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這兩個人除了很會唱，還有一個共同點，就是很愛莫名其妙笑出來欸XDDDD
《Be Alright》記得聽起來聽起來！！（7奴）
【專訪／《聲林2》曾經最怕他！ 李艾薇親揭艾文「私下真面目」】
https://star.ettoday.net/news/1621771?from=fb_et_star_video
IVAN 艾文 李艾薇-Ivy Lee
《我的幸福5/2 週末》
*週日下午兩點誠品信義書店「廿世紀典範人物」新書分享會，我下午二時開始演講，離上次在台灣大學公開演説。快半年了！分享會報名一小時預告已額滿，但TVBS電視台慷慨的支持。派出SNG車，屆時TVBS文茜的世界周報YouTube 及世界周報Facebook 都將同步直播。
*新書分享會後我將直奔高雄衛武營，參加劉孟捷（李斯特巡禮之年）鋼琴獨奏會。這是劉孟捷回台，最重要的一場音樂會，我目睹他用盡了一切心力。過去即使21歲時在費城代打缺席大師的音樂會，劉孟捷都未曾如此緊張。他此次回台，手術前為了沒有遺憾，共舉行三場音樂會：其中4/17與5/30皆是與國家交響樂團NSO合作：530那一場指揮是呂紹嘉。但他告訴我，某些曲目對他而言，是Piece of Cake ：惟獨衞武營這一場，曲目由他自己決定，現場錄影，並且找了金曲獎錄音師同步錄音。
5/2衛武營-劉孟捷鋼琴獨奏會《李斯特巡禮之年》購票連結
https://www.opentix.life/event/1384752689074294784
劉夢捷明白他即將面對一個大手術，手術風險之外，他的免疫系統疾病，將使他的康復之路更長。
沒有人可以預知未來，為了圓他的夢，醫院每天都要求他早上、晚上量血壓，報告直接傳給院長。振興醫院院長魏崢雖然是亞洲第一把心臟外科醫師，但也不敢大意。
畢竟這個人的生命那麼脆弱，他的心臟主動脈剝離，那是實質的「心碎」了：但他仍有詩，仍有音樂夢。在生命的交接處，在白日與黑夜的交义口，劉孟捷想為他的音樂生涯，留下最美好的紀錄。
他選擇了李斯特。
在這場音樂會前，他甚至以英文寫下了自己與音樂、疾病的半生回顧：如李斯特的巡禮，有仰望，有沉思，有失落，有幽微的疼痛。他以詩篇般的演奏模式，傾訴，詠嘆。他曾得到天賦，也走過死蔭的幽谷。命運是一層又一層的黑影逼近，老天爺隨時想帶走他。
而他已不再流淚，不再沉浸於悲愴告別：因為對他而言活著並不容易，他要讓自己更深刻的抓住每一分時光之美。
如果時間和空間，正如哲人們所形容的
都是不實際存在的東西：那從不感到衰敗的太陽，也不會比我們了不起多少！
他如艾略特的詩句中所形容的：我們為什麼要如此貪心總在祈禱，想活上整整一個世紀？
蝴蝶雖僅活了一天，已經歷了永恆。
當他的身軀如露水還在藤蔓顫抖時，他送給我們一場「完全浪漫又超技的李斯特」。
等音樂會結束了，至少有一張CD，一段YouTube 影像：不論孟捷代表生命的那朵鮮花是否枯萎，他彈奏如天使的音聲不會飛離，它會停留在那夜，繼續釋放芬芳。
這是盡生命之力、之情獨奏的音樂會。劉孟捷説：這樣當他走進手術室時，會少一點悲傷。
或許快樂的日子本來就不多，但讓這場「完全李斯特．完全劉孟捷」的獨奏會放出神聖的光彩吧！
我必將赴會，不會錯過！我知道此刻的獨奏會，很難複製，因為它綜合了太多的情感、愛念，釋放與生命的抒情。
*劉孟捷為此次獨奏會寫下的文字：This past year has seen some unprecedented changes in the world. Many lives have been lost and many have changed. The world has changed while many of us confront the uncertainty of the future.
For most musicians, life has changed. For months, we have been conducting our lessons online, and concerts have mostly stopped or become an online experience as well. More time has been spent learning how to improve the online teaching experience than one could have imagined. While I have felt the duty to continue teaching, the format the pandemic requires for teaching leaves me unwilling to spend more time than I have to.
