What type of writer are you?
That’s a question I asked myself more than 20 years ago when I first got started and there’s basically 3 choices...
Choice 1: The Academic Writer
This is the type of writer we learn to become at school.
“Never start a sentence with ‘because’.”
“Don’t forget the comma!”
“Always write a complete thought.”
Some of these writers have gone on to become very well-known authors.
Some of them have made contributions to science, history, literature.
Some have made it really big.
But that’s not something I could do…
And here’s why.
The barrier of entry is pretty high. And you also usually have to get into a lot of student debt and write several papers that could take years before you become recognized.
And that’s just something I wasn’t willing to do.
Besides, I’m not even a native speaker of English.
And my grammar sucks.
But if you’re an A student, and you want to pursue a career as an academic writer - this may be the path for you.
Choice 2: The Creative Writer
When you say “I’m a writer”, this is what most people think of...
Who wouldn’t want to be a stay-at-home writer that can get up whenever you want?
The creative writer is the writer that writes fiction, that writes stories, and that entertains readers all over the world.
These are the writers that become world-famous authors, like J.K. Rowlings or Stephen King.
But for most writers, it’s not as dreamy as it sounds...
No one tells you about all the months you have to fight off writer's block…
Or about the bills that start taking over your desk space if you don’t go get a regular job...
Or that your first manuscript is actually “supposed” to get rejected...
You see what usually happens is this.
1. You write the book.
2. You wait a long time for it to get published (18 months).
3. And then you wait another long period of who knows how long before you earn royalties.
And unless you have a huge load of savings during that time, it’s game over...
So either you have a lot of savings to keep you in the game, or you’re forced back into a 9 - 5 to pay off all the bills.
Now I’m not saying you can’t do it. Many writers push through the hard times and become successful writers.
I just hate the idea of working a 9 to 5 or waiting years to get a return on my time…
So I didn’t opt in to being this kind writer either. And if you’re anything like me, neither would you...
Choice 3: The Revenue-Based Writer
Now these writers aren’t the best at English in the world. And they’re probably not the most creative either...
But that’s okay. There’s a different advantage to being a Revenue-Based Writer.
And that is they’re responsible for trillions of dollars of revenue every single year.
Let me prove it to you.
Think of any big names you can:
Coca-Cola, Microsoft, Apple, Google, Nike, Ikea...
How do you think these companies effectively communicate their message to millions and millions of people every single day?
They need writers that can influence, persuade, and inspire people to buy their products and services - on a daily basis.
And when they have those writers, they make more money. And when they make more money, guess what…
They pay those writers more money.
Now maybe you’re wondering.
“Well what do these types of writers actually do?”
Well here’s what they do, and here’s how to become one if that’s what you’re interested in...
Imagine someone has a local electronics store and they get some people visiting their website...
And their sales are okay, they’re making around $500-bucks a month online.
Now, what if you rewrote it or tweaked a couple things to increase their monthly revenue from online orders to $1,000?
Now they’re making 2X as much from the same website.
You’ve just doubled their sales.
Wouldn’t they be happy to pay you $100 for helping them make an extra $500 every month?
And if you could make them $500 dollars more a month, do you think they’d really care about how good your grammar is?
Or would they care more about how much money you’d make them?
And if you could make them money, don't you think they'd want to pay you more to keep writing for them?
Simple right? It is.
So it’s not like traditional writing where you have to slave away for 2 to 3 years before getting anything back for your work…
As a Revenue-Based Writer, you can bring in the cash after just a few weeks of work - sometimes after just a few days.
It’s great.
But like all great things, there is a catch.
And it’s why the average writer never gets into this kind of stuff.
You do have to know which gigs to offer...
Ever notice how some writers (who aren't very good writers) are making great money — while other better writers are barely scraping by or not making the income they deserve?
What's the difference?
Well, not all writing opportunities are created equal.
If you want to know the 4 easy gigs to become a revenue-based writer…
... Without going to another freelance site where you’re treated as a commodity and are forced to earn less than you deserve...
I’ve put together a special, free on-demand training that goes much more in-depth
If you want to check it out, put the keyword “writer” below and I’ll send it to you personally.
