By now, you have probably heard about my father’s red box. Minister Heng Swee Keat posted about it last week. The red box was a fixture of my father’s work routine. It is now on display at the National Museum of Singapore in his memorial exhibition.
Some of my father’s other personal items are there too. His barrister’s wig (of horsehair) from when he was admitted to the Bar. And a Rolex Oyster Perpetual watch given to him by the Singapore Union of Postal and Telecommunications Workers after he represented them in the famous postmen’s strike in 1952.
I enjoyed my visit to the exhibition a few days ago. Was happy to hear that many of you went yesterday. The exhibition will be on until 26 April. – LHL
MR LEE'S RED BOX
Mr Lee Kuan Yew had a red box. When I worked as Mr Lee’s Principal Private Secretary, or PPS, a good part of my daily life revolved around the red box. Before Mr Lee came in to work each day, the locked red box would arrive first, at about 9 am.
As far as the various officers who have worked with Mr Lee can remember, he had it for many, many years. It is a large, boxy briefcase, about fourteen centimetres wide. Red boxes came from the British government, whose Ministers used them for transporting documents between government offices. Our early Ministers had red boxes, but Mr Lee is the only one I know who used his consistently through the years. When I started working for Mr Lee in 1997, it was the first time I saw a red box in use. It is called the red box but is more a deep wine colour, like the seats in the chamber in Parliament House.
This red box held what Mr Lee was working on at any one time. Through the years, it held his papers, speech drafts, letters, readings, and a whole range of questions, reflections, and observations. For example, in the years that Mr Lee was working on his memoirs, the red box carried the multiple early drafts back and forth between his home and the office, scribbled over with his and Mrs Lee’s notes.
For a long time, other regular items in Mr Lee’s red box were the cassette tapes that held his dictated instructions and thoughts for later transcription. Some years back, he changed to using a digital recorder.
The red box carried a wide range of items. It could be communications with foreign leaders, observations about the financial crisis, instructions for the Istana grounds staff, or even questions about some trees he had seen on the expressway. Mr Lee was well-known for keeping extremely alert to everything he saw and heard around him – when he noticed something wrong, like an ailing raintree, a note in the red box would follow.
We could never anticipate what Mr Lee would raise – it could be anything that was happening in Singapore or the world. But we could be sure of this: it would always be about how events could affect Singapore and Singaporeans, and how we had to stay a step ahead. Inside the red box was always something about how we could create a better life for all.
We would get to work right away. Mr Lee’s secretaries would transcribe his dictated notes, while I followed up on instructions that required coordination across multiple government agencies. Our aim was to do as much as we could by the time Mr Lee came into the office later.
While we did this, Mr Lee would be working from home. For example, during the time that I worked with him (1997-2000), the Asian Financial Crisis ravaged many economies in our region and unleashed political changes. It was a tense period as no one could tell how events would unfold. Often, I would get a call from him to check certain facts or arrange meetings with financial experts.
In the years that I worked for him, Mr Lee’s daily breakfast was a bowl of dou hua (soft bean curd), with no syrup. It was picked up and brought home in a tiffin carrier every morning, from a food centre near Mr Lee’s home. He washed it down with room-temperature water. Mr Lee did not take coffee or tea at breakfast.
When Mr Lee came into the office, the work that had come earlier in the red box would be ready for his review, and he would have a further set of instructions for our action.
From that point on, the work day would run its normal course. Mr Lee read the documents and papers, cleared his emails, and received official calls by visitors. I was privileged to sit in for every meeting he conducted. He would later ask me what I thought of the meetings – it made me very attentive to every word that was said, and I learnt much from Mr Lee.
Evening was Mr Lee’s exercise time. Mr Lee has described his extensive and disciplined exercise regime elsewhere. It included the treadmill, rowing, swimming and walking – with his ears peeled to the evening news or his Mandarin practice tapes. He would sometimes take phone calls while exercising.
He was in his 70s then. In more recent years, being less stable on his feet, Mr Lee had a simpler exercise regime. But he continued to exercise. Since retiring from the Minister Mentor position in 2011, Mr Lee was more relaxed during his exercises. Instead of listening intently to the news or taking phone calls, he shared his personal stories and joked with his staff.