And truly, I have had other things to deal with. When the pandemic started to worry the American public in March, I was in the middle of a tour with the String Quartet-in-Residence at Curtis, the Vera Quartet. However, our concerts were canceled, and everything came to a sudden halt.
I felt the universe had sent me an unexpected gift, as I had also just received some terrible news concerning my worsening aortic arches and a diagnosis of kidney cancer. The sudden halt in my professional schedule seemed perfect in its timing. I was able to settle into a monastic existence, to simply practice and attempt to heal.
I see many musicians itching to be concertizing again, and many stepped into new territory, performing on the internet. Many took time to develop new podcasts, and to write new materials for their art. Sadly, many have struggled as they have fallen into desperation without any concert incomes. Altogether the music industry seems to be in peril, and many worry about how music and musicians will survive.
However, I had my own survival to think about. Having been through many difficult experiences in my life, I knew this might be the most difficult I would encounter. My Doctors describe me as a walking time bomb. My condition could be lethal at any moment if my blood pressure gets out of control. So while others wrestle with the fate of the music industry, I’ve needed to face my own fate and mortality.
Playing concerts can mean many things to people. At different times throughout my life, I’ve felt the need to express different aspects of myself. When I was young, I wanted to embody the spirit of romanticism, playing lots of Chopin and Schumann. Then there was a period of time when I wanted to challenge myself by showing off pyrotechnics. I had a brooding period where I turned to the pathos of Rachmaninoff, and then felt the need to return to the purity of Schubert and nobility of Brahms. Throughout this pandemic, I wanted to play Bach. Through Bach’s music I found a kind of spiritual sanctuary.
In considering the program for this concert, I felt again the urge to play music that reflects my current feelings and state of mind. The title of today’s recital, “Years of Pilgrimage” seems to fit exactly what I am experiencing.
Liszt wrote several volumes of “Années de pèlerinage” throughout his life to reflect on thoughts he had during his travels. He links his philosophical thoughts to the scenery which inspired them. “Au Bord d’un Source” describes feelings of rejuvenation while standing next to a clear stream of water, a symbol and source of life and energy. It seems to say, when the stream is so pure, life can be so full of joy.
In the Les jeux d'eaux à la Villa d'Este (The Fountains of the Villa d'Este), the water has a magical and supernatural quality, as Liszt himself wrote in the inscription: "But the water that I shall give him shall become in him a well of water springing up into eternal life,"( from the Gospel of John.)
For me, I have never felt more connected to Liszt than when he looked upon the valley of Obermann and questioned the meaning of existence. At this moment in my life, I often find myself reflecting my experiences of what I see and read into philosophical musings. Perhaps many people come to a time when this is so.
In all this I have felt gratitude for the love stories and sonnets that one can romantically indulge in, and for storms so violent that they threaten to destroy one’s spirit, even the hell-bound journey which brings up questions about the purpose of life…
On this journey, I felt full and alive as a human being. Looking back on this journey, I am grateful for everything, whether happy or sad, to have made an impact, found and imparted meaning to this life.
The unusual time of this pandemic has marked a milestone for me. I have journeyed back home, and as it happened, this is the first time I have spent so much time in my hometown Kaohsiung in over 35 years. It’s particularly nostalgic to play these pieces as some of them were significant in my early musical career. Vallée d’Obermann was the piece I played in my first competition at the junior high school level, in which I won first prize on the national level, which allowed me to be qualified to apply for a special permission to study abroad. This meant my dream to be educated as a musician could be continued in an environment where I could develop fully. In the following year when I was 13, I won the first Asia-Pacific Youth PIano Competition with the Dante Sonata. The competition catapulted me into national attention as I was headlined in several newspapers, and especially since it was held in Kaohsiung, I became a local hero as well. During the same event, I had a fateful meeting with one of the important influences in my life, Mr. Gary Graffman, who then mentored me throughout not only the years when I was studying at Curtis, but throughout my illness and recovery as a pianist. Right before I departed to study in Philadelphia, I played my first solo recital throughout Taiwan, and along with the Dante Sonata, I also performed the three sonnets.