同時也有5部Youtube影片,追蹤數超過19萬的網紅คุยการเงินกับที,也在其Youtube影片中提到,หุ้นทั้งโลกขึ้นมาเยอะแล้วเต็มมูลค่าหรือยัง แนวโน้มการฟื้นตัวเศรษฐกิจจะเป็นอย่างไร ปัจจัยสำคัญที่จะทำให้เศรษฐกิจฟื้น โอกาสอยู่ตรงไหน อะไรฟื้นก่อน ตอนน...
「commodity money」的推薦目錄:
- 關於commodity money 在 Dan Lok Facebook
- 關於commodity money 在 Dan Lok Facebook
- 關於commodity money 在 Catherine C 朱琦郁 Facebook
- 關於commodity money 在 คุยการเงินกับที Youtube
- 關於commodity money 在 我要做富翁 Youtube
- 關於commodity money 在 我要做富翁 Youtube
- 關於commodity money 在 Three Types of Money in One Minute: Commodity ... - YouTube 的評價
commodity money 在 Dan Lok Facebook 八卦
What type of writer are you?
That’s a question I asked myself more than 20 years ago when I first got started and there’s basically 3 choices...
Choice 1: The Academic Writer
This is the type of writer we learn to become at school.
“Never start a sentence with ‘because’.”
“Don’t forget the comma!”
“Always write a complete thought.”
Some of these writers have gone on to become very well-known authors.
Some of them have made contributions to science, history, literature.
Some have made it really big.
But that’s not something I could do…
And here’s why.
The barrier of entry is pretty high. And you also usually have to get into a lot of student debt and write several papers that could take years before you become recognized.
And that’s just something I wasn’t willing to do.
Besides, I’m not even a native speaker of English.
And my grammar sucks.
But if you’re an A student, and you want to pursue a career as an academic writer - this may be the path for you.
Choice 2: The Creative Writer
When you say “I’m a writer”, this is what most people think of...
Who wouldn’t want to be a stay-at-home writer that can get up whenever you want?
The creative writer is the writer that writes fiction, that writes stories, and that entertains readers all over the world.
These are the writers that become world-famous authors, like J.K. Rowlings or Stephen King.
But for most writers, it’s not as dreamy as it sounds...
No one tells you about all the months you have to fight off writer's block…
Or about the bills that start taking over your desk space if you don’t go get a regular job...
Or that your first manuscript is actually “supposed” to get rejected...
You see what usually happens is this.
1. You write the book.
2. You wait a long time for it to get published (18 months).
3. And then you wait another long period of who knows how long before you earn royalties.
And unless you have a huge load of savings during that time, it’s game over...
So either you have a lot of savings to keep you in the game, or you’re forced back into a 9 - 5 to pay off all the bills.
Now I’m not saying you can’t do it. Many writers push through the hard times and become successful writers.
I just hate the idea of working a 9 to 5 or waiting years to get a return on my time…
So I didn’t opt in to being this kind writer either. And if you’re anything like me, neither would you...
Choice 3: The Revenue-Based Writer
Now these writers aren’t the best at English in the world. And they’re probably not the most creative either...
But that’s okay. There’s a different advantage to being a Revenue-Based Writer.
And that is they’re responsible for trillions of dollars of revenue every single year.
Let me prove it to you.
Think of any big names you can:
Coca-Cola, Microsoft, Apple, Google, Nike, Ikea...
How do you think these companies effectively communicate their message to millions and millions of people every single day?
They need writers that can influence, persuade, and inspire people to buy their products and services - on a daily basis.
And when they have those writers, they make more money. And when they make more money, guess what…
They pay those writers more money.
Now maybe you’re wondering.
“Well what do these types of writers actually do?”
Well here’s what they do, and here’s how to become one if that’s what you’re interested in...
Imagine someone has a local electronics store and they get some people visiting their website...
And their sales are okay, they’re making around $500-bucks a month online.
Now, what if you rewrote it or tweaked a couple things to increase their monthly revenue from online orders to $1,000?
Now they’re making 2X as much from the same website.
You’ve just doubled their sales.
Wouldn’t they be happy to pay you $100 for helping them make an extra $500 every month?
And if you could make them $500 dollars more a month, do you think they’d really care about how good your grammar is?
Or would they care more about how much money you’d make them?
And if you could make them money, don't you think they'd want to pay you more to keep writing for them?
Simple right? It is.
So it’s not like traditional writing where you have to slave away for 2 to 3 years before getting anything back for your work…
As a Revenue-Based Writer, you can bring in the cash after just a few weeks of work - sometimes after just a few days.
