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hyde on ken's "Pretty Girl":
Interviewer: "So this might be the most uplifting tune on the album."
hyde: "Yes. It's amazing. Is that the right word? [laughs] I absolutely cannot write lyrics like this. I thought it was amazing. The 'we'll make it somehow' part, I just thought it was awesome. 'We'll make it somehow' -- I wouldn't write something like in a hundred years. [laughs] Just absolutely would not."
傅又宣（傅珮嘉）單曲：(我們的)鬼故事，歌詞版MV出來了！
傅又宣有著非常吸引人的神秘和真誠的聲音，
她同時也是一個非常用心的歌手，
每一首歌她都會確保每一個環節是最美麗的相配！
在這首歌，她找到了 黃偉文 Wyman Wong 作詞，
給了這個我和 Dizzy Dizzo 蔡詩芸 多年前寫的旋律，
加上了多一層天才又特別的創意。
這個新出的歌詞版MV，
同樣可以看到她尋求完美的用心，
把音樂和歌詞和畫面結合到最完美的呈現！
我很感謝有機會和這樣一個用心的歌手合作，
她讓我很放心把作品交到她手上。
謝謝 傅又宣（傅珮嘉）, 黃偉文 Wyman Wong, 和 Dizzy Dizzo 蔡詩芸 讓這個美麗的作品發生！
Maggie is the kind of singer that makes things happen! She comes up with a plan, organises everything, and tries her best to make sure every detail is taken care of. So I know my music is always in good hands.
And this song, she found Wyman to write the lyrics, which fit the melody that Dizzy Dizzo and I wrote years ago, perfectly! It also added another layer of genius to it.
And this lyric video, is the most perfect lyric video I've seen! Fits the mood, and feeling of the song perfectly!
Thanks 傅又宣（傅珮嘉）, 黃偉文 Wyman Wong, Dizzy Dizzo 蔡詩芸 for helping create such a beautiful song with such a beautiful story!
KKBOX線上收聽：http://kkbox.fm/Qa1RUq
【だからキミは負けるんだ】
今日は、仕事のノウハウみたいなではなくて、僕が今、一番熱を入れている映画『えんとつ町のプペル』のお話をしたいと思います。
僕は、もともと漫才師としてスタートして、漫才を書いていて、自分を育ててくれた師匠と呼べる人が「後藤ひろひと」という劇作家ですから、舞台の脚本も書いていて……
そこから絵本作家に転職して、絵を描いて、ストーリーを描いて、で、絵本の曲も作るんですね。
あの「♪ハロハロハロハロウィン」って曲を作った人です。
https://youtu.be/Rihe2JOyLQA
劇場の楽屋に小道具のギターがあるもんですから、空き時間に触っているうちに、ギターが弾けるようになりました。
ちなみに、次々回作の絵本『夢幻鉄道』のテーマソングもいいのが作れたので、YouTubeで検索してみてください。
https://youtu.be/PkoCXybjrrw
そんな感じで仕事をしているので、映画『えんとつ町のプペル』における僕の役割は、「原作・脚本・製作総指揮・宣伝・作詞作曲」という忙しいことになっています。
このことを受けて、時々、「ゴーストライターがいるんでしょ！」と時々言われるんです（笑）
これに関しては、「西野がこんなに素晴らしいものを作れるハズがない」という意味なので、褒め言葉でしかないのですが、残念ながら、僕、ゴーストライターなんていないんです。
分業している場合は、「分業しています」と公表しています。
その方がいいんですよ。
いろんなクリエイターさんに「西野の仕事に参加したい」と思ってもらった方が得なので、絶対に、その人の名前を出す。
出さない場合もありますが、それは出すべきではない場合です。
たとえば、三日前にYouTubeチャンネルにアップした『えんとつ町のプペル』の動画の備考欄には、歌詞の他に、「歌、作詞作曲、編曲、振付」のスタッフの名前しか入っていません。