While Mr Lee exercised, those of us in the office would use that time to focus once again on the red box, to get ready all the day’s work for Mr Lee to take home with him in the evening. Based on the day’s events and instructions, I tried to get ready the materials that Mr Lee might need. It sometimes took longer than I expected, and occasionally, I had to ask the security officer to come back for the red box later.
While Mrs Lee was still alive, she used to drop by the Istana at the end of the day, in order to catch a few minutes together with Mr Lee, just to sit and look at the Istana trees that they both loved. They chatted about what many other old couples would talk about. They discussed what they should have for dinner, or how their grandchildren were doing.
Then back home went Mr Lee, Mrs Lee and the red box. After dinner, Mr and Mrs Lee liked to take a long stroll. In his days as Prime Minister, while Mrs Lee strolled, Mr Lee liked to ride a bicycle. It was, in the words of those who saw it, “one of those old man bicycles”. None of us who have worked at the Istana can remember him ever changing his bicycle. He did not use it in his later years, as he became frail, but I believe the “old man bicycle” is still around somewhere.
After his dinner and evening stroll, Mr Lee would get back to his work. That was when he opened the red box and worked his way through what we had put into it in the office.
Mr Lee’s study is converted out of his son’s old bedroom. His work table is a simple, old wooden table with a piece of clear glass placed over it. Slipped under the glass are family memorabilia, including a picture of our current PM from his National Service days. When Mrs Lee was around, she stayed up reading while Mr Lee worked. They liked to put on classical music while they stayed up.
In his days as PM, Mr Lee’s average bedtime was three-thirty in the morning. As Senior Minister and Minister Mentor, he went to sleep after two in the morning. If he had to travel for an official visit the next day, he might go to bed at one or two in the morning.
Deep into the night, while the rest of Singapore slept, it was common for Mr Lee to be in full work mode.
Before he went to bed, Mr Lee would put everything he had completed back in the red box, with clear pointers on what he wished for us to do in the office. The last thing he did each day was to place the red box outside his study room. The next morning, the duty security team picked up the red box, brought it to us waiting in the office, and a new day would begin.
Let me share two other stories involving the red box.
In 1996, Mr Lee underwent balloon angioplasty to insert a stent. It was his second heart operation in two months, after an earlier operation to widen a coronary artery did not work. After the operation, he was put in the Intensive Care Unit for observation. When he regained consciousness and could sit up in bed, he asked for his security team. The security officer hurried into the room to find out what was needed. Mr Lee asked, “Can you pass me the red box?”
Even at that point, Mr Lee’s first thought was to continue working. The security officer rushed the red box in, and Mr Lee asked to be left to his work. The nurses told the security team that other patients of his age, in Mr Lee’s condition, would just rest. Mr Lee was 72 at the time.
In 2010, Mr Lee was hospitalised again, this time for a chest infection. While he was in the hospital, Mrs Lee passed away. Mr Lee has spoken about his grief at Mrs Lee’s passing. As soon as he could, he left the hospital to attend the wake at Sri Temasek.
At the end of the night, he was under doctor’s orders to return to the hospital. But he asked his security team if they could take him to the Singapore River instead. It was late in the night, and Mr Lee was in mourning. His security team hastened to give a bereaved husband a quiet moment to himself.
As Mr Lee walked slowly along the bank of the Singapore River, the way he and Mrs Lee sometimes did when she was still alive, he paused. He beckoned a security officer over. Then he pointed out some trash floating on the river, and asked, “Can you take a photo of that? I’ll tell my PPS what to do about it tomorrow.” Photo taken, he returned to the hospital.
I was no longer Mr Lee’s PPS at the time. I had moved on to the Monetary Authority of Singapore, to continue with the work to strengthen our financial regulatory system that Mr Lee had started in the late 1990s. But I can guess that Mr Lee probably had some feedback on keeping the Singapore River clean. I can also guess that the picture and the instructions were ferried in Mr Lee’s red box the next morning to the office. Even as Mr Lee lay in the hospital. Even as Mrs Lee lay in state.
The security officers with Mr Lee were deeply touched. When I heard about these moments, I was also moved.
I have taken some time to describe Mr Lee’s red box. The reason is that, for me, it symbolises Mr Lee’s unwavering dedication to Singapore so well. The diverse contents it held tell us much about the breadth of Mr Lee’s concerns – from the very big to the very small; the daily routine of the red box tells us how Mr Lee’s life revolved around making Singapore better, in ways big and small.