It’s great.
But like all great things, there is a catch.
And it’s why the average writer never gets into this kind of stuff.
You do have to know which gigs to offer...
Ever notice how some writers (who aren't very good writers) are making great money — while other better writers are barely scraping by or not making the income they deserve?
What's the difference?
Well, not all writing opportunities are created equal.
If you want to know the 4 easy gigs to become a revenue-based writer…
... Without going to another freelance site where you’re treated as a commodity and are forced to earn less than you deserve...
I’ve put together a special, free on-demand training that goes much more in-depth
If you want to check it out, put the keyword “writer” below and I’ll send it to you personally.
commodity money 在 Catherine C 朱琦郁 Facebook 八卦
很多女生朋友對投資都很有興趣,但是對基本專有名詞一頭霧水,網路上這篇 《金融就是買包包》,用買包這件事為例,讓女人秒懂複雜的金融術語!!給大家參考一下!!快tag你愛買包包的捧油!
金融就是買包包
1.流通市場(Secondary market)和 發行市場(Primary Market):
愛馬仕直接銷售鉑金、凱莉包是發行市場(Primary Market)。
但是因為愛馬仕現貨一包難求,通常大家都買不到,只有少數有特殊管道,或是特別幸運的人可以在愛馬仕專賣店買到,購買到的人把包包再銷售是流通市場(Secondary market)。
2.期貨Futures:
你預定一款紀梵希(Givenchy)的包包,通知你到貨了,你去購買再銷售叫做實物交割(physical settlement)。
你發現店裏面現貨比你預定價格漲了不少,你決定把你預定的貨賣給同行你只賺個差價,這叫做現金交割(Cash settlement)。
一個包本來你需要花100買下然後賣掉才賺10元,結果你只花10元預定後直接賣給同行賺差價10元,這就是杠杆交易(leverage)。
你購買手錶,櫃姐叫你先交500元定金看能不能定到,這個在金融中間可以叫margin(保證金),結果Sales訂到了,叫你按照30%交全部定金,交易中叫做Margin-Call(追加保證金)。
3.空頭交易(Short Sale):
你是一個CHANEL櫃姐,客人需要一款Chanel(香奈兒)2.55, 你沒有去買,直接從同行那裏調貨一個賣給客人,說好過幾天還一個一樣的,當時匯率是*9,過了幾天匯率降到*8,你結果以更便宜的價格買了一個Chanel 2.55 還給同行。
4.止損(Stop Losses):
你去年發現Celine(賽琳)包包很好賣,買個幾個屯著,結果今年賣不掉,只有降價處理。
5 · 私募(Private Placement):
你很喜歡 YSL(聖羅蘭)的包包,結果發現每次去都沒有貨,但是來了個代購一次就都拿了20個。
YSL發現包包賣得很好,於是推出其它品種,並且調高價格,結果其品牌影響力一般,造成大量滯銷,結果只有調低破發,這是Subprime(次級貸款)的雛形。
6.衍生品(Derivative):
你去買Lady Dior(迪奧),結果要你配個晚宴包才賣給你,這就是衍生品(Derivative)。
你的Lady Dior包的價格是Intrinsic value(內在價值),你的晚宴包賣出賺了錢叫做(In-the-money), 平價賣出(at the money),虧了錢叫做(Out-of-the-money)。
7.市場監管(Regulation):
Chanel本來一個月可以買一個,結果變成了三個月一個,本來可以護照複印件買,後來變成了需要護照原件。如果過了一段時間護照複印件又可以購買了,英國首相2008年承認叫做監管失利。
8.量化寬鬆(Quantative Easing):
本來前年巴黎世家賣得很好,就規定了一本護照一個,後來突然就沒有人買了,沒有辦法就放寬限制可以任意購買。
9.基本面分析(Fundamental Analysis):
央行宣佈基本利率維持不變和奢侈品宣佈今年不漲價一樣都屬於利好消息。
10.垃圾債券(Junk Bond):
Coach大力宣傳,佔據了巴黎春天百貨最好的位置,結果生意太差,只有把展位一分為二給了Fendi,這叫債務重組(restructure)。
如果有一天Fendi 徹底把Coach另外一半的展櫃一起接管了,叫借殼上市(Back-door listing)。
11.利差交易(Carry Trading):
利差交易主要來源於從日本市場借貸比較低利率的日元,換成其他流通貨幣放在較高利率的市場套現,代購本身就是一個利差交易,當歐元高於8.5兌換的時候,你的利差交易價值也沒有了,同樣日元兌換美元偏低的時候利差交易也是同樣存在風險。