It’s perfect that now, back in Kaohsiung, all these memories have flooded back into my head. I feel so lucky to have been born here, and to have met my first teacher, Chin-Li Lee, who inspired me on the path to become a musician. Prof. Alexander Sung filled me with dreams of becoming an artist. I am grateful for his belief in my talent, when he chose to give a 12 year old such philosophical pieces to play.
Having once again spent some months in Kaohsiung, I can freshly appreciate the source of inspiration it once was for me. I have returned to the source to heal. Having already glimpsed hell’s gate several times, battered and weathered by the storms of life, I know there is a reason life is this way, and it all will be alright.
Meng-Chieh Liu
April, 2021
*劉孟捷衛武營《李斯特巡禮之年》演奏會中，包括李斯特以佩脫拉克三首情詩譜寫的鋼琴琴詩：這三首情詩是從大詩人佩脫拉克一百多首情詩挑出來的，詩本身就很優美，依此激發李斯特的浪漫主義創作靈感，成為琴藝上最困難演奏，但也特別細膩溫柔的琴詩。
這三首分別是：
〈佩脫拉克第47號十四行詩〉〈佩脫拉克第104號十四行詩〉及〈佩脫拉克第123號十四行詩〉。
Franz Liszt（1811-1886）: Sonetto 47 del Petrarca, Sonetto 104 del Petrarca, Sonetto 123 del Petrarca, from Années de pèlerinage, Deuxième année: Italie
李斯特於1846年先出版藝術歌曲《三首佩脫拉克十四行詩》（Tre sonetti del Petrarca），再改成鋼琴獨奏版。
三首佩脫拉克十四行詩
中譯：焦元溥（元溥也是友情贊助，特別準備音樂資料，周日南下，聆賞劉孟捷的樂曲，並且陪同他盯著錄音共三天）
〈第47〉
祝福每天、每月、每年，
所有片刻與鐘點、時間與季節，
在那美麗的原野，
我為一雙眼眸魂縈夢牽。
祝福初遇時的甜，
與愛同在、受苦不停歇，
如弓箭刺穿令我淌血，
傷口永留感動在我心間。
祝福一切我發出的聲音，
當呼喚著我深愛的女郎，
渴望、嘆息、淚濕滿襟。
祝福我寫下的文字遠揚，
歌頌她的芳名，萬古長新。
我心永屬於她，無人能闖。
〈第104〉
我找不到和平，也無意打仗，
我恐懼、我期望，燃燒又冰透。
我向天飛升，卻躺在地上，
我一無所有，卻又擁抱整個宇宙。
我身陷囹圄，監牢又開敞；
我不受囚禁，卻銬著鎖頭。
愛情不讓我死，也不讓我飛翔；
不要我活，也不准我逃離悲愁。
欲看卻無眼，啞口還在發言，
我甘心殞滅，卻仍高聲呼救，
我痛恨自己，但仍愛著他人。
憂傷滋潤我，淚水伴隨笑臉，
生命不足惜，死亡也不煩憂；
我淪落至此，都是妳啊，我的愛人！
〈第123〉
我在塵世見到仙子的美，
她天堂般優雅無與倫比。
想起她讓我悲傷又歡喜，
所見如幻夢迷霧與幽黑。
妳的可愛眼睛使我落淚，
多少次讓太陽也要妒忌。
我還聽到四周發出嘆息，
移動了山嶽停止了河水。
愛情智慧憐憫憂傷財富，
在淚水中形成甜美聲響，
奇妙和諧世上未曾目睹。
天堂追隨著音樂的流淌，
雖然枝上樹葉並未飛舞，
空氣與風息卻充滿芬芳。
5/2衛武營-劉孟捷鋼琴獨奏會《李斯特巡禮之年》購票連結
https://www.opentix.life/event/1384752689074294784
你們猜到了嗎？
12.13 我和艾薇 李艾薇-Ivy Lee 要一起發行單曲
🎵《Be Alright》🎵
#BeAlright #聲林之王2 #雙艾合體 #艾薇 #艾文 #1213發行
#聲林之王2 #艾文 #艾薇
聲林之王2 冠亞軍 艾薇 & 艾文
2019年底最強新生代即將席捲台灣樂壇
《聲林之王2聲境傳奇》11月22日Live直播總決賽，歷經3個多月的比賽、6個高壓賽制，冠亞軍分別由艾薇及艾文獲得，兩位分別在網路社群上有一群死忠的擁護者，讓艾薇及艾文在賽後的表演片段影片動輒便超過百萬觀看次數。
艾薇是一位既能唱又能饒還能跳的全能型歌手，在比賽中深獲評審的喜愛；艾文則是專精於饒舌，且以19歲超齡表現擄獲評審跟大批歌迷的愛戴，兩位在2019年底誕生的冠亞軍，網路預測在2020年的流行及嘻哈音樂上，代表新生代的艾薇及艾文，將在音樂市場中開花結果。
__________________________________________________________
《Be Alright FT. 李艾薇 Ivy Lee》數位連結
🎵 Apple Music → https://reurl.cc/M7VK64
🎵 Spotify → https://reurl.cc/k5gKnx
🎵 KKBOX → https://reurl.cc/L1qKn4
🎵 MyMusic → https://reurl.cc/M7VKzL
🎵 friDay音樂 → https://reurl.cc/lLAKYq
__________________________________________________________
🔍IVAN 艾文 Facebook專頁：https://www.facebook.com/ivanainoko/
🔍IVAN 艾文 Instagram ID：i___v____a___n
🔍混血兒娛樂Facebook專頁：https://www.facebook.com/ainokoinc/
__________________________________________________________
＿Song Credit＿
詞Lyrics｜IVAN 艾文 & A-FLIGHT 崔欽翔 & 李艾薇 Ivy Lee
曲Composing｜IVAN 艾文 & A-FLIGHT 崔欽翔
製作人 Producer｜A-FLIGHT 崔欽翔
編曲 Arranger｜A-FLIGHT 崔欽翔
錄音/混音Recording Engineer/Mixing｜Felipe.Z 斐立普
Recording Engineers: 斐立普 Felipe.Z