照明さんや美術さんや衣装さんの名前は入っていないんですね。
あくまで、あそこは音楽に関する情報を載せる場所として位置付けているので。
関わったスタッフの名前を全員書いてしまったら、８０人ぐらいになっちゃう。
ああいった、いわば「CM」の場合は、基本、スタッフの名前は載せません。
テレビCMの最後に「ディレクター＝○○」と出ないのと同じです。
ただ、ストーリーを書いたり、音楽を作ったりする場合、僕には「ゴーストライター」と呼ばれる人はいません。
珍しいパターンだと思いますが、こと「ビジネス書」においても、僕はライターを雇っていません。
自分で書いた方が圧倒的に早くて、自分の仕事が減るからです。
パフォーマンスでも何でもなくて、５万部売れるビジネス書でよければ、５〜６時間で書けます。
すでに自分の中にある体験と考察を文字起こしするだけなので。
「キー！」となるかもしれませんが、「ゴーストライターだろ！」と言っちゃたり、思っちゃったりする人が、コンパしたり、ナンパしたり、家族旅行に行ったり、ワイドショーを観てタレントの不倫にとやかく言ったり、何も考えずにボケーっと受験勉強している間、僕は、一つでも踏み誤ると死んでしまう戦場でずっと戦ってきました。
かれこれ２０年ほど、平均労働時間は１９時間です。
でもって、この２０年というのは、「勝ちパターンを捨て続けた２０年」で、コツを掴んだ職は、どんどん捨てて、新しい領域に挑戦し続けた２０年です。
なもんで、能力と知識量に圧倒的な差が生まれるのは当たり前の話で、僕は「努力は報われる」ということを言っていきたいので、ここは隠したくありません。
反則技を使っているわけでも何でもなくて、「キミの１０００倍努力してるから、キミの１０００倍の結果を出しているんだよ」というだけの話だと思っています。
そして、この現実を受け入れず、「いやいや、ドーピング的な…何か特別な力が働いているに違いない」という思ってしまっているうちは、一生始まらないまま人生が終わっちゃうので、それが嫌なら受け入れてください。
「僕、こんな努力をしてますよ」と自分から言う奴、なかなかいないと思うのですが、いい機会なので言っておきます。
今日も映画『えんとつ町のプペル』のアフレコがあるわけですが、そこでは、声優さんから質問があったり、「ここは、こんな感じでお願いします」と指示を出さなきゃいけない。
なので、家で「指示を出す練習」をしていくんです。
自分も、実際にやれるようにしておく。
たとえば…
「えんとつ町は煙突だらけ。
そこかしこから煙が上がり、頭の上はモックモク、黒い煙でモックモク。
朝から晩までモックモク。
えんとつ町に住む人は黒い煙に閉じ込められて、青い空を知りやしない。輝く星を知りやしない。
見上げることを捨てた街で、一人の男が上を見た。
町を覆った黒い煙に、男が想いを馳せたのは、酒場で出会ったお喋りモグラが聞かせてくれた夢物語。
煙の向こうの世界の話。光り輝く世界の話。
ありやしないと思ったが、全くないとも言い切れない。
なぜなら誰も行っていない。答えは誰も持っていない。
それから男は日ごと夜ごと、煙の向こうの世界の話を、何度も何度も叫んだが、バカだバカだと囃されて、ホラ吹きものだと切り捨てられた。
男が一体、何をした。
男が誰を傷つけた？
そこに理由はありゃしない。
見上げることを捨てた町では、『目立たぬように』の大合唱。
見上げることを捨てた町では、夢を語れば笑われて、行動すれば叩かれる。
黒い煙は町を飲み込み、一縷の光も許さない。
黒い煙は人を飲み込み、あらゆる勇気を認めない。
それでも男は声をあげ、震える膝をひた隠し、船に乗り込み海にでた。
暗くて怖い海にでた。
誰もいない海にでた」
これは主人公の少年の父親が、自作の紙芝居を披露するシーンのセリフなのですが、今、僕は何かを見ながら書いたわけではなくて、これぐらいは暗記してるんです。
指示を出す人間として、これぐらいは。
これって、「何回もやっているうちに覚えた」という類のものなので、才能とかセンスじゃないじゃないですか。
これがプロです。
もし良かったら、一度、僕の会社のインターン生にでもなって、僕の近くで、僕の仕事を見てみてください。
たぶん、絶望すると思います（笑）
先ほども申し上げましたが、「努力がモノを言う」というところを伝えていきたいので、今後も、この部分は包み隠さず、積極的に頑張ったアピールをしていきたいと思います。
そうそう。
映画公開は１２月２５日なのですが、１２月２５日の夜に、YouTubeの生配信をして、映画をご覧になられた方に向けて、「あそこのシーン、実は○○なんだよ」という話をしたいので、映画は初日に観に行ってください。
今のうちに、１２月２５日のスケジュールに印を入れておいてね。
それでは、映画『えんとつ町のプペル』のアフレコに行ってきます。
▼西野亮廣の最新のエンタメビジネスに関する記事(1記事=2000~3000文字)が毎朝読めるのはオンラインサロン(ほぼメルマガ)はコチラ↓
https://salon.jp/nishino
That's why you lose.