12.場外交易(Over the counter OTC):
你根據愛馬仕的皮質,顏色進行自由定價,在金融上叫做mark-to-market,你通過淘寶交易叫做Exchange,然而你決定面交叫做場外交易(Over the counter OTC)。
淘寶的瀏覽量金融叫做Liquidity,你選擇一個交易所交易的原因是看這個交易所的流通性好不好,你選擇淘寶的原因也是一樣。你提現2小時到賬叫做T+0,第二天到賬叫做T+1。
13.結構性產品(structure product):
你想買一個包,銷售由於包很緊俏不想賣給你,但是告訴你,你買點衣服我可以賣給你,這就是結構性產品(structure product)。
14.市場(market):
你做手錶,因為貴重叫做commodity market(金屬交易市場)。
你做皮具叫做Bond market (債券市場),基本上風險相對較小。
你做衣服叫做Currency(匯率市場)主要變化大。
如果這些產品都做,屬於Stock Market(股票市場)其風險和利潤並存。
15.金融業:
我寫這篇文章叫做Strategist(策略分析師)。
你去購買叫做交易員Trader(Front Office)。
你客服根據你指示完成交易叫做Middle Office。
打包發貨叫做Back Office。
黑貓宅急便起到Clearing House(交割中心)的作用:收取服務費用,協助交割。
16.如果Front Office,Middle Office,Back Office你一個人完成,就是典型的散戶。
這篇出自於微博,原出處也找不太到,我有用台灣的用語稍微改過,希望大家能夠融會貫通。
還是看不懂? 沒關係!!!那就買包包就好!!!
commodity money 在 คุยการเงินกับที Youtube 的評價
หุ้นทั้งโลกขึ้นมาเยอะแล้วเต็มมูลค่าหรือยัง แนวโน้มการฟื้นตัวเศรษฐกิจจะเป็นอย่างไร ปัจจัยสำคัญที่จะทำให้เศรษฐกิจฟื้น โอกาสอยู่ตรงไหน อะไรฟื้นก่อน
ตอนนี้เสียงแตกบางคนบอกเศรษฐกิจแย่ยาว หลายคนบอกเศรษฐกิจจะฟื้น อีกหลายคนบอกฟื้นแล้วจะฟุบลงไปใหม่ ในตอนนี้ไม่มีใครรู้จริงๆว่าจะเกิดอะไรขึ้นในอนาคต แต่การฟังความคิดเห็นที่แตกต่างหลากหลายทำให้เราเห็นมุมมองที่เราอาจมองไม่เห็น และลดความเสี่ยงบางอย่างของเราอย่างคาดไม่ถึง
LINK
line @ T MONEY คุยกับผมทางนี้นะครับ
https://lin.ee/pE0OEWs
fb: คุยการเงินกับที
https://www.facebook.com/%E0%B8%84%E0...%E
0%B8%A3%E0%B9%80%E0%B8%87%E0%B8%B4%E0%B8%99%E0%B8%81%E0%B8%B1%E0
%B8%9A%E0%B8%97%E0%B8%B5-189662501941804/?modal=admin_todo_tour
fb: กลุ่ม learn&earn ครับ
https://www.facebook.com/groups/31901...
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commodity money 在 我要做富翁 Youtube 的評價
最近商品的走勢十分亮麗,可是除了股票之外,石油及黃金上升時,到底有甚麼指數及外匯同樣帶來機會呢?
======================
1) 本月活動,現正接受報名:
新我要做富翁 試堂分享會 (香港站)▶ https://money-tab.info/mts-trial?yt=1
贏在美股試堂分享會(Online)▶ https://money-tab.info/ussjac?yt=1
Jasper 期滙商品分享講座+試堂▶ https://money-tab.info/comjasp?yt=1
Eric Sir期指策略分享講座+試堂▶ https://money-tab.info/futeric?yt=1
King Sir 樓市講座▶ https://money-tab.info/proking?yt=1
齒輪理論 入門班/初班▶ https://edu.money-tab.com/m0m1-reg-c?m0m1=yt
其他活動▶ https://money-tab.info/activity?yt=1
2) 我要做股神APP下載:
iOS▶ https://bit.ly/moneytabapp_i
Android▶ https://bit.ly/moneytabapp_a
升級版▶ https://money-tab.com/membership
3) 緊貼我們社交平台,不錯過任何免費分析/教學:
訂閱YouTube頻道: https://youtube.com/c/我要做富翁?sub_confirmation=1
讚好Facebook專頁:https://facebook.com/203349819681082
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commodity money 在 我要做富翁 Youtube 的評價
本文內容﹕甚麼是CCI指標 / 兩套策略測試 / 兩招優化減少出錯訊號!
