft, Iverson signed a $3.9 million contract with the Philadelphia 76ers and a ten year, $50 million deal with Reebok. His effort on the court is well known and respected, but for all the media portrayals of Iverson as the anti-hero, an icon of a "Hip Hop Nation" that ran counter to the NBA's carefully constructed marketing image, or as a symbol of all that is allegedly wrong in professional basketball, he remains remarkably well-grounded.
Married for six years and the father of two, Iverson is fiercely loyal to his teammates and to his childhood friends. He considered it an honor to play for the U.S. Olympic team in 2004 when other NBA stars passed on the offer, and maintains a number of charity events to benefit his local community. In comparison to his NBA career, his years at Georgetown were largely free of the intense media and personal scrutiny, providing at least two years where he could grow as a person as well as a basketball player.
His arrival and exit at Georgetown is still a source of debate in some circles, but his performance on the court is not. Allen Iverson found a home, even briefly, at the Hilltop, and remains one of its brightest stars. "In my heart, I know I'm a basketball player," Iverson said following his 2006 NBA trade, "being that I know I can play with the best of them."
From that first Kenner League game on 1994, no one has doubted it since.
hip-hop introduction 在 The Low Mays Youtube 的評價
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