Today, it's not like work know-how, but I would like to talk about the movie ′′ a in the town ′′ that I'm in the middle of the day, and I'm going to have a good time.
I was originally a manzai teacher, writing a manzai, and a master who raised me is a playwright called ′′ goto hiroto...... so I also wrote the script of the stage......
I'm going to change my job to a picture book writer, draw a picture, draw a story, and make a picture book song too.
This is the one who made the song. Hallo Halloween ′′
https://youtu.be/Rihe2JOyLQA
There's a prop guitar in the theater dressing room, so I can play guitar while I'm touching the free time.
By the way, I was able to make a theme song for the picture book ′′ Phantom Railway ′′ which was made one after another, so please search for it on Youtube.
https://youtu.be/PkoCXybjrrw
I'm working like that, so my role in the movie ′′ a in the town ′′ is going to be busy called ′′ Original Script Production General command promotion lyrics,"
Sometimes it's said that sometimes," there's a ghost writer!" lol
As for this, it means ′′ Nishino can't make such a wonderful thing," so it's only a compliment, but unfortunately, I don't have a ghost writer.
If you are in the middle of labor, you are publishing ′′ division of labor,"
It's better to be.
It's better to have a lot of creators think ′′ I want to participate in nishino's work so I'll definitely name the person.
Sometimes you don't put it out, but it's if you shouldn't put it out.
For example, in the notes section of the video of ′′ a no-′′ that I uploaded to the youtube channel three days ago, besides the lyrics, there is only the name of the staff of ′′ songs, lyrics, arrangement, choreography ′′ I'm sorry.
There is no name of lighting, art, or costumes.
It's just that it's a place to put information on music.
If you write all the names of the staff involved, it will be about 80 people.
Oh well, so in case of ′′ cm I don't put the name of the basic, staff.
At the end of the tv commercial, ′′ it's the same as not going out with director.
It's just that if you write a story or make music, I don't have anyone called ′′ Ghost writer
I think it's a rare pattern, but even in the ′′ business book I don't hire a writer.
It's more overwhelming to write yourself, because my work is reduced.
If you don't have a performance or anything, you can write it in 5 TO 6 hours if you don't mind a business book that sells 5 million
I'm just going to make a character of my experience and thoughts already in my own.
It may be ′′ key!" but," it's a ghost writer, and people who think about it, are compound, flirting, family trip, and watch the shows. I've been fighting for a battlefield where I'm going to die when I'm talking about talent adultery, and I'm studying the exam without thinking about anything.
It's been about 20 years, average working time is 19 hours.
So, this 20 is," 20 years that I've been throwing away the winning pattern," and the job that grabbed the trick is more and more throwing away, and it's been 20 years since I've been trying to challenge the new area I'm sorry.
So, it's obvious that the overwhelming difference in the ability and knowledge is born, and I want to say that ′′ effort is rewarded so I don't want to hide it here.
I'm not using a foul trick, but I'm just saying that I'm trying twice as hard as you, so I'm going to have 1000 times the results of you," I'm sorry.
And I don't accept this reality," no no, it's doping... I think something special is working... my life is over without starting for a lifetime. So accept it if you don't like it.
I don't think there's a person who says ′′ I'm doing this kind of effort but I'm going to say it because it's a good opportunity.
There is also a recording of the movie ′′ a in the town ′′ today, but there is a question from the voice actor, and I have to give instructions that ′′ I'm going to have a good time here,"
So I'm going to do ′′ practice to instruct ′′ at home.
I will actually be able to do it.
For example...
′′ A town is full of chimney.
Smoke from there, moc mok on my head, black smoke and moc mok.
Moc. from morning to night.
People who live in a town are trapped in black smoke and don't know the blue sky. I don't know the shining stars.
In a city that abandoned looking up, one man looked up.
The Black smoke that covered the town, the man made his thoughts on the dream that the heyyy mole I met at the bar told me.
The story of the world across the smoke. The story of the shining world.
I thought it wouldn't be, but I can't say it at all.
Because no one has gone. No one has the answer.
Then the man shouted over and over again, day and night, the story of the world across the smoke, but he was told that he was stupid, and he was cut off as a hola.
What the hell did a man do?
Who did the man hurt?
There is no reason there.
In the town that abandoned looking up, a big choir of ′′ conspicuous,"
In a town that abandoned looking up, if you speak your dreams, you will be laughed, and if you act, you will be slapped.
Black smoke swallows the town and doesn't allow the light of all times.