By the time I served Mr Lee, he was the Senior Minister. Yet he continued to devote all his time to thinking about the future of Singapore. I could only imagine what he was like as Prime Minister. In policy and strategy terms, he was always driving himself, me, and all our colleagues to think about what each trend and development meant for Singapore, and how we should respond to it in order to secure Singapore’s wellbeing and success.
As his PPS, I saw the punishing pace of work that Mr Lee set himself. I had a boss whose every thought and every action was for Singapore.
But it takes private moments like these to bring home just how entirely Mr Lee devoted his life to Singapore.
In fact, I think the best description comes from the security officer who was with Mr Lee both of those times. He was on Mr Lee’s team for almost 30 years. He said of Mr Lee: “Mr Lee is always country, country, country. And country.”
This year, Singapore turns 50. Mr Lee would have turned 92 this September. Mr Lee entered the hospital on 5 February 2015. He continued to use his red box every day until 4 February 2015.
(Photo: MCI)
同時也有16部Youtube影片,追蹤數超過195萬的網紅MusicNeverSleeps,也在其Youtube影片中提到,Pre-order my new album! http://bit.ly/smileforthecamera Get this on iTunes/Spotify! http://bit.ly/jasonchen http://bit.ly/jasonspotify New MusicNeverS...
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100 PHIM CHÂU Á XUẤT SẮC
1. Tokyo Story (Ozu Yasujiro, 1953) – Japan
2. Rashomon (Kurosawa Akira, 1950) – Japan
3. In the Mood for Love (Wong Kar Wai, 2000) – Hong Kong
4. The Apu Trilogy (Satyajit Ray) – India
5. A City of Sadness (Hou Hsiao-hsien, 1989) – Taiwan
6. Seven Samurai (Kurosawa Akira, 1954) – Japan
7. A Brighter Summer Day (Edward Yang, 1991) – Taiwan
8. Spring in a Small Town (Fei Mu, 1948) – China
9. Still Life (Jia Zhang Ke, 2006) – China
10. The Housemaid (Kim Ki-young, 1960) – Korea
11. Close Up (Abbas Kiarostami, 1990) – Iran
12. A One and a Two (Edward Yang, 2000) – China
13. Spring, Summer, Fall, Winter… and Spring (Kim Ki-duk, 2003) – Korea
14. Oldboy (Park Chan-Wook, 2003) – Korea
15. Late Spring (Ozu Yasujiro, 1949) – Japan
16. A Taste of Cherry (Abbas Kiarostami, 1998) – Iran
17. Uncle Boonmee Who Can Recall His Past Lives (Apichatpng Weerasethakul, 2010) – Thailand
18. Ugetsu Monogatari (Mizoguchi Kenji, 1953) – Japan
19. The Music Room (Satyajit Ray, 1958) – India
20. The Cloud-capped Star (Ritwik Ghatak, 1960) – India
21.Where is the Friend’s Home (Abbas Kiarostami, 1987) – Iran
22. Raise the Red Lantern (Zhang Yimou, 1991) – China
23. Sopyonje (Im Kwon Taek, 1993) – Korea
24. Crouching Tiger Hidden Dragon (Ang Lee, 2000) – Taiwan
25. Spirited Away (Miyazaki Hayao, 2001) – Japan
26. Tropical Malady (Apichatpong Weerasethakul, 2004) – Thailand
27. Mother (Bong Joon-ho, 2008) – Korea
28. Poetry (Lee Chang-dong, 2010) – Korea
29. A Separation (Asghar Farhadi, 2011) – Iran
30. A Touch of Zen (King Hu, 1969) – Taiwan
31. Manila in the Claws of Light (Lino Brocka, 1975) – Philippines
32. Mandala (In Kwon Taek, 1981) – Korea
33. A Moment of Innocence (Mohsen Makhmalbaf, 1981) – Iran
34. Happy Together (Wong Kar Wai, 1997) – Hong Kong
35. The River (Tsai Ming-Liang, 1997) – Taiwan
36. Blissfully Yours (Apichatong Weerasethakul, 2002) – Thailand
37. Awaara (Raj Kapoor, 1951) – India
38. Floating Clouds (Naruse Mikio, 1955) – Japan
39. Pyaasa (Guru Dutt, 1957) – India
40. The Lonely Wife (Satyajit Ray, 1964) – India
