Had a candid and lively dialogue at the Deloitte World Meeting yesterday, attended by 500 Deloitte senior leaders. They last came to Singapore in 2006, when Mr Lee Kuan Yew spoke to them.
We discussed global and regional trends, globalisation and protectionism, the importance of strong but constructive unions, how Singapore’s multiculturalism was key to our development, leadership renewal, and the problem of “key man risk”.
There is no constant but change in the world, and so we need continuous renewal. It’s not just having the best team, but also bringing in members from new generations to add their ideas. Singapore must do this so that we can take on long-term problems with thoughtful planning, and not kick the can down the road. This is how we deal with issues like climate change, when we have some time to plan and execute our responses. We must not make our grandchildren ashamed one day of what we didn’t do. – LHL
(With Deloitte Global Chair Sharon Thorne, who moderated yesterday’s dialogue. / MCI Photo by Fyrol)
同時也有1部Youtube影片,追蹤數超過57的網紅Tung I-Fen,也在其Youtube影片中提到,60 A Minute 在作品『與時間牽手』的結構核心,是採用心理學角度作為出發,觀者在60個一分鐘的結構裡,體驗大腦對時序、時距和時點的不同感知,證明時間是主觀和人性化的,不同人對其意識程度和認知也有不同。 在董怡芬的編舞經驗中,「時間」一直在她的創作元素裡佔有極大且重要的位置,時間長度地掌握...
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constant continuous 在 Lee Hsien Loong Facebook 八卦
Had a candid and lively dialogue at the Deloitte World Meeting yesterday, attended by 500 Deloitte senior leaders. They last came to Singapore in 2006, when Mr Lee Kuan Yew spoke to them.
We discussed global and regional trends, globalisation and protectionism, the importance of strong but constructive unions, how Singapore’s multiculturalism was key to our development, leadership renewal, and the problem of “key man risk”.
There is no constant but change in the world, and so we need continuous renewal. It’s not just having the best team, but also bringing in members from new generations to add their ideas. Singapore must do this so that we can take on long-term problems with thoughtful planning, and not kick the can down the road. This is how we deal with issues like climate change, when we have some time to plan and execute our responses. We must not make our grandchildren ashamed one day of what we didn’t do. – LHL
(With Deloitte Global Chair Sharon Thorne, who moderated yesterday’s dialogue. / MCI Photo by Fyrol)
constant continuous 在 Koe Yeet ( 高艺 ) Facebook 八卦
Packing for a continuous 3 months shoot in Perak can be pretty daunting. But I usually start with the essentials and work from there.
Here I am, stuffing the new Style Fantasy bra with multi-coloured embroidery on grey lace into my luggage. Crafted to shape, support and lift, the lightweight design of this bra provides a supremely comfortable fit against the skin. Being a woman is not about looking like one; being a woman is about feeling like one. My lingerie brings me confidence and it's a constant reminder that being feminine, is being strong.
@triumphlingerie_asia
#triumphlingerieMY
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constant continuous 在 Tung I-Fen Youtube 的評價
60 A Minute 在作品『與時間牽手』的結構核心,是採用心理學角度作為出發,觀者在60個一分鐘的結構裡,體驗大腦對時序、時距和時點的不同感知,證明時間是主觀和人性化的,不同人對其意識程度和認知也有不同。
在董怡芬的編舞經驗中,「時間」一直在她的創作元素裡佔有極大且重要的位置,時間長度地掌握也一直是創作裡非常重要的功夫,巧妙運用時間的長短與快慢變化,產生所需的效果傳達。時間是一條持續向未來延伸的長線,20世紀的天才哲學家海德格(Martin Heidegger),把人生描繪為不斷做選擇並「被拋向未來」的存在。此製作其最終目標並非在於辯證出時間理論其正確性,而是藉此製作處理一向以時間推進為主要感官知覺的觀舞方式,能夠有其他的閱讀機會。安娜琪舞者一向擅長處理現場表演與觀眾之間的對應關係,在精細舞蹈編排設定後,時而慘入對時序的打破、時而對現實時間的推移做改變、時而藉由空間的流轉改變時間的定義。
The core structure of “60 A Minute” derives from a psychological perspective. In 60 one-minute-sections, the audience find themselves experience time order, time interval, and timing differently, proving that how we perceive time is subjective, human-centered, and variant among one another.
In I-Fen Tung’s choreography, “time” has been a constant key element. She values the mastering of time, utilizing different time length and speed to create the desired effects in her pieces. Time is a continuous extension into the future. Martin Heidegger, a renowned philosopher of the 20th century, depicts life as incessant decision-making and “being tossed towards the future”.
The aim of this production is not to debate the theory of time, but to generate an alternative to the usual perception of viewing dance in the chronology of time. Anarchy Dance Theatre excels in creating strong interfaces between audience and live performance. Their choreography, delicate and well thought out, integrates the shatter of time order, the shifting of real-time, and the influence of space transformation towards the meaning of time.
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constant continuous 在 Continuous, Continual, Constant, or Persistent? Learn ... 的八卦
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