Black smoke swallows people and doesn't acknowledge every courage.
And yet the man gave a voice, trembling his knees, and he got into the ship and went to the sea.
It was in a dark and scary sea.
I was in the sea with no one ′′
This is the line of the scene of the protagonist boy's father showing off his own kamishibai, but now I didn't write it while watching something, and I'm memorizing this much.
As a person who gives instructions, this is so much.
This is the kind of thing that ′′ I remembered while I've been doing it many times," so it's not talent or sense.
This is the professional.
If you'd like, once you'd like to be my company intern student, near me, take a look at my work.
I think I'm probably going to despair lol
I said it earlier, but I want to tell you that ′′ effort is saying things," and in the future, I would like to make an appeal that I have been actively working hard.
That's right.
The movie is on December 25th, but on the night of December 25th, I'm going to have a live broadcast on Youtube, and I'm going to have a good time with the movie," the scene over there, actually ○○ I want to talk about ′′ what is it so go see the movie on the first day.
While you're in the middle of the day, mark your schedule for December 25th.
Well, I'm going to go to the recording of the movie ′′ a in town ′′
▼ an article about the latest entertainment business of ryo nishino (1 articles = 2000 to 3000 characters) can be read every morning online salon (almost mail magazine) is here ↓
https://salon.jp/nishinoTranslated
I hope you all will enjoy this video, I love this song very much =]
Lyrics:
[Mike]
You ready? Lets go!
Yeah, for those of you who want to know what we`re all about
It`s like this y`all (c`mon!)
[Chorus]
This is ten percent luck,
Twenty percent skill,
Fifteen percent concentrated power of will,
Five percent pleasure,
Fifty percent pain,
And a hundred percent reason to remember the name!
[Mike]
Mike
He doesn`t need his name up in lights
He just wants to be heard whether it`s the beat or the mic
He feels so unlike everybody else, alone
In spite of the fact that some people still think that they know him
But fuck em`
He knows the code:
It`s not about the salary
It`s about reality and making some noise
Makin' a story
Makin sure his clique stays up
That means when he puts it down, Tak`s pickin it up!
(Let`s go!)
[Tak]
Who the hell is he anyway?
He never really talks much
Never concerned with status but still leavin them star struck
Humbled through opportunities given despite the fact
That many mis judge him because he makes a livin from writin raps
Put it together himself, now the picture connects
Never askin for someone`s help, and get some respect
He`s only focused on what he wrote, his will is beyond reach
And now when it all unfolds, the skill of an artist
[Ryu]
This is twenty percent skill
Eighty percent fear
Be one hundred percent clear, 'cause Ryu is ill
Who would`ve thought that he`d be the one to set the west in flames
Then I heard him wreckin with The Crystal Method, "The Name Of The Game"
Came back dropped Megadef, took 'em to church
I like bleach man, Ryu had the stupidest verse
This dude is the truth, now everybody givin him guest spots
His stock`s through the roof I heard he fuckin with S-Dot!
[Chorus]
It`s just ten percent luck,
Twenty percent skill,
Fiftteen percent concentrated power of will,
Five percent pleasure,
Fifty percent pain,
And a hundred perecnt reason to remember the name!
[Ryu]
They call him Ryu he's sick
And he`s spittin' fire and Mike
Got him out the dryer he`s hot
Found him in Fort Minor with Tak
What a fuckin' nihilist porcupine
He`s a prick, he`s a cock
The type woman want to be with
And rappers hope he get shot
Eight years in the makin`
Patiently waitin to blow
Now the record with Shinoda`s takin over the globe
He`s got a partner in crime, his shit is equally dope
You wont believe the kind of shit that comes out of this kid`s throat
[Tak]
Tak
He`s not your everyday on the block
He knows how to work with what he's got
Makin his way to the top
He often gets a comment on his name
People keep askin him, was it given at birth,
Or does it stand for an acronym?
No. He`s livin' proof,
Got him rockin the booth
He`ll get you buzzin quicker than a shot of vodka with juice (juice)
Him and his crew are known around as one of the best
Dedicated to what they do n give a hundred percent!
[Mike]
Forget Mike
Nobody really knows how or why he works so hard
It seems like he`s never got time
Because he writes every note, and he writes every line
And I`ve seen him at work when that light goes on in his mind
It`s like a design is written in his head every time
Before he even touches a key or speaks in a rhyme
And those motherfuckers he runs with the kids that he signed?
Ridiculous, without even trying, how do they do it?!