41. The Cow (Dariush Mehrjui, 1969) – Iran
42. Red Sorghum (Zhang Yimou, 1987) – China
43. Days of Being Wild (Wong Kar Wai, 1990) – Hong Kong
44. Farewell My Concubine (Chen Kaige, 1993) – China
45. Vive l’amour (Tsai Ming Liang, 1994) – Taiwan
46. The Adopted Son (Aktan Abdykalykov, 1998) – Kyrgyzstan
47. Peppermint Candy (Lee Chang-dong, 1999) – Korea
48. I Was Born, But… (Ozu Yasujiro, 1932) – Japan
49. The Story of the last Chrysanthemums (Mizoguchi Kenji, 1939) – Japan
50. Living [Ikiru] (Kurosawa Akira, 1952) – Japan
51. Sansho The Bailiff (Mizoguchi Kenji, 1954) – Japan
52. The House is Black (Forough Farrokhzad, 1963) – Iran
53. Woman in the Dunes (Teshigahara Hiroshi, 1964) – Japan
54. Scattered Clouds (Naruse Mikio, 1967) – Japan
55. Daughter in Law (Khodzhakuli Narliyev, 1972) – Turkmenistan
56. Dersu Uzala (Kurosawa Akira, 1975) – Japan
57. In the Realm of the Senses (Oshima Nagisa, 1976) – Japan
58. A time to live and a time to die (Hou Hsiao-hsien, 1985) – Taiwan
59. Through the Olive Trees (Abbas Kiarostami, 1994) – Iran
60. Children of Heaven (Majid Majidi, 1997) – Iran
61. Osama (Siddiq Barmak, 2003) – Afghanistan
62. West of Tracks (Wang Bing, 2003) – China
63. Paradise Now (Hany Abu Assad, 2005) – Palestine
64. Mukhsin (Yasmin Ahmad, 2006) – Malaysia
65. Secret Sunshine (Lee Chang-dong, 2007) – Korea
66. The Goddess (Wu Yonggang, 1934) – China
67. Humanity and Paper Balloons (Yamanaka Sadao, 1937) – Japan
68. Street Angels (Yuan Mizhi, 1937) – China
69. The Life of Oharu (Mizoguchi Kenji, 1952) – Japan
70. Mother India (Mehboob Khan, 1957) – India
71. Floating Weeds (Ozu Yasujiro, 1958) – Japan
72. Good Morning (Ozu Yasujiro, 1959) – Japan
73. Paper Flowers (Guru Dutt, 1959) – India
74. The Naked Island (Shindo Kaneto, 1960) – Japan
75. Intentions of Murder (Imamura Shohei, 1964) – Japan
76. A Man Vanishes (Imamura Shohei, 1967) – Japan
77. Holiday (Lee Man-hee, 1968) – Korea
78. The Cruel Sea (Khaled Al Siddiq, 1972) – Kuwait
79. Insiang (Lino Brocka, 1976) – Philippines
80. Vengeance Is Mine (Imamura Shohei, 1979) – Japan
81. Batch ’81 (Mike de Leon, 1982) – Philipines
82. Taipei Story (Edward Yang, 1984) – Taiwan
83. The Runner (Amir Naderi, 1985) – Iran
84. My Neighbor Totoro (Miyazaki Hayao, 1988) – Japan
85. Ju Dou (Zhang Yimou, 1990) – China
86. Life, and Nothing More (and Life Goes on…) (Abbas Kiarostami, 1992) – Iran
87. The Puppetmaster (Hou Hsiao-hsien, 1993) – Taiwan
88. Chungking express (Wong Kar Wai, 1994) – Hong Kong
89. The Scent Of Green Papaya (Tran Anh Hung, 1994) – Vietnam, France
90. Gabbeh (Mohsen Makhmalbaf, 1995) – Iran
91. The White Balloon (Jafar Panahi, 1995) – Iran
92. The Day a Pig Fell into The Well ( Hong Sangsoo, 1996) – Korea
93. Hana-bi (Kitaro Takeshi, 1997) – Japan
94. Flowers of Shanghai (Hou Hsiao-hsien, 1998) – Taiwan
95. Chunhyang (Im Kwon Taek, 1999) – Korea
96. The Color of Paradise (Majid Majidi, 1999) – Iran
97. The Poet (Garin Nugroho, 1999) – Iran
98. Blackboards (Samira Makhmalbaf, 2000) – Iran
99. The Circle (Jafar Panahi, 2000) – Iran
100. The Day I became a Woman (Marzieh Meshkini, 2000) – Iran
#whatever
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<WOWOW x L’Arc~en~Ciel 30th L’Anniversary Special Collaboration
The live digest has been released ahead of the broadcast!>
“WOWOW x L’Arc~en~Ciel 30th L’Anniversary Special Collaboration”
Ahead of the broadcast on February 25, the live digest has been released.