Recording Studio: 新鹿奇錄音室 Saturday Studio & 基械貓七號音樂工作室 RoboKatz
__________________________________________________________
＿Lyrics＿
我們走過了多少的傷害
然後經歷了又一次失敗
I know I’ll be alright
Everything will be alright alright
我們走過了多少的傷害
然後經歷了又一次失敗
I know I’ll be alright
Everything will be alright alright be alright
Ya 放輕鬆 全部重新來過
繼續 向前走 把煩惱丟走
不再留戀 別再回頭
We moving on run n run like a circle
認真的去感受頻率
希望停止那些回憶
回憶都只是過去 讓他過去 過去
我們走過了多少的傷害（傷害）
然後經歷了又一次失敗
I know I’ll be alright（I know I’ll be alright）
Everything will be alright alright
我們走過了多少的傷害（傷害）
然後經歷了又一次失敗
I know I’ll be alright（I know I’ll be alright）
Everything will be alright alright be alright
Be alright I I’ll be alright
Be alright I I’ll be alright（I know I’ll be alright）
Be alright I I’ll be alright
Be alright I I’ll be alright
（Everything will be alright alright be alright）
獨自一人走在大街
孤獨一人聽著音樂
不敢再犯錯我一步一步的走
曾經想要解脫 但又從頭來過
不再回頭 保持初心向前走
所有煩惱拋腦後
認真的過每天生活
I’ll go insane if I stay
All this way with no change all day
Undo the pain
Freshen up
Get back up
Moving on go on
我們走過了多少的傷害（傷害）
然後經歷了又一次失敗
I know I’ll be alright（I know I’ll be alright）
Everything will be alright alright（be alright）
我們走過了多少的傷害（傷害）
然後經歷了又一次失敗
I know I’ll be alright（I know I’ll be alright）
Everything will be alright alright be alright
Be alright I I’ll be alright
Be alright I I’ll be alright（I know I’ll be alright）
Be alright I I’ll be alright
Be alright I I’ll be alright
（Everything will be alright alright be alright）
Be alright I I’ll be alright
Be alright I I’ll be alright（I know I’ll be alright）
Be alright I I’ll be alright
Be alright I I’ll be alright
Everything will be alright alright be alright
__________________________________________________________
＿Video Credit＿
導演 Director｜沈皇名 Green
攝影指導 D.O.P｜賴禹諾 Yukno
攝大助 1st AC｜楊宸佳 John Yang
攝二助 2nd AC｜蔡維軒 Wei Shiuan Tsai
燈光師 Gaffer｜蘇志博(安東尼) Anthony So
燈大助 Best Boy｜鄭嘉 Jacob Cheng
燈二助 Best Boy｜林哲全 Vision Lin
調色師 Colorist ｜ 賴禹諾 Yukno
平面攝影 Graphic Camerawork｜亞崴尤奈Yawi Yungay
場務 Key Grip｜馬崇智 Chris Ma、Elvis Low
美術 Art Director｜大麥 Mai、美慶 Mei
妝髮 Makeup Artist/Hair Stylist｜羅南工作室 Ronan
執行製片 Producers｜蔡函真 Emma Tsai
後期 Editor&Colorist｜沈皇名 Green
＿特別感謝 Special thanks＿
量子娛樂 QT ENTERTAINMENT
製片協助｜鄭人瑜 Glory
場地租借｜吉福麗攝影棚 GIF Photo Video
攝影器材｜鏡頭銀行 LensBank
燈光器材｜秋山宅 AKIYAMA HOUSE
Instagram: https://www.instagram.com/kevinwuofficial
Facebook: http://www.facebook.com/kevinwuofficial
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- Lyrics -
Memories - Maroon 5
Here's to the ones that we got
Cheers to the wish you were here, but you're not
'Cause the drinks bring back all the memories
Of everything we've been through
Toast to the ones here today
Toast to the ones that we lost on the way
'Cause the drinks bring back all the memories
And the memories bring back, memories bring back you
There's a time that I remember,
when I did not know no pain
When I believed in forever,
and everything would stay the same
Now my heart feel like December
when somebody say your name
'Cause I can't reach out to call you,