[Chorus]
This is ten percent luck,
Twenty percent skill,
Fifteen percent concentrated power of will,
Five percent pleasure,
Fifty percent pain,
And a hundred percent reason to remember the name!
This is ten percent luck,
Twenty percent skill,
Fifteen percent concentrated power of will,
Five percent pleasure,
Fifty percent pain,
And a hundred percent reason to remember the name!
[Outro - Mike]
Yeah! Fort Minor!
M. Shinoda, Styles of Beyond!
Ryu, Takbir!
Machine Shop!
****I own nothing, no copyright infringement intended****
What inspired me?
The project was inspired by the opening line in Jay Chou's song, 'Secret/不能说的秘密'. It is inspired by the opening sentence, about lifting up a coffee cup off the saucer, "冷咖啡离开了杯垫" and the ending of the song about autumn leaves and fragmented pieces, "飘落后才发现 这幸福的碎片, 要我怎么捡?". This is shown through the portrait as a whole - how it's formed by many individual rings, many of them broken and imperfect like fallen autumn leaves, forming Jay Chou's portrait. The story of the song is about a girl who travelled forward 20 years in time and met Jay in 1999, and they fell in love. She then went back to 1979 and sketched out the portrait of him. My painting is meant to look like a sepia-toned old photograph to capture the essence of this story.
----
facebook: http://www.facebook.com/redhongyi
twitter: http://www.twitter.com/redhongyi
website: http://www.ohiseeRED.com
weibo: http://www.weibo.com/ohiseeRED
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email: redhongyi[at]gmail[dot]com
----
Special thanks to the talented Hinok Cai who helped me with the video!
youku: http://u.youku.com/hinok
----
Jay Chou's official music video with subtitles in English: http://www.youtube.com/watch?v=iPE6yM...
Lyrics 不能说的秘密
冷咖啡離開了杯墊
我忍住的情緒在很後面
拼命想挽回的從前
在我臉上請晣可見
最美的不是下雨天
是曾與你躲過雨的屋簷
回憶的畫面 在盪著鞦韆 夢開始不甜
妳說把愛漸漸 放下會走更遠
又何必去改變 己錯過的時間
妳用妳的指尖 阻止我說再見
想像妳在身邊 在完全失去之前
妳說把愛漸漸 放下會走更遠
或許命運的籤 只讓我們遇見
只讓我們相戀 這一季的秋天
飄落後才發現 這幸福的碎片
要我怎樣撿
Official BILLbilly01 cover of 7 Years by Lukas Graham featuring JennyT.
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║╚╣║║║╚╣╚╣╔╣╔╣║╚╣═╣
╠╗║╚╝║║╠╗║╚╣║║║║║═╣
╚═╩══╩═╩═╩═╩╝╚╩═╩═╝
☆┌─┐ ┌─┐☆
│▒│ /▒/
│▒│/▒/
│▒ /▒/─┬─┐
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┌┴─┴─┐-┘─┘
│▒┌──┘▒▒▒│
└┐▒▒▒▒▒▒┌┘
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Lyrics:
Once I was 7 years old
My mama told me,
"Go make yourself some friends, or you'll be lonely."
Once I was 7 years old
It was a big, big world, but we thought we were bigger
Pushing each other to the limits, we were learning quicker
By 11, smoking herb and drinking burning liquor
Never rich, so we were out to make that steady figure
Once I was 11 years old
My daddy told me,
"Go get yourself a wife, or you'll be lonely."
Once I was 11 years old
I always had that dream, like my daddy before me
So I started writing songs, I started writing stories
Something about that glory, just always seemed to bore me
'Cause only those I really love will ever really know me
Once I was 20 years old
My story got told
Before the morning sun, when life was lonely
Once I was 20 years old
I only see my goals, I don't believe in failure
'Cause I know the smallest voices, they can make it major
I got my boys with me, at least those in favor
And if we don't meet before I leave, I hope I'll see you later
Once I was 20 years old
My story got told
I was writing about everything I saw before me
Once I was 20 years old
Soon we'll be 30 years old
Our songs have been sold
We've traveled around the world, and we're still roaming
Soon we'll be 30 years old
Soon I'll be 60 years old
Will I think the world is cold,
or will I have a lot of children who can warm me.
Soon I'll be 60 years old
Soon I'll be 60 years old
Will I think the world is cold,
or will I have a lot of children who can warm me.
Soon I'll be 60 years old
Once I was 7 years old
My mama told me,
"Go make yourself some friends, or you'll be lonely."
Once I was 7 years old
Once I was 7 years old