Please do enjoy some of the band’s passionate and enthusiastic performances.
Furthermore, to enjoy the program together with our fans, we are implementing the social media project, “#30th L’Anniversary Together with WOWOW (#WOWOWと一緒に30thラニバ)”.
Please do post your thoughts and expectations of this program on social media along with the hashtag,” #30th L’Anniversary Together with WOWOW (#WOWOWと一緒に30thラニバ)”, and let’s share this special time with everyone.
【Tracks from the Live Digest】
GOOD LUCK MY WAY/ HEAVEN’S DRIVE/ flower/ forbidden lover/ REVELATION/ SEVENTH HEAVEN
【WOWOW Program Information】
■Broadcast Date: February 23,2021 (Tue/Public Holiday) 9:30pm~ (local time) WOWOW Live
L'Arc-en-Ciel "20th L'Anniversary Starting Live ‘L'A HAPPY NEW YEAR!'"
Jan. 1, 2011 Makuhari Messe International Exhibition Hall 9-11
■Broadcast Date: February 25,2021 (Thu) 7:00pm〜 (local time) WOWOW Live
L'Arc-en-Ciel "20th L'Anniversary TOUR"
Dec. 4, 2011 Kyocera Dome Osaka
For more information, please refer to WOWOW's Program Website.
WOWOW Program Website>> https://www.wowow.co.jp/larc/
#WOWOWと一緒に30thラニバ #ラルク30th #ラルク #LArc
==================================
<WOWOW × L'Arc~en~Ciel 30th L'Anniversary Special Collaboration
放送に先駆けてライヴダイジェスト映像を公開!>
「WOWOW × L'Arc~en~Ciel 30th L'Anniversary Special Collaboration」
2月25日の放送に先駆けて、ライヴダイジェスト映像を公開。
熱狂のパフォーマンスの一部をお楽しみください。
また、この番組をファンの皆様と一緒に楽しむためのSNS企画【#WOWOWと一緒に30thラニバ】を実施中。
番組への期待や感想をハッシュタグ【#WOWOWと一緒に30thラニバ】をつけてSNSに投稿し、皆でスペシャルな時間を共有しよう。
【ライヴダイジェスト収録曲】
GOOD LUCK MY WAY / HEAVEN'S DRIVE / flower / forbidden lover / REVELATION / SEVENTH HEAVEN
【WOWOW番組情報】
■放送日 2021年2月23日(火/祝) 21:30[WOWOWライブ]
L'Arc~en~Ciel「20th L'Anniversary Starting Live “L'A HAPPY NEW YEAR!”」Jan. 1, 2011 幕張メッセ国際展示場9-11
■放送日 2021年2月25日(木) 19:00[WOWOWライブ]
L'Arc~en~Ciel「20th L'Anniversary TOUR」Dec. 4, 2011 京セラドーム大阪
詳細は、WOWOW番組サイトをご確認ください。
WOWOW番組サイトはこちら>> https://www.wowow.co.jp/larc/
#WOWOWと一緒に30thラニバ #ラルク30th #ラルク #LArc
happy together 2011 在 MusicNeverSleeps Youtube 的評價
Pre-order my new album! http://bit.ly/smileforthecamera
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Jason Chen
P.O. Box 2113
Arcadia, CA 91077
LYRICS:
Do you remember when I said I'd always be there.
Ever since we were ten, baby.
When we were out on the playground playing pretend.
Didn't know it back then.