but I know I will one day, yeah
Everybody hurts sometimes
Everybody hurts someday, aye aye
But everything gon' be alright
Go and raise a glass and say, aye
Here's to the ones that we got
Cheers to the wish you were here, but you're not
'Cause the drinks bring back all the memories
Of everything we've been through
Toast to the ones here today
Toast to the ones that we lost on the way
'Cause the drinks bring back all the memories
And the memories bring back, memories bring back you
Doo doo, doo doo doo doo...
Memories bring back, memories bring back you
There's a time that I remember
when I never felt so lost
When I felt all of the hatred
was too powerful to stop
Now my heart feel like an ember
and it's lighting up the dark
I'll carry these torches for ya
that you know I'll never drop, yeah
Everybody hurts sometimes
Everybody hurts someday, aye aye
But everything gon' be alright
Go and raise a glass and say, aye
Here's to the ones that we got
Cheers to the wish you were here, but you're not
'Cause the drinks bring back all the memories
Of everything we've been through
Toast to the ones here today
Toast to the ones that we lost on the way
'Cause the drinks bring back all the memories
And the memories bring back, memories bring back you
Doo doo, doo doo, doo doo...
Memories bring back, memories bring back you
Doo doo, doo doo doo doo...
Memories bring back, memories bring back you
__________________________________________
#Memories #Maroon5 #吳海文
Ed Sheeran 來香港開演唱會！！！這是我最喜愛他的歌！所以看演唱會前一定要cover，這次找來我的監制徐浩幫我彈結他和唱和音，謝謝你 ❤
Perfect - Ed Sheeran
I found a love for me
Darling just dive right in
And follow my lead
Well I found a girl beautiful and sweet
I never knew you were the someone waiting for me
'Cause we were just kids when we fell in love
Not knowing what it was
I will not give you up this time
But darling, just kiss me slow, your heart is all I own
And in your eyes you're holding mine
Baby, I'm dancing in the dark with you between my arms
Barefoot on the grass, listening to our favorite song
When you said you looked a mess, I whispered underneath my breath
But you heard it, darling, you look perfect tonight
Well I found a woman, stronger than anyone I know
She shares my dreams, I hope that someday I'll share her home
I found a love, to carry more than just my secrets
To carry love, to carry children of our own
We are still kids, but we're so in love
Fighting against all odds
I know we'll be alright this time
Darling, just hold my hand
Be my girl, I'll be your man
I see my future in your eyes
Baby, I'm dancing in the dark, with you between my arms
Barefoot on the grass, listening to our favorite song
When I saw you in that dress, looking so beautiful
I don't deserve this, darling, you look perfect tonight
Baby, I'm dancing in the dark, with you between my arms
Barefoot on the grass, listening to our favorite song
I have faith in what I see
Now I know I have met an angel in person
And she looks perfect
I don't deserve this
You look perfect tonight
