Q1: What is success mean to you?
I'm not sure what defines success, for me, success or failure is just a “phenomenon” that keeps changing. “Everything with form is unreal; if all forms are seen as unreal, the Tathagata will be perceived.” There is no rule to achieve success, we don’t know whether or not we can succeed before we start exploring.
Q2: How did you get into film and media? Can you tell me about your childhood?
As a child, I was obsessed with children's literature and illustrations, it was the reason I decided to study Design in HK PolyU. My first scriptwriting class in School of Creative Media, was a turning point. Dr. Tam Ka Ming’s teachings guided me towards the film industry. All I know is that I couldn’t help but follow my desire to use a camera to tell stories. It’s what led me drifting down this life-long career path. At the age of 23, I filmed my first movie, “High Noon". It portrays the dilemma of teens becoming adults and stepping into society.
Q3: How do you approach story or scene as a director, and what do you want to achieve on set?
The motifs of my movies are youth, growth, desire, bright and dark sides of human nature.
I think making movie is a journey of “Discovery”, “Recovery” and “Being”. Youth and teen growth is not only the topic for my debut, it is the topic of life that I concern.
Q4: Why you also started a talent agency? You also produce, why you choose to do so many things?
When I started my company Dumb Youth, my 1st intention was to protect those artists. Then I realize that a part of my role in life is to embrace my life with my "companions". I believe that the people and things around us coexists in the same space for a reason. I live by the Kahlil Gibran quote: “And all work is empty save when there is love”.
Q5: What inspires you about the film world and in HK Film Industry?
Love and Death, Lust and Desire, Humanity and Spirituality, lightness, heaviness and thickness.
For Hong Kong Film industry, I think the creativity and imagination always inspire me the most, and most importantly, people here have the ability to find humor amongst adversity.
Thanks Prestige HK 🙏🏼🤍
Makeup & Hair for Heiward
Thanks Makeup - @tammyau_makeup 🤍
Hair - @jayyeung.theedge 🤍
#Repost @prestigehk
On the #prestige40under40 list this year, Heiward Mak is a talented film director, producer, scriptwriter and artist manager. She recounts her incredible journey in the film industry via the link in bio.
Video - @whats.in.the.bozz
Editing - @novisuals
Photo - @studio.incline
Makeup/Makeup Assistant
@jenny.tziong & Venus Ngan
Hair - @domanictao
@prestigehk 🥂 #prestigehk40under40 #prestigehk #40under40 #bmwhongkong #breguethk #rareskinfuel #amihongkong
同時也有10000部Youtube影片,追蹤數超過62萬的網紅Bryan Wee,也在其Youtube影片中提到,...
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form of spirituality 在 Marihiko Hara / MH Studio Inc. Facebook 八卦
Some tracks by Marihiko Hara featured:
"OKINA Dance of Life" on NHK WORLD
https://www3.nhk.or.jp/nhkworld/en/tv/worldprime/20200530/3016073/?fbclid=IwAR0aClzKt4fJFLcKWrWe3n156Mj-DcHOnpOVi_kgZKMxadWgY9o2EEy9Znk
May 30, 2020
10:10 - 11:00 / 16:10 - 17:00 / 22:10 - 23:00
May 31, 2020
4:10 - 5:00
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Noh-Kyogen is allegedly the most ancient existing form of theater. Among its repertories, "Okina-Sanbaso" is performed only on special occasions, such as the new year. Unlike other Noh and Kyogen pieces, this 600-year-old masterpiece has no apprehensible synopsis, but is considered more of a sacred ritual which prays for peace and for abundant harvest. "Okina-Sanbaso" reflects a mixture of Buddhism, Shintoism and various Asian cultures that arrived through China and Korea. With enigmatic origins, it is a sacred rite that only the selected few Noh actors are allowed to perform. In 2019, under cherry trees in full bloom, the most prominent Noh performers of Japan staged "Okina-Sanbaso" in Tanzan Shrine, Nara Prefecture. Kanze Kiyokazu, the direct descendant of Noh founders Kan'ami and Zeami and the 26th head of Kanze school, danced the first part, "Okina." Nomura Mansai, dancing the latter part, "Sanbaso," is an actor representing Japan. World-renowned musician, Ryuichi Sakamoto, who is also deeply interested in this unique piece, will animate throughout the program our exploration of the performance in an attempt to decipher the underlying spirituality of Japanese culture, in regard to concepts of "Multicultural symbiosis" and of "Animism."
form of spirituality 在 Facebook 八卦
Sikh Turban
A Dastar(Turban) (Punjabi: ਦਸਤਾਰ, or Pagṛi (Punjabi: ਪਗੜੀ)or Pagg is a mandatory headgear for Sikh men. Dastar is very clearly associated with Sikhism and is an important part of the Sikh culture. Wearing a Sikh turban is mandatory for all Amritdhari (baptized) Sikh men (also known as Khalsa).
Among the Sikhs, the turban is an article of faith that represents honour, self-respect, courage, spirituality, and piety. The Khalsa Sikh men, who adorn the Five Ks, wear the turban partly to cover their long, uncut hair (kesh). The turban is mostly identified with the Sikh males, although some Sikh women also wear turban. The Khalsa Sikhs regard the turban as an important part of the unique Sikh identity.Sikhs do not cut their hair, as a religious observance. The turban protects the hair and keeps it clean. As Sikhs only form 2% of India’s population, their turbans help identify them. When he institutionalized the turban as a part of the Sikh identity, Guru Gobind Singh said, "My Sikh will be recognized among millions."#sikh #sikhism #turban #khalsa #hair #punjabi #amritdhari #baptized #paag #dastar
form of spirituality 在 スキマスイッチ - 「全力少年」Music Video : SUKIMASWITCH / ZENRYOKU SHOUNEN Music Video Youtube 的評價
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form of spirituality 在 Is science a form of spirituality? | A Christian & Atheist Discuss 的八卦
Praveen Sethupathy (Cornell) and Roald Hoffmann (Cornell) discuss genetics, chemistry, and questions of faith. ... <看更多>