Now I realize you were the only one
It's never too late to show it.
Grow old together,
Have feelings we had before
Back when we were so innocent
I pray for all your love
Girl our love is so unreal
I just wanna reach and touch you, squeeze you, somebody pinch me
This is something like a movie
And I dont know how it ends girl
but I fell in love with my Best Friend
Through all the dudes that came by
And all the nights that you'd cry.
I was there right by your side.
How could I tell you I loved you
When you were so happy
With some other guy?
Now I realize you were the only one
It's never too late to show it.
Grow old together,
Have feelings we had before
When we were so innocent.
(Chorus)
I know it sounds crazy
That you'd be my baby.
But you mean that much to me.
'Cause nothing compares when
We're lighter than air and
We don't wanna come back down.
But I don't wanna ruin what we have
Love is so unpredictable.
But it's the risk that I'm taking,
Hoping, praying
You'd fall in love with your best friend
(Chorus) x2
I remember when I said I'd always be there
Ever since we were ten.
When we were out in the sandbox [playground] playing pretend.
Didn't know it back then...
credits
released 18 November 2011
Copyright 2011 Music Never Sleeps.
Recorded by Jason Chen
happy together 2011 在 Namewee Youtube 的評價
數位音樂下載 Online Music Download【放半粒 Handicap Goal】:https://lnk.to/3FFixc2B
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"放半粒" (Handicap Goal)
詞:黃明志 曲:黃明志
Yeah! World Cup 2010
Are you ready?
大家一起來
Let's sing along with me!
Handicap Handicap Handicap goal goal!
放半粒放半粒放半粒放半粒 放放!!
Gimme more gimme more gimme oh oh!
吃半粒吃半粒吃半粒吃半粒 Um Um!!
Handicap Handicap Handicap goal goal!
放半粒放半粒放半粒放半粒 放放!!
Gimme more gimme more gimme oh oh!
吃半粒吃半粒吃半粒吃半粒 Um Um!!
世界杯又要到來
It's World Cup fever again!
祝福大家恭喜發財
Wishing all a happy betting time!
Kopi 店客似雲來
Fans from all walks of life packing our Kopitiams
來吃飯的麻煩請滾開
If you're here for dinner kindly get the hell out of here!
除了球迷 還有bookie
Fanatics, the bookies and the non-believers
不懂球的也來歡喜
all wanting to get some action
電話ringtone響不停
Mobile phones everywhere just won't stop ringing
har? 還聽Ricky martin?
But c'mon! Still ole Ricky Martin?
我要感染這氣息
Not to be left out
所以找了一些kaki
So I got my own kaki together
兩瓶啤酒和啤酒美女
We keep the beer coming and more hotties too!
大家一起 來放放半粒
Looks like we're finally scoring some big time!
女朋友們都生氣
The girlfriends are all complaining
老婆全部在家裡
The wives are all left at home
因為四年一次
Cos it's once every four years
不看會死 不用吃 不用睡 只要
You live without food & rest but you just can't live without ...
Handicap Handicap Handicap goal goal!
放半粒放半粒放半粒放半粒 放放!!
Gimme more gimme more gimme oh oh!
吃半粒吃半粒吃半粒吃半粒 Um Um!!
Handicap Handicap Handicap goal goal!
放半粒放半粒放半粒放半粒 放放!!
Gimme more gimme more gimme oh oh!
吃半粒吃半粒吃半粒吃半粒 Um Um!!
你看人家踢球踢到
See how we're always rooting
全世界都為他尖叫
and cheering for our favorite World Cup team
為什麼我們的國腳
But why are all our local players
為什麼我們的國腳 好像被踢到kuku 叫?
Playing like something is up in their asshole?
外圍賽不用比了
Not only we never qualify
贏新加坡還要祈禱
We have to pray hard just to beat Singapore
等一下 人家誤會
Maybe outsiders already spreading rumour that
說大馬男人的體力不好
All Malaysian men all have a low libido!
Thomas cup 輸到起肖
We got thrashed at Thomas Cup
Dato Lee講他想太多罷了
Datuk Lee claimed it was too much pressure
我在bukit jalil那天
I was at Bukit Jalil supporting our team
喊到聲音越來越小
but all I could hear was the cheers getting softer & softer
雙峰塔有一點高
Twin towers still looks pretty tall
還有什麼值得我們驕傲
But what else can we shout about?