又來到街頭智慧的時間,起初這個系列已向大家介紹了一些技術指標的盲點,其後較多講及市場的流言蜚語,本集我們又回到技術指標的「懷抱」。其實坊間大眾常用的技術指標,例如RSI、MACD、慢步隨機指數等,基本上我們已談及過,本集街頭智慧為大家帶一個較少人使用的指標— CCI (Commodity Channel Index) 順勢指標。
—甚麼是CCI指標
顧名思義,這個指標主要用於商品,其預設的參數為14,波幅區間大致於 +100 至 -100 之間,+100之上為超買區﹔-100之下為超賣區。
(Typical Price - 14-period SMA of TP) / (0.015 x Mean Deviation)
以上為CCI的公式,主要概念是以統計的原理,利用時段內的高低位及現價的距離找出該時段內的趨勢和方向。
—兩套策略測試
策略1﹕當CCI升穿 -100 時買入,CCI跌穿 +100 時沽出並且做空,直至升穿 -100 時平倉及再次買入。
近 1 年
黃金
交易次數﹕16
命中率﹕81.25%
賺蝕%﹕27.01%
石油
交易次數﹕15
命中率﹕60.00%
賺蝕%﹕12.10%
近 5 年
黃金
命中率﹕62.69%
賺蝕%﹕-16.47%
石油
命中率﹕57.14%
賺蝕%﹕-60.64%
近 10 年
黃金
命中率﹕61.36%
賺蝕%﹕-0.55%
石油
命中率﹕61.79%
賺蝕%﹕-0.50%
策略2﹕同樣地當CCI升穿 -100 時買入,但升穿 +100時沽出﹔到CCI跌穿 +100時做空,跌穿 -100 時平倉,再覓買入機會。
近 1 年
黃金
交易次數﹕16
命中率﹕75.00%
賺蝕%﹕18.33%
石油
交易次數﹕15
命中率﹕73.33%
賺蝕%﹕2.39%
近 5 年
黃金
命中率﹕62.69%
賺蝕%﹕-14.64%
石油
命中率﹕64.29%
賺蝕%﹕-64.83%
近 10 年
黃金
命中率﹕63.64%
賺蝕%﹕-19.57%
石油
命中率﹕67.48%
賺蝕%﹕0.26%
兩個策略在命中率方面均有約6成,雖然近1年的表現不錯,但其餘2個時段中的賺蝕情況都不盡人意。當中石油在2008年及2014年的大跌浪中損失十分巨大,跌勢令CCI一直未能回升至100之上,令本金受損,可見CCI指標在強勢下的盲點。如去除兩個大跌浪,石油在2009-2014年間的利潤可達102%!!從整體來說,14天的CCI發現,+100至-100的區間未能享盡整個趨勢的利潤,令賺蝕情況不斷惡化。
—兩招優化減少出錯訊號!
為了減低出錯的機會,我們進行了兩方面的優化,分別是加長CCI的時段至21天及超買超賣區的區間設為 +200及 -200,以食盡每個趨勢。近10年結果如下﹕
策略 1
黃金
交易次數﹕31
命中率﹕67.74%
賺蝕%﹕86.5%
石油
交易次數﹕34
命中率﹕67.65%
賺蝕%﹕33.74%
策略 2
黃金
交易次數﹕31
命中率﹕64.52%
賺蝕%﹕63.96%
石油
交易次數﹕34
命中率﹕64.71%
賺蝕%﹕20.51%
— 總結
CCI指標在商品的命中不俗,雖然整體利益受大跌浪所致,但如能夠加入其他分析工具,例如浪態分析,減低受損機會,利潤將會十分可觀。另一個做法則可以CCI的特性作優化,盡可能食盡趨勢的利潤。
撰文﹕施宏毅
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