Malaysia boleh boleh tak tongkat ali
Malaysia boleh boleh tak tongkat ali
有沒有療效?
Can it really work?
Bola boleh bola boleh bola tak boleh Ahmoi boleh
Bola boleh bola boleh bola tak boleh Ahmoi boleh
Bola boleh bola boleh bola tak boleh Ahmoi boleh
Bola boleh bola boleh bola tak boleh Ahmoi boleh
有人贏球笑笑
Winners cheering all the way
有人輸球抱抱
Losers just want more beer and hugs
有人賭球 只是一種參與感罷了
Some bet just to feel alive again
西班牙gogo
Espanyol GO GO!
巴西法國gogo
Brazil GO GO!
義大利GO 阿根廷GO
Italy GO! Argentina GO!
Malaysia oh no no!
Malaysia Oh No No!
放半粒 boleh boleh
We can't even win with a handicap goal!
放半粒 Ahmoi boleh
But at least our ahmoi chicks look good!
放半粒 boleh boleh
We can't even win with a handicap goal!
放半粒 Amoi boleh
But at least our ahmoi chicks look good!
放半粒 boleh boleh 這是我們唯一的參與感yo!
So that's how Malaysians have fun in World Cup!
Handicap Handicap Handicap goal goal!
放半粒放半粒放半粒放半粒 放放!!
Gimme more gimme more gimme oh oh!
吃半粒吃半粒吃半粒吃半粒 Um Um!!
Handicap Handicap Handicap goal goal!
放半粒放半粒放半粒放半粒 放放!!
Gimme more gimme more gimme oh oh!
吃半粒吃半粒吃半粒吃半粒 Um Um!!
Bola boleh bola boleh bola tak boleh Ahmoi boleh
Bola boleh bola boleh bola tak boleh Ahmoi boleh
Bola boleh bola boleh bola tak boleh Ahmoi boleh
Bola boleh bola boleh bola tak boleh Ahmoi boleh
-
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#Namewee #黃明志 #放半粒
happy together 2011 在 bubzbeauty Youtube 的評價
Hey Everybody!
Hope you all had a great Christmas with your loved ones. The New Year is coming so here is a great hairstyle perfect for your New Years Eve parties. You can even wear this to party parties, prom or any special occasions. I will show you through step by step.
It's very romantic, elegant and glamorous. I actually wore this hairstyle on Christmas day and received tons of compliments so hopefully you guys will feel special in this updo.
It actually took me about 15 minutes or less because I like to do my hair really quickly lol.. but in general- this hairstyle isn't as complicated as it looks. It's simply combining several simple hair techniques together.
I missed doing hair tutorials and I saved them to do in my 3 week stay in UK =)
The music in the bg is an instrumental of IU's Good Day. It's awesomerz!!
Have a happy new year guys!
May 2011 be a year filled with lots of happiness and love for you all.
Much love,
Bubz xx
Subscribe to my comedy channel:
http://www.youtube.com/bubbiosity
Subscribe to my VLOG channel:
http://www.youtube.com/bubzvlogz
Follow me on Twitter:
http://www.twitter.com/bubzbeauty
Bubzbeauty Official Website:
http://www.bubzbeauty.com
Shop the Bubbi Clothing Line:
http://bubbi.bubzbeauty.com
Connect with me at the Bubzbeauty Fanpage where I chill n catch up with you guys ^^
http://www.facebook.com/pages/Bubzbeauty-Official/181811348879
happy together 2011 在 [轉錄][中字] 110421 KBS Happy Together E193 - 看板CNBLUE 的八卦
[本文轉錄自BEAST 看板#1Di7hVnZ ] 作者: razan (並非絕對僅供參考) 看板: BEAST 標題: [影音] 110421 KBS Happy Together E193 時間: Fri Apr 22 02:43:41 2011 ... ... <看更多>
happy together 2011 在 wing shya's images from the set of wong kar wai's 'happy ... 的八卦
WING SHYA'S IMAGES FROM THE SET OF WONG KAR WAI'S 'HAPPY TOGETHER' — SOME/THINGS ... In 2011, SOME/THINGS also presented WING SHYA 's previously unreleased ... ... <看更多>